LGBT themes in horror fiction

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LGBT themes in horror fiction refers to sexuality in horror fiction that can often focus on LGBTQ+ characters and themes within various forms of media. It may deal with characters who are coded as or who are openly LGBTQ+, or it may deal with themes or plots that are specific to gender and sexual minorities.

Contents

Illustration of painter Basil Hallward and aristocrat Lord Henry Wotton observing the picture of Dorian Gray. Doriangray.jpg
Illustration of painter Basil Hallward and aristocrat Lord Henry Wotton observing the picture of Dorian Gray.

Depending on when it was made, it may contain open statements of gender variance, sexuality, same-sex sexual imagery, same-sex love or affection or simply a sensibility that has special meaning to LGBTQ+ people.

History

Overview and origins

Illustration by D. H. Friston from the first publication of the lesbian vampire novella Carmilla (1872) by Sheridan Le Fanu Carmilla.jpg
Illustration by D. H. Friston from the first publication of the lesbian vampire novella Carmilla (1872) by Sheridan Le Fanu
Illustration from the inside cover of Frankenstein, or the Modern Prometheus (Revised Edition, 1831). Frankenstein, or the Modern Prometheus (Revised Edition, 1831) 006.jpg
Illustration from the inside cover of Frankenstein, or the Modern Prometheus (Revised Edition, 1831).

The relation between LGBT fiction and horror is often attributed to the Gothic novels of the 1790s and early 1800s. [4] [5] Many Gothic authors, like Matthew Lewis, William Thomas Beckford, and Francis Lathom, were homosexual. LGBT horror publisher and general editor James Jenkins offered that "the traditional explanation for the gay/horror connection is that it was impossible for them to write openly about gay themes back then (or even perhaps express them, since words like 'gay' and 'homosexual' didn't exist), so they sublimated them and expressed them in more acceptable forms, using the medium of a transgressive genre like horror fiction." [4] Early works with clear gay subtext include Lewis's The Monk (1796) and both Charles Maturin's The Fatal Revenge (1807) and Melmoth the Wanderer (1820). [4] Influential and controversial entries in the genre include the lesbian vampire novella Carmilla (1872) by Sheridan Le Fanu [1] [2] [3] and The Picture of Dorian Gray (1890) by Oscar Wilde, which shocked readers with its sensuality and overtly homosexual characters. [6] Jenkins also points out what he sees as gay subtext in Bram Stoker's Dracula (1897), as the titular character wards off other female vampires and claims Jonathan Harker, stating "This man belongs to me!" [4] Richard S. Primuth of The Gay & Lesbian Review Worldwide writes that Stoker, a closeted gay man and close friend of Oscar Wilde, began writing Dracula just as Wilde was sentenced to hard labor after his conviction for gross indecency. [7] Talia Schaffer writes in ELH that "Dracula explores Stoker's fear and anxiety as a closeted homosexual man during Oscar Wilde's trial... This peculiar tonality of horror derives from Stoker's emotions at this unique moment in gay history." [7] [8]

In the following century, the control of the book industry by larger publishers made it difficult to distribute the increasingly overt gay content being produced. [9] Queer horror got a boost with the advent of the pulp novel in the 20th century, [10] a cheap way to manufacture paperback novels that became popularized during World War II. [11] Three on a Broomstick (1967) by Don Holliday is an early example of the gay horror pulp. [10]

Themes

Vampirism and homosexual desire

Author James R. Keller writes that in particular, "Gay and lesbian readers have been quick to identify with the representation of the vampire, suggesting its experiences parallel those of the sexual outsider." [12] Richard Dyer discusses the recurring homoerotic motifs of vampire fiction in his article "Children of the Night", primarily "the necessity of secrecy, the persistence of a forbidden passion, and the fear of discovery." [12] [13] With the vampire having been a recurring metaphor for same-sex desire from before Stoker's Dracula, Dyer observes that historically earlier representations of vampires tend to evoke horror and later ones turn that horror into celebration. [12] [13] The homoerotic overtones of Anne Rice's celebrated The Vampire Chronicles series (1976–2018) are well-documented, [12] [14] [15] [16] and its publication reinforced the "widely recognized parallel between the queer and the vampire." [12]

Frankenstein and gender

Gender studies scholar Judith Butler asserts that Frankenstein's creature exists in a gray area of gender, tying his monstrosity to his subversion of gendered expectations. [17] Professor of English Jolene Zigarovich expands Butler's somewhat binary lens, bringing in Susan Stryker's explicitly transgender analysis of the creature. Stryker likens the creature's construction with the process of medically transitioning, and draws parallels between the subsequent ostracism the creature faced with experience of marginalization experienced by transgender individuals. Zigarovich credits Stryker's work as a catalyst for subsequent queer and trans approaches to Gothic literary analysis, particularly amongst those seeking to reappropriate the maligned imagery of the "unnatural" and variant with regards to gender. [5]

Contemporary horror fiction with LGBT themes

A plethora of more recent horror fiction includes LGBT themes, as the genre's focus on the body, desire, and fear places it in a prime position to tackle issues of normativity and social identity. [18] José Luis Zárate's The Route of Ice and Salt, a groundbreaking 1998 retelling of the voyage of the Demeter in Dracula, brings the subtextual queerness of the novel to the surface by making such themes explicit in his depiction of the ship's captain as gay. [19] Author Billy Martin's horror novels of the 1990's and 2000's are known for featuring gay male characters, as he incorporates his own experiences as a gay trans man into the themes of his work. [20] Emily Danforth's 2020 novel Plain Bad Heroines is a gothic story led entirely by queer female main characters, and references numerous other works of horror fiction. [21] Alison Rumfitt's 2021 debut novel Tell Me I'm Worthless is a gothic twist on the horrors of marginalization, told from the perspective of a trans woman and her transphobic former friend. [22] T. Kingfisher's 2022 novella What Moves The Dead is a retelling of Edgar Allan Poe's The Fall of the House of Usher with a non-binary protagonist. [23] Lee Mandelo's 2021 debut novel Summer Sons explores gender identity and queerness in the subgenre of Southern Gothic, as does his 2024 novella The Woods All Black. [24]

Awards

See also

Related Research Articles

<span class="mw-page-title-main">Bram Stoker</span> Irish novelist and short story writer (1847–1912)

Abraham "Bram" Stoker was an Irish author who is best known for writing the 1897 Gothic horror novel Dracula. During his lifetime, he was better known as the personal assistant of actor Sir Henry Irving and business manager of the West End's Lyceum Theatre, which Irving owned.

<i>Carmilla</i> 1872 novel by Sheridan Le Fanu

Carmilla is an 1872 Gothic novella by Irish author Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 25 years. First published as a serial in The Dark Blue (1871–72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein. The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist. The story is often anthologised, and has been adapted many times in film and other media.

<i>Dracula</i> 1897 novel by Bram Stoker

Dracula is a novel by Bram Stoker, published in 1897. An epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist and opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Harker escapes the castle after discovering that Dracula is a vampire, and the Count moves to England and plagues the seaside town of Whitby. A small group, led by Abraham Van Helsing, investigate, hunt and kill Dracula.

<span class="mw-page-title-main">Vampire literature</span> Speculative literary genre

Vampire literature covers the spectrum of literary work concerned principally with the subject of vampires. The literary vampire first appeared in 18th-century poetry, before becoming one of the stock figures of gothic fiction with the publication of Polidori's The Vampyre (1819), which was inspired by the life and legend of Lord Byron. Later influential works include the penny dreadful Varney the Vampire (1847); Sheridan Le Fanu's tale of a lesbian vampire, Carmilla (1872), and the most well known: Bram Stoker's Dracula (1897). Some authors created a more "sympathetic vampire", with Varney being the first, and more recent examples such as Moto Hagio's series The Poe Clan (1972–1976) and Anne Rice's novel Interview with the Vampire (1976) proving influential.

<span class="mw-page-title-main">LGBT themes in speculative fiction</span>

LGBT themes in speculative fiction include lesbian, gay, bisexual, or transgender (LGBT) themes in science fiction, fantasy, horror fiction and related genres.[a] Such elements may include an LGBT character as the protagonist or a major character, or explorations of sexuality or gender that deviate from the heteronormative.

<span class="mw-page-title-main">Gay literature</span> Literary genre

Gay literature is a collective term for literature produced by or for the gay community which involves characters, plot lines, and/or themes portraying male homosexual behavior.

<i>Draculas Daughter</i> 1936 film by Lambert Hillyer

Dracula's Daughter is a 1936 American vampire horror film produced by Universal Pictures as a sequel to the 1931 film Dracula. Directed by Lambert Hillyer from a screenplay by Garrett Fort, the film stars Otto Kruger, Gloria Holden in the title role, and Marguerite Churchill, and features, as the only cast member to return from the original, Edward Van Sloan – although his character's name was altered from "Van Helsing" to "Von Helsing".

<span class="mw-page-title-main">Vampire film</span> Film genre

Vampire films have been a staple in world cinema since the era of silent films, so much so that the depiction of vampires in popular culture is strongly based upon their depiction in films throughout the years. The most popular cinematic adaptation of vampire fiction has been from Bram Stoker's 1897 novel Dracula, with over 170 versions to date. Running a distant second are adaptations of the 1872 novel Carmilla by Sheridan Le Fanu. By 2005, the Dracula character had been the subject of more films than any other fictional character except Sherlock Holmes.

Steve Berman is an American editor, novelist and short story writer. He writes in the field of queer speculative fiction.

<span class="mw-page-title-main">Erotic horror</span> Erotic subgenre, horror subgenre

Erotic horror, alternately called horror erotica or dark erotica, is a term applied to works of fiction in which sensual or sexual imagery are blended with horrific overtones or story elements for the sake of sexual titillation. Horror fiction of this type is most common in literature and film. Erotic horror films are a cornerstone of Spanish and French horror.

<span class="mw-page-title-main">Lesbian vampire</span> Literary trope

Lesbian vampirism is a trope in early gothic horror and 20th century exploitation film. The archetype of a lesbian vampire used the fantasy genre to circumvent the heavy censorship of lesbian characters in the realm of social realism.

<span class="mw-page-title-main">Gay pulp fiction</span> Genre of pulp fiction literature

Gay pulp fiction, or gay pulps, refers to printed works, primarily fiction, that include references to male homosexuality, specifically male gay sex, and that are cheaply produced, typically in paperback books made of wood pulp paper; lesbian pulp fiction is similar work about women. Michael Bronski, the editor of an anthology of gay pulp writing, notes in his introduction, "Gay pulp is not an exact term, and it is used somewhat loosely to refer to a variety of books that had very different origins and markets". People often use the term to refer to the "classic" gay pulps that were produced before about 1970, but it may also be used to refer to the gay erotica or pornography in paperback book or digest magazine form produced since that date.

<span class="mw-page-title-main">Lesbian literature</span> Subgenre of literature with lesbian themes

Lesbian literature is a subgenre of literature addressing lesbian themes. It includes poetry, plays, fiction addressing lesbian characters, and non-fiction about lesbian-interest topics.

<span class="mw-page-title-main">Susan Stryker</span> American professor, historian, author, and filmmaker

Susan O'Neal Stryker is an American professor, historian, author, filmmaker, and theorist whose work focuses on gender and human sexuality. She is a professor of Gender and Women's Studies, former director of the Institute for LGBT Studies, and founder of the Transgender Studies Initiative at the University of Arizona, and is currently on leave while holding an appointment as Barbara Lee Distinguished Chair in Women's Leadership at Mills College. Stryker serves on the Advisory Council of METI and the Advisory Board of the Digital Transgender Archive. Stryker, who is a transgender woman, is the author of several books about LGBT history and culture. She is a leading scholar of transgender history.

<span class="mw-page-title-main">Monster erotica</span> Erotic literature involving monsters

Monster erotica, also referred to as monster porn or cryptozoological erotica is a subgenre of erotic horror that involves sexual encounters between humans and monsters.

<span class="mw-page-title-main">Outline of LGBT topics</span> Overview of and topical guide to LGBT topics

The following outline offers an overview and guide to LGBT topics.

This is an index list of various lists of LGBT films split by decade, storyline and those made-for-television. Films directed by women, animated films as well as an alphabetical list of such movies are also included.

<i>The Blood of the Vampire</i> 1897 novel by Florence Marryat

The Blood of the Vampire is a Gothic novel by Florence Marryat, published in 1897. The protagonist, Harriet Brandt, is a mixed-race psychic vampire who kills unintentionally. The novel follows Harriet after she leaves a Jamaican convent for Europe, and her ill-fated attempts to integrate with Victorian society.

Irish Gothic literature developed in the eighteenth and nineteenth centuries. Most of the writers were Anglo-Irish. The period from 1691 to 1800 was marked by the dominance of the Protestant Ascendancy, Anglo-Irish families of the Church of Ireland who controlled most of the land. The Irish Parliament, which was almost exclusively Protestant in composition, passed the Penal Laws, effectively disenfranchising the Catholic majority both politically and economically. This began to change with the Acts of Union 1800 and the concomitant abolition of the Irish Parliament. Following a vigorous campaign led by Irish lawyer Daniel O'Connell, Westminster passed the Roman Catholic Relief Act 1829 removing most of the disabilities imposed upon Catholics.

References

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  4. 1 2 3 4 Healey, Trebor (May 28, 2014). "Early Gay Literature Rediscovered". Huffington Post . Retrieved May 31, 2014.
  5. 1 2 Jolene Zigarovich (2018). "The Trans Legacy of Frankenstein". Science Fiction Studies. 45 (2): 260. doi:10.5621/sciefictstud.45.2.0260.
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  7. 1 2 Primuth, Richard S. (February 11, 2014). "Vampires Are Us". The Gay & Lesbian Review Worldwide . Retrieved March 19, 2018.
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  10. 1 2 Doyle, Dave (2009). "Conquering the Demon Within". In Drewey Wayne Gunn (ed.). The Golden Age of Gay Fiction. MLR Press. ISBN   978-1-60820-048-1.
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