Fyell brezi

Last updated

The fyell brezi, also known as fyell shoke or fyell bariu is an aerophone end-blown instrument traditionally played throughout Albania and other Albanian inhabited lands. The instrument is commonly associated with shepherds of the Albanian highlands, commonly referred to as the Dukagjin highlands. [1]

Contents

Fyell brezi
Fyellbrezi.png
Albanian Fyell Brezi
Other namesfyell shoke
fyell bariu
Classification
Related instruments

Etymology

The name fyell brezi is a compound of two words, Albanian : Fyell, 'flute' and Albanian : Brez (clothing) , 'Waistband'. fyell derives from Proto-Albanian *spāli, from Proto-Indo-European *spel-. Brez derives from *bren + suffix -ëz, from Proto-Albanian *breuna, from Proto-Indo-European *breun-. [2] Its other name, fyell shoke derives from a similar sense. Both names developed from the idea that shepherds kept their flutes strapped into their waistbands in order to carry the flute around.

Overview

The fyell brezi is traditionally hand-crafted out of wood. The wood traditionally used was the inner-most section of the trunk of a Fir tree, as it is the most common type of wood found in Albania. [3] Today it is crafted from any accessible wood source. It consists of 6 holes in the front and has a sharp edge at the upper end of the tube. The sharp edge allows the flutists breath to escape, giving the instrument a different tone from most common end-blown flutes. [4] The instrument was most commonly used among shepherds who played it while tending to their flocks. It is regarded as one of the oldest instruments of Albanian folklore. It is also frequently used in folk music and accompanies traditional Albanian festivities and songs. [5] The fyell brezi has been a traditional staple during the festivity of Dita e Verës (English: Summer Day). [6]

Performers

The most well known performer of the fyell brezi is Shaqir Hoti, a well known Albanian flutist. The fyell brezi is also performed by traditional artists such as Nikollë Nikprelaj and Rifat Berisha. [4]

Related Research Articles

<span class="mw-page-title-main">Flute</span> Woodwind instrument

The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Unlike woodwind instruments with reeds, a flute produces sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist.

<span class="mw-page-title-main">Pan flute</span> Musical instrument, typically made from bamboo

A pan flute is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length. Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory.

<span class="mw-page-title-main">Music of Albania</span> Music coming from the country of Albania

The music of Albania is associated with the country of Albania and Albanian communities. Music has a long tradition in the country and is known for its regional diversity, from the Ghegs in the North to the Tosks in the South. It is an integral part of the national identity, strongly influenced by the country's long and turbulent history, which forced Albanians to protect their culture from their overlords by living in rural and remote mountains.

<span class="mw-page-title-main">Kaval</span> Musical instrument

The kaval is a chromatic end-blown oblique flute traditionally played throughout the Balkans and Anatolia. The kaval is primarily associated with mountain shepherds.

<i>Qeleshe</i> White brimless felt cap traditionally worn by Albanians

The qeleshe, plis, qylaf or kësul is a white brimless felt skull cap traditionally worn by Albanians. It has spread throughout Albanian-inhabited territories, and is today part of the traditional costume of the Albanians. The height and shape of the cap varies region to region.

<span class="mw-page-title-main">End-blown flute</span> Woodwind musical instrument

The end-blown flute is a woodwind instrument played by directing an airstream against the sharp edge of the upper end of a tube. Unlike a recorder or tin whistle, there is not a ducted flue voicing, also known as a fipple. Most rim-blown flutes are "oblique" flutes, being played at an angle to the body's vertical axis. A notched flute is an end-blown flute with a notch on the blowing surface. A lip-valley flute is a type of notched flute.

<span class="mw-page-title-main">Music of Jammu and Kashmir</span> Music of Jammu and Kashmir

Music of Jammu and Kashmir reflects a rich musical heritage and cultural legacy of the Indian-administered union territory of Jammu and Kashmir. Two different regions of Jammu and Kashmir consists the Jammu region and Kashmir Valley. Music of Kashmir Valley has influences of Central Asian music while music from Jammu region is similar to that of other regions of North India.

The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a “flautist” in British English, a “flutist” in American English.

Perëndi is an Albanian noun for God, deity, sky and heaven. It is used capitalized to refer to the Supreme Being, and uncapitalized for "deity", "sky" and "heaven".

The atenteben(atɛntɛbɛn) is a bamboo flute from Ghana. It is played vertically, like the European recorder, and, like the recorder, can be played diatonically as well as chromatically. Although originally used as a traditional instrument, beginning in the 20th century it has also been used in contemporary and classical music. Several players have attained high levels of virtuosity and are able to play Western as well as African music on the instrument.

<span class="mw-page-title-main">Fujara</span> Large Slovakian shepherds flute

The fujara is a large wind instrument of the tabor pipe class. It originated in central Slovakia as a sophisticated folk shepherd's overtone fipple flute of unique design in the contrabass range.

<span class="mw-page-title-main">Frula</span>

The frula, also known as svirala (свирала) or jedinka, is a musical instrument which resembles a medium sized flute, traditionally played in rural Southeast Europe, primarily South Slavic countries. It is an end-blown aerophone with six holes, typically made of wood. The frula is a traditional instrument of South Slavic shepherds, who would play while tending their flocks.

<span class="mw-page-title-main">Hoti (tribe)</span> Albanian tribe; region of Malësia

Hoti is a historical Albanian tribe (fis) and sub-region of Malësia, a divided area located in northern Albania and southern Montenegro. Its geography is mostly mountainous, but some of its villages are on flat terrain near the banks of Lake of Shkodër.

<span class="mw-page-title-main">Albanian folk beliefs</span> Overview of the folklore of Albania

Albanian folk beliefs and mythological stories comprise the beliefs expressed in the customs, rituals, myths, legends and tales of the Albanian people. The elements of Albanian mythology are of ancient Paleo-Balkanic origin and almost all of them are pagan. Albanian folklore evolved over the centuries in a relatively isolated tribal culture and society. Albanian folk tales and legends have been orally transmitted down the generations and are still very much alive in the mountainous regions of Albania, Kosovo, western North Macedonia, Montenegro and South Serbia and among the Arbëreshë in Italy and the Arvanites in Greece.

<span class="mw-page-title-main">Koncovka</span>

The koncovka is a Slovak duct-blown overtone fipple flute without finger holes, traditionally played by shepherds. The koncovka is played by closing and opening the bottom hole of the flute. By increasing the air speed, two different harmonic series of notes can be played with the end either open or closed. Traditional koncovka melodies use the partial Lydian scale available on this instrument.

<span class="mw-page-title-main">Svirel</span> Woodwind instrument

Svirel is a Slavic woodwind instrument of the end-blown flute type traditionally used in Russia, Belarus, and Ukraine. It is a parallel-bore flute. The six-hole versions are similar to the tin whistle; the ten-hole versions are fully chromatic.

<span class="mw-page-title-main">Dvoyanka</span> Wind instrument

The Bulgarian dvoyanka is a double flute made of a single piece of wood, with six sound holes on one side.

<span class="mw-page-title-main">Kângë majekrahi</span> Albanian monophonic male singing or chanting

Kângë majekrahi alternatively kângë malësorçe is a type of "call to action" monophonic male singing or chanting originating from the Northern Albanian mountains among the Albanian Gheg population.

<span class="mw-page-title-main">Zojz (deity)</span> Albanian sky and lightning god

Zojz is a sky and lightning god in Albanian pagan mythology. Regarded as the chief god and the highest of all gods, traces of his worship survived in northern Albania until the early 20th century, and in some forms still continue today.

<span class="mw-page-title-main">Vatër</span>

The vatër is the domestic hearth in Albanian folklore. The fire of the domestic hearth, zjarri i vatrës, holds divine attributes in folk beliefs, being considered the sustainer of the continuity between the world of the living and that of the dead, and ensuring the continuity of the tribe (fis) from generation to generation.

References

  1. Studies, David M. Kennedy Center for International (2001). The Americas and Europe: Culture Grams 2002. Facts on File. p. 87. ISBN   9780894344206 . Retrieved 3 January 2020.
  2. Orel, Vladimir (1998). Albanian Etymological Dictionary. Cologne: Brill. p. 36. ISBN   9789004110243 . Retrieved 4 January 2020.
  3. Muço, Edmond (2016). "Tradition of Artistic Woodcarving in Albanian Musical Folk Instruments". Gjurmime Albanologjike - Folklor Dhe Etnologji (46): 8. Retrieved 4 January 2020.
  4. 1 2 Kaltrina Krasniqi, Jeta Rexha (2015). Oral History of Kosovo (PDF). INTERVIEW WITH SHAQIR HOTI. Retrieved 3 January 2020.
  5. Sheholli, Bahtir (2017). "Tradicionalja dhe bashkëkohorja në folklorin muzikor shqiptar" . Retrieved 4 January 2020.{{cite journal}}: Cite journal requires |journal= (help)
  6. Bodgani, Ramazan (1991). "Albanian Folk Dances Accompanied with Music". Studia Musicologica Academiae Scientiarum Hungaricae. 33 (1/4): 327–333. doi:10.2307/902455. JSTOR   902455.