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References
- ↑ Laycock, Joseph P. “How the Necronomicon Became Real: The Ecology of a Legend.” In The Paranormal and Popular Culture, 1st ed., 184–97. Routledge, 2019.
- ↑ Thrall, James H. “Shifting Histories, Blurred Borders, and Mediated Sacred Texts in Philip K. Dick’s The Man in the High Castle.” Literature & Theology 32, no. 2 (2018): 211–25.
- ↑ Bloch, W. L. G. “The Unimagined: Catalogues and The Book of Sand in the ‘Library of Babel.’” Variaciones Borges. Jorge Luis Borges Center for Studies & Documentation 19, no. 19 (2005): 23–40.
- ↑ Bynoe, Robin. (2022) "Furnishing a Meta-Room" The Anthony Powell Society Newsletter 86 (spring):21-24.
- ↑ Darling, Rachel Jane. “Fools and Heroes: The Changing Representation of the Novelist-Character.” ProQuest Dissertations Publishing, 2014.
- ↑ Francisco Collado-Rodríguez. (2013) “Textual Unreliability, Trauma, and The Fantastic in Chuck Palahniuk’s ‘Lullaby.’” Studies in the Novel 45, no. 4: 620–37.
- ↑ Bolton, Micheal Sean (2014). Mosaic of Juxtaposition. Brill Publishers. p. 174. ISBN 978-9042038486.
- ↑ Huber, I. Literature after Postmodernism Reconstructive Fantasies. 1st ed. 2014. London: Palgrave Macmillan UK, 2014.
- ↑ Welsh, Timothy J. “When What’s Real Doesn’t Matter: House of Leaves.” In Mixed Realism, 103–. University of Minnesota Press, 2016.
- ↑ Omlor, Daniela. “Mirroring Borges: The Spaces of Literature in Roberto Bolaño’s 2666.” Bulletin of Hispanic Studies (Liverpool : Liverpool University Press : 1996) 91, no. 6 (2014): 659–70.
