The following is a list of African films. It is arranged alphabetically by country of origin.
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1980 | The Gods Must Be Crazy | Jamie Uys | comedy | the first of The Gods Must Be Crazy film series |
1989 | The Gods Must Be Crazy II | Jamie Uys | comedy | part of The Gods Must Be Crazy film series |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1992 | Gito l'ingrat | Léonce Ngabo |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2000 | Amílcar Cabral | Ana Ramos Lisoba | documentary |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2011 | Laan = girls, friends = Les copines | Lula Ali Ismail | drama |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2015 | Aricó caliente | Raimundo Bernabé Nnandong | drama | |
2016 | Desamparad@s | Raimundo Bernabé Nnandong | drama |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2001 | White Hotel | Dianne Griffin, Tobi Solvang | documentary |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1952 | The Boy Kumasenu | Sean Graham | ||
1980 | Love Brewed in the African Pot | Kwaw Ansah | ||
1987 | Zinabu | William Akuffo and Richard Quartey | ||
1993 | Sankofa | Haile Gerima | drama | This film is Burkinabé,[ clarification needed ] but shot in Ghana. |
2005 | Emmanuel's Gift | Lisa Lax and Nancy Stern | documentary | |
2006 | Run Baby Run | Emmanuel Apea | action | |
2006 | A Goat's Tail | Julius Amedume | ||
2007 | Princess Tyra | Frank Rajah Arase | drama | |
2009 | A Sting in a Tale | Shirley Frimpong-Manso | thriller | |
2010 | Coz Ov Moni | King Luu | musical | |
2010 | Sinking Sands | Leila Djansi | drama | |
2011 | An African Election | Jarreth and Kevin Merz | documentary | |
2011 | Ties That Bind | Leila Djansi | drama | |
2012 | Contract | Shirley Frimpong-Manso | ||
2013 | Coz Ov Moni 2 (FOKN Revenge) | King Luu | musical | |
2015 | Heaven | Abu Idi - Haus of Euphorium | thriller |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1988 | Mortu Nega | Flora Gomes | historical drama |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1972 | When Fate Hardens (also known as Destiny is Very Hard) | Abdella Zarok | feature film | [4] |
1974 | The Road | Mohamed Shaaban | feature film | [4] |
1976 | Mohammad, Messenger of God (also known as The Message) | Moustapha Akkad | biographical adventure drama | |
1977 | Les Ambassadeurs | Naceur Ktar | drama | |
1977 | The Green Light (al-Daw’ al-Akhdar) | Abedalla Mushbahi | [4] | |
1981 | Lion of the Desert | Moustapha Akkad | biographical war drama | |
1983 | Battle of Tagrift (Ma’rakat Taqraft) | Mushafa Kashem and Mohamed Ayad Driza | war drama | [4] |
1985 | The Bomb Shell (al-Shaziya) (also known as The Splinter) | Mohamed Ferjani | [4] | |
1986 | Love in Narrow Alleys (Hub fi al-aziqa al-dayiqa) | Muhamad Abd al-Jalil Qanidi | [5] | |
1993/4 | Symphony of Rain (Ma’azufatu al-matar) | Abdella Zarok | [4] |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1988 | Tabataba | Raymond Rajaonarivelo | ||
2004 | Souli | Alexander Abela | drama |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2003 | Lifecycles: A Story of AIDS in Malawi | Sierra Bellows, Doug Karr | documentary |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1989 | Red Scorpion | Joseph Zito | action adventure | |
2007 | Namibia: The Struggle for Liberation | Charles Burnett | drama | |
2009 | Rider without a Horse | Tim Huebschle | short film | |
2011 | Looking for Iilonga | Tim Huebschle | short film | |
2015 | Katutura | Florian Schott | drama | |
2019 | Hairareb | Oshoveli Shipoh | drama | |
2019 | #LANDoftheBRAVEfilm | Tim Huebschle | thriller | |
2020 | Walking Forward | Tim Huebschle, Ndinomholo Ndilula | web series |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2001 | 100 Days | Nick Hughes | drama | |
2004 | Hotel Rwanda | Terry George | historical drama war | |
2005 | Sometimes in April | Raoul Peck | historical drama war television film | |
2007 | Munyurangabo | Lee Isaac Chung | ||
2012 | Ibara | Tom Nkusi/Emmy Ruzindana | action |
This section is empty. You can help by adding to it. (May 2010) |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2000 | Cry Freetown | Sorious Samura | documentary | |
2005 | Blood Diamond | Edward Zwick | documentary | |
2012 | SALAY | Ali Kamanda | short-film |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1987 | Geedka nolosha | Abdulkadir Ahmed Said | ||
1992 | La Conchiglia | Abdulkadir Ahmed Said |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2005 | God Grew Tired of Us | Christopher Dillon Quinn, Tommy Walker | documentary |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
2001 | Maangamizi: The Ancient One | Martin Mhando, Ron Mulvihill | drama | |
2003 | Bongoland | Josiah Kibira |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1972 | Kouami | Metonou Do Kokou | short | |
1979 | Au rendez-vous du rêve abêti | Kodjo Goncalves | short documentary | |
1986 | The Blooms of Banjeli | Carlyn Saltman | short documentary | |
1988 | Bawina | Minza Bataba | short | |
1991 | Ashakara | Gérard Louvin | ||
1994 | Femmes aux yeux ouverts | Anne-Laure Folly | documentary | |
1996 | Les Oubliées | Anne-Laure Folly | documentary | |
1999 | Sarah Maldoror ou la nostalgie de l'utopie | Anne-Laure Folly | documentary | |
2002 | Le Dilemme d'Eya | Adjiké Assouma | short drama | |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1998 | Guns for Sale | Richard Alwyn | documentary | |
2001 | ABC Africa | Abbas Kiarostami | documentary | |
2006 | Invisible Children | short documentary | ||
2010 | Who Killed Captain Alex? | Nabwana IGG | action film | |
2010 | Yogera | Donald Mugisha | drama film | |
2011 | Hello | Usama Mukwaya | short | |
2011 | State Research Bureau | |||
2012 | The Life | Nana Kagga | drama film | |
2013 | In Just Hours | Usama Mukwaya | short | [6] |
2013 | The Route | |||
2014 | Bala Bala Sese | |||
2015 | Tiktok | Usama Mukwaya | short | |
2015 | Sipi | |||
2016 | Queen of Katwe | Mira Nair | sports drama | |
2016 | Bad Black | Nabwana IGG | action film | |
2017 | Kony: Order from Above | Steve T. Ayeny | war film | |
2018 | Veronica's Wish | Rehema Nanfuka | feature film | Drama film |
2018 | BreadWinner | Ochwo emmax | short film | Drama film |
2021 | Black Glove | Angella Emurwon | Mystery-thriller | Produced at Sebamala Arts in conjunction with SOLOFX in Uganda. |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1976 | Sahara Occidental indépendance ou génocide? | Collective direction | documentary | [7] |
2011 | Wilaya | Pedro Pérez Rosado | drama | |
2012 | La Badil (No Other Choice) | Dominic Brown | short documentary |
Year | Title | Director | Genre | Notes |
---|---|---|---|---|
1996 | Macadam tribu | José Zeka Laplaine |
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" and "Hollywood". The industry is a part of the larger Indian cinema, which also includes South Indian cinema and other smaller film industries.
A film festival is an organized, extended presentation of films in one or more cinemas or screening venues, usually in a single city or region. Increasingly, film festivals show some films outdoors. Films may be of recent date and, depending upon the festival's focus, can include international and domestic releases. Some film festivals focus on a specific filmmaker, genre of film, or subject matter. Several film festivals focus solely on presenting short films of a defined maximum length. Film festivals are typically annual events. Some film historians, including Jerry Beck, do not consider film festivals as official releases of the film.
The Panafrican Film and Television Festival of Ouagadougou is a film festival in Burkina Faso, held biennially in Ouagadougou, where the organization is based. It accepts for competition only films by African filmmakers and chiefly produced in Africa. FESPACO is scheduled in March every second year, two weeks after the last Saturday of February. Its opening night is held in the Stade du 4-Août, the national stadium.
Cinema of Africa covers both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. During the colonial era, African life was shown only by the work of white, colonial, Western filmmakers, who depicted Africans in a negative fashion, as exotic "others". As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
The cinema of Egypt refers to the flourishing film industry based in Cairo, sometimes also referred to as Hollywood of the East or Hollywood on the Nile. Since 1976, the capital has held the annual Cairo International Film Festival, which has been accredited by the FIAPF. There are an additional 12 festivals. Of the more than 4,000 short and feature-length films made in MENA region since 1908, more than three-quarters were Egyptian films. Egyptian films are typically spoken in the Egyptian Arabic dialect.
Salim Kumar is an Indian actor, comedian, director and writer in Malayalam cinema. Mostly known for his comic and comedy roles, Salim Kumar is considered one of the best and most prominent comedians in the history of Malayalam cinema.
Arab cinema or Arabic cinema refers to the film industry of the Arab world. Most productions are from the Egyptian cinema.
The history of the cinema of Morocco dates back to "The Moroccan Goatherd" by Louis Lumière in 1897. During the French protectorate, films were produced and directed by French filmmakers, and in 1952, Orson Welles directed his Othello in the historic city of Essaouira. Since independence in 1956, Moroccan film directors developed the national film industry. Emergence in the 1970s met with growing international success.
Films have been made in Lithuania since the early twentieth century.
The Cinema of Chad is small though growing. The first film made in the country appears to have been 1958 John Huston adventure film The Roots of Heaven, filmed when the country was still a part of French Equatorial Africa. Documentary filmmaker Edouard Sailly made a series of shorts in the 1960s depicting daily life in the country. During this period there were a number of cinemas in the country, including in N'Djamena Le Normandie, Le Vogue, the Rio, the Étoile and the Shéherazade, and also the Rex in Sarh, the Logone in Moundou and the Ciné Chachati in Abéché. The film industry suffered severely in the 1970s-80s as Chad became engulfed in a series of civil wars and foreign military interventions; film production stopped, and all the cinemas in Chad closed down. Following the ousting of dictator Hissène Habré by Idriss Déby in 1990 the situation in the country stabilised somewhat, allowing the development of a nascent film industry, most notably with the work of directors Mahamat-Saleh Haroun, Issa Serge Coelo and Abakar Chene Massar. Mahamat-Saleh Haroun has won awards at the Panafrican Film and Television Festival of Ouagadougou, Venice International Film Festival and the Cannes Film Festival. In January 2011 Le Normandie in N'Djamena, said to now be the only cinema in Chad, re-opened with government support.
The Cinema of Niger began in the 1940s with the ethnographical documentary of French director Jean Rouch, before growing to become one of the most active national film cultures in Francophone Africa in the 1960s-70s with the work of filmmakers such as Oumarou Ganda, Moustapha Alassane and Gatta Abdourahamne. The industry has slowed somewhat since the 1980s, though films continue to be made in the country, with notable directors of recent decades including Mahamane Bakabe, Inoussa Ousseini, Mariama Hima, Moustapha Diop and Rahmatou Keïta. Unlike neighbouring Nigeria, with its thriving Hausa and English-language film industries, most Nigerien films are made in French with Francophone countries as their major market, whilst action and light entertainment films from Nigeria or dubbed western films fill most Nigerien theatres.
Dr. Halla Diyab is British Libyan-born award-winning screenwriter, author, producer, broadcaster and TV commentator on British media and has recently appeared on Channel 4 News, BBC Newsnight, CNN, Sky News, Channel 5 News, ITV Central, Al-Jazeera English, STV Scotland Tonight and BBC Radio 4. She is also an author and analyst at The Jamestown Foundation monthly subscription-based "Militant Leadership Monitor". Diyab is a columnist at al-Arabiya English News, writing on Syria, ISIS and Middle East political affairs. She has also written several successful Arab soap operas and produced several documentaries which have been aired across the Middle East, Europe and the UK, and have featured in international film festivals. She worked as a TV presenter on Rotana Cinema TV Channel co-hosting the Egyptian talk show Lady of Ladies as well as holding a regular guest spot on Egypt's Hala Sarhan Show. Recently she hosted a weekly talk show from London on ANB TV in London. She also hosted Syria on the Table TV talk show series. Diyab was listed in Aliqtisadi Magazine as one of the most influential women in Syria for 2011. She was profiled in the "Women Like Us" exhibition that celebrated inspirational Muslim women. She is also the Founder and the Director of Liberty Media Productions which focuses on cross-cultural issues between Britain and the Middle East. Diyab is a public speaker who spoke at the House of Commons, the Spectator Debate, Leicester National Interfaith Week, Uniting for Peace and London's Frontline Club. As well as working in the British media, she has worked in Libya, Egypt, Saudi Arabia, and Syria and is an expert on the Middle East and Islamic culture.
Matthew VanDyke is an American documentary filmmaker, revolutionary, and former journalist. He gained fame during the Libyan Civil War as a foreign fighter on the side of the uprising and as a prisoner of war.
The General National Congress or General National Council was the legislative authority of Libya for two years following the end of the First Libyan Civil War. It was elected by popular vote on 7 July 2012, and took power from the National Transitional Council on 8 August.
Akosua Adoma Owusu is a Ghanaian-American filmmaker and producer. Her films explore the colliding identities of black immigrants in America through multiple forms ranging from cinematic essays to experimental narratives to reconstructed Black popular media. Interpreting the notion of "double consciousness," coined by sociologist and civil rights activist W. E. B. Du Bois, Owusu aims to create a third cinematic space or consciousness. In her work, feminism, queerness, and African identities interact in African, white American, and black American cultural spaces.
Nada Mezni Hafaiedh is a Tunisian film director. Saudi Arabia, she was from an early aged exposed to different cultures due to her diplomatic parents. Saudi Arabia, US, France, Canada represents a pool of developments of her passion for cinema.
The cinema of Libya has had an uneven history. Though there was little local film production in Italian Libya and the Kingdom of Libya, cinema-going became a popular entertainment activity. From 1973 onwards, Muammar Gaddafi tried to exercise control over cinema. Though he encouraged some local filmmaking, his obstruction of foreign film consumption resulted in the closing of cinemas. In the post-2011 instability in Libya, hopes for a resurgence of Libyan cinema combine with a lack of infrastructure.
Abdellah Rezzoug or Abdella Zarok was a Libyan filmmaker. In the early 1970s he made the first Libyan feature film, When Fate Hardens.
Ramadan Salim, is a Libyan writer, journalist, and film critic.