The Puebloans, or Pueblo peoples, are Native Americans in the Southwestern United States who share common agricultural, material, and religious practices. Among the currently inhabited Pueblos, Taos, San Ildefonso, Acoma, Zuni, and Hopi are some of the most commonly known. Pueblo people speak languages from four different language families, and each Pueblo is further divided culturally by kinship systems and agricultural practices, although all cultivate varieties of maize.
Zuni religion is the oral history, cosmology, and religion of the Zuni people. The Zuni are a Pueblo people located in New Mexico. Their religion is integrated into their daily lives and respects ancestors, nature, and animals. Because of a history of religious persecution by non-native peoples, they are very private about their religious beliefs. Roman Catholicism has to some extent been integrated into traditional Zuni religion.
A kachina is a spirit being in the religious beliefs of the Pueblo people, Native American cultures located in the south-western part of the United States. In the Pueblo cultures, kachina rites are practiced by the Hopi, Hopi-Tewa and Zuni peoples and certain Keresan tribes, as well as in most Pueblo tribes in New Mexico.
Wood carving is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.
A netsuke is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an inrō box, netsuke later developed into ornately sculpted objects of craftsmanship.
The Zuni are Native American Pueblo peoples native to the Zuni River valley. The Zuni people today are federally recognized as the Zuni Tribe of the Zuni Reservation, New Mexico, and most live in the Pueblo of Zuni on the Zuni River, a tributary of the Little Colorado River, in western New Mexico, United States. The Pueblo of Zuni is 55 km (34 mi) south of Gallup, New Mexico. The Zuni tribe lived in multi level adobe houses. In addition to the reservation, the tribe owns trust lands in Catron County, New Mexico, and Apache County, Arizona. The Zuni call their homeland Halona Idiwan’a or Middle Place. The word Zuni is believed to derive from the Western Keres language (Acoma) word sɨ̂‧ni, or a cognate thereof.
Frank Hamilton Cushing was an American anthropologist and ethnologist. He made pioneering studies of the Zuni Indians of New Mexico by entering into their culture; his work helped establish participant observation as a common anthropological research strategy. In recent years, however, questions have emerged about Cushing's activities among the Zuni. Consequently, Frank Cushing's work provides an important case study for considering the ethics of both ethnographic research and the generation of museum collections.
Scrimshaw is scrollwork, engravings, and carvings done in bone or ivory. Typically it refers to the artwork created by whalers, engraved on the byproducts of whales, such as bones or cartilage. It is most commonly made out of the bones and teeth of sperm whales, the baleen of other whales, and the tusks of walruses.
The Rock art of Alta are located in and around the municipality of Alta in the county of Troms og Finnmark in northern Norway. Since the first carvings were discovered in 1973, more than 6,000 carvings have been found on several sites around Alta. The largest locality, at Jiepmaluokta about five kilometers (3.1 mi) from Alta, contains thousands of individual carvings and has been turned into an open-air museum. The site, along with the sites Storsteinen, Kåfjord, Amtmannsnes, and Transfarelv, was placed on the UNESCO list of World Heritage Sites on 3 December 1985. It is Norway's only prehistoric World Heritage Site.
The Mitchell Museum of the American Indian is a museum in Evanston, Illinois that focuses exclusively on the history, culture and arts of North American native peoples. It is a Core Member of the Chicago Cultural Alliance, a consortium of 25 ethnic museums and cultural centres in Chicago.
Maria Margarita "Margaret" Tafoya was the matriarch of Santa Clara Pueblo potters. She was a recipient of a 1984 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.
Hopi katsina figures, also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls and new brides about katsinas or katsinam, the immortal beings that bring rain, control other aspects of the natural world and society, and act as messengers between humans and the spirit world.
Inuit art, also known as Eskimo art, refers to artwork produced by Inuit, that is, the people of the Arctic previously known as Eskimos, a term that is now often considered offensive. Historically, their preferred medium was walrus ivory, but since the establishment of southern markets for Inuit art in 1945, prints and figurative works carved in relatively soft stone such as soapstone, serpentinite, or argillite have also become popular.
The visual arts of the Indigenous peoples of the Americas encompasses the visual artistic practices of the Indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included.
In the religious beliefs of the Native American Pueblo people, Toho is a hunter kachina for the Hopi and Zuni tribes. Toho, The mountain lion kachina, often accompanies such animals as the deer or antelope kachinas when they appear in the Line Dances of spring. Armed with yucca whips, he patrols the procession in company with He-e-e, Warrior Woman, and other warrior or guard kachinas. Thought to be the most powerful hunter, the Toho is the guardian of the northern direction. He is associated with the color yellow and appears in both hunting and healing fetish sets, always facing north. Toho can be represented by a naked man wearing a mask, whiskers, and yellow feathers upon either side of his head to look like the lion's ears, or carved as a mountain lion fetish in an ancient, primitive style. Most mountain lion fetishes are represented with their tails up and over the back. Toho is there to remind individuals to persevere, clarify goals, and move forward to achieving dreams. He steadies the hunter and protects his territory.
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity and history of its makers, but tribal groups have often borrowed and copied designs and methods from other, neighboring tribes or nations with which they had trade, and this practice continues today. Native American tribes continue to develop distinct aesthetics rooted in their personal artistic visions and cultural traditions. Artists may create jewelry for adornment, ceremonies, and display, or for sale or trade. Lois Sherr Dubin writes, "[i]n the absence of written languages, adornment became an important element of Indian communication, conveying many levels of information." Later, jewelry and personal adornment "...signaled resistance to assimilation. It remains a major statement of tribal and individual identity."
Wood carving is a common art form in the Cook Islands. Sculpture in stone is much rarer although there are some excellent carvings in basalt by Mike Tavioni. The proximity of islands in the southern group helped produce a homogeneous style of carving but which had special developments in each island. Rarotonga is known for its fisherman's gods and staff-gods, Atiu for its wooden seats, Mitiaro, Mauke and Atiu for mace and slab gods and Mangaia for its ceremonial adzes. Most of the original wood carvings were either spirited away by early European collectors or were burned in large numbers by missionary zealots.
Art of the American Southwest is the visual arts of the Southwestern United States. This region encompasses Arizona, New Mexico, and parts of California, Colorado, Nevada, Texas, and Utah. These arts include architecture, ceramics, drawing, filmmaking, painting, photography, sculpture, printmaking, and other media, ranging from the ancient past to the contemporary arts of the present day.
Descent of the Ganges, known locally as Arjuna's Penance, is a monument at Mamallapuram, on the Coromandel Coast of the Bay of Bengal, in the Chengalpattu district of the state of Tamil Nadu, India. Measuring 96 by 43 feet, it is a giant open-air rock relief carved on two monolithic rock boulders. The legend depicted in the relief is the story of the descent of the sacred river Ganges to earth from the heavens led by Bhagiratha. The waters of the Ganges are believed to possess supernatural powers. The descent of the Ganges and Arjuna's Penance are portrayed in stone at the Pallava heritage site. The relief is more of a canvas of Indian rock cut sculpture at its best not seen anywhere else in India. It is one of the Group of Monuments at Mamallapuram that were designated as a UNESCO World Heritage Site since 1984.
The Igbesanmwan is a hereditary guild of ivory carvers in the Benin Kingdom, a pre-colonial African state located in present-day Edo State, Nigeria. Members of the Igbesanmwan guild hold the responsibility of crafting ivory items, including masks, tusks, staffs, leopards, and various other symbols denoting royal authority and eminence, for the Oba (king) and the royal court. In addition to their ivory craftsmanship, the Igbesanmwan possess proficiency in working with a range of other materials, such as wood, brass, and coral. This guild is recognised as one of the most ancient and esteemed in Benin, with their artistic work being widely appreciated for its aesthetic appeal and technical mastery.
