Zoom HD8 and HD16

Last updated

Zoom HD8 and HD16 are digital multitrack recording devices manufactured by Zoom Corporation. HD8 and HD16 were presented at the Winter NAMM Show in 2007 as the successor of MRS-1608. [1] The HD8 and HD16 models have been discontinued in December 2009.

Contents

Differences between HD8 and HD16

HD8 and HD16 have similar technical characteristics. The main differences between the models are:

File Formats

HD8/16 stores digital audio as monaural Waveform Audio File Format files. Stereo tracks are recorded as two monaural files.

Digital audio can be imported into HD8/16 in Audio Interchange File Format (AIFF) or Waveform Audio File Format (WAV).

MIDI files can be imported as Format 0 Standard MIDI File (SMF), then the unit can play the file with internal instruments or drive an external MIDI unit.

Related Research Articles

<span class="mw-page-title-main">Sound card</span> Expansion card that provides input and output of audio signals

A sound card is an internal expansion card that provides input and output of audio signals to and from a computer under the control of computer programs. The term sound card is also applied to external audio interfaces used for professional audio applications.

<span class="mw-page-title-main">Nagra</span> Series of audio recorders produced by Kudelski SA

Nagra is a brand of portable audio recorders produced from 1951 in Switzerland. Beginning in 1997 a range of high-end equipment aimed at the audiophile community was introduced, and Nagra expanded the company's product lines into new markets.

<span class="mw-page-title-main">Mastering (audio)</span> Form of audio post-production

Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device, the source from which all copies will be produced. In recent years, digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering.

<span class="mw-page-title-main">Multitrack recording</span> Separate recording of multiple sound sources to create a cohesive whole

Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.

<span class="mw-page-title-main">Monaural</span> Sound intended to be heard as if it were emanating from one position

Monaural or monophonic sound reproduction is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers. Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is "panned" to the center. In the final stage, the various center-panned signal paths are usually mixed down to two identical tracks, which, because they are identical, are perceived upon playback as representing a single unified signal at a single place in the soundstage. In some cases, multitrack sources are mixed to a one-track tape, thus becoming one signal. In the mastering stage, particularly in the days of mono records, the one- or two-track mono master tape was then transferred to a one-track lathe used to produce a master disc intended to be used in the pressing of a monophonic record. Today, however, monaural recordings are usually mastered to be played on stereo and multi-track formats, yet retain their center-panned mono soundstage characteristics.

<span class="mw-page-title-main">Pro Tools</span> Digital audio workstation

Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology for Microsoft Windows and macOS. It is used for music creation and production, sound for picture and, more generally, sound recording, editing, and mastering processes.

<span class="mw-page-title-main">Digital audio workstation</span> Electronic device or application software used for recording, editing and producing audio files

A digital audio workstation is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece.

<span class="mw-page-title-main">Audio editing software</span> Computer system for manipulating audio

Audio editing software is any software or computer program which allows editing and generating audio data. Audio editing software can be implemented completely or partly as a library, as a computer application, as a web application, or as a loadable kernel module. Wave editors are digital audio editors. There are many sources of software available to perform this function. Most can edit music, apply effects and filters, and adjust stereo channels.

<span class="mw-page-title-main">Adobe Audition</span> Digital audio workstation

Adobe Audition is a digital audio workstation developed by Adobe Inc. featuring both a multitrack, non-destructive mix/edit environment and a destructive-approach waveform editing view.

<span class="mw-page-title-main">Soundtrack Pro</span> Former music software from Apple Inc.

Soundtrack Pro is a discontinued music composing and audio editing application made by Apple Inc. It included a collection of just over 5,000 royalty free professional instrument loops and sound effects for use. The software was featured in the Logic Studio and Final Cut Studio software bundles; It was discontinued with the release of Final Cut Pro X, Motion 5, and Compressor 4.

<span class="mw-page-title-main">Stereophonic sound</span> Method of sound reproduction using two audio channels

Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers in such a way as to create the impression of sound heard from various directions, as in natural hearing.

The DTX range consists of electronic drum kits and percussion controllers manufactured by the Yamaha Corporation. They currently cover levels from entry-level to pro-range. DTX kits use sampling for their sounds, meaning each kit has built-in digital recordings of real drums, and cymbals. When the drum or cymbal pads are hit, the digital recordings are played back to replicate what is being played. On all kits, the sounds are editable – the pitch can be made higher or lower (tuned) and many other features. The higher the range of the DTX, the more functions there are editable.

<i>The Pet Sounds Sessions</i> 1997 box set by The Beach Boys

The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997, by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.

<span class="mw-page-title-main">Yamaha Motif</span> Series of music workstations

The Yamaha Motif is a series of music workstation synthesizers, first released by Yamaha Corporation in August 2001. The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G. The series' successor is Yamaha Montage, released in 2016, followed up by the Yamaha Montage M in 2023.

<span class="mw-page-title-main">Roland MC-808</span>

The MC-808 is a groovebox introduced by Roland in 2006. It is the successor to the late Roland MC-303, Roland MC-307, Roland MC-505 and Roland MC-909.

<span class="mw-page-title-main">Zoom H4 Handy Recorder</span> Digital recording device

The H4 Handy Recorder is a handheld digital audio recorder from Zoom, featuring built-in condenser microphones in an X-Y stereo pattern, priced from around US$280 depending upon memory capacity as of 2011.

<span class="mw-page-title-main">History of multitrack recording</span>

Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other. Because they are carried on the same medium, the tracks stay in perfect synchronization, while allowing multiple sound sources to be recorded at different times.

<span class="mw-page-title-main">Zoom H2 Handy Recorder</span>

The H2 Handy Recorder is a handheld digital audio recorder from Zoom first announced at the NAMM Show in February 2007. It records very high quality digital stereo or 4-channel audio on a hand-held unit, and has been called "the studio on a stick."

<span class="mw-page-title-main">Audio mixing (recorded music)</span> Audio mixing to yield recorded sound

In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.

<span class="mw-page-title-main">Home audio</span> Audio electronics for home entertainment

Home audio systems refer to audio consumer electronics designed for home entertainment, such as integrated systems like shelf stereos and music centers, as well as individual components like loudspeakers and surround sound receivers. The evolution of home audio began with Edison's phonograph, transitioning from monaural to stereophonic sound in the 1950s and 60s. The term "hi-fi" emerged, highlighting sound accuracy and minimal distortion. Audio equipment evolved from large wooden cabinets to compact units. The 1970s introduced enhancements like quadraphonic sound and technologies like Dolby Pro Logic. The 1970s and 1980s also saw the rise of component-based stereo systems. Cassette decks became a staple in the 1970s. Integrated systems, termed "music centers" gained popularity in the 1980s. Table systems and compact radio receivers emerged as entertainment devices, with some offering features like cassette players and CD functionalities. Audiophile systems prioritize high-quality music formats and specialized equipment like premium turntables, digital-to-analog converters, and other high-end devices, with some enthusiasts preferring the unique sound characteristics of vinyl records and vacuum tubes. Modern systems often emphasize home cinema applications to enhance the audio experience beyond standard TV speakers.

References

  1. Zoom HD16 review, Sound on Sound, August 2007