The Land of Rape and Honey is the third studio album by American industrial metal band Ministry, released on October 11, 1988 by Sire Records. The album marked a departure from the band's previous two synthpop and EBM records, expanding on several elements introduced in their preceding album Twitch. The less-commercial, industrial-laced collection of tracks incorporates elements of heavy metal such as fast electric guitar riffs, although only the album's first three songs use guitars extensively.
Pretenders II is the second studio album by British rock band the Pretenders, issued on Sire Records in August 1981. It incorporates two songs that had been released as singles in the UK and placed on an EP in the US. It peaked at #7 on the UK Albums Chart and #10 on the Billboard 200, and has been certified a gold record for sales by the RIAA. It is the final album by the original line-up, as the following year bassist Pete Farndon was dismissed and guitarist James Honeyman-Scott died in the same week. Farndon died in 1983, and a new line-up would make the band's next album, Learning to Crawl.
Todd Daniel Snider is an American singer-songwriter with a musical style that combines Americana, alt-country, and folk.
Primitive Radio Gods is an American alternative rock band from Southern California. Current members consist of frontman Chris O'Connor, who performs vocals and bass; percussionist Tim Lauterio; and Luke McAuliffe, who contributes various additional instrumentation as well as much of the art that has appeared on the band's albums and website. Former member Jeff Sparks wrote, sang, and played bass before leaving the band to pursue other music projects in 2001.
Dusty in Memphis is the fifth studio album by English singer Dusty Springfield. Initial sessions were recorded at American Sound Studio in Memphis, while Springfield's final vocals and the album's orchestral parts were recorded at Atlantic Records' New York City studios. The album was released on 18 January 1969 in the United States by Atlantic, and Philips Records distributed the record outside the U.S. To make the album, Springfield worked with a team of musicians and producers that included Jerry Wexler, Arif Mardin, Tom Dowd, conductor Gene Orloff, backing vocalists The Sweet Inspirations, bassist Tommy Cogbill, and guitarist Reggie Young.
Truth is the debut studio album by English guitarist Jeff Beck, released in 29 July 1968 in the United Kingdom on Columbia Records and in the United States on Epic Records. It introduced the talents of his backing band the Jeff Beck Group, specifically Rod Stewart and Ronnie Wood, to a larger audience, and peaked at number 15 on the Billboard 200.
Live at the Roxy Theatre is a live album released by Brian Wilson in 2000. After a successful period of touring following the release of Imagination, Wilson decided to record his first-ever live solo album. Accompanied by his supporting band, Wilson recorded the album during a pair of shows at the Roxy Theatre in West Hollywood.
Clem Snide is an alt-country band featuring Eef Barzelay, Brendan Fitzpatrick (bass) and Ben Martin (drums).
SpinART Records was a New York City-based independent record label that released recordings by The Apples in Stereo, Clem Snide, Frank Black, and Michael Penn.
Thomas Alden Page was an American singer-songwriter, best known for his 1990 hit single "I'll Be Your Everything" and was later a music industry executive. He appeared on an 1992 episode of Full House, being the object of both DJ and Stephanie's affections.
End of Love is the fifth full-length album by indie rock band Clem Snide. The album includes longtime live staple "Weird," as well as "Made for TV Movie," a song about Lucille Ball which includes a duet between lead singer Eef Barzelay and the daughter of one of the album's guest musicians.
A Beautiful EP is an EP release by indie rock band Clem Snide. It was released primarily to capitalize on the band's performance of the Christina Aguilera single "Beautiful" during live shows.
Moment in the Sun is an EP by indie rock band Clem Snide. The release was intended to capitalize on the success of the song "Moment in the Sun," which was featured as the theme song to the NBC program Ed during its second season. It featured an edit of the title track plus some b-sides of prior singles released in Europe.
You Were a Diamond is the debut album from indie rock band Clem Snide. It was originally released in 1998 on Tractor Beam Records, and later reissued on spinART. It received favorable reviews and landed the band a following playing clubs in the Northeastern United States. As of 2002, it had sold about 1,000 copies.
Evolution is the first of two albums released in 1967 by British pop rock band the Hollies. The album peaked at number 13 in the UK album chart.
Ifar "Eef" Barzelay is an Israeli-American musician. He is the principal songwriter and singer of alternative country band Clem Snide, but has also toured as a solo act, both as a headliner and in support of various artists such as Ben Folds.
piouhgd is the fifth studio album by American alternative rock band Butthole Surfers, released in 1991 on Rough Trade Records. The album was reissued on Capitol Records in 1992, due to the album being out-of-print following the American branch of Rough Trade closing its doors the previous year. Capitol had bought the rights to the album after its initial release, in order to lure the Butthole Surfers away from other labels. The album was reissued yet again in October 2007 by Butthole Surfers' own label, Latino Buggerveil, and included the four songs from their 1989 EP Widowermaker as bonus tracks.
The Meat of Life is the seventh studio album by indie rock band Clem Snide, released on February 23, 2010 on 429 Records. It is the first entirely new album by the band since singer Eef Barzelay's brief stint as a solo artist.
Hyperbubble is an international visual and performing arts electropop/synth-pop duo from San Antonio, Texas, formed by Jeff DeCuir and Jess Barnett DeCuir. The music of this American group is variously described as "early Eurythmics meets Josie and the Pussycats," referencing "markers such as New Musik, the Normal and Thomas Dolby." Their songs are "catchy synth pop that mixes kitsch, retrofuturism and pop art in a chrome blender and sets the contents jiggling to a hypnotic robo-rhythm" with "lyrics that offer quirky takes on SF tropes from cyborgs and clones to ray guns and erotic surveillance."
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