List of display typefaces

Last updated

This list details display typefaces used in typesetting and printing.

Contents

Samples of Display typefaces
Typeface nameExample 1Example 2Example 3
Action Is
Designer: Jeff N. Levine
Ad lib
Designer: Freeman Craw
Ad Lib.svg Ad Lib Sample.svg
Algerian
Designer: Stephen Blake, Philip Kelly
Class: Decorative
Algerian.svg Algerian sample.JPG Algerian Specimen.svg
Allegro
Designer: Hans Bohn
Allegro.svg Allegro sample.png
Andreas
Designer: Michael Harvey
Andreas font.svg Andreas sample.svg
Architype Albers
Designer: Josef Albers
ArchiAlbers.png
Architype van der Leck
Designer: Bart van der Leck
Architype VanDerLeck SP.svg
Architype Van Doesburg
Designer: Theo van Doesburg
AVDoesburg.png
Architype Bayer
Designer: Herbert Bayer
ABayer.svg
Arnold Böcklin
Designer: Otto Weisert
Arnold Boecklin typeface.svg Arnold Boecklin sample.svg ArnoldBocklinSpec.svg
Astur Astur.png Astur sample.png
Banco
Designer: Roger Excoffon
Banco font.svg Banco sample.svg BancoSpecimen.png
Bauhaus Bauhausu (typeface).png Bauhausu sample.svg Bauhaus and Bauhaus 93 Typeface.svg
Braggadocio
Designer: W.A. Woolley
Braggadocio.svg BraggadocioSP.png
Broadway
Designer: Morris Fuller Benton
Broadway Font.svg Broadway Font Specimen.svg Broadway CharSet.svg
Caslon Antique
Designer: Berne Nadall
Caslon Antique.png Caslon Antique sample.png
Cooper Black
Designer: Oswald Bruce Cooper
Cooper Black font.svg Exemple cooper black.svg CooperBlackspec.svg
Curlz
Designer: Carl Crossgrove, Steve Matteson
Curlz.png CurlzSpec.svg
Data 70
Designer: Bob Newman
Typeface specimen Data 70.svg
Earth (typeface)
Designer: Gary Elfring [1]
Ellington
Designer: Michael Harvey
Ellington.svg Ellimgton-sample.svg
Exocet
Designer: Jonathan Barnbrook
Exocet.png Exocet sample.png Exocet sample.svg
FIG Script
Designer: Eric Olson
FIG Script.svg FIGScript.png
Forte
Designer: Carl Reissberger
ForteFont.png
Futura black
Designer: Paul Renner
Futura Black type specimen.jpg
Gabriola
Designer: John Hudson (typeface designer)
Gabriola.png GabriolaSpecimen.svg
Horizon Horizon (typeface).png
Isometrik (typeface)
Jim Crow Jim Crow.png Jim Crow sample.png
Jokerman
Designer: Andrew K. Smith
Jokerman.JPG
Lo-Type
Designer: Louis Oppenheim
Lo-Type.svg Lo-Type sample.png
Nebulosa (typeface)
Neuland
Designer: Rudolf Koch
Neuland font.svg Neuland sample.svg
Peignot
Designer: A. M. Cassandre
Peignot.png Peignot sample.png Peignot font.png
San Francisco
Designer: Susan Kare
San Francisco.png San Francisco sample.png
Seven-segment display 7 segment display labeled.svg Seven segment display-animated.gif
Shockwave (typeface)
Showcard Gothic
Designer: Jim Parkinson
Show-gothic.png Inkscape Fonts - Showcard Gothic.png
Stencil
Designer: R. Hunter Middleton, Gerry Powell
Stencil typeface.png Stencil quick fox.PNG StencilSp.svg
Stop
Designer: Aldo Novarese
Stop-specimen.png
Umbra
Designer: R. Hunter Middleton
Umbra.png Umbra sample.png
Westminster
Designer: Leo Maggs
Westminsterfont.svg
Willow
Designer: Tony Forster (ITC Willow), Joy Redick (Willow Regular)
Willow.png Willow sample.png
Windsor
Designer: Eleisha Pechey
Windsor fontsample.svg
Xova base (typeface)
Zealot (typeface) ARISTA LOGO.svg Fila logo.svg

See also

Related Research Articles

<span class="mw-page-title-main">Typography</span> Art of arranging type

Typography is the art and technique of arranging type to make written language legible, readable and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line spacing, letter spacing, and spaces between pairs of letters. The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process. Type design is a closely related craft, sometimes considered part of typography; most typographers do not design typefaces, and some type designers do not consider themselves typographers. Typography also may be used as an ornamental and decorative device, unrelated to the communication of information.

<span class="mw-page-title-main">Sans-serif</span> Typeface classification for letterforms without serifs

In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. For the purposes of type classification, sans-serif designs are usually divided into these major groups: § Grotesque and § Neo-grotesque, § Geometric, § Humanist and § Other or mixed.

In typography, a serif is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface, and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" or "Gothic", and serif typefaces as "roman".

<span class="mw-page-title-main">Typeface</span> Set of characters that share common design features

A typeface is a design of letters, numbers and other symbols, to be used in printing or for electronic display. Most typefaces include variations in size, weight, slope, width, and so on. Each of these variations of the typeface is a font.

<span class="mw-page-title-main">Rockwell (typeface)</span> Slab-serif font

Rockwell is a slab serif typeface designed by the Monotype Corporation and released in 1934. The project was supervised by Monotype's engineering manager Frank Hinman Pierpont. This typeface is distinguished by a serif at the apex of the uppercase A, while the lowercase a has two storeys. Because of its monoweighted stroke, Rockwell is used primarily for display or at small sizes rather than as a body text. Rockwell is based on an earlier, more condensed slab serif design cast by the Inland Type Foundry called Litho Antique.

<span class="mw-page-title-main">East Asian Gothic typeface</span> Font design for CJK characters

In the East Asian writing system, gothic typefaces are a type style characterized by strokes of even thickness and lack of decorations akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming.

<span class="mw-page-title-main">Ming (typefaces)</span> Category of typefaces

Ming or Song is a category of typefaces used to display Chinese characters, which are used in the Chinese, Japanese and Korean languages. They are currently the most common style of type in print for Chinese and Japanese. For Japanese text, they are commonly called Mincho typefaces.

<span class="mw-page-title-main">Georgia (typeface)</span> 1996 typeface by Matthew Carter

Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for Microsoft. It was intended as a serif typeface that would appear elegant but legible when printed small or on low-resolution screens. The typeface is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface on which Carter was working when contacted by Microsoft; this would be released under the name Miller the following year. The typeface's name referred to a tabloid headline, "Alien heads found in Georgia."

<span class="mw-page-title-main">Roboto</span> Open-source sans-serif typeface family

Roboto is a neo-grotesque sans-serif typeface family developed by Google as the system font for its mobile operating system Android, and released in 2011 for Android 4.0 "Ice Cream Sandwich".

<span class="mw-page-title-main">Slab serif</span> Type of serif typeface

In typography, a slab serif typeface is a type of serif typeface characterized by thick, block-like serifs. Serif terminals may be either blunt and angular (Rockwell), or rounded (Courier). Slab serifs were introduced in the early nineteenth century.

<span class="mw-page-title-main">Clarendon (typeface)</span> Slab-serif typeface

Clarendon is the name of a slab serif typeface that was released in 1845 by Thorowgood and Co. of London, a letter foundry often known as the Fann Street Foundry. The original Clarendon design is credited to Robert Besley, a partner in the foundry, and was originally engraved by punchcutter Benjamin Fox, who may also have contributed to its design. Many copies, adaptations and revivals have been released, becoming almost an entire genre of type design.

<span class="mw-page-title-main">Rotis</span> Font superfamily; humanist sans-serif typeface

Rotis is a typeface developed in 1988 by Otl Aicher, a German graphic designer and typographer. In Rotis, Aicher explores an attempt at maximum legibility through a highly unified yet varied typeface family that ranges from full serif, glyphic, and sans-serif. The four basic Rotis variants are:

<span class="mw-page-title-main">Swash (typography)</span> Typographical flourish found on some letterforms, particularly in italics

A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back to at least the 16th century, as they can be seen in Ludovico Vicentino degli Arrighi's La Operina, which is dated 1522. As with italic type in general, they were inspired by the conventions of period handwriting. Arrighi's designs influenced designers in Italy and particularly in France.

<span class="mw-page-title-main">Linux Libertine</span> Free typeface

Linux Libertine is a digital typeface created by the Libertine Open Fonts Project, which aims to create free and open alternatives to proprietary typefaces such as Times New Roman. It was developed with the free font editor FontForge and is licensed under the GNU General Public License and the SIL Open Font License.

In typography, the Vox-ATypI classification makes it possible to classify typefaces into general classes. Devised by Maximilien Vox in 1954, it was adopted in 1962 by the Association Typographique Internationale (ATypI) and in 1967 as a British Standard, as British Standards Classification of Typefaces, which is a very basic interpretation and adaptation/modification of the earlier Vox-ATypI classification. On April 27, 2021, ATypI announced that they had de-adopted the system and that they were establishing a working group building towards a new, larger system incorporating the different scripts of the world.

Typeface anatomy describes the graphic elements that make up letters in a typeface.

References