The Louvre acquired it in 1826 as part of the second Egyptian collection of Henry Salt, whose purchase was led on behalf of the French state by Jean-François Champollion. Initially, plans were made to place it outdoors, at the center of the Cour Carrée,[2] but they were not implemented. Instead, the sphinx was exhibited in the museum's courtyard, since then known as the cour du Sphinx, from 1828 until 1848,[3] when it was relocated to the galerie Henri IV, which is still the main monumental sculpture room of the museum's Egyptian Department. In the mid-1930s, the Sphinx was transferred to its present location in the crypt created by Louvre architect Albert Ferran to connect the two halves of the southern wing of the Cour Carrée.
The Louvre, or the Louvre Museum, is a national art museum in Paris, France. It is located on the Right Bank of the Seine in the city's 1st arrondissement and home to some of the most canonical works of Western art, including the Mona Lisa,Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.
Tanis or San al-Hagar is the Greek name for ancient Egyptian ḏꜥn.t, an important archaeological site in the northeastern Nile Delta of Egypt, and the location of a city of the same name. It is located on the Tanitic branch of the Nile, which has long since silted up.
François Auguste Ferdinand Mariette was a French scholar, archaeologist and Egyptologist, and the founder of the Egyptian Department of Antiquities, the forerunner of the Supreme Council of Antiquities.
Pierre Lescot was a French architect active during the French Renaissance. His most notable works include the Fontaine des Innocents and the Lescot wing of the Louvre in Paris. He played an important role in introducing elements of classical architecture into French architecture.
Jacques Sarazin or Sarrazin was a French sculptor in the classical tradition of Baroque art. He was instrumental in the development of the Style Louis XIV through his own work as well as through his many pupils. Nearly all his work as a painter was destroyed and is only known through engravings.
The Louvre Palace, often referred to simply as the Louvre, is an iconic French palace located on the Right Bank of the Seine in Paris, occupying a vast expanse of land between the Tuileries Gardens and the church of Saint-Germain l'Auxerrois. Originally a defensive castle, it has served numerous government-related functions in the past, including intermittently as a royal residence between the 14th and 18th centuries. It is now mostly used by the Louvre Museum, which first opened there in 1793.
Gilles Guérin (1611–1678) was a French sculptor, who created tomb sculptures and decorative sculptures for interiors, which were executed in a Baroque idiom. He was born and died in Paris. He was a pupil of the sculptor Nicolas Le Brun, the father of the painter Charles Le Brun.
The Escalier Daru, also referred to as Escalier de la Victoire de Samothrace, is one of the largest and most iconic interior spaces of the Louvre Palace in Paris, and of the Louvre Museum within it. Named after Pierre, Count Daru, a minister of Napoleon, and initially designed in the 1850s by Hector Lefuel as part of Napoleon III's Louvre expansion, it received its current Stripped Classicism appearance in the early 1930s. Since 1883, its focal point has been the Winged Victory of Samothrace, one of the highlights of the Louvre's collections.
The Pavillon de Flore, part of the Palais du Louvre in Paris, France, stands at the southwest end of the Louvre, near the Pont Royal. It was originally constructed in 1607–1610, during the reign of Henry IV, as the corner pavilion between the Tuileries Palace to the north and the Louvre's Grande Galerie to the east. The pavilion was entirely redesigned and rebuilt by Hector Lefuel in 1864–1868 in a highly decorated Napoleon III style. Arguably the most famous sculpture on the exterior of the Louvre, Jean-Baptiste Carpeaux's Triumph of Flora, was added below the central pediment of the south facade at this time. The Tuileries Palace was burned by the Paris Commune in 1871, and a north facade, similar to the south facade, was added to the pavilion by Lefuel in 1874–1879. Currently, the Pavillon de Flore is part of the Musée du Louvre.
The Pavillon de l’Horloge, also known as the Pavillon Sully, is a prominent architectural structure located in the center of the western wing of the Cour Carrée of the Palais du Louvre in Paris. Since the late 19th century, the name Pavillon de l'Horloge has generally been applied to the structure's eastern face, which dates from the 17th century, and the name Pavillon Sully to its western face, which was redecorated in the 1850s as part of Napoleon III's Louvre expansion.
Jean-Guillaume Moitte was a French sculptor.
The Lescot Wing is the oldest preserved structure above ground of the Louvre Palace in Paris, France. It was designed by architect Pierre Lescot and built between 1546 and 1551. Its architecture is influenced by Italian Mannerism. It had seminal influence on what became the Parisian Renaissance style, and beyond it, French architectural classicism.
The Fontaine des Innocents is a monumental public fountain located on the place Joachim-du-Bellay in the Les Halles district in the 1st arrondissement of Paris, France. Originally called the Fountain of the Nymphs, it was constructed between 1547 and 1550 by architect Pierre Lescot and sculptor Jean Goujon in the new style of the French Renaissance. It is the oldest monumental fountain in Paris.
The Petite Galerie is a wing of the Louvre Palace, which connects the buildings surrounding the Cour Carrée with the Grande Galerie bordering the River Seine. Begun in 1566, its current structures date mainly from the 17th and 19th centuries. Most of its main floor is now the Galerie d'Apollon, one of the Louvre's most iconic spaces.
Tell Nebesha or Nebesheh is an archaeological site in Egypt, and the location of the ancient city of Imet. It is found around 10km south of Tanis in the Eastern Nile Delta. This was the ancient capital of the 19th Nome of Lower Egypt. By the Assyrian period, it was succeeded by Tanis.
The Department of Egyptian Antiquities of the Louvre is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. The collection, comprising over 50,000 pieces, is among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
The Grande Galerie, in the past also known as the Galerie du Bord de l'Eau, is a wing of the Louvre Palace, perhaps more properly referred to as the Aile de la Grande Galerie, since it houses the longest and largest room of the museum, also referred to as the Grande Galerie, one of the museum's most iconic spaces.
The Cour Carrée is one of the main courtyards of the Louvre Palace in Paris. The wings surrounding it were built gradually, as the walls of the medieval Louvre were progressively demolished in favour of a Renaissance palace.
The Grand Louvre refers to the decade-long project initiated by French President François Mitterrand in 1981 of expanding and remodeling the Louvre – both the building and the museum – by moving the French Finance Ministry, which had been located in the Louvre's northern wing since 1871, to a different location. The centerpiece of the Grand Louvre is the Louvre Pyramid designed by Chinese-American architect I. M. Pei, which was also the project's most controversial component. The Grand Louvre was substantially completed in the late 1990s, even though its last elements were only finalized in the 2010s.
The expansion of the Louvre under Napoleon III in the 1850s, known at the time and until the 1980s as the Nouveau Louvre or Louvre de Napoléon III, was an iconic project of the Second French Empire and a centerpiece of its ambitious transformation of Paris. Its design was initially produced by Louis Visconti and, after Visconti's death in late 1853, modified and executed by Hector Lefuel. It represented the completion of a centuries-long project, sometimes referred to as the grand dessein, to connect the old Louvre Palace around the Cour Carrée with the Tuileries Palace to the west. Following the Tuileries' arson at the end of the Paris Commune in 1871 and demolition a decade later, Napoleon III's nouveau Louvre became the eastern end of Paris's axe historique centered on the Champs-Élysées.
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