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Ying Zhu is Professor Emeritus at the City University of New York and Director of the Center for Film and Moving Image Research in the Academy of Film, Hong Kong Baptist University. [1] Zhu is the Founder and Chief Editor of Global Storytelling: Journal of Digital and Moving Images
A leading scholar in film and media, Ying Zhu’s research areas encompass Chinese cinema and media, Sino-Hollywood relations, and TV dramas. Zhu has published ten books, including Hollywood in China: Behind the Scenes of the World's Largest Movie Market [2] [3] (2022), Soft Power with Chinese Characteristics: China's Campaign for Hearts and Minds (Coedited with Stanley Rosen and Kingsley Edney), [4] [5] Two Billion Eyes: The Story of China Central Television (2014) [6] [7] [8] and Art, Politics, and Commerce in Chinese Cinema (2010). [9]
Her first research monograph, Chinese Cinema During the Era of Reform: The Ingenuity of the System (2003) pioneered the study on history of Chinese film studios. [10] [11] [12] Her second research monograph, Television in Post-Reform China: Serial Drama, Confucian Leadership and the Global Television Market (2008), [13] [14] [15] together with two edited books in which her work featured—TV China (2009) [16] and TV Drama in China (2008)—pioneered the subfield of Chinese TV drama studies in the West. [17] Her latest research monograph, Hollywood in China: Behind the Scenes of the World's Largest Movie Market explores how movies have become one of the biggest areas of competition between the world’s two remaining superpowers.
Zhu reviews manuscripts for major publications and evaluates grant proposals for research foundations in Australia, Canada, Hong Kong, Sweden, the U.K., and the U.S. Zhu also produces current affairs documentary films, including Google vs. China (2011) [18] and China: From Cartier to Confucius (2012), both screened on the Netherlands Public Television. [19]
Zhu is founder and editor in chief of Global Storytelling an international and interdisciplinary forum for intellectual debates concerning the politics, economics, culture, media, and technology of the moving image.
Zhu received a 2006 National Endowment for the Humanities Fellowship, a 2008 American Council of Learned Societies Fellowship, and a 2017 Fulbright Senior Research Fellowship. [20]
The cinema of China is the filmmaking and film industry of the Chinese mainland under the People's Republic of China, one of three distinct historical threads of Chinese-language cinema together with the cinema of Hong Kong and the cinema of Taiwan.
China Central Television is a national television broadcaster of China, established in 1958 as a propaganda outlet. Its 50 channels broadcast a variety of programming to more than one billion viewers in six languages. CCTV is operated by the National Radio and Television Administration which reports directly to the Chinese Communist Party (CCP)'s Central Propaganda Department.
CSI: Crime Scene Investigation, also referred to as CSI and CSI: Las Vegas, is an American procedural forensics crime drama television series that ran on CBS from October 6, 2000, to September 27, 2015, spanning 15 seasons. This was the first in the CSI franchise, and starred William Petersen, Marg Helgenberger, Gary Dourdan, George Eads, Jorja Fox, Ted Danson, Laurence Fishburne, Elisabeth Shue and Paul Guilfoyle. The series concluded with a feature-length finale, "Immortality". A follow-up series, CSI: Vegas, premiered in 2021.
CSI: Miami is an American police procedural drama television series that ran from September 23, 2002 until April 8, 2012 on CBS. Featuring David Caruso as Lieutenant Horatio Caine, Emily Procter as Detective Calleigh Duquesne, and Adam Rodriguez as Detective Eric Delko, the series is the first direct spin-off of CSI: Crime Scene Investigation, "transplanting the same template and trickery—gory crimes, procedural plot and dazzling graphics—into [a new city] while retaining the essence of the original idea".
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.
Chinese television dramas, sometimes colloquially known as C-dramas or C-dorama, are television dramas originating from China or the Greater China region. China produces more television dramas than any other country. The most popular genre of dramas in China is fantasy romance, with 47 of the 50 most watched dramas in the country in 2016 being in this genre. Chinese television dramas are popular and regularly broadcast throughout Asia; particularly in Vietnam, Malaysia, Singapore, Thailand, Indonesia, the Philippines, Sri Lanka and Cambodia.
Feng Xiaogang is a Chinese film director, screenwriter, actor, producer and politician. He is well known in China as a highly successful commercial filmmaker whose comedy films do consistently well at the box office, although Feng has broken out from that mold by making some drama and period drama films. Feng was a member of the 12th National Committee of the CPPCC.
John Russell Taylor is an English critic and author. He is the author of critical studies of British theatre; of critical biographies of such figures in film as Alfred Hitchcock, Alec Guinness, Orson Welles, Vivien Leigh, and Ingrid Bergman; of Strangers in Paradise: The Hollywood Emigres 1933–1950 (1983); and several books on art.
Ermo is a Chinese comedy/drama film, released in 1994 and directed by Zhou Xiaowen. It is essentially a satire on Western consumerism and its influence on Chinese culture.
Taiwan Television Enterprise, Ltd., commonly known as TTV and formerly known as Central Television and Voice of Taiwan, is the first terrestrial television station in the Republic of China (Taiwan). It was established on April 28, 1962, and started formally broadcasting later that year on October 10, 1962, as free-to-air. It is the first television company in Taiwan.
The television industry in China includes high-tech program production, transmission and coverage. China Central Television is China's largest and most powerful national television broadcaster. By 1987, two-thirds of people in China had access to television, while today, over 3,000 channels are available in the country.
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Olatokunbo Susan Olasobunmi Abeke "Toks" Olagundoye is a Nigerian actress. She is known for her role as Hayley Shipton in Castle, Jackie Joyner-Kersee in the ABC TV sitcom The Neighbors, Mel Medarda in the animated Netflix series Arcane, Countless Cleo in Carmen Sandiego and Nanefua Pizza in Steven Universe.
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Guzhuang, also called ancient-style dress, refers to a style of Chinese costume attire which are styled or inspired by ancient Chinese clothing. Guzhuang is typically used as stage clothes in Chinese opera and in Chinese television drama, such as in period drama which are normally set in imperial China prior to 1911, and in the Wuxia and Xianxia genre. While the style of guzhuang is based on ancient Chinese clothing, guzhuang show historical inaccuracies.
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