Editing

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"Quarters of the news editor", one of a group of four photos in the 1900 brochure Seattle and the Orient, which was collectively captioned "The Seattle Daily Times--Editorial Department". Seattle Daily Times news editor quarters - 1900.jpg
"Quarters of the news editor", one of a group of four photos in the 1900 brochure Seattle and the Orient, which was collectively captioned "The Seattle Daily Times—Editorial Department".

Editing is the process of selecting and preparing written, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organization, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. [1]

Contents

The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods. [2] [3]

Editors work on producing an issue of Bild, West Berlin, 1977. Previous front pages are affixed to the wall behind them. Editorial office of Bild newspaper, West Berlin, 1977.jpg
Editors work on producing an issue of Bild , West Berlin, 1977. Previous front pages are affixed to the wall behind them.

There are various editorial positions in publishing. Typically, one finds editorial assistants reporting to the senior-level editorial staff and directors who report to senior executive editors. Senior executive editors are responsible for developing a product for its final release. The smaller the publication, the more these roles overlap.

The top editor at many publications may be known as the chief editor, executive editor, or simply the editor. A frequent and highly regarded contributor to a magazine may acquire the title of editor-at-large or contributing editor. Mid-level newspaper editors often manage or help to manage sections, such as business, sports and features. In U.S. newspapers, the level below the top editor is usually the managing editor.

In the book publishing industry, editors may organize anthologies and other compilations, produce definitive editions of a classic author's works (scholarly editor), and organize and manage contributions to a multi-author book (symposium editor or volume editor). Obtaining manuscripts or recruiting authors is the role of an acquisitions editor or a commissioning editor in a publishing house. [4] Finding marketable ideas and presenting them to appropriate authors are the responsibilities of a sponsoring editor.

Copy editors correct spelling, grammar and align writings to house style. Changes to the publishing industry since the 1980s have resulted in nearly all copy editing of book manuscripts being outsourced to freelance copy editors. [4]

At newspapers and wire services, press or copy editors write headlines and work on more substantive issues, such as ensuring accuracy, fairness, and taste. In some positions, they design pages and select news stories for inclusion. At British and Australian newspapers, the term is sub-editor. They may choose the layout of the publication and communicate with the printer. These editors may have the title of layout or design editor or (more so in the past) makeup editor.

In Film editing, many techniques are available for use, however, using one doesn't make your edit 'better' than if it were not to be used. [5]

Page 1 Editor Jack Breibart in the San Francisco Chronicle newsroom, 1994. JACK BREIBART, 1994.jpg
Page 1 Editor Jack Breibart in the San Francisco Chronicle newsroom, 1994.

Scholarly books and journals

Within the publishing environment, editors of scholarly books are of three main types, each with particular responsibilities:

In the case of multi-author edited volumes, before the manuscript is delivered to the publisher it has undergone substantive and linguistic editing by the volume's editor, who works independently of the publisher.

As for scholarly journals, where spontaneous submissions are more common than commissioned works, the position of journal editor or editor-in-chief replaces the acquisitions editor of the book publishing environment, while the roles of production editor and copy editor remain. However, another editor is sometimes involved in the creation of scholarly research articles. Called the authors' editor, this editor works with authors to get a manuscript fit for purpose before it is submitted to a scholarly journal for publication.

The primary difference between copy editing scholarly books and journals and other sorts of copy editing lies in applying the standards of the publisher to the copy. Most scholarly publishers have a preferred style that usually specifies a particular dictionary and style manual—for example, The Chicago Manual of Style , the MLA Style Manual or the APA Publication Manual in the U.S., or the New Hart's Rules in the U.K.

Editing in the 21st century

Editing has a long history dating back to the earliest times of written language. Over time, editing has evolved greatly, particularly with the emergence of new forms of media and language that have led to a move towards multimodality. [6] Today, hardcopies and print are no longer the main focus of editing as new content like film and audio require different kinds of edits.

Technical editing is now more commonly done using applications and websites on devices, which requires editors to be familiar with online platforms like Adobe Acrobat, Microsoft Office, and Google Docs. The significance and intentions behind editing have also changed, moving beyond print due to the continuous advancements in technology. As a result, the grounds and values of editing have changed as well. [7] For instance, text is often shortened and simplified online because of the preference for quick answers among this generation. Additionally, the advancement in social issues has made it possible to offer easy access to vast amounts of information. [8]

Apart from editing written work, video editing has also evolved. Nowadays, non-linear editing is the main way of editing video clips, but in the 1900s, it was linear editing. As computer systems and software have developed, video clips are now able to be uploaded directly to the editing software, making the editing process quicker. With this evolution of editing, creativity has been sped up, editing has become easier, and there are now countless ways for writers to tell stories. [9]

Visual editing

In terms of editing visual content, the two main forms would be photo and cinematic. Photo editing has evolved considerably from humble means, dating all the way back to the early 20th century. During the 1920s, photographers established a new discipline of creative editing by creating collages from multiple photos. [10] By the late 1980’s, it became possible to computerize images by running physical photos through a scanner. Over time, software began to develop, aimed toward the manipulation of different qualities of a photo. Today, there are a multitude of applications to choose from to edit the content or qualities of photos; PhotoShop is a common example, as well as other applications such as Adobe Lightroom. Modern photo editing techniques include, but are not limited to linearization, white balance, noise reduction, tone reproduction and compression. [11]

The other form of Visual editing is cinematic editing. Cinematic editing entails anything that is to be used as cinematic material, mainly films. Cinematic editing dates back to the early 1900's when American filmmaker, D.W Griffith, produced the first films that essentially paved the way for the editing techniques that are still used today. [12] The progression of technology brought about advancements in gear, which meant filmmakers were able to achieve new techniques in the post-production process through editing. Editors went from physically cutting and rearranging film to working on virtual timelines using software like Davinci Resolve or Premiere pro.

Technical editing

Technical editing involves reviewing text written on a technical topic, identifying usage errors and ensuring adherence to a style guide. It aims to improve the clarity of the text or message from the author to the reader. Technical editing is actually the umbrella term for all the different kinds of edits that might occur. [13]

Technical editing may include the correction of grammatical mistakes, misspellings, mistyping, incorrect punctuation, inconsistencies in usage, poorly structured sentences, wrong scientific terms, wrong units and dimensions, inconsistency in significant figures, technical ambivalence, technical disambiguation, statements conflicting with general scientific knowledge, correction of synopsis, content, index, headings and subheadings, correcting data and chart presentation in a research paper or report, and correcting errors in citations.

From basics to more critical changes, these adjustments to the text can be categorized by the different terms within technical editing. There are policy edits, integrity edits, screening edits, copy clarification edits, format edits and mechanical style edits, language edits, etc. [14]

The two most common and broad are substantive editing and copy editing. Substantive editing is developmental because it guides the drafting process by providing essential building blocks to work off of. They work closely with the author to help supply ideas. Copy editing happens later in the drafting process and focuses on changing the text so that it's consistent throughout in terms of accuracy, style, flow, and so on. This is usually the preferred editing for the surface-level cleaning up of work. [15]

Large companies dedicate experienced writers to the technical editing function. Organizations that cannot afford dedicated editors typically have experienced writers peer-edit text produced by less experienced colleagues.

It helps if the technical editor is familiar with the subject being edited. The "technical" knowledge that an editor gains over time while working on a particular product or technology does give the editor an edge over another who has just started editing content related to that product or technology.

General essential skills include attention to detail, patience, persistence, the ability to sustain focus while working through lengthy pieces of text on complex topics, tact in dealing with writers, and excellent communication skills. Additionally, one does not need an English major to partake but language aptitude certainly helps. [16]

Editing services

Editing is a growing field of work in the service industry. There is little career training offered for editors. [17] Paidediting services may be provided by specialized editing firms or by self-employed (freelance) editors.

Editing firms may employ a team of in-house editors, rely on a network of individual contractors or both. [18] Such firms are able to handle editing in a wide range of topics and genres, depending on the skills of individual editors. The services provided by these editors may be varied and can include proofreading, copy editing, online editing, developmental editing, editing for search engine optimization, etc.

Self-employed editors work directly for clients (e.g., authors, publishers) or offer their services through editing firms, or both. They may specialize in a type of editing (e.g., copy editing) and in a particular subject area. Those who work directly for authors and develop professional relationships with them are called authors' editors. There is hope for self-employed editors because all editing differs based on tradition, experience, education, personal style, values, etc. [19]

See also

Related Research Articles

In legal discourse, an author is the creator of an original work, whether that work is in written, graphic, or recorded medium. The creation of such a work is an act of authorship. Thus, a sculptor, painter, or composer, is an author of their respective sculptures, paintings, or compositions, even though in common parlance, an author is often thought of as the writer of a book, article, play, or other written work. In the case of a work for hire, the employer or commissioning party is considered the author of the work, even if they did not write or otherwise create the work, but merely instructed another individual to do so.

<i>The Chicago Manual of Style</i> Academic style guide for American English

The Chicago Manual of Style is a style guide for American English published since 1906 by the University of Chicago Press. Its 17 editions have prescribed writing and citation styles widely used in publishing.

<span class="mw-page-title-main">Textual criticism</span> Identification of textual variants

Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons.

Proofreading is an iterative process of comparing galley proofs against the original manuscripts or graphic artworks to identify transcription errors in the typesetting process. In the past, proofreaders would place corrections or proofreading marks along the margins. In modern publishing, material is generally provided in electronic form, traditional typesetting is no longer used and thus this kind of transcription no longer occurs.

<span class="mw-page-title-main">Academic publishing</span> Subfield of publishing distributing academic research and scholarship

Academic publishing is the subfield of publishing which distributes academic research and scholarship. Most academic work is published in academic journal articles, books or theses. The part of academic written output that is not formally published but merely printed up or posted on the Internet is often called "grey literature". Most scientific and scholarly journals, and many academic and scholarly books, though not all, are based on some form of peer review or editorial refereeing to qualify texts for publication. Peer review quality and selectivity standards vary greatly from journal to journal, publisher to publisher, and field to field.

<span class="mw-page-title-main">Copy editing</span> Improving the formatting, style, and accuracy of text

Copy editing is the process of revising written material ("copy") to improve quality and readability, as well as ensuring that a text is free of errors in grammar, style and accuracy. The Chicago Manual of Style states that manuscript editing encompasses "simple mechanical corrections through sentence-level interventions to substantial remedial work on literary style and clarity, disorganized passages, baggy prose, muddled tables and figures, and the like ". In the context of print publication, copy editing is done before typesetting and again before proofreading. Outside traditional book and journal publishing, the term "copy editing" is used more broadly, and is sometimes referred to as proofreading; the term sometimes encompasses additional tasks.

Standard manuscript format is a formatting style for manuscripts of short stories, novels, poems and other literary works submitted by authors to publishers. Even with the advent of desktop publishing, making it possible for anyone to prepare text that appears professionally typeset, many publishers still require authors to submit manuscripts within their respective guidelines. Although there is no single set of guidelines, the "standard" format describes formatting that is considered to be generally acceptable.

In publishing, advertising and related fields, copy is written material, in contrast to photographs or other elements of layout, in books, magazines, newspapers and advertising.

<span class="mw-page-title-main">Graphic arts</span> Art genre

A category of fine art, graphic art covers a broad range of visual artistic expression, typically two-dimensional, i.e. produced on a flat surface. The term usually refers to the arts that rely more on line, color or tone, especially drawing and the various forms of engraving; it is sometimes understood to refer specifically to printmaking processes, such as line engraving, aquatint, drypoint, etching, mezzotint, monotype, lithography, and screen printing. Graphic art mostly includes calligraphy, photography, painting, typography, computer graphics, and bindery. It also encompasses drawn plans and layouts for interior and architectural designs.

Technical writing is the writing of technical content, particularly relating to industrial and other applied sciences, with an emphasis on occupational contexts. The range of audiences for technical writing varies widely. In some cases, it is directed to people with specialized knowledge, such as experts or technicians. In other situations, technical writers help convey complex scientific or niche subjects to end users who need a basic understanding of a concept rather than a full explanation of a subject. Technical writing is the largest part of technical communication.

Technical communication is communication of technical subject matter such as engineering, science, or technology content. The largest part of it tends to be technical writing, though importantly it often requires aspects of visual communication. Technical communication also encompasses oral delivery modes such as presentations involving technical material. When technical communication occurs in workplace settings, it's considered a major branch of professional communication. In research or R&D contexts, it can overlap with scientific writing.

<span class="mw-page-title-main">Page layout</span> Part of graphic design that deals in the arrangement of visual elements on a page

In graphic design, page layout is the arrangement of visual elements on a page. It generally involves organizational principles of composition to achieve specific communication objectives.

An editor is a person who edits documents or audio-visual works. The term can also apply to software and hardware tools used to accomplish such changes.

<span class="mw-page-title-main">Adobe Lightroom</span> Photo editing and management software

Adobe Lightroom is an image organization and image processing software developed by Adobe as part of the Creative Cloud subscription family. It is supported on Windows, macOS, iOS, Android, and tvOS. Its primary uses include importing, saving, viewing, organizing, tagging, editing, and sharing large numbers of digital images. Lightroom's editing functions include white balance, presence, tone, tone curve, HSL, color grading, detail, lens corrections, and calibration manipulation, as well as transformation, spot removal, red eye correction, graduated filters, radial filters, and adjustment brushing. The name of the software is based on darkrooms used for processing light-sensitive photographic materials.

Scientific writing is writing about science, with an implication that the writing is by scientists and for an audience that primarily includes peers—those with sufficient expertise to follow in detail. Scientific writing is a specialized form of technical writing, and a prominent genre of it involves reporting about scientific studies such as in articles for a scientific journal. Other scientific writing genres include writing literature-review articles, which summarize the existing state of a given aspect of a scientific field, and writing grant proposals, which are a common means of obtaining funding to support scientific research. Scientific writing is more likely to focus on the pure sciences compared to other aspects of technical communication that are more applied, although there is overlap. There is not one specific style for citations and references in scientific writing. Whether you are submitting a grant proposal, literature review articles, or submitting an article into a paper, the citation system that must be used will depend on the publication you plan to submit to.

Levels of edit describes a cumulative or categorical scheme for revising text. Beginning as a tool to standardize communication between writers and editors at a government laboratory, the levels of edit has been adopted and modified by the general public and academics in professional communication and technical communication.

An edited volume or edited collection is a collection of scholarly or scientific chapters written by different authors. The chapters in an edited volume are original works.

An authors' editor is a language professional who works "with authors to make draft texts fit for purpose". They edit manuscripts that have been drafted by the author but have not yet been submitted to a publisher for publication. This type of editing is called author editing, to distinguish it from other types of editing done for publishers on documents already accepted for publication: an authors' editor works "with an author rather than for a publisher". A term sometimes used synonymously with authors' editor is "manuscript editor" which, however, is less precise as it also refers to editors employed by scholarly journals to edit manuscripts after acceptance.

<span class="mw-page-title-main">Developmental editing</span> Writing support during manuscript production

Developmental editing is a form of writing support that comes into play before or during the production of a publishable manuscript, in fiction, non-fiction, and academic writing. As explained by Scott Norton in his book Developmental editing: a handbook for freelancers, authors, and publishers, developmental editing involves "significant structuring or restructuring of a manuscript's discourse". Developmental editors are a type of language professional.

Content editing, also known as substantive editing, comprehensive editing, macro editing, or heavy editing, is a form of copy editing that evaluates the document's format, style, and content to optimize visual design and comprehensibility. Comprehensive editors are a type of language professional.

References

  1. Mamishev, Alexander, Williams, Sean, Technical Writing for Teams: The STREAM Tools Handbook, Institute of Electrical and Electronics Engineers, John Wiley & Sons. Inc., Hoboken, 2009, p. 128.
  2. "Encarta Dictionary definition of "editing"". Archived from the original on 22 October 2009.
  3. "Encarta Dictionary definition of "editor"". Archived from the original on 6 February 2009.
  4. 1 2 Poland, Louise, The business, Craft and Profession of the Book Editor, in Carter, David, Galligan, Anne, (eds.), Making books: contemporary Australian publishing, Queensland University Press, 2007, p. 100.
  5. Orpen, Valerie (2003). Film Editing: The Art of the Expressive. Wallflower Press. ISBN   978-1-903364-53-6.
  6. Buehler, Mary Fran (1981). "Defining Terms in Technical Editing: The Levels of Edit as a Model". Technical Communication. 28 (4): 10–15. JSTOR   43094307 via JSTOR.
  7. Buehler, Mary Fran (1981). "Defining Terms in Technical Editing: The Levels of Edit as a Model". Technical Communication. 28 (4): 10–15. JSTOR   43094307 via JSTOR.
  8. Hayhoe, George F (2007). "The Future of Technical Writing and Editing". Technical Communication. 54 (3): 281–282. JSTOR   43089503 via JSTOR.
  9. SocialGuru (24 June 2023). "The Evolution of Video Editing: From Analog to Digital". Medium. Retrieved 17 October 2023.
  10. "History of digital photo manipulation | National Science and Media Museum". www.scienceandmediamuseum.org.uk. 16 June 2021. Retrieved 17 October 2023.
  11. "Chapter 1: Develop a Lightroom + Photoshop Mindset - Crafting the Landscape Photograph with Lightroom Classic and Photoshop [Book]". www.oreilly.com. Retrieved 17 October 2023.
  12. Crittenden, Roger (16 December 2003). Film and Video Editing (0 ed.). Routledge. doi:10.4324/9780203427866. ISBN   978-1-135-37270-5.
  13. Buehler, Mary Fran (1981). "Defining Terms in Technical Editing: The Levels of Edit as a Model". Technical Communication. 28 (4): 10–15. JSTOR   43094307 via JSTOR.
  14. Buehler, Mary Fran (1981). "Defining Terms in Technical Editing: The Levels of Edit as a Model". Technical Communication. 28 (4): 10–15. JSTOR   43094307 via JSTOR.
  15. Nobles, Heidi (2019). "I will not edit your paper (Will I?): Tutoring and/or editing in the writing center [Tutors' column]" (PDF). WLN: A Journal of Writing Center Scholarship. 43 (5–6): 21–24.
  16. Putnam, Constance E. (1985). "Myths about Editing". Technical Communication. 32 (2): 17–20. JSTOR   43095639 via JSTOR.
  17. Malone, Micheal S. (2018). "Editing" The Craft of Professional Writing: A Guide for Amateur and Professional Writers. Anthem Press. pp. 283–292. ISBN   978-1-78308-830-0.
  18. Appiah, Bernard (2009). "Science editing at an Indian firm: perspectives of two US visitors" (PDF). Science Editing. 32 (4): 118–119. Archived from the original (PDF) on 28 September 2013.
  19. Putnam, Constance E. (1985). "Myths about Editing". Technical Communication. 32 (2): 17–20. JSTOR   43095639 via JSTOR.

Further reading

  1. Morrison, Blake (6 August 2005). "Black day for the blue pencil". The Observer. Archived from the original on 13 April 2021. Retrieved 4 April 2021.