A major contributor to this article appears to have a close connection with its subject.(February 2020) |
Yucef Merhi | |
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Born | Caracas | February 8, 1977
Nationality | Venezuelan |
Movement | Digital Art and New Media Art |
Yucef Merhi (born February 8, 1977) is a Venezuelan artist, poet and computer programmer based in New York. [1]
Yucef Merhi was born in Caracas, Venezuela. He studied at Universidad Central de Venezuela, New School University, [1] and holds a Master's in Interactive Telecommunications from New York University. [2]
Merhi has produced a variety of works that engage electronic circuits, computers, video game systems, [3] touch screens, and other devices in the presentation of his written words. One example is Poetic Clock, a machine that converts time into poetry, generating 86,400 different poems daily. [4] The resulting artworks expand the limitations of language and the traditional context of poetry.[ citation needed ] His 2012 commissioned work for the Los Angeles County Museum of Art, Quetzalcoatl 2.0.1.2., was a web-based work that "aims to reveal the voice of Quetzalcoatl in the technological reality of 2012 A.D." [5]
Rodolfo Abularach was a Guatemalan painter and printmaker of Palestinian descent.
Venezuelan art has a long history. Initially dominated by religious motifs, art in Venezuela began emphasizing historical and heroic representations in the late 19th century, a move led by Martín Tovar y Tovar. Modernism took over in the 20th century. Notable Venezuelan artists include Arturo Michelena, Cristóbal Rojas, Armando Reverón, Manuel Cabré, the kinetic artists Jesús-Rafael Soto and Carlos Cruz-Diez, the Meta-realism artist Pajaro and Yucef Merhi.
Jorge Blanco is a Venezuelan-born American artist, who emigrated to the United States in 1999. He has spent his professional career working as a sculptor, graphic designer and illustrator. His work is in public sites in the United States, South America and Japan. Blanco is an international artist who has created a sculptural language over more than thirty years. Blanco has placed 25 public art sculptures in large format across the globe. In addition to public art, Blanco continues his life trajectory with collectible sculptures, his comic strip "The Castaway," and furniture design. His artworks form part of sales in auction houses such as Sotheby's and Christie's. In 1971, Blanco graduated as an industrial designer from the Neumann Institute of Design in Caracas, Venezuela. Under the mentorship of European artists living as expatriates in Caracas, Blanco learned to integrate industrial design with creative processes. His instructors were predominantly artists, such as Gego and Cornelis Zitman, who emphasized artistry in their classrooms. Blanco graduated with a degree in industrial design upon the completion of his first furniture line for children, which was a thesis project. Immediately after graduation Blanco began his career as a sculptor, freelance graphic designer and furniture designer. In the late 70s he studied at Rome's Academy of Fine Arts. During his stay in Europe Blanco also uncovered the world of cartoonists. This discovery led Blanco to create the comic strip, "The Castaway." In 1980, "The Castaway" made its debut in El Diario de Caracas. T Castaway was widely disseminated across the city, including the city's metro system. Eight books have been published on Blanco's "The Castaway." As "The Castaway" continued to live its success, Blanco illustrated more than twenty storybooks for children and countless educational books. His accomplishments as illustrator led him to El Museo de los Niños, where he served as Creative Director for twenty years.Like the work of his primary influences, Klee, Miró, Herbin and Calder, Blanco's presents his sculptures in primary colors. Blanco's largest body of work has been created and fabricated in the United States, where he lives and works since 1999. His artwork has received multiple accolades.
Carlos Cruz-Diez was a Venezuelan artist said by some scholars to have been "one of the greatest artistic innovators of the 20th century."
Jaime Davidovich was an Argentine-American conceptual artist and television-art pioneer. His innovative artworks and art-making activities produced several distinct professional reputations including painter, installation artist, video artist, Public-access television cable TV producer, activist, and non-profit organizer. He is the creator of legendary downtown Manhattan cable television program The Live! Show (1979–1984). Billed as "the variety show of the avant-garde", The Live! Show was an eclectic half-hour of live, interactive artistic entertainment inspired by the Dada performance club Cabaret Voltaire and the anarchic humor of American television comedian Ernie Kovacs.
Danilo Dueñas, has been a professor at the Art Department of the University of The Andes, the School of Fine Arts of the National University of Colombia and at the Faculty of Fine Arts of the Jorge Tadeo Lozano University since 1990. In 1995, he participated in the exhibitions Mesótica and Transatlántica, curated by Carlos Basualdo at the Museum of Contemporary Art and Design in San José de Costa Rica and the Alejandro Otero Museum of Visual Arts in Caracas, respectively. In 1999, he was the recipient of the Johnnie Walker in the Arts Award granted by Paulo Herkenhoff, for his installation "Espacio Preservado II", presented at the Luis Ángel Arango Library. In 2001, two simultaneous retrospective exhibitions of his works were held at the Museum of Modern Art in Bogotá and the Museum of Art of the National University of Colombia. In 2003, another retrospective exhibition was held at the Museum of Contemporary Art of Caracas. In 2006, he was the international guest at the Caracas FIA and in 2008 he presented "Dentro del espacio expositivo" at Periférico Caracas, curated by Jesus Fuenmayor. His works are also represented in the Museum of Fine Arts in Caracas and the Museum of Modern Art in Rio de Janeiro. He is now part of the Artist Pension Trust Mexico. During the year 2011, Danilo Dueñas was a guest of the Artists-in-Berlin Programme of the DAAD.
Joel Gerardo Casique was an artist who formed the Escuela Cristóbal Rojas de Caracas. He obtained an art degree at the Art Students League of New York. He has exhibited his work in galleries and museums in Venezuela, the United States, and Aruba; he has also participated in national and international fairs, including the sixteenth and seventeenth Ferias Iberoamericanas de Arte (FIA) in Caracas; the 2007 Latin American Art Fair in Miami; and the 2006 Feria Internacional de Arte de Bogotá (ARTBO) in Bogotá, Colombia.
Dario Ortiz Robledo is a Colombian artist.
Harry Abend, OFM was a Polish-born Venezuelan sculptor and architect.
Carlos J. Tirado Yepes, is a Venezuelan artist, painter and sculptor who has developed a very personal and precise work line linked to Neo-pop art. With plenty of personal art exhibitions, Tirado Yepes has participated in numerous collective exhibitions, receiving different awards like III Premio de Escultura del Certamen Aires de Córdoba in 2004 and other recognitions, among them, in the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005).
National Prize of Plastic Arts of Venezuela is an annual award given to various artists from that country, specifically the field of drawing, printmaking and drawing pictorial. It is one of the National Culture Awards.
Rogelio Polesello was an Argentine painter, muralist and sculptor. He was best known for making Op art known in Latin America. He won two Konex Awards; one in 1982 and another in 2012. He was born in Buenos Aires.
Luis Pérez-Oramas is a Venezuelan/American poet, art historian and curator. He is the author of eleven poetry books, seven recollections of essays, and numerous art exhibition catalogs. He has contributed as Op-Ed author to national newspapers in Venezuela as well as to various literary and art magazines in the U.S, Latin America and Europe.
Muu Blanco, is a multidisciplinary Venezuelan artist. He works in the plastic arts, performance, drawing, photography, electronic music, conceptual video, and handbag design. His compositions have been presented locally as well as internationally, including in cities like: New York City, Berlin, Miami, Barcelona, Bogota, Buenos Aires, London, Vancouver and Milan. His work has been regarded as a criticism to power, wealth and narcissism, as well as commentary on the urban landscape of modern Caracas.
Patricia "Patty" Phelps de Cisneros is a Venezuelan-born Dominican art collector and philanthropist who focuses on Latin American modernist and contemporary art from Brazil, Venezuela, and the Río de la Plata region of Argentina and Uruguay. Since the 1970s Cisneros has supported education and the arts, with a particular focus on Latin America. Along with her husband, Gustavo A. Cisneros, she founded the New York City and Caracas-based Fundación Cisneros. In the 1990s the Fundación's primary art-related program became the Colección Patricia Phelps de Cisneros. In 2016, Cisneros donated 102 modern and contemporary artworks from the 1940s to 1990s to the Museum of Modern Art, establishing the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America at MoMA.
Alirio Palacios was a Venezuelan visual artist known for his drawings, graphic designing, printmaking and sculpture. Horse figures were often motifs of his graphic art and sculpture, an obsession he developed during his long stay in China. Among other awards, Palacios won the National Prize of Plastic Arts of Venezuela in 1977. His work is on display in museums and public sites internationally, including the presidential Palace and the National Supreme Court in Caracas, the Casa de Las Américas in Havana, and the University of Edinburgh where Palacio's portrait of the first Venezuelan President José María Vargas is on permanent display.
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Caracas Museum of Contemporary Art is a museum of modern art located in the Parque Central Complex in Caracas, Venezuela. It was founded on 30 August 1973 by the journalist and art patron Sofía Ímber, also its director from 1973 to her dismissal in the Chavist cultural revolution of 2001. It opened in 1974 and was the first museum in Venezuela to offer a specialist art library, a formal children's and adults' learning area, a special education department for the blind, and a multimedia arts centre.