Jazzophone

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Jazzophone Jazzophone.jpg
Jazzophone

The jazzophone [1] is a comparatively rare sax-shaped double-belled Bb Trumpet, with a trumpet-like mouthpiece. One bell is left open, while the other bell uses a harmon mute with a stem on a trigger that produces a "wah-wah" type of effect.

Speculation is that the first was created in 1920, with the first known advertisement for the instrument appearing in a German magazine in 1926, [2] but other musical experts disagree there is another form of jazzophone. Collector "Captain Kazoo" claims to own such an instrument. No specific details besides a picture are given, but it appears to be a kazoo-shaped body with a single bell. The previous mentioned jazzophone was created completely separate of the "Kazoo" model. The only common link is the name.

The instrument was featured in the songs "Get Up Off That Jazzophone" by the Bubbling Over Five band in 1929 and Bob Brown's "Mammy's Little Rolling Stone" of the same year. [3] Cellist Hank Roberts briefly played a bowed instrument credited as a “jazz-a-phone” on Bill Frisell’s 1991 album Where in the World? . This is a unique instrument utilizing a stringed neck, a bell, and an air tube not to be confused with the jazzophone.

Saxophonist Dean McNeill (as well as Scott Robinson) appears on YouTube playing this original rare jazzophone design (being also possible to encounter other simpler constructive formulations for this instrument). In a third clip, a Czech saxophonist plays this same jazzophone with a common sax mouthpiece.

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<span class="mw-page-title-main">French horn</span> Type of brass instrument

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<span class="mw-page-title-main">Trombone</span> Brass instrument played with a slide

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<span class="mw-page-title-main">Trumpet</span> Brass instrument

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<span class="mw-page-title-main">Tuba</span> Brass instrument

The tuba is the largest and lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. Tuba is Latin for "trumpet".

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<span class="mw-page-title-main">Tenor saxophone</span> Type of saxophone

The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".

<span class="mw-page-title-main">Baritone saxophone</span> Lowest-pitched saxophone in common use

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The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists of the sopranissimo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use.

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<span class="mw-page-title-main">C melody saxophone</span>

The C melody saxophone, also known as the C tenor saxophone, is a saxophone pitched in the key of C one whole tone above the common B-flat tenor saxophone. The C melody was part of the series of saxophones pitched in C and F intended by the instrument's inventor, Adolphe Sax, for orchestral use. The instrument enjoyed popularity in the early 1900s, perhaps most prominently used by Rudy Wiedoeft and Frankie Trumbauer, but is now uncommon.

<span class="mw-page-title-main">Single-reed instrument</span> Class of woodwind instruments

A single-reed instrument is a woodwind instrument that uses only one reed to produce sound. The very earliest single-reed instruments were documented in ancient Egypt, as well as the Middle East, Greece, and the Roman Empire. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in a double reed instrument, there is no mouthpiece; the two parts of the reed vibrate against one another. Reeds are traditionally made of cane and produce sound when air is blown across or through them. The type of instruments that use a single reed are clarinets and saxophone. The timbre of a single and double reed instrument is related to the harmonic series caused by the shape of the corpus. E.g. the clarinet is only including the odd harmonics due to air column modes canceling out the even harmonics. This may be compared to the timbre of a square wave.

<span class="mw-page-title-main">Mouthpiece (woodwind)</span>

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Growling is a musical technique where the instrumentalist vocalizes into the instrument to alter quality of the sound. Growling is used primarily in rock and blues style playing, it is also frequently used in klezmer music; it is popular in the woodwind family of instruments, especially the saxophone, though it is also commonly used on brass instruments, as well. It is commonly used by mainstream artists such as Ben Webster, Illinois Jacquet and Earl Bostic. Outside of these styles and instruments, it is often considered a novelty effect.

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The saxotromba is a valved brass instrument invented by the Belgian instrument-maker Adolphe Sax around 1844. It was designed for the mounted bands of the French military, probably as a substitute for the French horn. The saxotrombas comprised a family of half-tube instruments of different pitches. By about 1867 the saxotromba was no longer being used by the French military, but specimens of various sizes continued to be manufactured until the early decades of the twentieth century, during which time the instrument made sporadic appearances in the opera house, both in the pit and on stage. The instrument is often confused with the closely related saxhorn.

<span class="mw-page-title-main">Saxophone technique</span> Physical means of playing the saxophone

Saxophone technique refers to the physical means of playing the saxophone. It includes how to hold the instrument, how the embouchure is formed and the airstream produced, tone production, hands and fingering positions, and a number of other aspects. Instrumental technique and corresponding pedagogy is a topic of much interest to musicians and teachers and therefore has been subjected to personal opinions and differences in approach. Over the course of the saxophone's performance history, notable saxophonists have contributed much to the literature on saxophone technique.

<span class="mw-page-title-main">Horn (instrument)</span> Brass instrument

A horn is any of a family of musical instruments made of a tube, usually made of metal and often curved in various ways, with one narrow end into which the musician blows, and a wide end from which sound emerges. In horns, unlike some other brass instruments such as the trumpet, the bore gradually increases in width through most of its length—that is to say, it is conical rather than cylindrical. In jazz and popular-music contexts, the word may be used loosely to refer to any wind instrument, and a section of brass or woodwind instruments, or a mixture of the two, is called a horn section in these contexts.

References

  1. Rycroft, David. "A Six-Finger Hole Saxophone: The Saxie". The Galpin Society Journal. 52: 195–201. doi:10.2307/842523. JSTOR   842523.
  2. "The Jazzophone". Brasspedia. Retrieved 14 May 2021.
  3. Rust, Brian (2004). Discography of OKeh Records, 1918-1934. Westport, Connecticut: Greenwood Publishing Group. p. 583. ISBN   0-313-31142-0.