Background
The Spiral Dance is Starhawk's first book. After a failed attempt to become a fiction writer in New York City, she returned to California, and became active in the Neopagan community in the San Francisco Bay Area. She decided to try her hand at nonfiction and wrote a book on Goddess religion, which she finished in 1977 but was unable to publish at first. Her luck changed when feminist religious scholar Carol P. Christ included an article on Witchcraft and the Goddess movement in the anthology Womanspirit Rising (1979). Christ put Starhawk in touch with an editor at Harper & Row, who eventually published the book. In 1979, partly to commemorate the publication of the book, Starhawk and her friends staged a public celebration of the Neopagan holiday of Samhain (Halloween) incorporating an actual spiral dance. This group became the Reclaiming Collective; the annual Spiral Dance ritual now draws hundreds of participants.
The book was revised for 10th- and 20th-anniversary editions in 1989 and 1999, respectively. The original text of the book was left largely untouched. The revisions consist for the most part of introductions and notes reflecting on the origins of the book and the rituals it describes, and changes to the author's beliefs and practices since writing the book.
Although commonly read as a book on Wicca, The Spiral Dance is distinguished by its mysticism and experience, and by its emphasis on women and the Goddess (although it also brings in the God, similar to most forms of Wicca). Starhawk trained with Victor Anderson, founder of the Feri Tradition of witchcraft, and with Zsuzsanna Budapest, a feminist separatist involved in Dianic Wicca.
The Charge of the Goddess is an inspirational text often used in the neopagan religion of Wicca. The Charge of the Goddess is recited during most rituals in which the Wiccan priest/priestess is expected to represent, and/or embody, the Goddess within the sacred circle, and is often spoken by the High Priest/Priestess after the ritual of Drawing Down the Moon.
Dianic Wicca, also known as Dianic Witchcraft, is a modern pagan goddess tradition focused on female experience and empowerment. Leadership is by women, who may be ordained as priestesses, or in less formal groups that function as collectives. While some adherents identify as Wiccan, it differs from most traditions of Wicca in that only goddesses are honored.
Skyclad refers to ritual nudity in Wicca and Modern Paganism. Some groups, or Traditions, perform most or all of their rituals skyclad. Whilst nudity and the practice of witchcraft have long been associated in the visual arts, this contemporary ritual nudity is typically attributed to either the influence of Gerald Gardner or to a passage from Charles Godfrey Leland's 1899 book Aradia, or the Gospel of the Witches, and as such is mainly attributed to the Gardnerian and Aradian covens.
The Wheel of the Year is an annual cycle of seasonal festivals, observed by a range of modern pagans, marking the year's chief solar events and the midpoints between them. British neopagans crafted the Wheel of the Year in the mid-20th century, combining the four solar events marked by many European peoples, with the four seasonal festivals celebrated by Insular Celtic peoples. Different paths of modern paganism may vary regarding the precise timing of each celebration, based on such distinctions as the lunar phase and geographic hemisphere.
Starhawk is an American feminist and author. She is known as a theorist of feminist neopaganism and ecofeminism. In 2013, she was listed in Watkins' Mind Body Spirit magazine as one of the 100 Most Spiritually Influential Living People.
Zsuzsanna Emese Mokcsay is an American writer, activist, playwright and songwriter living in America who writes about feminist spirituality and Dianic Wicca under the pen name Zsuzsanna Budapest or Z. Budapest. She is the founder of the Susan B. Anthony Coven #1, which was founded in 1971 as the first women-only witches' coven. She founded the female-only type of Dianic Wicca.
The Goddess movement includes spiritual beliefs or practices that emerged predominantly in North America, Western Europe, Australia, and New Zealand in the 1970s. The movement grew as a reaction to Abrahamic religions, which have only gods with whom are referred by male pronouns, and it uses goddess worship and may include a focus on women or on one or more understandings of gender or femininity.
Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America Today is a sociological study of contemporary Paganism in the United States written by the American Wiccan and journalist Margot Adler. First published in 1979 by Viking Press, it was later republished in a revised and expanded edition by Beacon Press in 1986, with third and fourth revised editions being brought out by Penguin Books in 1996 and then 2006 respectively.
The spiral dance, also called the grapevine dance and the weaver’s dance, is a traditional group dance practiced in Neopaganism in the United States, especially in feminist Wicca and the associated "Reclaiming" movement. It is designed to emphasize "community and rebirth", and is also used "to raise power in a ritual".
Drawing down the Moon is a central ritual in many contemporary Wiccan traditions. During the ritual, a coven's High Priestess enters a trance and requests that the Goddess or Triple Goddess, symbolized by the Moon, enter her body and speak through her. The High Priestess may be aided by the High Priest, who invokes the spirit of the Goddess. During her trance, the Goddess is supposed to speak through the High Priestess.
Reclaiming is a tradition in neopagan witchcraft, aiming to combine the Goddess movement with feminism and political activism. Reclaiming was founded in 1979, in the context of the Reclaiming Collective (1978–1997), by two Neopagan women of Jewish descent, Starhawk and Diane Baker, in order to explore and develop feminist Neopagan emancipatory rituals.
M. Macha NightMare is an American Neopagan witch. She was born in Milford, Connecticut and was one of the founders of the Reclaiming Collective in the 1970s.
The history of Wicca documents the rise of the Neopagan religion of Wicca and related witchcraft-based Neopagan religions. Wicca originated in the early 20th century, when it developed amongst secretive covens in England who were basing their religious beliefs and practices upon what they read of the historical witch-cult in the works of such writers as Margaret Murray. It also is based on the beliefs from the magic that Gerald Gardner saw when he was in India. It was subsequently founded in the 1950s by Gardner, who claimed to have been initiated into the Craft – as Wicca is often known – by the New Forest coven in 1939. Gardner's form of Wicca, the Gardnerian tradition, was spread by both him and his followers like the High Priestesses Doreen Valiente, Patricia Crowther and Eleanor Bone into other parts of the British Isles, and also into other, predominantly English-speaking, countries across the world. In the 1960s, new figures arose in Britain who popularized their own forms of the religion, including Robert Cochrane, Sybil Leek and Alex Sanders, and organizations began to be formed to propagate it, such as the Witchcraft Research Association. It was during this decade that the faith was transported to the United States, where it was further adapted into new traditions such as Feri, 1734 and Dianic Wicca in the ensuing decades, and where organizations such as the Covenant of the Goddess were formed.
Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.
Modern paganism in the United States is represented by widely different movements and organizations. The largest modern pagan religious movement is Wicca, followed by Neodruidism. Both of these religions or spiritual paths were introduced during the 1950s and 1960s from Great Britain. Germanic Neopaganism and Kemetism appeared in the US in the early 1970s. Hellenic Neopaganism appeared in the 1990s.
Neopagan witchcraft, sometimes referred to as The Craft, is an umbrella term for some neo-pagan traditions that include the attempted practice of magic. These traditions began in the mid-20th century and were influenced by the witch-cult hypothesis, a now-rejected theory that persecuted witches in Europe had actually been followers of a surviving pagan religion. Traditions classed as neopagan witchcraft include Wicca and the various movements that describe themselves as "Traditional Witchcraft".
Cerridwen Fallingstar, is an American Wiccan priestess, shamanic witch, and author. Since the late 1970s she has written, taught, and lectured about magic, ritual, and metaphysics, and is considered a leading authority on pagan witchcraft.
Enchanted Feminism: The Reclaiming Witches of San Francisco is an anthropological study of the Reclaiming Wiccan community of San Francisco. It was written by the Scandinavian theologian Jone Salomonsen of the California State University, Northridge and first published in 2002 by the Routledge.
Never Again the Burning Times: Paganism Revisited is an anthropological study of the Wiccan and wider Pagan community in the United States. It was written by the American anthropologist Loretta Orion and published by Waveland Press in 1995.
Modern paganviews on LGBT people vary considerably among different paths, sects, and belief systems. LGBT individuals comprise a much larger percentage of the population in neopagan circles than larger, mainstream religious populations. There are some popular neopagan traditions which have beliefs often in conflict with the LGBT community, and there are also traditions accepting of, created by, or led by LGBT individuals. The majority of conflicts concern heteronormativity and cisnormativity.
