A list of films produced in Brazil in 1937:
Title | Director | Cast | Genre | Notes |
---|---|---|---|---|
Alegria | Oduvaldo Vianna | Gilda de Abreu | ||
Bombonzinho | Mesquitinha | Dircinha Batista, Oscarito | Comedy | |
Maria Bonita | Julien Mandel | Eliane Angel, Victor Macedo, Marília Batista | Adventure | |
O Bobo do Rei | Mesquitinha | Mesquitinha, Dea Selva, Augusto Henrique | Comedy | |
O Grito da Mocidade | Raul Roulien | María Amaro, Orlando Brito, Alzirinha Camargo | Comedy | |
Samba da Vida | Luiz de Barros | Jaime Costa, Manoelino Teixeira, Pinto Filho | Musical comedy | |
Maria do Carmo Miranda da Cunha, known professionally as Carmen Miranda, was a Portuguese-born Brazilian singer, dancer and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature fruit hat outfit that she wore in her American films. As a young woman, she designed hats in a boutique before making her first recordings with composer Josué de Barros in 1929. Miranda's 1930 recording of "Taí ", written by Joubert de Carvalho, catapulted her to stardom in Brazil as the foremost interpreter of samba.
Brazilian Integralism was a political movement in Brazil, created in October 1932. Founded and led by Plínio Salgado, a literary figure somewhat famous for his participation in the 1922 Modern Art Week, the movement had adopted some characteristics of European mass movements of those times, specifically of Italian fascism, but distanced itself from Nazism because Salgado himself did not support racism. He believed that every person of every race should unite under the Integralist flag. Despite the movement's slogan "Union of all races and all peoples", members and leaders like Gustavo Barroso held anti-Semitic views. The name of the party created to support its doctrine was Brazilian Integralist Action. The reference to Integralism mirrored a traditionalist movement in Portugal, the Lusitanian Integralism. For its symbol, the AIB used a flag with a white disk on a royal blue background, with an uppercase sigma (Σ) in its center.
The Ziegfeld Follies were a series of elaborate theatrical revue productions on Broadway in New York City from 1907 to 1931, with renewals in 1934, 1936, 1943, and 1957. They became a radio program in 1932 and 1936 as The Ziegfeld Follies of the Air.
The Vargas Era is the period in the history of Brazil between 1930 and 1946 when the country was governed by president Getúlio Vargas. The period from 1930 to 1937 is known as the Second Brazilian Republic, and the other part of Vargas Era, from 1937 until 1946 is known as the Third Brazilian Republic.
Leo or Léo may refer to:
The fourteenth edition of the South American Championship of football was held in Buenos Aires, Argentina from 27 December 1936 to 1 February 1937.
Streamline Moderne is an international style of Art Deco architecture and design that emerged in the 1930s. Inspired by aerodynamic design, it emphasized curving forms, long horizontal lines, and sometimes nautical elements. In industrial design, it was used in railroad locomotives, telephones, toasters, buses, appliances, and other devices to give the impression of sleekness and modernity.
Rachel de Queiroz was a Brazilian author, translator and journalist.
Sir Anthony James Allan Havelock-Allan, 4th Baronet was a British film producer and screenwriter whose credits included This Happy Breed, Blithe Spirit, Great Expectations, Oliver Twist, the 1968 version of Romeo and Juliet and Ryan's Daughter.
Alberto de Almeida Cavalcanti was a Brazilian-born film director and producer. He was often credited under the single name "Cavalcanti".
A list of films produced in Brazil ordered by year and split onto separate pages by decade. For an alphabetical list of films currently on Wikipedia see Category:Brazilian films
Gypsy is a 1937 British drama film directed by Roy William Neill and starring Roland Young, Chili Bouchier and Hugh Williams. It based on the 1935 novel Tzigane by Lady Eleanor Smith.
Events in the year 1937 in Brazil.
Milo Harbich was a Brazilian-born German film editor and director. He was born to Austrian-Brazilian parents who moved to Dresden when he was a small child. He began career as stage actor, but by the early 1930s was increasingly involved with the German film industry. He edited his first film in 1933. During the Nazi era he worked on a mixture of propaganda films and less overtly political entertainment such as To New Shores (1937) and the Marika Rökk vehicle Hello Janine! (1939). He often worked with the directors Douglas Sirk and Hans Steinhoff.
Events in the year 1943 in Brazil.
Cinédia was a Brazilian film studio established on 15 March 1930 in Rio de Janeiro, and remained in continual operation until 1951.