The Book of Daniel is a biblical apocalypse authored during the 2nd century BC, and set during the 6th century BC. The work describes "the activities and visions of Daniel, a noble Jew exiled at Babylon"; in doing so, it interpolates a portrayal of a historical prophecy being fulfilled with a prediction of future cosmic and political upheaval. This eschatology ultimately affirms that the God of Israel's previous deliverance of Daniel from his enemies prefigures his future deliverance of the people of Israel from their present oppression.
Nebuchadnezzar II, also spelled Nebuchadrezzar II, was the second Neo-Babylonian emperor, ruling from the death of his father Nabopolassar in 605 BC to his own death in 562 BC. Historically known as Nebuchadnezzar the Great, he is typically regarded as the empire's greatest king. Nebuchadnezzar remains famous for his military campaigns in the Levant, for his construction projects in his capital, Babylon, including the Hanging Gardens of Babylon, and for the role he plays in Jewish history. Ruling for 43 years, Nebuchadnezzar was the longest-reigning king of the Babylonian dynasty. By the time of his death, he was among the most powerful rulers in the world.
Messiah is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.
Belshazzar was the son and crown prince of Nabonidus, the last king of the Neo-Babylonian Empire. Through his mother, he might have been a grandson of Nebuchadnezzar II, though this is not certain and the claims to kinship with Nebuchadnezzar may have originated from royal propaganda.
Nabonidus was the last king of the Neo-Babylonian Empire, ruling from 556 BC to the fall of Babylon to the Achaemenian Empire under Cyrus the Great in 539 BC. Nabonidus was the last native ruler of ancient Mesopotamia, the end of his reign marking the end of thousands of years of Sumero-Akkadian states, kingdoms and empires. He was also the last independent king of Babylon. Regarded as one of the most vibrant and individualistic rulers of his time, Nabonidus is characterised by some scholars as an unorthodox religious reformer and as the first archaeologist.
Semele is a 'musical drama', originally presented "after the manner of an oratorio", in three parts by George Frideric Handel. Based on an existing opera libretto by William Congreve, the work is an opera in all but name but was first presented in concert form at Covent Garden theatre on 10 February 1744. The story comes from Ovid's Metamorphoses and concerns Semele, mother of Bacchus. Handel also referred to the work as 'The Story of Semele'. The work contains the famous aria "Where'er you walk".
Belshazzar's Feast is a cantata by the English composer William Walton. It was first performed at the Leeds Festival on 8 October 1931, with the baritone Dennis Noble, the London Symphony Orchestra and the Leeds Festival Chorus, conducted by Malcolm Sargent. The work has remained one of Walton's most celebrated compositions. Osbert Sitwell selected the text from the Bible, primarily the Book of Daniel and Psalm 137. The work is dedicated to Walton's friend and benefactor Lord Berners.
Belshazzar's feast, or the story of the writing on the wall, tells how Belshazzar holds a great feast and drinks from the vessels that had been looted in the destruction of the First Temple. A hand appears and writes on the wall. The terrified Belshazzar calls for his wise men, but they are unable to read the writing. The queen advises him to send for Daniel, renowned for his wisdom. Daniel reminds Belshazzar that his father Nebuchadnezzar, when he became arrogant, was thrown down until he learned that God has sovereignty over the kingdom of men. Belshazzar had likewise blasphemed God, and so God sent this hand. Daniel then reads the message and interprets it: God has numbered Belshazzar's days, he has been weighed and found wanting, and his kingdom will be given to the Medes and the Persians.
That very night Belshazzar, the Chaldean [Babylonian] king, was killed. And Darius the Mede received the kingdom […]
Darius the Mede is mentioned in the Book of Daniel as King of Babylon between Belshazzar and Cyrus the Great, but he is not known to secular history and there is no space in the historical timeline between those two verified kings.
Saul is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the First Book of Samuel, the story of Saul focuses on the first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan following their deaths in the Battle of Mount Gilboa at the hands of the Philistines, and some of the composer's most dramatic choral pieces. Saul was first performed at the King's Theatre in London on 16 January 1739. The work was a success at its London premiere and was revived by Handel in subsequent seasons. Notable modern-day performances of Saul include that at Glyndebourne in 2015.
Jephtha is an oratorio (1751) by George Frideric Handel with an English language libretto by the Rev. Thomas Morell, based on the story of Jephtha in Judges and Jephthes, sive Votum (1554) by George Buchanan. Whilst writing Jephtha, Handel was increasingly troubled by his gradual loss of sight, and this proved to be his last oratorio. In the autograph score, at the end of the chorus "How dark, O Lord, are thy decrees" he wrote "Reached here on 13 February 1751, unable to go on owing to weakening of the sight of my left eye."
Cyaxares II was a king of the Medes whose reign is described by the Greek historian Xenophon. Some theories have equated this figure with the "Darius the Mede" named in the Book of Daniel. He is not mentioned in the histories of Herodotus or Ctesias, and many scholars doubt that he actually existed. The question of his existence impacts on whether the kingdom of the Medes merged peacefully with that of the Persians in about 537 BC, as narrated by Xenophon, or was subjugated in the rebellion of the Persians against Cyrus' grandfather in 559 BC, a date derived from Herodotus (1.214) and almost universally accepted by current scholarship.
Daniel is the main character of the Book of Daniel. According to the Hebrew Bible, Daniel was a noble Jewish youth of Jerusalem taken into captivity by Nebuchadnezzar II of Babylon, serving the king and his successors with loyalty and ability until the time of the Persian conqueror Cyrus, all the while remaining true to the God of Israel. While some conservative scholars hold that Daniel existed and his book was written in the 6th century BCE, most scholars agree that Daniel is not a historical figure and that much of the book is a cryptic allusion to the reign of the 2nd century BCE Hellenistic king Antiochus IV Epiphanes.
The fall of Babylon was the decisive event that marked the total defeat of the Neo-Babylonian Empire to the Achaemenid Persian Empire in 539 BCE.
Nitocris of Babylon is an otherwise unknown queen regnant of Babylon described by Herodotus in his Histories. According to Histories of Herodotus, among sovereigns of Babylon two were women, Semiramis and Nitocris. Nitocris is credited by Herodotus with various building projects in Babylon. She is also said to have tricked Darius I by placing her tomb above a gate so that no Persian could pass below and enter through. According to the account, Darius was lured in by a mysterious inscription that served as a trap for greedy kings. According to Herodotus she was the wife of Nabonidus against whose son an expedition was launched by Cyrus the Great. Dougherty and Beaulieu identify the son as Belshazzar.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts, listed here in tables for their musical setting and biblical sources.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. The wordbook was supplied by Charles Jennens. This article covers Part I and describes the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his virgin birth by several prophets, namely Isaiah. His birth is still rendered in words by Isaiah, followed by the annunciation to the shepherds as the only scene from a Gospel in the oratorio, and reflections on the Messiah's deeds. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part II in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds and reflects the Messiah's deeds on earth. Part II covers the Passion in nine movements including the oratorio's longest movement, an air for alto He was despised, then mentions death, resurrection, ascension, and reflects the spreading of the Gospel and its rejection. The part is concluded by a scene called "God's Triumph" that culminates in the Hallelujah chorus. Part III of the oratorio concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Messiah, the English-language oratorio composed by George Frideric Handel in 1741, is structured in three parts. This listing covers Part III in a table and comments on individual movements, reflecting the relation of the musical setting to the text. Part I begins with the prophecy of the Messiah and his birth, shows the annunciation to the shepherds as a scene from the Gospel of Luke, and reflects the Messiah's deeds on Earth. Part II covers the Passion, death, resurrection, ascension, and the later spreading of the Gospel. Part III concentrates on Paul's teaching of the resurrection of the dead and Christ's glorification in heaven.
Der Messias, K. 572, is Wolfgang Amadeus Mozart's 1789 German-language version of Messiah, George Frideric Handel's 1741 oratorio. On the initiative of Gottfried van Swieten, Mozart adapted Handel's work for performances in Vienna.
