Eventide, Inc

Last updated
Eventide Inc.
Type Private
Founded1971
Headquarters Little Ferry, New Jersey
Key people
Richard Factor, Co-founder and Chairman
Orville Greene, Co-founder
Steve Katz, Co-founder
Anthony Agnello, Managing Director
Richard Van Tieghem, President, Communications Division
ProductsAudio Signal Processing, effects pedals, audio plugins, broadcast profanity delays, and communications recording equipment and software
Website www.eventide.com
Eventide DDL 1745 Digital Delay Line Studio Processor DDL 1745-rack.jpg
Eventide DDL 1745 Digital Delay Line Studio Processor

Eventide Inc. (also known earlier as Eventide Clock Works Inc.) is an American pro audio, broadcast and communications company whose audio division manufactures digital effects processors, digital signal processor (DSP) software, and guitar effects pedals. Eventide was one of the first companies to manufacture digital audio processors, and its products are mainstays in sound recording and reproduction, post production, and broadcast studios. [1]

Contents

Eventide Instant Phaser InstantPhaser-Rack.jpg
Eventide Instant Phaser

Beginnings

Eventide was founded by recording engineer Stephen Katz, inventor Richard Factor, and businessman/patent attorney Orville Greene. The business was founded in the basement of the Sound Exchange, a recording studio located at 265 West 54th Street in New York City and owned by Greene. When Katz needed to rewind the analog tape back to a specific point on their Ampex MM1000 multitrack recorder, but limited space in the studio did not allow for a tape op (a person who would operate the tape recorder on behalf of the sound engineer), Katz asked Factor to build a gadget that would do the job, and the resulting device turned into an original equipment manufacturer (OEM) success for Ampex. Other early products included a two-second delay for telephone research and an electrostatic deflector for dispensing nanoliter quantities of chemical reagents. [2]

Eventide's original product line consisted of two products: the Instant Phaser [3] (the result of an Audio Engineering Society Show appearance and Eventide's first answer to tape-based flanging), and what would become the 1745 Digital Delay Line [4] (the result of a significant order from Maryland Public Broadcasting and the world's first digital pro audio device).

Eventide Instant Flanger InstantFlanger-Rack.jpg
Eventide Instant Flanger

Beginning with the 1745M, Eventide began widely using random-access memory (RAM) chips in many of their products. After purchasing a Hewlett-Packard computer for researching reverb algorithms and needing to upgrade the memory in order for the computer to handle the necessary complex computations, Eventide designers realized that they could manufacture computer memory expansion far more affordably than the current market price. Therefore, Eventide began to manufacture and sell HP-compatible RAM expansion boards and did so from the late 1970s to the mid-1990s. [5]

In 2017, Richard Factor was interviewed about Eventide's history on the Gear Club podcast in episodes 6 [6] and 7. [7]

Aviation

Shortly after Eventide moved its offices from Manhattan to New Jersey, its president earned a private airplane pilot's license. Surprised that moving map displays were not available for small airplanes, he had Eventide develop Argus, the first moving map system, and one of the first multi-function displays designed for general aviation use. [8]

Digital voice logging and recording

NexLog DX-Series Recorder NEXLOG-DX-740-Front.jpg
NexLog DX-Series Recorder

In the early 1990s, Eventide developed digital voice logging recorders that enabled broadcasters, police, 911 centers and utilities to begin archiving digitally with improved audio quality and far greater storage capabilities than they previously had been working with. Eventide's early recorder models (VR240, VR320, DiR-911T, VR615, VR725 and VR778) were installed worldwide.

In 2012, Eventide introduced its “NexLog” Communications Recorders for P25, NG911, public safety, utilities, and air traffic control facilities. These mission-critical recording systems capture, store, protect, reproduce, and manage important multimedia interactions and critical data.

In 2020, Eventide introduced its “NexLog DX-Series” Communications Recording Solutions, which added support for virtualization, increased the maximum channel capacity to 540 per unit, and added full HTML5-based monitoring and replay of voice, PC screens, imagery, video and data.

H910 Harmonizer

H910 Harmonizer H910rack.jpg
H910 Harmonizer

The Eventide H910 Harmonizer [9] was first demonstrated to universally positive reactions at the AES show in late 1974. It was designed by Eventide's first engineer, Tony Agnello (who went on to become the president of Eventide's audio division). The pre-production prototype was a hand-wired box topped with a music keyboard controller (which was developed into the HK 941). Jon Anderson of the band Yes was among those impressed and became a tester for the first prototype. The production H910 was released in 1975, offering pitch shifting (±1 octave), delay (up to 112.5 ms), feedback regeneration and other features in an easy-to-use box that sold for $1,600. The H910 model number refers to the Beatles song "One After 909".[ citation needed ]

The first H910 customer was New York City's Channel 5, utilizing it to downward pitch shift I Love Lucy reruns that were sped up to create room to run more advertisements. Speeding up the reruns had increased the pitch of the audio, and the H910 was able to shift that pitch back to where it originally had been. Frank Zappa and Jimmy Page added it to their guitar processing rigs. Producer Tony Visconti used the H910 to create the snare sound on David Bowie's album Low (1977), as did Tony Platt on AC/DC's song "Back in Black" (1980). Chuck Hammer in 1979 used it as an integral part of his Guitar Synth rig on tour with Lou Reed and in 1980 with David Bowie. Another popular application was to use two H910s slightly detuned with a small delay. Notable users of this twin Harmonizer effect included Eddie Van Halen, who used it for his trademark guitar sound, and Tom Lord-Alge, who used it for the vocals on the hit Steve Winwood song "Back in the High Life Again" (1986). Recognizing the popularity of this application, Eventide later recreated it as the "Dual 910" program in the H3000 UltraHarmonizer released in the late 1980s. The H910 was also one of Eventide's first devices to enter the world of film, and was used on the voice of R2-D2 in Star Wars .

The H910 Harmonizer was recognized by the AES with a TECnology Hall of Fame award in 2007. [10] On November 10, 1976, Eventide filed a trademark registration for "Harmonizer" and continues to maintain its rights to the Harmonizer trademark today. [11]

Timeline of noteworthy products

Eventide H9000 Harmonizer Effects Processor H9000-Front.jpg
Eventide H9000 Harmonizer Effects Processor
Eventide Space Reverb & Beyond Stompbox Eventide Space Reverb & Beyond Stompbox.png
Eventide Space Reverb & Beyond Stompbox
Eventide H9 Max Harmonizer Multi Effects Pedal H9Max.jpg
Eventide H9 Max Harmonizer Multi Effects Pedal

See also

Related Research Articles

<span class="mw-page-title-main">Effects unit</span> Electronic device that alters audio

An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing.

<span class="mw-page-title-main">Sound effect</span> Artificially created or enhanced sound

A sound effect is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media.

Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.

Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect.

<span class="mw-page-title-main">Dynamic range compression</span> Audio signal processing operation

Dynamic range compression (DRC) or simply compression is an audio signal processing operation that reduces the volume of loud sounds or amplifies quiet sounds, thus reducing or compressing an audio signal's dynamic range. Compression is commonly used in sound recording and reproduction, broadcasting, live sound reinforcement and some instrument amplifiers.

The Environmental Audio Extensions are a number of digital signal processing presets for audio, present in Creative Technology Sound Blaster sound cards starting with the Sound Blaster Live and the Creative NOMAD/Creative ZEN product lines. Due to the release of Windows Vista in 2007, which deprecated the DirectSound3D API that EAX was based on, Creative discouraged EAX implementation in favour of its OpenAL-based EFX equivalent – though at that point relatively few games used the API.

<span class="mw-page-title-main">SoundStorm</span> Nvidia brand for surround sound technology on chipsets

SoundStorm is a brand by Nvidia regarding to a SIP block integrating 5.1 surround sound technology found on the die of their nForce and nForce2 chipsets for x86 CPUs. It is also the name of a certification to be obtained by Nvidia when complying with their specifications.

Line 6 is a musical instrument and audio equipment manufacturer, best known as a pioneer in guitar amplifier and effect modeling. The company's products include guitar effects, modeling guitar amplifiers, Software, |electric guitars, and wireless systems. Line 6 has an active user community, and provides software that allows users to easily download and share patches or device settings for many of the company's products. Founded in 1996 and headquartered in Calabasas, California, the company has been a subsidiary of Yamaha Corporation since 2014.

A phaser is an electronic sound processor used to filter a signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs of the waveform being affected is typically modulated by an internal low-frequency oscillator so that they vary over time, creating a sweeping effect.

Chorus is an audio effect that occurs when individual sounds with approximately the same time, and very similar pitches, converge. While similar sounds coming from multiple sources can occur naturally, as in the case of a choir or string orchestra, it can also be simulated using an electronic effects unit or signal processing device.

<span class="mw-page-title-main">Pitch correction</span> Technique for calibrating the pitch of an audio recording to match musical notes

Pitch correction is an electronic effects unit or audio software that changes the intonation of an audio signal so that all pitches will be notes from the equally tempered system. Pitch correction devices do this without affecting other aspects of its sound. Pitch correction first detects the pitch of an audio signal, then calculates the desired change and modifies the audio signal accordingly. The widest use of pitch corrector devices is in Western popular music on vocal lines.

<span class="mw-page-title-main">Pitch shifting</span> Audio processing technique that changes the original pitch of a sound

Pitch shifting is a sound recording technique in which the original pitch of a sound is raised or lowered. Effects units that raise or lower pitch by a pre-designated musical interval (transposition) are called pitch shifters.

<span class="mw-page-title-main">Ensoniq Signal Processor</span> Musical instrument microchip

The Ensoniq ESP was used in many of the company's musical instruments and on their Soundscape Elite PC ISA sound card. It was used to enhance the synthesizer's audio samples with digital effects, enhancing the realism of the overall sound.

<span class="mw-page-title-main">Delay (audio effect)</span> Echo-like effect

Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo.

<span class="mw-page-title-main">TC Electronic</span> Danish audio equipment manufacturer

TC Electronic is a Danish audio equipment company that designs and imports guitar effects, bass amplification, computer audio interfaces, audio plug-in software, live sound equalisers, studio and post-production equipment, studio effect processors, and broadcast loudness processors and meters. In August 2015, the company was purchased by Music Group, a holding company chaired by Uli Behringer.

A digital delay line is a discrete element in a digital filter, which allows a signal to be delayed by a number of samples. Delay lines are commonly used to delay audio signals feeding loudspeakers to compensate for the speed of sound in air, and to align video signals with accompanying audio, called audio-to-video synchronization. Delay lines may compensate for electronic processing latency so that multiple signals leave a device simultaneously despite having different pathways.

Musical outboard equipment or outboard gear is used to process or alter a sound signal separately from functionality provided within a mixing console or a digital audio workstation. Outboard effects units can be used either during a live performance or in the recording studio.

<span class="mw-page-title-main">Record (software)</span>

Record is a music software program developed by Swedish software developers Propellerhead Software. Designed for recording, arrangement and mixing, it emulates a recording studio, with a mixing desk, a rack of virtual instruments and effects and an audio and MIDI sequencer. Record can be used either as a complete virtual recording studio in itself, or together with Propellerhead Software's Reason.

Source Audio is a guitar effects pedal company based near Boston, Massachusetts. They produce modular effects pedals for electric guitar and bass, such as the Nemesis Delay, Ventris Dual Reverb, and Collider Delay+Reverb, as well as the C4 Synth, a modular rack synthesizer in pedal format, the Aftershock Bass Distortion, and the EQ2, a 10-band parametric equalizer with a plug-in style desktop interface. They are also the creators of the Hot Hand Wireless Effects Controller, a device worn around the finger that uses an accelerometer to send expression signal to an effect like an envelope filter. Source Audio mainly uses DSP to create their effects, and are known to program their own processor chips.

ValhallaDSP is a company and brand name for multiple digital reverberator and delay plugins for Macintosh and Windows computers made by Sean Costello.

References

  1. Sound On Sound, "Astral Tweaks: Eventide Eclipse Multi-effects," Sep 2001, https://www.soundonsound.com/reviews/eventide-eclipse
  2. "About Us".
  3. "50th Flashback #1: The PS101 Instant Phaser". 19 January 2021. Retrieved 5 May 2021.
  4. "50th Flashback #2.1: The DDL 1745 Delay". 11 February 2021. Retrieved 5 May 2021.
  5. "History - Eventide". www.eventideaudio.com. Retrieved 9 February 2019.
  6. "Episode VI: Return of the Jedi, Richard Factor". Gear Club Podcast. Retrieved 2017-07-24.
  7. "Episode 7: The Early Years of Eventide - Richard Factor pt. 2". Gear Club Podcast. Retrieved 2017-07-24.
  8. "Outlook: High Hopes for General Aviation". Avionics. 1 January 2001. Retrieved 9 February 2019.
  9. "50th Flashback #4.1: The H910 Harmonizer®". 20 April 2021. Retrieved 5 May 2021.
  10. "TECnology Hall of Fame 2007".
  11. Trademark for Harmonizer, trademarkia.com.
  12. Nalia Sanchez (2020). "Remembering the Watkins Glen Festival". Eventide. Retrieved February 20, 2020.
  13. "Eventide DDL 1745 Inducted into TECnology Hall of Fame". Mix Online. 9 February 2018. Retrieved 17 May 2021.
  14. "50th Flashback #2.2: The DDL 1745A Delay". 16 February 2021.
  15. "50th Flashback #3: The Omnipressor®". 10 March 2021.
  16. "50th Flashback #2.3: The DDL 1745M Delay". 25 February 2021.
  17. "50th Flashback #5: FL 201 Instant Flanger". Eventide Audio. Retrieved 19 May 2021.
  18. "50th Flashback #4.2: H910 Harmonizer® — the Product". 23 April 2021.
  19. "SP 2016 | Eventide". www.eventideaudio.com. Archived from the original on 2019-07-22.
  20. 1 2 "Innovations: Eventide H9000 Network Effects Platform". 21 August 2019.
  21. "DSP 4000B+". Gear Space. Retrieved 20 May 2021.
  22. "Eventide DSP4500 Ultra-Harmoniser/Multi-Effects Processor" Sound On Sound, Nov 1998, Hugh Robjohns
  23. "Review Eventide DSP7000 Series". www.soundonsound.com. Retrieved 10 May 2021.
  24. "2001 review in "Pro Sound News"". April 2001. Retrieved 10 May 2021.
  25. "Eventide H7600? - Page 2 - Gearslutz". www.gearslutz.com. Retrieved 9 February 2019.
  26. "Eventide Audio & Communications". www.eventide.com. Retrieved 9 February 2019.
  27. "Review Eventide Eclipse-". www.soundonsound.com. Retrieved 10 May 2021.
  28. "Eventide Eclipse". June 2002.
  29. "EVENTIDE Eclipse Effects Processor". April 2002.
  30. "Eventide Clockworks Legacy".
  31. "Mix Online, NAB 2004: Eventide BD500, Apr 2004". 16 April 2004. Retrieved 9 May 2021.
  32. "Eventide Introduces Anthology TDM Bundle". 10 February 2005.
  33. ""Eventide H8000FW" Mix Online, Nov 2005". Archived from the original on 29 June 2011. Retrieved 9 February 2019.
  34. "NAMM06: Eventide Unveil Latest Ultra-Harmonizer". Sonicstate. Retrieved 9 February 2019.
  35. ""Eventide Stompbox Line" Mix Online, Jan 2007". Archived from the original on 29 June 2011. Retrieved 9 February 2019.