Milena Canonero | |
---|---|
Born | |
Occupation | Costume designer |
Years active | 1971–present |
Spouse |
Milena Canonero OMRI (born 1 January 1946) is an Italian costume designer. In a career spanning over five decades, she is recognized for her prolific work across stage and screen. She has received numerous accolades, including four Academy Awards, three BAFTA Awards, and two Costume Designers Guild Awards.
Canonero gained prominence for her collaborations with directors Stanley Kubrick, Francis Ford Coppola, and Wes Anderson. She has been nominated for the Academy Award for Best Costume Design nine times, winning four awards for Barry Lyndon (1975), Chariots of Fire (1981), Marie Antoinette (2006), and The Grand Budapest Hotel (2014). She has also received eight nominations for the BAFTA Award for Best Costume Design, winning for Chariots of Fire, The Cotton Club (1984), and The Grand Budapest Hotel.
Canonero was born in Turin, Italy. She attended university in Genoa, studying fashion, period design, and art history before moving to England in the late 1960's to complete her studies. [1] She designed for friends' boutiques in London and began assisting in commercials, meeting many filmmakers along the way, including director Hugh Hudson. [2] He gave Canonero her first break on his short film, which was shot on location in Sicily. She was involved in all aspects of the production and found the entire process captivating. [1] By chance, Canonero was also invited to watch Stanley Kubrick shoot parts of the landmark 2001: A Space Odyssey (1968); on the set, the director asked her to work with him on his next feature film project. [2]
Canonero received her first major screen credits for designing costumes for Kubrick's cult classic A Clockwork Orange (1971). She created an instantly recognizable character's wardrobe that perfectly captures the film's discourse on class, money, and power through provoking aesthetics, which has since become an enduring inspiration for fashion icons and designers. [3] Canonero continued professional collaborations with Kubrick on his next two film adaptations: the period drama Barry Lyndon (1975) and the psychological horror The Shining (1980). She crafted authentic 18th-century garments for the former along with Swedish costume designer Ulla-Britt Söderlund. During extensive filming preparations, the designers examined original attire at the Victoria and Albert Museum and copied patterns from the collection. [1] The pair also drew inspiration from period-defining art, including portraits by Thomas Gainsborough and Joshua Reynolds, genre paintings by Jean Siméon Chardin, as well as the bawdy paintings by William Hogarth, among others. [1] Their remarkable efforts won them the Academy Award for Best Costume Design. [2] Then came an offer to design costumes for George Lucas' space opera Star Wars (1977), which she turned down and later considered to be the biggest missed opportunity of her career. [2] Canonero won her second Academy Award for Hudson's sports drama Chariots of Fire (1981). Her 1920s costumes inspired a fashion trend; as a result, she was asked to design a clothing line for men's-wear manufacturer Norman Hilton. [2]
Beside her well-established screen career, Canonero is known for stage design. She frequently collaborated with director Otto Schenk on his numerous opera productions. Those include Il trittico (Vienna State Opera, 1979), As You Like It (Salzburg Festival, 1980), Die Fledermaus (Vienna State Opera, 1980), Andrea Chénier (Vienna State Opera, 1981), and Arabella (Metropolitan Opera, 1983). She also worked with director Luc Bondy on such productions as Tosca (Metropolitan Opera, 2009) and Helena (Burgtheater, 2010).
On television, Canonero designed costumes for crime drama series Miami Vice in the 1980s. [4]
In 2001, Canonero received the Career Achievement Award in Film from the Costume Designers Guild. In 2005, Canonero won the guild's award for excellence in contemporary film for her work on Wes Anderson's The Life Aquatic with Steve Zissou (2004). [5] She won her third Oscar for Sofia Coppola's Marie Antoinette (2006).
Canonero reteamed with Anderson in 2014 on The Grand Budapest Hotel , for which she received her ninth nomination and fourth win at the 87th Academy Awards. She also won a BAFTA award for her work on the film.
Milena Canonero was awarded an Honorary Golden Bear during the 67th Berlin International Film Festival. [6]
Canonero is married to actor Marshall Bell, and they live in West Hollywood, California.
† | Indicates non-competitive categories |
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
1975 | Best Costume Design | Barry Lyndon | Won | [7] |
1981 | Chariots of Fire | Won | [8] | |
1985 | Out of Africa | Nominated | [9] | |
1988 | Tucker: The Man and His Dream | Nominated | [10] | |
1990 | Dick Tracy | Nominated | [11] | |
1999 | Titus | Nominated | [12] | |
2001 | The Affair of the Necklace | Nominated | [13] | |
2006 | Marie Antoinette | Won | [14] | |
2014 | The Grand Budapest Hotel | Won | [15] |
Year | Category | Nominated work | Result | Ref. |
---|---|---|---|---|
British Academy Film Awards | ||||
1975 | Best Costume Design | Barry Lyndon | Nominated | [16] |
1981 | Chariots of Fire | Won | [17] | |
1985 | The Cotton Club | Won | [18] | |
1986 | Out of Africa | Nominated | [19] | |
1990 | Dick Tracy | Nominated | [20] | |
2006 | Marie Antoinette | Nominated | [21] | |
2014 | The Grand Budapest Hotel | Won | [22] | |
2021 | The French Dispatch | Nominated | [23] |
Ngila Beryl Dickson is a New Zealand costume designer. She is perhaps best known for her collaboration with Richard Taylor on creating the costumes for Peter Jackson's The Lord of the Rings film trilogy. She has been nominated for the Academy Award for Best Costume Design three times, winning with Taylor for their work on The Lord of the Rings: The Return of the King (2003).
Sandy Powell is a British costume designer. In a career spanning over three decades, she is recognized for her prolific work across independent films and blockbusters. She has received numerous accolades, including three Academy Awards, three BAFTA Awards, and two Costume Designers Guild Awards. Powell was appointed Officer of the Order of the British Empire (OBE) in the 2011 New Year Honours for services to the film industry.
Colleen Atwood is an American costume designer.
Alexandra Byrne is an English costume designer. Much of her career has focused on creating costumes for period dramas. These films include Persuasion (1995), Hamlet (1996), Elizabeth (1998), Finding Neverland (2004), The Phantom of the Opera (2004), Elizabeth: The Golden Age (2007), Mary Queen of Scots (2018), The Aeronauts (2019), and Emma. (2020). She has been nominated for the Academy Award for Best Costume Design six times, winning once for Elizabeth: The Golden Age.
Margaret Furse was an English costume designer. She has been nominated for the Academy Award for Best Costume Design six times, winning for Anne of the Thousand Days (1969).
Catherine Martin is an Australian costume, production, and set designer. In a career spanning over three decades, she is recognized for her prolific work across stage and screen with her husband, Baz Luhrmann. These include their collaborations on such acclaimed films as Strictly Ballroom (1992), Romeo + Juliet (1996), Moulin Rouge! (2001), Australia (2008), The Great Gatsby (2013), and Elvis (2022). She has received numerous accolades, including four Academy Awards, six BAFTA Awards, and a Tony Award.
Jacqueline Durran is a British costume designer. In a career spanning over two decades, she is recognized for her prolific work across independent films and blockbusters. She has received numerous accolades, including two Academy Awards, four BAFTA Awards, and two Costume Designers Guild Awards.
Shirley Ann Russell was a British costume designer. She has been nominated twice, for Agatha (1979) and Reds (1981), for the Academy Award for Best Costume Design.
John Mollo was a British costume designer and writer on the history of the military uniform. He is perhaps best known for creating the costumes for the first two installments of the Star Wars original film trilogy. Mollo has been nominated for the Academy Award for Best Costume Design twice, for Star Wars (1977) and Gandhi (1982), winning both times.
Jacqueline West is an American costume designer. She is best known for her work on such acclaimed films as Quills (2000), The Curious Case of Benjamin Button (2008), The Social Network (2010), The Tree of Life (2011), Argo (2012), The Revenant (2015), Dune (2021), and Killers of the Flower Moon (2023). She has been nominated for the Academy Award for Best Costume Design five times.
Michael O'Connor is an English costume designer. He has been nominated for the Academy Award for Best Costume Design three times, winning for The Duchess (2008).
Yvonne Ann Blake was an English and Spanish costume designer. She is perhaps best known for creating the costumes for Richard Donner's acclaimed superhero film Superman (1978) and its sequel, Richard Lester's Superman II (1980). She has been nominated for the Academy Award for Best Costume Design two times, winning along with Antonio Castillo for their work on Nicholas and Alexandra (1971).
Jenny Beavan is an English costume designer. In a career spanning over four decades, she is recognized for her prolific work across stage and screen. She has received numerous accolades, including three Academy Awards, four BAFTA Awards, two Emmy Awards, and an Olivier Award. Beavan was appointed Officer of the Order of the British Empire (OBE) in the 2017 New Year Honours for services to drama production.
Mary Zophres is an American costume designer who has worked in the film industry since 1994. She has been nominated for the Academy Award for Best Costume Design four times for True Grit (2010), La La Land (2016), The Ballad of Buster Scruggs (2018), and Babylon (2022). She has also been nominated for the BAFTA Award for Best Costume Design five times for Catch Me If You Can (2002), True Grit, La La Land, The Ballad of Buster Scruggs, and Babylon.
Ulla-Britt Söderlund was a Swedish costume designer. In a career spanning over one and a half decade, she has been recognized for her prolific work across film and television in more than 20 different productions. She won the Academy Award for Best Costume Design, which she shared with Milena Canonero for their work on Stanley Kubrick's epic period drama film Barry Lyndon (1975).
Gabriella Pescucci is an Italian costume designer. In a career spanning over six decades, she is recognized for her prolific work across stage and screen. She has received numerous accolades, including an Academy Award, two BAFTA Awards, and two Emmy Awards.
John Bright is a British costume designer. He is perhaps best known for his collaboration with Jenny Beavan on creating the costumes for Merchant Ivory Productions. Bright and Beavan have shared six nominations for the Academy Award for Best Costume Design, winning for A Room with a View (1985).
Judy Moorcroft was a British costume designer. She has been nominated twice, for The Europeans (1979) and A Passage to India (1985), for the Academy Award for Best Costume Design.
Bob Ringwood is a retired British costume designer. He is perhaps best known for creating the costumes for David Lynch's science fiction film Dune (1984), as well as Tim Burton's superhero film Batman (1989) and its sequel, Batman Returns (1992). Ringwood has been nominated twice, for Empire of the Sun (1987) and Troy (2004), for the Academy Award for Best Costume Design.
Phyllis Dalton is a British costume designer. In a career spanning over four decades, she is recognized for her prolific work across film and television. She has received various accolades, including two Academy Awards, a BAFTA Award, and an Emmy Award.