Cinema of Austria |
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List of Austrian films |
1907-1919 |
1920s |
1930s |
1940s |
1950s |
1960s |
1970s |
1980s |
1990s |
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2020s |
Austrian film actors |
Austrian film directors |
A list of films produced in the Cinema of Austria in the 2000s decade ordered by year of release. For an alphabetical list of articles on Austrian films see Category:Austrian films.
In cases of international co-productions, films in the making of which an Austrian studio was the majority partner (with a foreign film studio as a co-producer with a minority interest) are indicated by "(maj.)" in the "Notes" column. Films in the making of which an Austrian studio was the minority partner (with a foreign film studio as a co-producer with a majority interest) are indicated by "(min.)" in the "Notes" column.
The dates in parentheses are the start dates of film runs in Austrian cinemas.
In 2004, 24 Austrian films were produced either as solely Austrian productions, or with an Austrian majority interest and opened in the cinemas. 16 were feature films and 8 were documentary films. A further 8 films were produced with an Austrian minority production interest, 7 of them feature films: for example Michael Haneke's Wolfzeit , which is a predominantly French production. [1] [2]
In 2005, 24 Austrian films were produced either as solely Austrian productions, or with an Austrian majority interest and opened in the cinemas. 15 of them were documentary films, and nine were feature films. A further six films (three documentary films and three feature films) were produced with an Austrian minority interest co-production partner – for example, the award-winning documentary Darwin's Nightmare , a production with a majority French interest. [2] [3]
In 2006, 34 Austrian films were produced and opened in the cinemas. All of them were either solely Austrian productions, or had an Austrian majority interest. 17 of them were documentary films and 16 were feature films. [2] [4]
In 2007, 34 Austrian films (19 documentary films and 15 feature films, including the two feature films Winterreise and Deepfrozen, which are mentioned on the website of the Film Institute, but not in the Film Report) were first screened in Austrian cinemas, 25 of them either solely Austrian productions, or with an Austrian majority interest (the latter including 7 feature films). 9 films were produced with an Austrian studio as the minority co-production partner, 8 of them feature films – for example Hans Weingartner's Reclaim Your Brain , which is a production with a majority German interest. [5]
In 2008, 33 Austrian films were first screened in Austrian cinemas (20 feature films, 13 documentary films), 28 of them either solely Austrian productions, or with an Austrian majority interest (source: Austrian Film Institute [7] )
In 2009, 34 Austrian films were first screened in Austrian cinemas (17 feature films, 17 documentary films), 28 of them either solely Austrian productions, or with an Austrian majority interest (source: Austrian Film Institute [8]
The oldest known surviving film was shot in the United Kingdom as well as early colour films. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most critically acclaimed works. Many British actors have accrued critical success and worldwide recognition, such as Audrey Hepburn, Olivia de Havilland, Vivien Leigh, Glynis Johns, Maggie Smith, Laurence Olivier, Michael Caine, Sean Connery, Ian Mckellen, Joan Collins, Judi Dench, Julie Andrews, Daniel Day-Lewis, Gary Oldman, Emma Thompson, Anthony Hopkins and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the fourth and fifth highest-grossing film franchises.
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films was commonly played live with organs or pianos.
An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies. Independent films are sometimes distinguishable by their content and style and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.
Actuality film is a non-fiction film genre that uses footage of real events, places, and things, in a similar way to documentary film. Unlike documentaries, actuality films are not structured into a larger narrative or coherent whole. In practice, actuality films preceded the emergence of the documentary. During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts. The line between "fact" and "fiction" was not as prominent in early cinema as it would become once documentaries became the predominant non-fiction filmmaking form. Actuality as a film genre is related to still photography.
Denmark has been producing films since 1897 and since the 1980s has maintained a steady stream of product due largely to funding by the state-supported Danish Film Institute. Historically, Danish films have been noted for their realism, religious and moral themes, sexual frankness and technical innovation.
Cinema of the Netherlands refers to the film industry based in the Netherlands. Because the Dutch film industry is relatively small, and there is little or no international market for Dutch films, almost all films rely on state funding. This funding can be achieved through several sources, for instance through the Netherlands Film Fund or the public broadcast networks. In recent years the Dutch Government has established several tax shelters for private investments in Dutch films.
The cinema of Malaysia consists of feature films produced in Malaysia, shot in the languages Malay, Mandarin, Cantonese, Tamil, various indigenous languages, and English.
Middle Eastern cinema collectively refers to the film industries of West Asia and part of North Africa. By definition, it encompasses the film industries of Egypt, Iran, Bahrain, Iraq, Israel, Jordan, Kuwait, Lebanon, Palestine, Oman, Qatar, Saudi Arabia, Syria, United Arab Emirates, and Yemen. As such, the film industries of these countries are also part of the cinema of Asia, or in the case of Egypt, Africa.
The cinema of Romania is the art of motion-picture making within the nation of Romania or by Romanian filmmakers abroad. The history of cinema in Romania dates back to the late 19th century, as early as the history of film itself. With the first set of films screened on May 27, 1896, in the building of L'Indépendance Roumanie newspaper in Bucharest. In the Romanian exhibition, a team of Lumière brothers' employees screened several films, including the famous L'Arrivée d'un train en gare de La Ciotat. The next year, in 1897, the French cameraman Paul Menu shot the first film set in Romania, The Royal parade on May 10, 1897. The first Romanian filmmaker was doctor Gheorghe Marinescu. He created a series of medically themed short films for the first time in history between 1898 and 1899.
Cinema of Estonia is the film industry of the Republic of Estonia. The motion pictures have won international awards and each year new Estonian films are seen at film festivals around the globe.
Hungary has had a notable cinema industry since the beginning of the 20th century, including Hungarians who affected the world of motion pictures both within and beyond the country's borders. The former could be characterized by directors István Szabó, Béla Tarr, or Miklós Jancsó; the latter by William Fox and Adolph Zukor, the founders of Fox Studios and Paramount Pictures respectively, or Alexander Korda, who played a leading role in the early period of British cinema. Examples of successful Hungarian films include Merry-go-round, Mephisto, Werckmeister Harmonies and Kontroll.
Cinema of Austria refers to the film industry based in Austria. Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day. Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema. Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger.
Arab cinema or Arabic cinema refers to the film industry of the Arab world. Most productions are from the Egyptian cinema.
Films have been made in Lithuania since the early twentieth century.
The cinema of Mongolia has been strongly influenced by the cinema of Russia, which differentiates it from cinematic developments in the rest of Asia.
Film and TV financing in Australia refers to government assistance to TV and cinema in Australia. Over the past 30 years, government assistance has involved a mixture of government support, distributor/ broadcaster involvement and private investment. To a significant extent, government policies have shaped the form and scale of financing.
The Moon of Israel is a 1924 Austrian epic film. It was directed by Mihaly Kertész. The script was written by Ladislaus Vajda, based on H. Rider Haggard's 1918 novel Moon of Israel, which in its turn was inspired by the Biblical story of the Exodus.
The cinema of Moldova developed in the early 1960s during the Soviet period, experiencing a flowering of about a decade and a half. Stagnation followed, and after the Moldavian SSR became independent in 1991, the industry almost completely disappeared.
A film – also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick – is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and the art form that is the result of it.