Orlando furioso is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516, although the poem was not published in its complete form until 1532. Orlando furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando innamorato. In its historical setting and characters, it shares some features with the Old French Chanson de Roland of the eleventh century, which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.
Ariodante is an opera seria in three acts by George Frideric Handel. The anonymous Italian libretto was based on a work by Antonio Salvi, which in turn was adapted from Canti 4, 5 and 6 of Ludovico Ariosto's Orlando Furioso. Each act contains opportunities for dance, originally composed for dancer Marie Sallé and her company.
Vesselina Kasarova is a Bulgarian operatic mezzo-soprano.
Orlando, usually known in modern times as Orlando furioso, is an opera in three acts by Antonio Vivaldi to an Italian libretto by Grazio Braccioli, based on Ludovico Ariosto's epic poem Orlando Furioso. The first performance of the opera was at the Teatro San Angelo, Venice, in November 1727. It is to be distinguished from an earlier Vivaldi opera of 1714, Orlando furioso, set to much the same libretto, once thought to be a revival of a 1713 opera by Giovanni Alberto Ristori but now considered by Vivaldian musicologists to be a fully-fledged opera by Vivaldi himself.
Astolfo is a fictional character in the Matter of France where he is one of Charlemagne's paladins. He is the son of Otto, the King of England, and is a cousin to Orlando and Rinaldo, and a descendant of Charles Martel. While Astolfo's name appeared in the Old French chanson de gesteThe Four Sons of Aymon, his first major appearance was in the anonymous early fourteenth-century Franco-Italian epic poem La Prise de Pampelune. He was subsequently a major character in Italian Renaissance romance epics, such as Morgante by Luigi Pulci, Orlando Innamorato by Matteo Maria Boiardo, and Orlando Furioso by Ludovico Ariosto.
Bradamante is a fictional knight heroine in two epic poems of the Renaissance: Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Since the poems exerted a wide influence on later culture, she became a recurring character in Western art.
Teseo is an opera seria with music by George Frideric Handel, the only Handel opera that is in five acts. The Italian-language libretto was by Nicola Francesco Haym, after Philippe Quinault's Thésée. It was Handel's third London opera, intended to follow the success of Rinaldo after the unpopular Il pastor fido.
Riccardo primo, re d'Inghilterra is an opera seria in three acts written by George Frideric Handel for the Royal Academy of Music (1719). The Italian-language libretto was by Paolo Antonio Rolli, after Francesco Briani's Isacio tiranno, set by Antonio Lotti in 1710. Handel wrote the work for the Royal Academy's 1726–27 opera season, and also as homage to the newly crowned George II and the nation where Handel had just received citizenship.
Orlando is an opera seria in three acts by George Frideric Handel written for the King's Theatre in London in 1733. The Italian libretto was adapted from Carlo Sigismondo Capece's L'Orlando after Ludovico Ariosto's Orlando Furioso, which was also the source of Handel's operas Alcina and Ariodante. More an artistic than a popular success at its first performances, Orlando is today recognised as a masterpiece.
Floridante is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Paolo Antonio Rolli after Francesco Silvani's libretto for Marc'Antonio Ziani dramma per musica La costanza in trionfo of 1696.
Margreta Elkins was an Australian mezzo-soprano. She sang at The Royal Opera with Opera Australia and other companies, but turned down offers to sing at the Metropolitan Opera, Bayreuth and Glyndebourne. She recorded alongside sopranos such as Maria Callas and Joan Sutherland.
La liberazione di Ruggiero dall'isola d'Alcina is a comic opera in four scenes by Francesca Caccini, first performed 3 February 1625 at the Villa di Poggio Imperiale in Florence, with a libretto by Ferdinando Saracinelli based on Ludovico Ariosto's Orlando Furioso. It is the first opera written by a woman and was long considered to be the first Italian opera to be performed outside of Italy. It was performed to celebrate the visit of Prince Władysław of Poland during Carnival 1625, and it was revived in Warsaw in 1628. The work was commissioned by her employer Regent Archduchess Maria Maddalena of Austria, wife of Cosimo II de' Medici. Ruggiero was printed under the protection of Maria Magdalena in 1625, only five years after the first printed opera in Italy. It is the only opera by Francesca Caccini to survive.
Ruggiero is a leading character in the Italian romantic epics Orlando Innamorato by Matteo Maria Boiardo and Orlando Furioso by Ludovico Ariosto. Ruggiero had originally appeared in the twelfth-century French epic Aspremont, reworked by Andrea da Barberino as the chivalric romance Aspramonte. In Boiardo and Ariosto's works, he is supposed to be the ancestor of Boiardo and Ariosto's patrons, the Este family of Ferrara, and he plays a major role in the two poems.
Joyce Arleen Auger was an American coloratura soprano, known for her interpretations of works by Bach, Handel, Haydn, Monteverdi, Mozart, and Schubert. She won a posthumous Grammy Award for "Best Classical Vocal Performance" in 1994.
Orlando paladino, Hob. 28/11, is an opera in three acts by Joseph Haydn which was first performed at Eszterháza on 6 December 1782. The libretto by Nunziato Porta is based on another libretto, Le pazzie d'Orlando, by Carlo Francesco Badini, itself inspired by Ariosto's epic poem Orlando furioso. The opera was described as a dramma eroicomico and the plot mixes heroic and comic elements. It was Haydn's most popular opera during his lifetime. While in Prague, Mozart conducted a few performances of the opera. The Pennsylvania Opera Theater presented the United States premiere of the work at the Trocadero Theatre, Philadelphia, in March 1982 with John Gilmore in the title role. More recently, staged performances have been given in 2009 at the Berlin State Opera with René Jacobs conducting, and in 2016 at the Zurich Opera House conducted by Gianluca Capuano. In 2023, Il Giardino Armonico conducted by Giovanni Antonini gave concert performances at the Gran Teatre del Liceu and the Teatro Real, with cast including Emőke Baráth, Nuria Rial, Alasdair Kent and Josh Lovell.
Il Palazzo incantato or Il Palagio d’Atlante, overo La Guerriera Amante, or also Lealtà con valore is an opera in a prologue and three acts by the Italian composer Luigi Rossi. The libretto, by Giulio Rospigliosi, the future Pope Clement IX, is based on Ariosto's Orlando furioso. It was first performed in Rome in a lavish production at the Teatro delle Quattro Fontane on 22 February 1642. Rossi was criticised for giving too much music to his friend, the castrato Marc'Antonio Pasqualini, who played Bradamante, at the expense of the other roles. Some of the highly complicated stage machinery failed to work during the performance. Revived by Opera Dijon in a January 2021 online production.
Melissa is a fictional good sorceress in the Matter of France. She is said to have been an apprentice of Merlin and guards his tomb, though she does not appear in older stories about him.
Maria Caterina Negri was an Italian contralto who created numerous roles in 18th-century operas, including many by George Frideric Handel. She primarily portrayed male characters en travesti or female warriors such as Bradamante. Negri was born in Bologna and made her debut there at the age of 15. Her last known performance was in 1744. The date and place of her death are unknown. In its prime, her voice was known for its agility and wide vocal range.
Il Ruggiero is an opera in three acts composed by Johann Adolph Hasse to a libretto by Pietro Metastasio. It was first staged on 16 October 1771 for the wedding of Archduke Ferdinand Karl with Maria Beatrice d'Este in the Teatro Regio Ducale, Milan. It was both Metastasio's last libretto and Hasse's last opera, as well as the thirty-second Metastasio libretto Hasse had set to music.
Natasha Te Rupe Wilson is a New Zealand soprano opera singer of Māori and Pākehā heritage.
