 | A major contributor to this article appears to have a close connection with its subject.(March 2024) |
Tracie Morris is an American poet. She is also a performance artist, vocalist, voice consultant, creative non-fiction writer, critic, scholar, bandleader, actor and non-profit consultant. Morris is from Brooklyn, New York. Morris' experimental sound poetry is progressive and improvisational. She is a tenured professor at the Iowa Writers' Workshop.
 |
Tracie Morris earned a Master of Fine Arts (MFA) in Poetry at Hunter College and her Ph.D in Performance Studies at New York University with an emphasis on speech act theory, poetry and Black aesthetics, under the supervision of José Esteban Muñoz. She also studied classical British acting at the Royal Academy of Dramatic Art (London) and American acting at Michael Howard Studios.
Primarily known for her live performances, Morris has written ten books (as of 2021) and has been heavily anthologized as a writer in multiple genres. She emerged as a poet, performer and writer from the Lower East Side poetry scene in the early 1990s. She became known as a local poet in the "slam" scene of the Nuyorican Poets Cafe in New York City, New York, and eventually made the 1993 Nuyorican Poetry Slam team, the same year she won the Nuyorican Grand Slam Championship. [1] She competed in the 1993 National Poetry Slam held that year in San Francisco with other poets from the Nuyorican team. [2]
Morris also won the "national haiku slam" that year and her interest in the form lead her to Asia to research poetic forms and cultures from the region in 1998. [3] She has been a member of the MLA (Modern Language Association), Associated Writing Programs, The Shakespeare Society and The Shakespeare Forum. She has performed at Lincoln Center, St. Mark's Poetry Project, CBGB, the 92nd Street Y, Lollapalooza, South by Southwest, The Whitney Museum, MoMA, Albertine, [4] The New Museum, [5] Centre Pompidou [6] (Paris), Centre for Creative Arts(Durban), [7] Victoria and Albert Museum, Queensland Poetry Festival [8] (Brisbane, Melbourne) and many other regional, national, and international venues.
Morris' work is embraced by slam and performance poets as well as the Language Poets, a contemporary poetic avant-garde. She is featured, for example, on Charles Bernstein's Close Listening radio program, "PennSound". [9] and was featured at a 2008 conference on Conceptual Poetics alongside Bernstein, Marjorie Perloff, Craig Dworkin and others. She received the Creative Capital Performing Arts award in the year 2000. In addition to being an experimental poet, Morris writes poetry in conventional and nonce forms.
Morris is known as a sound artist and specialist in sound poetry [10] as well as an occasional theatrical performer. She was an early collaborator with Ralph Lemon for his Geography Trilogy. Her work was featured in the 2002 Whitney Biennial. [11]
Morris has taught in several institutions of higher education. She is the first tenured African-American poet of the Iowa Writers' Workshop after serving as the program's inaugural distinguished visiting professor of poetry.
Morris was the 2007-08 Center for Programs in Contemporary Writing Fellow at the University of Pennsylvania, [12] was a 2018 Master Artist of the Atlantic Center for the Arts [13] and the 2018-19 Woodberry Poetry Room Fellow at Harvard University. In 2021, Morris received a John Simon Guggenheim Fellowship for Poetry.
Morris leads workshops on creative writing, voice and planning consultations for activists, artists, youth, women, postgraduate students and underserved communities as well as private and non-profit groups.
She has served on board of trustees/board of directors, committees and artist advisory boards for: the New York Foundation for the Arts, New York State Council on the Arts, African Voices, the Black Rock Coalition and other national and grassroots institutions.
She is also a workshop leader for innovative poetry conducting intensives for St. Mark's Poetry Project, Atlantic Center for the Arts, Poets' House, Naropa University, Kore Press and other national arts organizations. [14]
With Elliott Sharp
With Uri Caine
Chap-T-Her Won , 1993, TM Ink
Intermission, 1998, Soft Skull Press
"Rhyme Scheme", 2012, Zasterle Press
Handholding: 5 kinds, 2016, Kore Press Best American Experimental Writing 2016 (a.k.a. BAX 2016) co-edited with Charles Bernstein, Seth Abramson, Jesse Damiani, Wesleyan University Press, 2017
Per Form/Hard Kore: joca seria press 2017 (English with French translation by Olivier Brosard, Vincent Broqua, Abigail Lang)
A poetry slam is a competitive art event in which poets perform spoken word poetry before a live audience and a panel of judges. While formats can vary, slams are often loud and lively, with audience participation, cheering and dramatic delivery.
Performance poetry is a broad term, encompassing a variety of styles and genres. In brief, it is poetry that is specifically composed for or during a performance before an audience. During the 1980s, the term came into popular usage to describe poetry written or composed for performance rather than print distribution, mostly open to improvisation.
Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a "catchall" term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the poetic text takes its quality less from the visual aesthetics on a page, but depends more on phonaesthetics, or the aesthetics of sound.
Charles Bernstein is an American poet, essayist, editor, and literary scholar. Bernstein is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania. He is one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. and in 2019 he was awarded the Bollingen Prize from Yale University, the premiere American prize for lifetime achievement, given on the occasion of the publication of Near/Miss. Bernstein was David Gray Professor of Poetry and Poetics at SUNY-Buffalo from 1990 to 2003, where he co-founded the Poetics Program. A volume of Bernstein's selected poetry from the past thirty years, All the Whiskey in Heaven, was published in 2010 by Farrar, Straus, and Giroux. The Salt Companion to Charles Bernstein was published in 2012 by Salt Publishing and Charles Bernstein: The Poetry of Idiomatic Insistences, edited by Paul Bovê was published by Duke University Press and boundary 2 in 2021.
Carla Harryman is an American poet, essayist, and playwright often associated with the Language poets. She teaches Creative Writing at Eastern Michigan University and serves on the MFA faculty of the Milton Avery School of the Arts at Bard College. She is married to the poet Barrett Watten.
Sound poetry is an artistic form bridging literary and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values; "verse without words". By definition, sound poetry is intended primarily for performance.
Edwin Torres is a Nuyorican performance poet. His work incorporates vocal and physical improvisation. He is the author of Ameriscopia, One Night: Poems for the Sleepy, Yes Thing No Thing, and several other poetic books. He also has produced recordings titled Oceano Rise, Novo, and Holy Kid. He is a member of the L=A=N=G=U=A=G=E school.
Bob Holman is an American poet and poetry activist, most closely identified with the oral tradition, the spoken word, and poetry slam. As a promoter of poetry in many media, Holman has spent the last four decades working variously as an author, editor, publisher, performer, emcee of live events, director of theatrical productions, producer of films and television programs, record label executive, university professor, and archivist. He was described by Henry Louis Gates Jr. in The New Yorker as "the postmodern promoter who has done more to bring poetry to cafes and bars than anyone since Ferlinghetti."
Patricia Smith is an American poet, spoken-word performer, playwright, author, writing teacher, and former journalist. She has published poems in literary magazines and journals including TriQuarterly, Poetry, The Paris Review, Tin House, and in anthologies including American Voices and The Oxford Anthology of African-American Poetry. She is on the faculties of the Stonecoast MFA Program in Creative Writing and the Low-Residency MFA Program in Creative Writing at Sierra Nevada University.
Caridad de la Luz, a.k.a. "La Bruja", is a Nuyorican poet, playwright, actress and activist. She is considered one of the leading spoken word poets in the world. In 2005, El Diario La Prensa, the largest Spanish-language newspaper in New York City, named De la Luz as one of the "Fifty Most Distinguished Latinas in the United States".
Lynne Procope is a Trinidadian-born American poet. She is one of the founders of the louderARTS Project. In 1998, Procope made the 1998 Nuyorican Poetry Slam team. She and her fellow Nuyorican team members Alix Olson, Steve Coleman and Guy LeCharles Gonzalez would go on to win the 1998 National Poetry Slam Championship that year in Austin, TX. This championship would lead to Soft Skull Press publishing the anthology Burning Down the House which showcased poetry by Olson, Procope, Coleman and Gonzalez as well as poetry by the 1998 Nuyorican Team's coach, Roger Bonair-Agard. Her best known poems include "Elemental Woman", "Flectere" and "Evidence of Injury". Her writing focuses on the human experience of women and marginalized groups.
The Nuyorican Poets Cafe is a nonprofit organization in Alphabet City, on the Lower East Side of Manhattan. It is a bastion of the Nuyorican art movement in New York City, and has become a forum for poetry, music, hip hop, video, visual arts, comedy, and theater. Several events during the PEN World Voices festival are hosted at the cafe.
Staceyann Chin is a spoken-word poet, performing artist and LGBT rights political activist. Her work has been published in The New York Times, The Washington Post, and the Pittsburgh Daily, and has been featured on 60 Minutes. She was also featured on The Oprah Winfrey Show, where she shared her struggles growing up as a gay person in Jamaica. Chin's first full-length poetry collection was published in 2019.
Jaime "Shaggy" Flores is a Nuyorican poet, writer and African Diaspora scholar who forms part of the Nuyorical literary movement.
Annie Finch is an American poet, critic, editor, translator, playwright, and performer and the editor of the first major anthology of literature about abortion. Her poetry is known for its often incantatory use of rhythm, meter, and poetic form and for its themes of feminism, witchcraft, goddesses, and earth-based spirituality. Her books include The Poetry Witch Little Book of Spells, Spells: New and Selected Poems, The Body of Poetry: Essays on Women, Form, and the Poetic Self, A Poet's Craft, Calendars, and Among the Goddesses.
Sandra María Esteves is a Latina poet and graphic artist. She was born and raised in the Bronx, New York, and is one of the founders of the Nuyorican poetry movement. She has published collections of poetry and has conducted literary programs at New York City Board of Education, the Caribbean Cultural Center, and El Museo del Barrio. Esteves has served as the executive director of the African Caribbean Poetry Theater. She is the author of Bluestown Mockinbird Mambo and Yerba Buena. She lives in the Bronx.
Erica Hunt is a U.S. poet, essayist, teacher, mother, and organizer from New York City. She is often associated with the group of Language poets from her days living in San Francisco in the late 1970s and early 1980s, but her work is also considered central to the avant garde black aesthetic developing after the Civil Rights Movement and Black Arts Movement. Through the 1990s and 2000s, Hunt worked with several non-profits that encourage black philanthropy for black communities and causes. From 1999 to 2010, she was executive director of the 21st Century Foundation located in Harlem. Currently, she is writing and teaching at Wesleyan University.
Aja Monet, , is an American contemporary poet, writer, lyricist and activist based in Los Angeles, California.
Kore Press is an American nonprofit literary press founded in 1993 and located in Tucson, Arizona. The press publishes poetry, fiction, and creative nonfiction by women, transgender or gender non-conforming women. Kore Press's output includes books, audio CDs, and broadsides.
Jesús Papoleto Meléndez, also known as "Papo", or "Papoleto", is a New York-born Puerto Rican poet, playwright, teacher, and activist. He is a member of the Nuyorican Movement. He grew up during the Civil Rights Movement, Black Power movement, and the emergence of the Nuyorican Movement in East Harlem. His titles include the play The Junkies Stole the Clock (1974), and Hey Yo/Yo Soy! 40 Years of Nuyorican Street Poetry.
| International | |
|---|---|
| National | |
