Le Zitelle (officially Santa Maria della Presentazione) is a church in Venice, Italy. It is part of a former complex which gave shelter to young maidens ("zitelle" in Italian) who had no dowry, and is in the easternmost part of the Giudecca island.
Generally attributed to Andrea Palladio, the original design dates to 1579–80 and the construction to 1586. Its housing edifice surrounds the church in a horseshoe shape, with a court behind the apse. The façade has two orders, surmounted by a tympanum and flanked by two small bell towers. The church has a large dome with a roof lantern.
The attribution to Andrea Palladio is not without controversy. The Centro Internazionale di Studi di Architettura Andrea Palladio points to a lack of contemporary documents and drawings confirming Palladio's involvement with the project and the fact that construction only started in 1581, one year after Palladio's death. They consider:
... a project by Palladio both possible and datable to the mid-1570s, but neither the façade nor the interior of the church display characteristics which are unequivocally related to Palladio’s language, unless in an extremely clumsy and unfaithful version.[1]
The church is now only open on Sundays, and the Bauer Hotel has acquired the former convent and converted it into a 50-room luxury hotel – The Palladio.
Renaissance architecture is the European architecture of the period between the early 15th and early 16th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture. Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities. The style was carried to Spain, France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact.
Vincenzo Scamozzi was an Italian architect and a writer on architecture, active mainly in Vicenza and Republic of Venice area in the second half of the 16th century. He was perhaps the most important figure there between Andrea Palladio, whose unfinished projects he inherited at Palladio's death in 1580, and Baldassarre Longhena, Scamozzi's only pupil.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
The Chiesa del Santissimo Redentore, commonly known as Il Redentore, is a 16th-century Roman Catholic church located on Giudecca (island) in the sestiere of Dorsoduro, in the city of Venice, Italy.
Filippo Juvarra was an Italian architect, active in a late-Baroque style, who worked primarily in Italy, Spain, and Portugal.
Villa La Rotonda is a Renaissance villa just outside Vicenza in northern Italy designed by Italian Renaissance architect Andrea Palladio. The villa's correct name is Villa Almerico Capra Valmarana, but it is also known as "La Rotonda", "Villa Rotonda", "Villa Capra", and "Villa Almerico Capra". The name Capra derives from the Capra brothers, who completed the building after it was ceded to them in 1592. Along with other works by Palladio, the building is conserved as part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".
Villa Badoer is a villa in Fratta Polesine in the Veneto region of northern Italy. It was designed in 1556 by Italian Renaissance architect Andrea Palladio for the Venetian noble Francesco Badoer, and built between 1557 and 1563 on the site of a medieval castle, which guarded a bridge across a navigable canal. This was the first time Palladio used his fully developed temple pediment in the facade of a villa.
I quattro libri dell'architettura is a treatise on architecture by the architect Andrea Palladio (1508–1580), written in Italian. It was first published in four volumes in 1570 in Venice, illustrated with woodcuts after the author's own drawings. It has been reprinted and translated many times, often in single-volume format.
Villa Barbaro, also known as the Villa di Maser, is a large villa at Maser in the Veneto region of northern Italy. It was designed and built by the Italian Renaissance architect Andrea Palladio, with frescos by Paolo Veronese and sculptures by Alessandro Vittoria, for Daniele Barbaro, Patriarch of Aquileia and ambassador to Queen Elizabeth I of England and his brother Marcantonio, an ambassador to King Charles IX of France. The villa was added to the list of World Heritage Sites by UNESCO in 1996.
The Palladian villas of the Veneto are villas designed by Renaissance architect Andrea Palladio, all of whose buildings were erected in the Veneto, the mainland region of north-eastern Italy then under the political control of the Venetian Republic. Most villas are listed by UNESCO as part of a World Heritage Site named City of Vicenza and the Palladian Villas of the Veneto.
San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical Renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta di San Marco and forms the focal point of the view from every part of the Riva degli Schiavoni.
The Palazzo Porto is a palace in Piazza Castello, Vicenza, northern Italy. It is one of two palazzi in the city designed by Andrea Palladio for members of the Porto family. Only two bays of it were ever built, beginning shortly after 1571. Why the patron, Alessandro Porto, did not continue with the project is not known.
Palazzo Porto is a palace built by Italian Renaissance architect Andrea Palladio in Contrà Porti, Vicenza, Italy. It is one of two palaces in the city designed by Palladio for members of the Porto family. Commissioned by the noble Iseppo da Porto, just married, this building had a rather long designing stage and a longer and troublesome realization, partially unfinished.
Palazzo Barbaran da Porto is a palazzo in Vicenza, Italy designed in 1569 and built between 1570 and 1575 by Italian Renaissance architect Andrea Palladio.
Palazzo Valmarana is a palace in Vicenza. It was built by Italian Renaissance architect Andrea Palladio in 1565 for the noblewoman Isabella Nogarola Valmarana. Since 1994 it is part of the UNESCO World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".
Palazzo Civena is a Renaissance palace in Vicenza, Italy, dating to 1540. It was the first palace designed by Andrea Palladio for Giovanni Civena.
The Basilica di San Pietro di Castello, commonly called San Pietro di Castello, is a Roman Catholic minor basilica of the Patriarch of Venice located in the Castello sestiere of the Italian city of Venice. The present building dates from the 16th century, but a church has stood on the site since at least the 7th century. From 1451 to 1807, it was the city's cathedral church, though hardly playing the usual dominant role of a cathedral, as it was overshadowed by the "state church" of San Marco, and inconveniently located. During its history the church has undergone a number of alterations and additions by some of Venice's most prominent architects. Andrea Palladio received his first commission in the city of Venice from the Patriarch Vincenzo Diedo to re-build the facade and interior of St Pietro, but Diedo's death delayed the project.
Palazzo Antonini also known as Palazzo Palladio and Palazzo Antonini-Maseri, is a palazzo in Udine, northern Italy. It was designed by Italian Renaissance architect Andrea Palladio in the middle of the 16th century for the Antonini family, owner of various other palaces in Udine.
Vicenza Cathedral is a Roman Catholic cathedral in Vicenza, Veneto, northern Italy. It is the seat of the Bishop of Vicenza, and is dedicated to the Annunciation of the Virgin Mary.
Venetian Renaissance architecture began rather later than in Florence, not really before the 1480s, and throughout the period mostly relied on architects imported from elsewhere in Italy. The city was very rich during the period, and prone to fires, so there was a large amount of building going on most of the time, and at least the facades of Venetian buildings were often particularly luxuriantly ornamented.
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