Zoot Suit (play)

Last updated
Zoot Suit
Zoot Suit play.jpg
1979 Broadway Playbill
Music Daniel Valdez and Lalo Guerrero
Lyrics Lalo Guerrero
Book Luis Valdez
BasisThe Sleepy Lagoon murder trial
Productions1979 Broadway
1981 film

Zoot Suit is a play written by Luis Valdez, featuring incidental music by Daniel Valdez and Lalo Guerrero. Zoot Suit is based on the Sleepy Lagoon murder trial and the Zoot Suit Riots. Debuting in 1979, Zoot Suit was the first Chicano play on Broadway. In 1981, Luis Valdez also directed a filmed version of the play, combining stage and film techniques.

Contents

Plot

Zoot Suit tells the story of Henry Reyna and the 38th Street Gang, who were tried for the Sleepy Lagoon murder in Los Angeles, during World War II. After a run-in with a neighboring gang at the local lovers lane, Sleepy Lagoon, the 38th Street Gang gets into a fight at a party, where a young man is murdered. Discriminated against for their zoot suit-wearing Chicano identity, twenty-two members of the 38th Street Gang are placed on trial for the murder, found guilty, and sentenced to life in San Quentin prison. Meanwhile, in Los Angeles, Henry's brother Rudy is beaten and stripped of his zoot suit during the Zoot Suit Riots.

Through the efforts of George and other lawyers, as well as activist-reporter Alice, with whom Henry has a brief romantic encounter, the boys win their court appeal and are freed. The play ends with a Reyna family reunion as Henry returns home and Rudy is about to leave to join the Marines. The scene suggests that it is not the happy ending we expect, however, as multiple endings of Henry's story are suggested: that he returned to prison and drug abuse, died in the war in Korea and was awarded the Medal of Honor posthumously, or married Della and had five children. [1]

Characters

Valdez with Gordon Davidson and the cast of Zoot Suit Luis Valdez and Gordon Davidson with cast of Zoot Suit.jpg
Valdez with Gordon Davidson and the cast of Zoot Suit

Historical context

The Sleepy Lagoon Murder

Zoot Suit is based on the Sleepy Lagoon Murder of 1942 and the Zoot Suit Riots of 1943 in Los Angeles, California. On August 1, 1942 José Díaz was at a birthday party at the Williams Ranch. A disturbance occurred around 11:00 p.m. when a group of twenty white men from the Downey suburb arrived uninvited, complaining about a lack of beer. The group from Downey Gang were kicked out of the party after demanding more beer.

Meanwhile, a group of men and women from 39th street drove their cars to the nearby swimming hole and lovers lane, dubbed "Sleepy Lagoon", also on the Williams Ranch. Among the group were Henry Leyvas and his girlfriend Dora Baca, from whom the characters Henry Reyna and Della are contrived. Also with them was friend Bobby Telles. As the group socialized, three men pulled up and began yelling insults, met equally with words from Leyvas. The three drove off. The 38th street group wandered off until they heard a commotion from the parked cars, where Leyvas and Baca remained. A group of about sixteen men from the Downey gang were beating Leyvas and Baca, prompting members of the 38th street group to defend their friends. After the Downey group left, the group from 38th street gang left to gather more of their group, prior to returning to the Williams Ranch.

The group arrived at Sleepy Lagoon around 1:00 a.m. on the morning of the 2nd, to find no one, so someone suggested the Downey gang had moved to the party at the bunkhouse nearby at the Williams Ranch. At the party, the Downey gang was not to be found. Yet, somehow a fight broke out between the party goers and the 38th street gang. The fight was brief, ending when someone yelled the police were coming. In the aftermath of the fight, the party-throwers, the Delgadillos, discovered the body of José Díaz along the road, who had left the party shortly before the 38th street group arrived. His pockets were turned inside out. He was rushed to a hospital where he died an hour and a half after admission, with a concussion and two stab wounds. The circumstances around Díaz's death still remain undetermined. [2]

The People v. Zammora et al.

In the process of investigating the murder of José Díaz, hundreds of young men and women in the L.A. area were brought in for police processing. Among the suspects arrested, several were severely beaten during questioning, including Henry Leyvas, Lupe Leyvas, Benny Alvarez, and Eugene Carpio, and Manuel Reyes. Twenty-two men were placed on trial as a group, under the defense of seven attorneys in the People v. Zammora et al. George Shibley later joined as an attorney on the case, winning favor from the defendants and their families for his attempts to communicate in Spanish. Alice McGrath was hired by Shibley to take notes on the trial. Though the murder weapon was never produced, after six days of deliberation, only five of the twenty-two young men were found "not guilty." The other seventeen young men were convicted of murdering José Díaz, including Henry Leyvas, who with José Ruíz and Robert Telles, was convicted of murder in the first degree and two counts of assault with a deadly weapon with intent to kill. Leyvas, Ruíz, and Telles were sentenced to life in prison, while the other young men were sentenced to one to five years.

The ruling was reversed in October 1944 and the men were released, due to the efforts of the Sleepy Lagoon Defense Committee, with Alice McGrath as executive secretary. However, many of the young men returned to prison, including Henry Leyvas. [2]

The Zoot Suit Riots

With rising tension between the zoot suiters and military servicemen in the L.A. area, what is known as the Zoot Suit Riots began on June 3, 1943 when a group of sailors claimed to have been robbed and beaten by Pacheco. [3] Servicemen beat zoot suit wearing civilians with clubs and other makeshift weapons, and stripped them of their suits. Approximately ninety-four civilians and eighteen servicemen were treated for serious injuries, with all of the ninety four arrested, but only two of the servicemen. One source claims the Riot continued for five nights, when military and police ended the violence. [2] However, a second source states that the span of the Riots was nine days. [3]

Production history

Stage debut

Zoot Suit premiered at The Mark Taper Forum in Los Angeles on April, 1978. [4] This production with Center Theatre Group marked the first professionally produced Chicano play. [5] The initial ten-day run in April sold out in two days. An audience of season ticket holders and local Mexican-Americans gave standing ovations each evening of the performances at the Mark Taper Forum. A second run began in August and tickets sold out yet again. [4] This extended run was held at the Aquarius Theatre, Los Angeles. [6]

Broadway production

The Broadway production debuted at the Winter Garden Theater on March 25, 1979, and closed on April 29 after 41 performances and 17 previews. The production was directed by Luis Valdez and featured choreography by Patricia Birch. Edward James Olmos' portrayal of El Pachuco earned him a Tony Award nomination for best featured actor in a play, as well as a Theatre World award. [7] Zoot Suit was the second Latino written and directed play produced on Broadway, coming second only to Miguel Piñero's Short Eyes in 1974. While Short Eyes won two Obie Awards, as well as the New York Drama Critics' Circle Award for Best American Play, Zoot Suit ran a mere five weeks on Broadway. [8]

Valdez also directed a filmed version of the play, combining stage and film techniques. [9]

30th anniversary production

In April 2008, Alma Martinez, member of the original 1978 cast of Zoot Suit directed the 30 year anniversary production at Pomona College in Claremont, California. This was the first time since its stage debut in 1978 that Zoot Suit had been produced in the Los Angeles area. The two-week run managed to sell out prior to opening night, despite minimal advertisement, primarily in Latino publications. Many outreach opportunities were taken, including an alumni night, a staff appreciation performance, matinees allowing over 1,000 high school students to attend, and the development of a study guide for students attending the performances.

The alumni event featured a reunion of original 1978 cast members, as well as members of the film version of Zoot Suit. Luis Valdez and Alice McGrath, the community activist on whom Valdez based the character Alice, were given awards. Also in the audience were members of the family of Henry Leyvas, on whom Henry Reyna was based.

In casting the revival, Martinez cast across the Claremont University Consortium in search of Latino students. All of the Chicano roles featured actors making their stage debut, and the majority of the cast was composed of non-theatre majors. Assistant director Shakina Nayfack modified the script to reduce homophobic and sexist language where possible. Martinez cast a female in the traditionally male role of the Press. [10]

Center Theatre Group’s 50th Anniversary

As part of the Center Theatre Group's 50th Anniversary celebration, playwright and director Luis Valdez brought Zoot Suit to the Mark Taper Forum from January 31 to April 2, 2017. [11] The play featured Rose Portillo and Daniel Valdez, who were original cast members from the 1978 production. Instead of reprising their roles of Henry Reyna and Della, respectively, they returned to the stage to play the roles of Henry Reyna's parents. Rose Portillo was delighted to bring Zoot Suit to new audiences and stated, “I’m over the moon. It was a dream come true the first time. It’s a dream come true the second time, to come full circle and to work with Luis at the Taper, where Gordon Davidson and Luis were so influential on my artistic career. I’m looking forward to sharing Zoot Suit with a whole new crop of artists and audiences.” Similarly, Daniel Valdez said, “It’s great to come back to where it all started 38 years ago. I’m looking forward to inhabiting the world of Zoot Suit once again.” Academy Award nominated actor Demián Bichir also starred as El Pachuco. [12]

Criticism

Zoot Suit was well received in its initial production in Los Angeles. In his review for Theatre Journal, Jules Aaron laudes the play for its ability to both entertain and make a political statement. Aaron also notes the emotional content of the play. [13] Richard Eder for The New York Times echoed Aaron's observations that the play is both entertaining and political. He adds that Zoot Suit is a blend of Cantinflas and Brecht. Eder adds his critique that the play is too specific to the Chicano community and lacks universality. [14]

Valdez's play did not receive the same feelings in New York City when it made its Broadway debut. Richard Eder voiced a different opinion of the Broadway staging from when he saw the production in L.A. Eder notes that the design elements lacked harmony, and that Zoot Suit failed to combine entertainment with symbolism, plot, and moral. [15] A week later, a New York Times review by Walter Kerr criticizes Valdez for his use of clichés. Kerr also complains of the lack of emotional connection between Daniel Valdez and Miss Hensel, who play Henry and Alice, respectively. [16]

Music

The songs threaded through Zoot Suit were written by Lalo Guerrero and the playwright's brother Daniel Valdez. [1] Guerrero, known as the father of Chicano music, wrote music detailing the Chicano culture during World War II, resulting in the feature of the songs in Zoot Suit. [17] The music combines boogie-woogie and El Paso's version of R&B. [18]

Related Research Articles

<span class="mw-page-title-main">Zoot Suit Riots</span> 1943 race riot by U.S. Armed Forces servicemen against Latino Americans in Los Angeles

The Zoot Suit Riots were a series of riots that took place from June 3–8, 1943, in Los Angeles, California, United States, involving American servicemen stationed in Southern California and young Latino and Mexican American city residents. It was one of the dozen wartime industrial cities that suffered race-related riots in the summer of 1943, along with Mobile, Alabama; Beaumont, Texas; Detroit, Michigan; and New York City.

<span class="mw-page-title-main">Zoot suit</span> Mens suit style of the 1940s

A zoot suit is a men's suit with high-waisted, wide-legged, tight-cuffed, pegged trousers, and a long coat with wide lapels and wide padded shoulders. It is most notable for its use as a cultural symbol among the Hepcat and Pachuco subcultures. Originating among African Americans it later became popular with Mexican, Filipino, Italian, and Japanese Americans in the 1940s.

<span class="mw-page-title-main">Pachuco</span> Anti-assimilationist Chicano counterculture from the late 1930s through the early 1960s

Pachucos are male members of a counterculture that emerged in El Paso, Texas, in the late 1930s. Pachucos are associated with zoot suit fashion, jump blues, jazz and swing music, a distinct dialect known as caló, and self-empowerment in rejecting assimilation into Anglo-American society. The pachuco counterculture flourished among Chicano boys and men in the 1940s as a symbol of rebellion, especially in Los Angeles. It spread to women who became known as pachucas and were perceived as unruly, masculine, and un-American. Some pachucos adopted strong attitudes of social defiance, engaging in behavior seen as deviant by white/Anglo-American society, such as marijuana smoking, gang activity, and a turbulent night life. Although concentrated among a relatively small group of Mexican Americans, the pachuco counterculture became iconic among Chicanos and a predecessor for the cholo subculture which emerged among Chicano youth in the 1980s.

Eduardo "Lalo" Guerrero was an American guitarist, singer and farm labor activist best known for his strong influence on later Latin musical artists.

<i>Zoot Suit</i> (film) 1981 film by Luis Valdez

Zoot Suit is a 1981 American independent drama musical film of the Broadway play Zoot Suit. Both the play and film were written and directed by Luis Valdez. The film stars Daniel Valdez, Edward James Olmos—both reprising their roles from the stage production—and Tyne Daly. Many members of the cast of the Broadway production also appeared in the film. Like the play, the film features music from Daniel Valdez and Lalo Guerrero, the "father of Chicano music."

<span class="mw-page-title-main">Sleepy Lagoon murder</span> 1942 Los Angeles Murder Case

The "Sleepy Lagoon murder" was the name that Los Angeles newspapers used to describe the death of José Gallardo Díaz, who was discovered unconscious and dying near a reservoir with two stab wounds and a broken finger in Commerce, California, United States, on the morning of August 2, 1942. Earlier, Díaz was seen at a party for Eleanor Delgadillo Coronado where he left afterwards with two friends, Luis "Cito" Vargas and Andrew Torres. He was then confronted by a group of young men from the 38th Street neighborhood, who came to the party seeking revenge for an earlier beating of some of their friends.

<span class="mw-page-title-main">Caló (Chicano)</span> Cant language that originated during the early 20th century in the United States

Caló is an argot or slang of Mexican Spanish that originated during the first half of the 20th century in the Southwestern United States. It is the product of zoot-suit pachuco culture that developed in the 1930s and '40s in cities along the US/Mexico border.

<span class="mw-page-title-main">Luis Valdez</span> American writer and director

Luis Miguel Valdez is an American playwright, screenwriter, film director and actor. Regarded as the father of Chicano film and playwriting, Valdez is best known for his play Zoot Suit, his movie La Bamba, and his creation of El Teatro Campesino. A pioneer in the Chicano Movement, Valdez broadened the scope of theatre and arts of the Chicano community.

<span class="mw-page-title-main">38th Street gang</span> Hispanic-American street gang

The 38th Street'Gang is an American criminal street gang in Los Angeles, California, composed mainly of Hispanic-Americans. The 38th Street Gang is one of the oldest street gangs in Los Angeles and has been occupying its territory since the 1920s. They engage in many criminal activities. The Mexican Mafia controls and routinely uses 38th Street gang members to carry out their orders.

A zoot suit is a style of clothing first popular in the 1930s and 1940s.

<span class="mw-page-title-main">Olga Grey</span> American actress

Olga Grey was an American silent film actress, sometimes billed with the alternate spelling of her last name, Olga Gray.

<span class="mw-page-title-main">Alice McGrath</span>

Alice Greenfield McGrath, also known as Alice Greenfield, was an American activist who gained fame in connection with the 1942 case of the Sleepy Lagoon Murder. She was the executive secretary of the Sleepy Lagoon Defense Committee from 1942 to 1944. She later married blacklisted poet Thomas McGrath, organized a pro bono legal service organization in Ventura County, California, and led 86 missions to Nicaragua in the 1980s and 1990s.

<span class="mw-page-title-main">Whittier Boulevard</span> Street in Los Angeles County

Whittier Boulevard is an arterial street that runs from the Los Angeles River to Brea, California. The street is one of the main thoroughfares in both Whittier and East Los Angeles. At various times, portions of Whittier Boulevard carried the designation of U.S. Route 101. Whittier Boulevard also carries a portion of El Camino Real. Its west section leading from the Sixth Street Viaduct was demolished in 2016. Currently, Whittier Boulevard carries two Caltrans controlled highways. The portion between Rosemead Boulevard and Beach Boulevard carries State Route 72 and the portion between Beach and Harbor Boulevards carries California State Route 39. The portion of State Route 72 up to State Route 19 was relinquished back to Pico Rivera in the early 2000s and the portion of State Route 72 between State Route 19 and Downey Road was deleted from SR 72 in 1992.

<span class="mw-page-title-main">History of Mexican Americans in Los Angeles</span> Aspect of history

Mexican Americans have lived in Los Angeles since the original Pobladores, the 44 original settlers and 4 soldiers who founded the city in 1781. People of Mexican descent make up 31.9% of Los Angeles residents, and 32% of Los Angeles County residents.

Alma Martinez is a Mexican-American actress, stage director, and professor of theatre. She is best known for her roles in film and television shows including the Peabody Award winning drama series The Bridge with Demián Bichir and Diane Kruger and Corridos: Tales of Passion & Revolution with Linda Ronstadt as well as performances on Broadway, Off-Broadway, regional theatre, Mexican and European stages.

Daniel Valdez is an American actor, musician, composer, and activist. He is best known for his work as musical director of the films Zoot Suit (1981) and La Bamba (1987).

<span class="mw-page-title-main">Pachucas</span> Female Mexican American subculture

Pachucas were Mexican American women who wore zoot suits during World War II, also known as "cholitas", "slick chicks", and "lady zoot suiters". The suit was a symbol of rebellion due to the rationing of cloth for the war effort. Wearing the longer and loose-fitting jackets and pants was therefore seen as being unpatriotic. The zoot suit was the most salient identifying feature of "pachuquismo", a Mexican American youth subculture. This subculture emerged during a time of increased racism and the fight for Mexican American rights and equality within American society. Both men and women wore the fingertip coats, but for women it became more than just a style. Pachuca gangs, like the Black Widows and Slick Chicks, with their black drape jackets, tight skirts, fishnet stockings and heavily emphasized make-up, were ridiculed in the press. This was not just the case for pachuca women in gangs, but pachuca women in general. Participation in the movement was a way to openly challenge conventional notions of feminine beauty and sexuality, especially in Mexican culture.

<span class="mw-page-title-main">Cholo (subculture)</span> Mexican-American subculture

A cholo or chola is a member of a Chicano and Latino subculture or lifestyle associated with a particular set of dress, behavior, and worldview which originated in Los Angeles. A veterano or veterana is an older member of the same subculture. Other terms referring to male members of the subculture may include vato and vato loco. Cholo was first reclaimed by Chicano youth in the 1960s and emerged as a popular identification in the late 1970s. The subculture has historical roots in the Pachuco subculture, but today is largely equated with anti-social behavior, criminal behavior and gang activity.

<span class="mw-page-title-main">Index of articles related to Mexican Americans</span>

A Mexican American is a resident of the United States who is of Mexican descent. Mexican American-related topics include the following:

This is an alphabetical index of topics related to Hispanic and Latino Americans.

References

  1. 1 2 3 Valdez, Luis (2009). "Zoot Suit". In Jacobus, Lee A. (ed.). The Bedford Introduction to Drama (Sixth ed.). New York: Bedford/St. Martin's. pp. 1256–1288.
  2. 1 2 3 Pagan, Eduardo Obregon (2003). Murder at the Sleepy Lagoon : Zoot Suits, Race, and Riot in Wartime L.A. Chapel Hill, NC: U of North Carolina P.
  3. 1 2 Chiodo, John J. (2013). "The Zoot Suit Riots: Exploring Social Issues in American History". Social Studies. 104 (1): 1. doi:10.1080/00377996.2011.642421. S2CID   145272170.
  4. 1 2 Galens, David M., ed. (2007). Drama for students vol. 5. Detroit: Gale. p. 279.
  5. Lucas, Ashley (Spring 2009). "Reinventing the Pachuco". Journal for the Study of Radicalism. 3 (1): 61,63. doi:10.1353/jsr.0.0014. JSTOR   41887618. S2CID   162146032.(subscription required)
  6. Aaron, Jules (May 1979). "Reviewed Work: Zoot Suit by Luis Valdez". Theatre Journal . 31 (2): 263. JSTOR   3219392.(subscription required)
  7. "Zoot Suit". Internet Broadway Database. The Broadway League. Retrieved 27 April 2015.
  8. Lucas, Ashley (Fall 2009). "Prisoners on the Great White Way: Short Eyes and Zoot Suit as the First US Latina/o Plays on Broadway". Latin American Theatre Review. 43 (1): 121. doi:10.1353/ltr.2009.0008. S2CID   190689203.
  9. Pizzato, Mark (Summer 1998). "Brechtian and Aztec Violence in Valdez's Zoot Suit". Journal of Popular Film & Television. 26 (2): 52. doi:10.1080/01956059809602774.
  10. Nayfack, Shakina (Fall 2009). "Que le watcha los cabrones: Marking the 30th Anniversary of Luis Valdez's "Zoot Suit"". TDR. 53 (3): 162–9. doi:10.1162/dram.2009.53.3.162. JSTOR   25599500. S2CID   57566855.(subscription required)
  11. "Zoot Suit". Center Theatre Group. Retrieved November 10, 2017.
  12. Martin, Jason (December 9, 2016). "Daniel Valdez and Rose Portillo Return to 'Zoot Suit'" (Press release). Center Theatre Group. Retrieved November 10, 2017.
  13. Aaron, Jules (May 1979). "Zoot Suit by Luis Valdez". Theatre Journal. 31 (2): 161, 264. doi:10.2307/3219392. JSTOR   3219392.
  14. Eder, Richard (May 4, 1978). "Stage: Taper Forum Presents Zoot Suit". The New York Times .
  15. Eder, Richard (March 26, 1979). "Theater: 'Zoot Suit,' Chicano Music-Drama". The New York Times.
  16. Kerr, Walter (April 1, 1979). "'Zoot Suit' Loses Its Way In Rhetoric". The New York Times.
  17. "Obituary". The Washington Post . March 26, 2005.
  18. Fessier, Bruce (March 18, 2005). "Guerrero, 'Father of Chicano music,' dies". San Gabriel Valley Tribune .