A chemise or shift is a classic smock type of women's undergarment or dress. Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations.
The English word chemise is a loanword from the French word for shirt and is related to the Italian camicia or Latin camisia, which, according to Elizabeth Wayland Barber, is likely derived from Celtic. [1]
The chemise seems to have developed from the Roman tunica and first became popular in Europe in the Middle Ages. At this time, the chemise was commonly referred to as a kemse or kemes. [2] A type of undergarment worn close to the skin in order to protect outergarments, [3] though the term chemise is now most commonly associated with being a women’s garment, during this period (Medieval through to the 15th century), it was also used to describe an item of men’s underclothing. [2] Women wore a shift or chemise under their gown or robe; while men wore a chemise with their trousers or braies, and covered the chemise with garments such as doublets, robes, etc.
A chemise, shift, or smock was usually sewn at home, by the women of a household. It was assembled from rectangles and triangles cut from one piece of cloth so as to leave no waste. The poor would wear chemises pieced from a narrow piece of rough cloth; while the rich might have voluminous chemises pieced from thin, smooth fine linen.
Chemise during the period up to the 15th century were most often made from linen, [2] Over time cotton chemise also came into popularity, with both linen and cotton easy to wash – underclothes often being the only piece of clothing that was washed regularly. [4] Further, through the 17th and 18th centuries, linen was considered an essential means of maintaining cleanliness, and therefore, health, [5] a starched white chemise served as an indicator of an individual’s personal hygiene.
The term chemise was first used to describe an outer garment in the 1780s, when Queen Marie Antoinette of France popularized a kind of informal, loose-fitting gown of sheer white cotton, resembling a chemise in both cut and material, which became known as the chemise à la reine. [6] [7] Such a chemise gown was made from very lightweight, slightly sheer fabrics, including muslin, silk, or cambric. [2]
In saying this, through the 18th century, chemise continued to be used to refer primarily to an undergarment, the type earlier described as a smock for women, and a shirt for men. [2] Through the century, the term shift slowly replaced smock, which would eventually be exchanged for chemise in the 19th century, [2] when chemise came into common use to refer to such a garment, as it was deemed more socially acceptable than shift, which had developed connotations of crudeness. [3]
Into the 19th century, the chemise as an undergarment developed structure, fitting to the bust where worn next to the skin, underneath a pair of stays, the shaping and fabrics used reminiscent of late 18th century chemise. [8] Though simple in design, the early 19th century chemise often featured small decorative elements, such as a lace or ruffled edge. [8]
Where early and mid-19th century examples are often of plain cotton with a square-cut neckline, [4] through the century, chemise as an undergarment developed different shapes and styles, some being highly decorative with trimmings and embroidery. [2] Through the century, different types of undergarments began to be worn, including combinations.
In Western countries, the chemise as an undergarment fell out of fashion in the early 20th century, and was generally replaced by a brassiere, girdle, and full slip, and panties first came to be worn.
Men's chemises may be said to have survived as the common T-shirt, which still serves as an undergarment. The chemise also morphed into the smock-frock, a garment worn by English laborers until the early 20th century. Its loose cut and wide sleeves were well adapted to heavy labor. The name smock is nowadays still used for military combat jackets in the UK.
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A modern chemise is generally a woman's garment that vaguely resembles the older shirts but is typically more delicate, and usually more revealing. Most commonly the term refers to a loose-fitting, sleeveless undergarment or type of lingerie which is unfitted at the waist. It can also refer to a short, sleeveless dress that hangs straight from the shoulders and fits loosely at the waist. A chemise typically does not have any buttons or other fasteners and is put on by either dropping it over the head or stepping into it and lifting it up.
As lingerie, a chemise is similar to a babydoll, which is also a short, loose-fitting, sleeveless garment. Typically, though, babydolls are looser fitting at the hips.
Lingerie is a category of primarily women's clothing including undergarments, sleepwear, and lightweight robes. The choice of the word is often motivated by an intention to imply that the garments are alluring, fashionable, or both. In a 2015 US survey, 75% of women reported having worn "sexy lingerie" in their lifetime.
A shirt is a cloth garment for the upper body.
Nightwear – also called sleepwear, or nightclothes – is clothing designed to be worn while sleeping. The style of nightwear worn may vary with the seasons, with warmer styles being worn in colder conditions and vice versa. Some styles or materials are selected to be visually appealing or erotic in addition to their functional purposes.
A nightgown, nightie or nightdress is a loosely hanging item of nightwear, and is commonly worn by women and girls. A nightgown is made from cotton, silk, satin, or nylon and may be decorated with lace appliqués or embroidery at the bust and hem.
A petticoat or underskirt is an article of clothing, a type of undergarment worn under a skirt or a dress. Its precise meaning varies over centuries and between countries.
A teddy, also called a camiknicker, is a garment which covers the torso and crotch in the one garment. It is a similar style of garment to a one-piece swimsuit or bodysuit, but is typically looser and sheerer. The garment is put on by stepping into the leg holes and pulling the garment up to cover the torso. It may cover the whole of the torso or partially and may also cover the arms. They may open at the crotch so that the wearer may use the bathroom without taking it completely off. As an undergarment, it combines the functions of a camisole and panties, and may be preferred to avoid a visible panty line. It is also found as lingerie.
A smock-frock or smock is an outer garment traditionally worn by rural workers, especially shepherds and waggoners. Today, the word smock refers to a loose overgarment worn to protect one's clothing, for instance by a painter.
Fashion in the period 1550–1600 in European clothing was characterized by increased opulence. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation remained prominent. The wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders had reached its peak in the 1530s, and by mid-century a tall, narrow line with a V-lined waist was back in fashion. Sleeves and women's skirts then began to widen again, with emphasis at the shoulder that would continue into the next century. The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles. Wigs remained essential for men and women of substance, and were often white; natural hair was powdered to achieve the fashionable look. The costume of the eighteenth century, if lacking in the refinement and grace of earlier times, was distinctly quaint and picturesque.
A banyan is a garment worn by European men and women in the late 17th and 18th century, influenced by the Japanese kimono brought to Europe by the Dutch East India Company in the mid-17th century. "Banyan" is also commonly used in present-day Indian English and other countries in the Indian subcontinent to mean "vest" or "undershirt".
Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers. Contrasting fabrics, slashes, embroidery, applied trims, and other forms of surface ornamentation became prominent. The tall, narrow lines of the late Medieval period were replaced with a wide silhouette, conical for women with breadth at the hips and broadly square for men with width at the shoulders. Sleeves were a center of attention, and were puffed, slashed, cuffed, and turned back to reveal contrasting linings.
Fashion in 15th-century Europe was characterized by a series of extremes and extravagances, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing doublets and hose of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
Fashion in fourteenth-century Europe was marked by the beginning of a period of experimentation with different forms of clothing. Costume historian James Laver suggests that the mid-14th century marks the emergence of recognizable "fashion" in clothing, in which Fernand Braudel concurs. The draped garments and straight seams of previous centuries were replaced by curved seams and the beginnings of tailoring, which allowed clothing to more closely fit the human form. Also, the use of lacing and buttons allowed a more snug fit to clothing.
A dress is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice. It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual.
Twelfth century European fashion was simple in cut and differed only in details from the clothing of the preceding centuries, starting to become tighter and more similar for men and women as the century went on, which would continue in the 13th century. Men wore knee-length tunics for most activities, and men of the upper classes wore long tunics, with hose and mantle or cloaks. Women wore long tunics or gowns. A close fit to the body, full skirts, and long flaring sleeves were characteristic of upper-class fashion for both men and women.
Underwear, underclothing, or undergarments are items of clothing worn beneath outer clothes, usually in direct contact with the skin, although they may comprise more than a single layer. They serve to keep outer clothing from being soiled or damaged by bodily excretions, to lessen the friction of outerwear against the skin, to shape the body, and to provide concealment or support for parts of it. In cold weather, long underwear is sometimes worn to provide additional warmth. Special types of undergarments have religious significance. Some items of clothing are designed as undergarments, while others, such as T-shirts and certain types of shorts, are appropriate both as underwear and outerwear. If made of suitable material or textile, some underwear can serve as nightwear or swimwear, and some undergarments are intended for sexual attraction or visual appeal.
The Medieval period in England is usually classified as the time between the fall of the Roman Empire to the beginning of the Renaissance, roughly the years AD 410–1485. For various peoples living in England, the Anglo-Saxons, Anglo-Danes, Normans and Britons, clothing in the medieval era differed widely for men and women as well as for different classes in the social hierarchy. The general styles of Early medieval European dress were shared in England. In the later part of the period, men's clothing changed much more rapidly than women's styles. Clothes were very expensive and both the men and women of lower social classes continued also divided social classes by regulating the colors and styles these various ranks were permitted to wear. In the early Middle Ages, clothing was typically simple and, particularly in the case of lower-class peoples, served only basic utilitarian functions such as modesty and protection from the elements. As time went on the advent of more advanced textile techniques and increased international relations, clothing gradually got more and more intricate and elegant, even with those under the wealthy classes, up into the renaissance.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
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