Yes, My Darling Daughter

Last updated
"Yes, My Darling Daughter"
Song
Written1940
Songwriter(s) Jack Lawrence

"Yes, My Darling Daughter" is a 1940 song by Jack Lawrence first introduced by Dinah Shore on Eddie Cantor's radio program on October 24, 1940. It was Shore's first solo record, released by Bluebird, and peaked at No. 10 on the Billboard magazine chart. [1]

Contents

Тhe music

The music used by Lawrence was borrowed from a Ukrainian folk-song "Oi ne khody, Hrytsju", [2] which is in turn based on a melody by Catterino Cavos from his vaudeville The Cossack-Poet.; [3] [4] [5] [6] In its first appearance in the Cavos vaudeville the melody had an entirely different text: "Yes, of course, he is my lover..." ("Так, конечно, он мой милый..."). [7]

Musical structure

Israeli musicologist Yakov Soroker posited the end of the first melodic phrase of "Oi ne khody Hrytsiu" contains a "signature" melody common in Ukrainian songs in general which he calls the "Hryts sequence" and gives a list of hundreds of Ukrainian folk songs from the Carpathians to the Kuban that contain this particular sequence. His estimation, after studying Z. Lysko's collection of 9,077 Ukrainian melodies was that 6% of Ukrainian folk songs contain the sequence. [8]

Other scholars have also addressed the unique character and expressiveness of the Hryts sequence, such as Alexander Serov, who stated that "the refrain exudes a spirit of freedom that transports the listener to the steppes and is mixed with the sorrow of some unexpected tragedy." [9]

Soroker notes the Hryts signature was used by composers Joseph Haydn (String Quartet no. 20, op. 9, no. 2; String quartet no. 25, op. 17, no 1; The Saviour's Seven last Words on the Cross, the Rondo of the D major Piano Concerto [composed 1795], Andante and variations for piano [1793]), Luigi Boccherini (duet no. 2), Wolfgang A. Mozart (Symphonia concertante K. 364), L. van Beethoven, J. N. Hummel, Carl Maria von Weber, Franz Liszt (Ballade d'Ukraine), Felix Petyrek, Ivan Khandoshkin, and others. [8]

Notable recordings

Related Research Articles

<span class="mw-page-title-main">Goodnight, Irene</span> American folk song

"Goodnight, Irene" or "Irene, Goodnight," is a 20th-century American folk standard, written in 3
4
time, first recorded by American blues musician Huddie 'Lead Belly' Ledbetter in 1933. A version recorded by the Weavers was a #1 hit in 1950.

"Can Anyone Explain? " is a popular song written by Bennie Benjamin and George David Weiss and published in 1950.

"The Breeze and I" is a popular song.

"(Why Did I Tell You I Was Going To) Shanghai" is a popular song written by Bob Hilliard (lyricist) and Milton De Lugg (composer).

<span class="mw-page-title-main">Marusia Churai</span>

Maria or Marusia Churai (1625–1653) was a semi-mythical Ukrainian Baroque composer, poet, and singer. She has become a recurrent motif in Ukrainian literature and the songs ascribed to her are widely performed in Ukraine.

<span class="mw-page-title-main">Play a Simple Melody</span>

"Play a Simple Melody" is a song from the 1914 musical, Watch Your Step, with words and music by Irving Berlin. The show was the first stage musical that Berlin wrote. It ran for 175 performances at the New Amsterdam Theater in New York City. The one song from the show that is well-remembered today is "Play a Simple Melody," one of the few true examples of counterpoint in American popular music — a melody running against a second melody, each with independent lyrics. In the printed music, first the "simple melody" plays alone. Then comes the contrasting melody. Finally, the two play together. The lyrics of "Play a Simple Melody" also track the counterpoint duet in that one singer yearns for the music which mother sang, but the other singer disdains such classic fare as lacking interest and rhythm. When "Play a Simple Melody" was published, ragtime was in its heyday, led by its most consummate composer, Scott Joplin. In a famous 1916 recording of the song, while Elsie Baker wants what she considers simplicity, Billy Murray explicitly asks for "rag". The song was also recorded by Walter Van Brunt and Mary Carson in 1915.

"Skylark" is an American popular song with lyrics by Johnny Mercer and music by Hoagy Carmichael, published in 1941.

<span class="mw-page-title-main">Moonlight Bay</span> Song

"Moonlight Bay" is a popular song. It is commonly referred to as "On Moonlight Bay". The lyrics were written by Edward Madden, the music by Percy Wenrich, and was published in 1912. It is often sung in a barbershop quartet style. Early successful recordings in 1912 were by the American Quartet and by Dolly Connolly.

"The One I Love (Belongs to Somebody Else)" is a popular song composed by Isham Jones with lyrics by Gus Kahn. The song was recorded by Isham Jones' Orchestra on December 21, 1923, at Brunswick Studios in New York City, and published on January 7, 1924. On January 17 in Chicago, Jones recorded another version, with Al Jolson on lead vocals. Both versions made the charts that Spring, with Jolson's peaking at number 2, and Jones' at number 5. Sophie Tucker recorded her version February 1924, released on Okeh 40054.

<span class="mw-page-title-main">Rock-a-Bye Your Baby with a Dixie Melody</span> 1918 single by Al Jolson

"Rock-a-Bye Your Baby with a Dixie Melody" is a popular song written by Jean Schwartz, with lyrics by Sam M. Lewis and Joe Young. The song was introduced by Al Jolson in the Broadway musical Sinbad and published in 1918.

"(I Love You) for Sentimental Reasons" is a popular song written by Ivory "Deek" Watson, founding member of the Ink Spots and of the Brown Dots, and William "Pat" Best, founding member of the Four Tunes.

"Flamingo" (1940) is a popular song and jazz standard written by Ted Grouya with lyrics by Edmund Anderson and first recorded by singer Herb Jeffries and the Duke Ellington Orchestra on December 28, 1940, for Victor Records. This briefly reached the Billboard charts in 1941.

"Sugar", also known as "That Sugar Baby o' Mine", is a popular song by Maceo Pinkard, his wife Edna Alexander and Sidney D. Mitchell. Recorded by Ethel Waters on February 20, 1926, it soon achieved chart success.

"For Me and My Gal" is a 1917 popular standard song by George W. Meyer with lyrics by Edgar Leslie and E. Ray Goetz. Popular recordings of the song in 1917 were by Van and Schenck; Prince's Orchestra; Henry Burr and Albert Campbell; and by Billy Murray.

"'Deed I Do" is a 1926 jazz standard composed by Fred Rose with lyrics by Walter Hirsch. It was introduced by vaudeville performer S. L. Stambaugh and popularized by Ben Bernie's recording. It was recorded by influential clarinetist and bandleader Benny Goodman as his debut recording in December 1926 with Ben Pollack and His Californians. Ruth Etting's rendition of the song became a top ten hit in 1927 as did the version by Johnny Marvin.

"Ciribiribin"[tʃiribiriˈbin] is a merry Piedmontese ballad, originally in three-quarter time, composed by Alberto Pestalozza in 1898 with lyrics by Carlo Tiochet. It quickly became popular and has been recorded by many artists. Decades later it enjoyed continued popularity with swing and jazz bands, played in four-four time.

<span class="mw-page-title-main">Poinciana (song)</span> Song composed by Nat Simon and Buddy Bernier (1936)

"Poinciana" is a song by Nat Simon with english lyrics by Buddy Bernier and spanish lyrics written in 1936 by Manuel Lliso.

"Sweet Sue, Just You" is an American popular song of 1928, composed by Victor Young with lyrics by Will J. Harris. Popular versions in 1928 were by Earl Burtnett and by Ben Pollack.

"Ruby" is the 1952 theme song for the film Ruby Gentry starring Jennifer Jones, written by Mitchell Parish and Heinz Roemheld. There were six chartered versions of the song in 1953.

<span class="mw-page-title-main">That's How Much I Love You (Eddy Arnold song)</span> 1946 single by Eddy Arnold and his Tennessee Plowboys

"That's How Much I Love You" is a country music song written by Arnold, Fowler, and Hall, sung by Eddy Arnold, and released in 1946 on the RCA Victor label. In October 1946, it reached No. 2 on the Billboard folk chart. It was also ranked as the No. 10 record on the Billboard 1946 year-end folk juke box chart.

References

  1. Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890–1954. Wisconsin: Record Research. p.  388. ISBN   0-89820-083-0.
  2. Shevchenko, Taras (1 October 2013). Kobzar: The Poetry of Taras Shevchenko. Glagoslav Publications. pp. 106–. ISBN   978-1-909156-56-2 . Retrieved 22 December 2018.
  3. "Украинская народная песня «Ой не ходи, Грицю, та й на вечорниці...»". 5 August 2022.
  4. "Ruthenia".
  5. Ringer, Alexander L. (8 January 2016). Early Romantic Era: Between Revolutions, 1789 and 1848. Springer. pp. 247–. ISBN   978-1-349-11297-5 . Retrieved 22 December 2018.
  6. "Suchasnist'" magazine - 2006, Issues 7-12 - Page 138
  7. Andrei Sikhra - "Selected Arias from the opera "Cossack-poet" by C.Cavos, St.Petersburg 1827
  8. 1 2 Yakov Soroker Ukrainian Elements in Classical Music, CIUS Press, Edmonton-Toronto, 1995 p. 126
  9. Alexander Serov, Muzyka Ukrainskyx pesen. Izbrannii stat'i, Moscow and Leningrad 1950, Volume 1, p. 119
  10. "The Online Discographical Project". 78discography.com. Retrieved December 17, 2017.
  11. British Hit Singles & Albums. London: Guinness World Records. 2004. p. 216. ISBN   1-904994-00-8.
  12. Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890–1954. Wisconsin: Record Research. p.  311. ISBN   0-89820-083-0.