Carnyx

Last updated

Carnyx from the Tintignac group CarnyxDeTintignac2.jpg
Carnyx from the Tintignac group
Three carnyx players depicted on plate E of the Gundestrup cauldron Figures with horns on the Gundestrup Cauldron.jpg
Three carnyx players depicted on plate E of the Gundestrup cauldron

The ancient carnyx was a wind instrument used by the Celts during the Iron Age, between c. 200 BCE and c. CE 200. It was a type of trumpet made of bronze with an elongated S shape, held so that the long straight central portion was vertical and the short mouthpiece end section and the much wider bell were horizontal in opposed directions. The bell was styled in the shape of the head of an open-mouthed boar or other animal.

Contents

It was used in warfare, probably to incite troops to battle and intimidate opponents, as Polybius recounts. [1] The instrument's significant height allowed it to be heard over the heads of the participants in battles or ceremonies.

Etymology

The word carnyx is derived from the Gaulish root carn- or cern-, meaning 'antler' or 'horn,' and the same root of the name of the god Cernunnos. [2] It is cognate with the Welsh carn. [3]

Evocation of a Gallic ceremony in the sanctuary of Tintignac, La Tene culture EvocationCeremonieATintignac.jpg
Evocation of a Gallic ceremony in the sanctuary of Tintignac, La Tène culture

Archaeology

Symbolism

In Iron Age Britain, animal symbolism deliberately conveys aggressiveness and ferociousness, with examples including a boar on the Witham Shield, the snouted Deskford carnyx in Scotland and the dragon pair sword scabbard from the River Thames. [4]

There is evidence to suggest that the carnyx would be held by a chieftain, as shown by a potential Gaulish king Bituitos figure. [5]

Tintignac

In 2004, archaeologists discovered a first-century-BC Gallic pit at Tintignac in Corrèze, France. The deposit contained more than 500 fragments of metal objects, including seven carnyces, one of which was nearly complete. Prior to this discovery, fragments of only five carnyces had been found, in modern-day Scotland, France, Germany, Romania, and Switzerland. [6] Four of the carnyces had boar's heads, the fifth appears to be a serpent-like monster; they appear to represent a ritual deposit dating to soon after the Roman conquest of Gaul. [7] The Tintignac finds enabled some fragments found in northern Italy decades before to be identified in 2012 as coming from a carnyx. [8]

Deskford

Deskford carnyx reconstruction Replica of the Deskford Carnyx (9487528587).jpg
Deskford carnyx reconstruction

The only example from the British Isles is the Deskford Carnyx, found at the farm of Leitchestown, Deskford, Banffshire, Scotland in 1816. Only the boar's head bell survives, also apparently placed as a ritual deposit. It was donated to Banff Museum, and is now on loan from Aberdeenshire Museums Service to the Museum of Scotland. The location and age of the Deskford Carnyx suggests the instrument had a peaceful, ceremonial use and was not used only in warfare. Before 2004 this was the best surviving example, and generally copied in earlier reconstructions. [9] The Deskford find was made almost entirely of brass, a metal used almost exclusively by the Romans, and strictly controlled by them, so just as with the vast majority of Iron Age and Roman-era Celtic brass found in Britain, the carnyx was made "with some care" from recycled Roman metal. [10] Based in part on the metallurgy, the Museum of Scotland give a date of 80 - 250 AD for its construction, noting that it was a locally-produced piece, "a specifically Scottish variant" distinct in design from known continental carnyces and that its "decoration is typical of metalwork in north-east Scotland at the time, where there was a flourishing tradition of fine bronze-working." [11]

Roman archaeology

Roman-struck coins suggest that a war trumpet was used by the Celts, which they called a carnyx. These celtic trumpets are dissimilar to Roman trumpets that are not described as having a "monster headed extremity". [12] The Celtic or Gaulic carnyx was used by the Celts in a similar way to how a standard functioned for the Romans and there is an example of a Dragon-headed carnyx in the base of Trajan's Column. [13] The carnyx has been described as identical to a Dacian trumpet. There is a clear similarity between Gaulish carnyx and the Dacian La Tene dragon standard and jewellery with dragons and serpents. [14] A dragon-headed carnyx also appears to be held by a Gaulic woman on the breastplate of Augustus. [15]

Others

Literature

The name is known from textual sources, carnyces are reported from the Celtic attack on the Delphi in 279 BC, as well as from Julius Caesar's campaign in Gaul and Claudius' invasion of Britain. Diodorus Siculus around 60–30 BC, wrote:

Their trumpets again are of a peculiar barbarian kind; they blow into them and produce a harsh sound which suits the tumult of war. [18]

Objects from Tintignac

Objects found at Tintignac were exhibited at the 2012 exhibition "Les Gaulois, une expo renversante" (The Gauls, a stunning exhibition).

Other objects

Modern reconstructions

The reconstruction of the Deskford Carnyx was initiated by Dr. John Purser, and commenced in 1991 funded jointly by the Glenfiddich Living Scotland award and the National Museums of Scotland. In addition to John Purser as musicologist, the team consisted of the archaeologist Fraser Hunter, silversmith John Creed, and trombonist John Kenny. After 2,000 years of silence the reconstructed Deskford Carnyx was unveiled at the National Museum of Scotland in April 1993. [19]

In 1993 Kenny became the first person to play the carnyx in 2,000 years, and has since lectured and performed on the instrument internationally, in the concert hall, on radio, television, and film. There are numerous compositions for the carnyx and it is featured on seven CDs. On 15 March 2003 he performed solo to an audience of 65,000 in the Stade De France in Paris. [20]

On 15 June 2017 "The Music of the Forest", a specially commissioned work by Lakeland composer, Christopher Gibbs, featuring a reconstructed carnyx, received its world premiere at Slaidburn Village Hall. The four-part song cycle evoked the landscape and history of the Forest of Bowland and was performed by the Renaissance Singers of Blackburn Cathedral under the direction of Samuel Hudson. The carnyx was played by John Kenny. [21]

The carnyx is featured in the opening battle scene of Gladiator (2000); and is used as both a musical instrument and a fear-inducing weapon.[ citation needed ] It appears in several battle scenes of the French film, Druids (2001).[ citation needed ] A carnyx appears near the beginning of the 2012 Pixar computer-animated film Brave .[ citation needed ] The carnyx is used in the Gallic soundtrack in Sid Meier's Civilization VI .[ citation needed ]

See also

Notes

  1. Polybius. The Histories 2.29
  2. Delmarre, 1987, pp. 106–107
  3. "Geiriadur Prifysgol Cymru".
  4. Garrow, Duncan (1 October 2008). Rethinking Celtic Art. Oxbow Books. p. 65. ISBN   978-1-84217-318-3.
  5. Megaw, J. V. S. (1970). Art of the European Iron Age: A Study of the Elusive Image. Adams & Dart. p. 177. ISBN   978-0-239-00019-4.
  6. Administrator. "The Carnyx from Tintignac". www.emaproject.eu. Retrieved 9 May 2022.
  7. "Press report". Archived from the original on 1 September 2012. Retrieved 20 August 2013.
  8. UPI.com Carnyx identified in Italy
  9. Hunter
  10. "Internet Archaeol 2. Dungworth. Home Page". April 1997.
  11. History, Scottish; read, Archaeology 3 min. "Deskford carnyx". National Museums Scotland. Retrieved 8 December 2023.{{cite web}}: CS1 maint: numeric names: authors list (link)
  12. The Numismatic Chronicle, and Journal of the Numismatic Society. Tayor & Walton. 1865. p. 11.
  13. Kinnee, Lauren (12 March 2018). The Greek and Roman Trophy: From Battlefield Marker to Icon of Power. Routledge. ISBN   978-1-351-84657-8.
  14. Pârvan, Vasile (1928). Dacia: An Outline of the Early Civilizations of the Carpatho-Danubian Countries. CUP Archive.
  15. Penner, Todd C.; Stichele, Caroline Vander (2007). Mapping Gender in Ancient Religious Discourses. BRILL. ISBN   978-90-04-15447-6.
  16. Celtic Culture: A-Celti. ABC-CLIO. 2006. p. 345. ISBN   978-1-85109-440-0.
  17. "Rare Bardwell Iron Age trumpet sells for more than £4k". BBC News. 3 December 2021. Retrieved 7 February 2023.
  18. Diodorus Siculus, Histories: 5.30
  19. "Details - Sound Scotland".
  20. "Details - Sound Scotland".
  21. "Details - Lancashire County Council".

Related Research Articles

<span class="mw-page-title-main">Celts</span> Indo-European ethnolinguistic group

The Celts or Celtic peoples were a collection of Indo-European peoples in Europe and Anatolia, identified by their use of Celtic languages and other cultural similarities. Major Celtic groups included the Gauls; the Celtiberians and Gallaeci of Iberia; the Britons, Picts, and Gaels of Britain and Ireland; the Boii; and the Galatians. The relation between ethnicity, language and culture in the Celtic world is unclear and debated; for example over the ways in which the Iron Age people of Britain and Ireland should be called Celts. In current scholarship, 'Celt' primarily refers to 'speakers of Celtic languages' rather than to a single ethnic group.

<span class="mw-page-title-main">Cernunnos</span> Celtic horned god

In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos is a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins and a cornucopia. He is believed to have originally been a Proto-Celtic God. There are more than fifty depictions and inscriptions referring to him, mainly in the north-eastern region of Gaul.

<span class="mw-page-title-main">La Tène culture</span> Iron Age culture of Europe

The La Tène culture was a European Iron Age culture. It developed and flourished during the late Iron Age, succeeding the early Iron Age Hallstatt culture without any definite cultural break, under considerable Mediterranean influence from the Greeks in pre-Roman Gaul, the Etruscans, and the Golasecca culture, but whose artistic style nevertheless did not depend on those Mediterranean influences.

<span class="mw-page-title-main">Gaul</span> Historical region of Western Europe inhabited by Celtic tribes

Gaul was a region of Western Europe first clearly described by the Romans, encompassing present-day France, Belgium, Luxembourg, and parts of Switzerland, the Netherlands, Germany, and Northern Italy. It covered an area of 494,000 km2 (191,000 sq mi). According to Julius Caesar, who took control of the region on behalf of the Roman Republic, Gaul was divided into three parts: Gallia Celtica, Belgica, and Aquitania.

<span class="mw-page-title-main">Gundestrup cauldron</span> Silver cauldron from Denmark dating to 200 BC to 300 AD

The Gundestrup cauldron is a richly decorated silver vessel, thought to date from between 200 BC and 300 AD, or more narrowly between 150 BC and 1 BC. This places it within the late La Tène period or early Roman Iron Age. The cauldron is the largest known example of European Iron Age silver work. It was found dismantled, with the other pieces stacked inside the base, in 1891, in a peat bog near the hamlet of Gundestrup in the Aars parish of Himmerland, Denmark. It is now usually on display in the National Museum of Denmark in Copenhagen, with replicas at other museums; during 2015–16, it was in the UK on a travelling exhibition called The Celts.

<span class="mw-page-title-main">British Iron Age</span> Period of British prehistory predating the Roman occupation

The British Iron Age is a conventional name used in the archaeology of Great Britain, referring to the prehistoric and protohistoric phases of the Iron Age culture of the main island and the smaller islands, typically excluding prehistoric Ireland, which had an independent Iron Age culture of its own. The Iron Age is not an archaeological horizon of common artefacts but is rather a locally-diverse cultural phase.

<i>Dying Gaul</i> Greek sculpture of the 3rd century BC

The Dying Gaul, also called The Dying Galatian or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost Greek sculpture from the Hellenistic period thought to have been made in bronze. The original may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia. The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon.

<span class="mw-page-title-main">Ancient Celtic religion</span> Religion practised by ancient Celtic people

Ancient Celtic religion, commonly known as Celtic paganism, was the religion of the ancient Celtic peoples of Europe. Because there are no extant native records of their beliefs, evidence about their religion is gleaned from archaeology, Greco-Roman accounts, and literature from the early Christian period. Celtic paganism was one of a larger group of polytheistic Indo-European religions of Iron Age Europe.

<span class="mw-page-title-main">Celtic Britons</span> Ancient Celtic people of Great Britain

The Britons, also known as Celtic Britons or Ancient Britons, were an indigenous Celtic people who inhabited Great Britain from at least the British Iron Age until the High Middle Ages, at which point they diverged into the Welsh, Cornish, and Bretons. They spoke Common Brittonic, the ancestor of the modern Brittonic languages.

<span class="mw-page-title-main">Ancient Celtic warfare</span> Warfare of the Ancient Celts

Ancient Celtic warfare refers to the historical methods of warfare employed by various Celtic people and tribes from Classical antiquity through the Migration period.

<span class="mw-page-title-main">Lemovices</span> Gallic tribe

The Lemovīcēs were a Gallic tribe dwelling in the modern Limousin region during the Iron Age and the Roman period.

<span class="mw-page-title-main">Celtic Luxembourg</span> Luxembourg between 600 BC and 100 AD

Celtic Luxembourg existed during the period from roughly 600 BC until 100 AD, when the Celts inhabited what is now the territory of the Grand Duchy of Luxembourg. Their culture was well developed, especially from the 1st century BC, as can be seen from the remains of the extensive Titelberg site in the far southwest of the country and from the impressive finds in several tombs and necropolises in the Moselle valley and its surroundings.

The various names used since classical times for the people known today as the Celts are of disparate origins.

According to classical sources, the ancient Celts were animists. They honoured the forces of nature, saw the world as inhabited by many spirits, and saw the Divine manifesting in aspects of the natural world.

<span class="mw-page-title-main">Gauls</span> Ancient Celtic peoples of Europe

The Gauls were a group of Celtic peoples of mainland Europe in the Iron Age and the Roman period. Their homeland was known as Gaul (Gallia). They spoke Gaulish, a continental Celtic language.

<span class="mw-page-title-main">Ancient Celtic music</span>

Deductions about the music of the ancient Celts of the La Tène period and their Gallo-Roman and Romano-British descendants of Late Antiquity rely primarily on Greek and Roman sources, as well as on archaeological finds and interpretations including the reconstruction of the Celts' ancient instruments. Most of the textual information centers on military conflicts and on maybe the most prominent Celtic instrument of its time, the carnyx.

<span class="mw-page-title-main">Greeks in pre-Roman Gaul</span>

The Greeks in pre-Roman Gaul have a significant history of settlement, trade, cultural influence, and armed conflict in the Celtic territory of Gaul, starting from the 6th century BC during the Greek Archaic period. Following the founding of the major trading post of Massalia in 600 BC by the Phocaeans at present day Marseille, Massalians had a complex history of interaction with peoples of the region. Large Greek colonies also existed west of the Rhône, particularly at Agde and Béziers, the latter of which both predates, and was larger than, the Marseille colony.

<span class="mw-page-title-main">Celts in Western Romania</span> Geographical aspect of Celts

The appearance of Celts in Western Romania can be traced to the later La Tène period . Excavation of the great La Tène necropolis at Apahida, Cluj County, by S. Kovacs at the turn of the 20th century revealed the first evidence of Celtic culture in Romania. The 3rd–2nd century BC site is remarkable for its cremation burials and chiefly wheel-made funeral vessels.

<span class="mw-page-title-main">Prehistoric art in Scotland</span> Overview and examples of prehistoric art in Scotland

Prehistoric art in Scotland is visual art created or found within the modern borders of Scotland, before the departure of the Romans from southern and central Britain in the early fifth century CE, which is usually seen as the beginning of the early historic or Medieval era. There is no clear definition of prehistoric art among scholars and objects that may involve creativity often lack a context that would allow them to be understood.

<span class="mw-page-title-main">Tintignac</span>

Tintignac is a hamlet near Naves in the Corrèze region of France. It is primarily known for the archaeological remains of a sanctuary where Gallic and Gallo-Roman artefacts have been found, including seven carnyces and ornamented helmets. The site is classified on the List of historic monuments of 1840.

References