Brass quintet

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The United States Army Brass Quintet United States Army Brass Quintet (2010).jpg
The United States Army Brass Quintet

A brass quintet is a five-piece musical ensemble composed of brass instruments. The instrumentation for a brass quintet typically includes two trumpets or cornets, one French horn, one trombone or euphonium/baritone horn, and one tuba or bass trombone. Musicians in a brass quintet may often play multiple instruments. Trumpet players for instance may double on piccolo trumpets and flugelhorns. There can be variation in instrumentation depending on the type of quintet. In some quintets, the horn is replaced by an additional trombone. Euphonium may also be substituted for the trombone part. While the tuba is considered a standard, the range and style of many pieces lend themselves to being played with bass trombone as the lowest-pitched instrument. Additionally, some pieces call for the use of percussion instruments, particularly the snare drum, tambourine, or timpani.

Contents

History

The earliest brass chamber music was written in the mid to late 1800s and coincided with the invention of brass instruments that could play chromatically. The Distin family formed one of the first brass quintets in 1833, touring Europe and the United States to promote a new family of brass instruments called saxhorns. French composer Jean-François Bellon and Russian composer Victor Ewald, led the development of brass chamber music in Paris and Russia during this period. Bellon published the first series of twelve brass quintets in 1850 while Ewald composed his quintets between the years 1888 and 1912 all while improvements were being made to brass instruments. The improvement of brass instruments played a big role later on in the history of brass quintets as it allowed the player to do more with the instrument which in turn allowed for more artistry. [1]

The modern brass quintet has only been around for six decades as prior to World War II, there were only a select number of pieces written for brass quintet. The brass quintet is believed to have not been established as a formal chamber ensemble until 1947. This is known as there had to have been compositions for brass chamber, as well as the existence of amateur and professional groups.[ clarification needed ]The instrumentation for brass ensembles would have also needed to “remain constant for a sustained period of time before 1947.” [2] Prior to 1947, many composers began composing for the modern day brass quintet instrumentation that was later established by the New York Brass Quintet.

Brass quintets in the United States of America

The first and third setup are the most common among many brass quintets while the Empire Brass primarily uses the second setup. Seating.jpg
The first and third setup are the most common among many brass quintets while the Empire Brass primarily uses the second setup.

The contemporary brass quintet appeared in the early 1950s with the New York Brass Quintet, followed in the 1960s by the American Brass Quintet, Chicago Brass Quintet, [3] and Eastman Brass Quintet. Robert Nagel can be credited with forming the first serious brass quintet in the United States, the New York Brass Quintet in 1954, and it was this ensemble that commissioned and premiered the first major brass quintet pieces in the repertoire like the Malcolm Arnold, Gunther Schuller and Alvin Etler brass quintets. Although the New York Brass Quintet did play pieces such as the Malcolm Arnold etc., much of their repertoire consisted of transcriptions of music from the Renaissance and Baroque. [4] The Annapolis Brass Quintet was the first brass quintet in the United States to have its members perform with the group full-time. The group frequently performed throughout North America, Europe, and Asia from its founding in 1971 until the group disbanded in 1993. [5] However, it was with the founding of Canadian Brass in 1970 that the brass quintet became a popular entertainment attraction in the chamber music world. Canadian Brass established both the style and popularity of the quintet medium throughout the world, having performed more than five thousand concerts, selling more than 500,000 quintet music books, and creating a library of over 600 compositions and arrangements for brass quintet. They continue to be one of the most popular and recognizable contemporary brass quintets. The brass quintet has accrued a sizable amount of literature for an ensemble that was only firmly established halfway through the 20th century. Notable contributions to the literature include many commissions by modern ensembles such as the American Brass Quintet and transcriptions by other ensembles such as the Canadian Brass. More specifically, Dr. Arthur Frackenpohl wrote many arrangements and transcriptions for the Canadian Brass for over 20 years and played a pivotal role in producing repertoire not only for the Canadian Brass but for all Brass Quintets. [6]

International Brass Quintet Festival

In 1980 the International Brass Quintet Festival and Symposium was established and at the time, was the only one to exist. This festival, similar to many of the festivals we see for Orchestra or Band, featured music forums, masterclasses, competitions, in-residence programs and free concerts. This festival was held between 1980 through 1992 at the Village of Cross Keys in Baltimore, Maryland. [7] During this time many world-renowned brass quintets made appearances including the Budapest Brass Quintet, Le Concert Arban from Paris, Ensemble Prisma from Vienna, and the Theo Martens Brass Quintet. In 1989 history was made as the Berlin Brass Quintet from East Berlin shared the stage with the Brandenburg Quintet from West Berlin before the Berlin Wall had officially fallen.

Examples of notable brass quintets

See also

Related Research Articles

<span class="mw-page-title-main">Brass instrument</span> Class of musical instruments

A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin and Greek elements meaning 'lip' and 'sound'.

<span class="mw-page-title-main">Euphonium</span> Brass instrument

The euphonium is a medium-sized, 3 or 4-valve, often compensating, conical-bore, tenor-voiced brass instrument that derives its name from the Ancient Greek word εὔφωνος euphōnos, meaning "well-sounding" or "sweet-voiced". The euphonium is a valved instrument. Nearly all current models have piston valves, though some models with rotary valves do exist.

<span class="mw-page-title-main">Musical ensemble</span> Instrumental and/or vocal music group

A musical ensemble, also known as a music group or musical group, is a group of people who perform instrumental and/or vocal music, with the ensemble typically known by a distinct name. Some music ensembles consist solely of instrumentalists, such as the jazz quartet or the orchestra. Other music ensembles consist solely of singers, such as choirs and doo wop groups. In both popular music and classical music, there are ensembles in which both instrumentalists and singers perform, such as the rock band or the Baroque chamber group for basso continuo and one or more singers. In classical music, trios or quartets either blend the sounds of musical instrument families or group together instruments from the same instrument family, such as string ensembles or wind ensembles. Some ensembles blend the sounds of a variety of instrument families, such as the orchestra, which uses a string section, brass instruments, woodwinds and percussion instruments, or the concert band, which uses brass, woodwinds and percussion.

<span class="mw-page-title-main">Concert band</span> Performing ensemble

A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, and occasionally including the harp, double bass, or bass guitar. On rare occasions, additional, non-traditional instruments may be added to such ensembles such as piano, synthesizer, or electric guitar.

<span class="mw-page-title-main">Canadian Brass</span> Chamber music ensemble

The Canadian Brass is a Canadian brass quintet formed in 1970 in Toronto, Ontario, by Charles Daellenbach (tuba) and Gene Watts (trombone), with horn player Graeme Page and trumpeters Stuart Laughton and Bill Phillips completing the quintet. As of 2018, Daellenbach is the sole original member in the group, with the other members being trumpeters Joe Burgstaller and Fabio Brum, hornist Jeff Nelsen, and trombonist Achilles Liarmakopoulos.

Victor Vladímirovich Ewald, was a Russian engineer, architect, and composer of music, mainly for conical brass instruments.

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When the American Brass Quintet gave its first public performance on December 11, 1960, brass chamber music was still relatively young to concert audiences. The New York Brass Quintet is regarded as the first brass quintet in the United States, having formed in 1954. Other groups soon followed like the Chicago Brass Quintet, formed in 1963. To delineate itself from these other two groundbreaking ensembles American Brass Quintet dedicated itself to "music originally written for brass," and substituted a bass trombone for the conventional tuba voice. That debut concert for them in 1960 marked the beginning of an international career for the ensemble that includes performances in Europe, Central and South America, the Middle East, Asia, Australia and all fifty of the United States; a discography now numbering fifty-one recordings; the premieres of over one hundred new brass works, and the inspiration to a whole new generation of brass quintets worldwide. ABQ commissions by Samuel Adler, Bruce Adolphe, Daniel Asia, Jan Bach, Robert Beaser, William Bolcom, Elliott Carter, Billy Childs, Robert Dennis, Jacob Druckman, Eric Ewazen, Anthony Plog, Huang Ruo, David Sampson, Gunther Schuller, William Schuman, Ralph Shapey, Joan Tower, Melinda Wagner, and Charles Whittenberg are considered among the most significant contributions to the brass quintet repertoire. In the past fifteen years alone, the ABQ has released recordings of over twenty-five major new brass quintets. The presentation of challenging contemporary brass music alongside earlier eras carefully edited by ABQ members for modern performance, has become a trademark of ABQ programming, and has helped establish the American Brass Quintet as the leader in the field of serious brass chamber music today.

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The euphonium repertoire consists of solo literature and parts in band or, less commonly, orchestral music written for the euphonium. Since its invention in 1843, the euphonium has always had an important role in ensembles, but solo literature was slow to appear, consisting of only a handful of lighter solos until the 1960s. Since then, however, the breadth and depth of the solo euphonium repertoire has increased dramatically.

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Along with a concerted effort to commission new works for brass quintet since 1967 the bulk of any brass quintet's repertoire consists of arrangements of pre-existing music. Victor Ewald's four brass quintets are the first serious attempts at establishing a repertoire for the ensemble, though they do not stand up to typical string quartet repertoire of the same and preceding eras. The Chicago and New York Brass Quintets made sustained efforts to commission new works, and much of the original repertoire for brass quintet from the mid-20th century derives from their groundbreaking work. In the 1960s the mantle of creating a repertoire for brass quintet was taken up by the American Brass Quintet and the New York Brass Quintet, with both groups essentially establishing the brass quintet as a part of the chamber music field. Notably, only two brass quintets have ever been awarded the Walter W. Naumburg Chamber Music Award, considered by many to be the highest achievement in brass chamber music: The Empire Brass Quintet in 1976 and The Saturday Brass Quintet in 1990. But it was Canadian Brass that developed the pragmatic approach to repertoire allowed the ensemble to reach a wider audience. They developed a two prong approach to performance, developing a masterpiece approach to repertoire that popularized the brass quintet as an ensemble into what was essentially a "pops" ensemble. Meanwhile, the ensemble has been pursuing an aggressive 45-year commissioning schedule. Though this ensemble is seldom recognized for its achievement in the contemporary sphere, they have created well over 100 newly composed works for brass quintet, though few of the Canadian Brass commissions of original compositions have taken hold in the repertoire of other brass quintets.

Presidio Brass is a brass quintet based in San Diego, California. Founded in 2006 primarily as a vehicle for promoting music education, the ensemble has become perhaps equally known for their work on the concert stage. The group's repertoire is made up of classical and commercial music transcriptions, including selections from composers Aaron Copland, Samuel Barber and George Gershwin to popular songs from jazz legend Dave Brubeck, the rock band Queen and the Broadway smash hit, West Side Story. The group often utilizes other instruments beyond brass, most notably piano, vocals/singing, and percussion.

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References

  1. Koehler, Elisa (27 February 2014). Fanfares and Finesse: A Performer's Guide to Trumpet History and Literature. Indiana University Press. pp. 165–168. ISBN   9780253011855 . Retrieved 7 April 2021.
  2. Carlson, Paul (Paul William). "A curriculum for tuba performance in a commercial brass quintet".{{cite journal}}: Cite journal requires |journal= (help)
  3. "Chicago Brass Quintet | Classical and Contemporary Brass Music". Chicago Brass. Retrieved 2021-04-23.
  4. Simpson, Stacy (2016). "Music for Brass Quintet with Orchestral Accompaniment". University of Kentucky. Archived from the original on 2020-03-22.
  5. Hoover, Joanne Sheehy (4 October 2012). "Annapolis Brass Quintet". Grove Music Online. Oxford University Press. doi:10.1093/gmo/9781561592630.article.A2227133 . Retrieved 1 May 2021.
  6. Hoffman, Patrick Arnold (2004). "The Art of Transcribing Music for Brass" (PDF). Archived (PDF) from the original on 2021-04-28.
  7. "IBQF 1980-92". FOSTERING BRASS CHAMBER MUSIC. Retrieved 2021-04-23.