| Petelia Gold Tablet | |
|---|---|
 The Petelia Gold Tablet (with case and chain) in the British Museum | |
| Material | Gold |
| Size | 4.5cm long (tablet) |
| Created | 3rd-2nd Centuries BC (tablet) |
| Present location | British Museum, London |
| Registration | 1843,0724.3 |
The Petelia Gold Tablet or Petelia Tablet is an orphic inscription or Totenpass that was found near the ancient city of Petelia, southern Italy in the early nineteenth century. Since 1843, the original has been kept in the British Museum. [1]
In the 1830s, an inscribed gold tablet was unearthed at the ancient Greek site of Petelia near Strongoli in Calabria. Little is known of the circumstances of the find nor of its provenance subsequent to the find, before it was acquired by the British Museum from the archaeologist and collector James Millingen in 1843.
The small gold tablet is inscribed in ancient Greek with an Orphic saying and dates from between 300–200 BC. The gold case and chain designed to hold it is much later in manufacture, having been made over 400 years later during Roman times. The ancient Thracian prophet Orpheus, who was often represented as a musician or poet, founded a cult that promised a happy afterlife to the initiated. Many of his temples or shrines were considered oracles by his devotees. The Petelia Gold Tablet probably came from one of his shrines in southern Italy and demonstrates the widespread distribution of Οrphism in antiquity.
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Transcription into Ancient Greek:
Translation (2016):
In Greek mythology, Persephone, also called Kore or Cora, is the daughter of Zeus and Demeter. She became the queen of the Underworld after her abduction by Hades, the god of the underworld, with the approval of Zeus, her father/uncle. The myth of her abduction, her sojourn in the underworld and her temporary return to the surface represents her functions as the embodiment of spring and the personification of vegetation, especially grain crops, which disappear into the earth when sown, sprout from the earth in spring, and are harvested when fully grown. In Classical Greek art, Persephone is invariably portrayed robed, often carrying a sheaf of grain. She may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the process of being carried off by Hades.
In ancient Greek religion and mythology, Pluto was the ruler of the Greek underworld. The earlier name for the god was Hades, which became more common as the name of the underworld itself. Pluto represents a more positive concept of the god who presides over the afterlife. Ploutōn was frequently conflated with Ploutos, the Greek god of wealth, because mineral wealth was found underground, and because as a chthonic god Pluto ruled the deep earth that contained the seeds necessary for a bountiful harvest. The name Ploutōn came into widespread usage with the Eleusinian Mysteries, in which Pluto was venerated as both a stern ruler and a loving husband to Persephone. The couple received souls in the afterlife and are invoked together in religious inscriptions, being referred to as Plouton and as Kore respectively. Hades, by contrast, had few temples and religious practices associated with him, and he is portrayed as the dark and violent abductor of Persephone.
Phanes or Protogonus was the mystic primeval deity of procreation and the generation of new life, who was introduced into Greek mythology by the Orphic tradition; other names for this Classical Greek Orphic concept included Ericapaeus or Erikepaios and Metis ("thought").
The League of Corinth, also referred to as the Hellenic League, was a confederation of Greek states created by Philip II in 338–337 BC. The League was created in order to unify Greek military forces under Macedonian leadership (hegemony) in their combined conquest of the Persian Achaemenid Empire.
Orphism is the name given to a set of religious beliefs and practices originating in the ancient Greek and Hellenistic world, as well as from the Thracians, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. Orphics revered Dionysus and Persephone. Orphism has been described as a reform of the earlier Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's Theogony, based in part on pre-Socratic philosophy.
The Pella curse tablet is a text written in a distinct Doric Greek idiom, found in Pella, the ancient capital of Macedon, in 1986. Ιt contains a curse or magic spell inscribed on a lead scroll, dated to the first half of the 4th century BC. It was published in the Hellenic Dialectology Journal in 1993. It is one of four known texts that may represent a local dialectal form of ancient Greek in Macedonia, all of them identifiable as Doric. These suggest that a Doric Greek dialect was spoken in Macedonia, as was previously proposed based on the West Greek forms of names found in Macedonia. As a result, the Pella curse tablet has been forwarded as an argument that the Ancient Macedonian language was a dialect of North-Western Greek, and one of the Doric dialects.
Papyrus 1 designated by "𝔓1", "ε 01 ", is an early copy of the New Testament in Greek. It is a papyrus manuscript of the Gospel of Matthew dating palaeographically to the early 3rd century. It is currently housed at the University of Pennsylvania Museum, and was discovered in Oxyrhynchus, Egypt.
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Totenpass is a German term sometimes used for inscribed tablets or metal leaves found in burials primarily of those presumed to be initiates into Orphic, Dionysiac, and some ancient Egyptian and Semitic religions. The term may be understood in English as a "passport for the dead". The so-called Orphic gold tablets are perhaps the best-known example.
The Tanais Tablets are two tablets from the city of Tanais near modern Rostov-on-Don, Russia. They are written in Greek and are dated to the late 2nd–3rd century AD. At the time, Tanais had a mixed Greek, Gothic and Sarmatian population. The tablets are public inscriptions which commemorate renovation works in the city. One of the tablets, Tanais Tablet A, is damaged and not fully reconstructed. The other, Tanais Tablet B, is fully preserved and is dated to 220 AD.
Textual variants in the New Testament manuscripts arise when a copyist makes deliberate or inadvertent alterations to the text that is being reproduced. Textual criticism of the New Testament has included study of its textual variants.
Orpheus is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades to recover his lost wife Eurydice.
Codex Sinaiticus and Codex Vaticanus, two of the great uncial codices, representatives of the Alexandrian text-type, are considered excellent manuscript witnesses of the text of the New Testament. Most critical editions of the Greek New Testament give precedence to these two chief uncial manuscripts, and the majority of translations are based on their text. Nevertheless, there are many differences between these two manuscripts. According to Dean Burgon: "It is in fact easier to find two consecutive verses in which these two MSS differ the one from the other, than two consecutive verses in which they entirely agree."
In ancient Greek religion and myth, Eubuleus is a god known primarily from devotional inscriptions for mystery religions. The name appears several times in the corpus of the so-called Orphic gold tablets spelled variously, with forms including Euboulos, Eubouleos and Eubolos. It may be an epithet of the central Orphic god, Dionysus or Zagreus, or of Zeus in an unusual association with the Eleusinian Mysteries. Scholars of the late 20th and early 21st centuries have begun to consider Eubuleus independently as "a major god" of the mysteries, based on his prominence in the inscriptional evidence. His depiction in art as a torchbearer suggests that his role was to lead the way back from the Underworld.
Textual variants in the Gospel of Matthew are the subject of the study called textual criticism of the New Testament. Textual variants in manuscripts arise when a copyist makes deliberate or inadvertent alterations to a text that is being reproduced. An abbreviated list of textual variants in this particular book is given in this article below.
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Textual variants in the Gospel of Mark are the subject of the study called textual criticism of the New Testament. Textual variants in manuscripts arise when a copyist makes deliberate or inadvertent alterations to a text that is being reproduced. An abbreviated list of textual variants in this particular book is given in this article below.
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