Unsounded

Last updated
Unsounded
Unsounded.jpg
Cover image of issue 1
Author(s)Ashley Cope
Website casualvillain.com
Current status/scheduleOngoing
Launch dateJuly 14, 2010
Genre(s) Fantasy, Comedy, Dark humor, Action, Horror, Drama

Unsounded is an ongoing epic fantasy adventure graphic novel written and illustrated by Ashley Cope, published online since 2010. [1] Unsounded describes itself as covering "fall[ing] into the Epic Fantasy Adventure genre, with occasional forays into the horrific, the profane, and the goofy". It follows the lion-tailed daughter of a crime lord, Sette Frummagem, as accompanied by the undead soldier Duane Adelier.

Contents

Overview

Setting

Unsounded takes place in the fictional continent of Kasslyne, which is dominated by the two superpowers Cresce and Alderode, who exist in a state of perpetual war with one another. Cresce's system of government is a mixture of Communism and Monarchy, and it exerts a large sphere of influence over most of Kasslyne. Alderode is a mysterious and insular country whose populace is divided into a supernatural caste system denoted by hair color. The castes of Alderode have wildly varying lifespans that are inversely proportional to their magical abilities. A third minor superpower, the highly corrupt and capitalist Sharteshane, influences and profits from the Cresce-Alderode war.

The Cresce-Alderode war is partly fueled by a conflict between the two dominant religions of Kasslyne: The Gefendur, who believe the world is overseen by two sets of twin gods, and the Ssaelit, who believe a man named Ssael slew the Gefendur gods and took their place. Ssaelism is heavily persecuted outside of Alderode, where it exists in an uneasy compromise with the Aldish Gefendur.

Kasslyne is governed not by the laws of physics, but by an invisible spectral plane known as "the khert". Trained individuals can use pymary (a type of magic) to manipulate the khert into altering objects' properties such as temperature, weight, and contour. The author has stated this magic system was inspired by her experiences utilizing console commands in video games. The khert also preserves the memories of all humans upon death, which can be captured and used to create artificial intelligence through a process known as "sounding". The Gefendur and Ssaelit believe that the gods reside in a deep portion of the khert known as the "Great Unsounded", so called because no sounder has ever found it.

The author deliberately eschews pinning the technology and costume design to a specific time period, stating "Unsounded cannot contain anachronisms; it doesn't take place in our world nor anywhere along its timeline." [2] Cope has referred to the setting's aesthetic as "pymary-tech" in contrast to conventional genres such as steampunk and dieselpunk. [2]

Plot

Sette Frummagem, a Sharteshanian girl, is tasked by her father, the crime lord Nary-a-Care, to extort tribute from her cousin Stockyard, a black sheep of the family who has started his own business in the country of Cresce. Duane Adelier, an Aldish undead scrivener and skilled mage, is forced to accompany her as a bodyguard despite his hatred of Cresce. On their way to Cresce, the duo clashes with the Red Berry Boys, a group of criminals who disembowel kidnapped children and replace their organs with a supernatural material, and two members of the Crescian Peaceguard who mistakenly believe Duane and Sette are in league with the Red Berry Boys. Upon reaching Stockyard, he reveals Sette's father lied to her about the true nature of her mission, which involves using Duane and the Red Berry Boys to craft a superweapon that will upset the delicate balance of power between Cresce and Alderode. Sette and Duane team up with the Crescian Peaceguard and Mathis Quigley, a former employee of the Red Berry Boys, to uncover the truth behind the conspiracy and stop it before it unleashes terrible destruction upon Kasslyne.

Characters

Unsounded uses an ensemble cast with many viewpoint characters.

Art and composition

The top panel is drawn as if it is a physical object stacked on top of the page, and debris from the explosion spill out of the panel and into the website background. Similar techniques are used throughout the comic. Unsounded Depth Example.jpg
The top panel is drawn as if it is a physical object stacked on top of the page, and debris from the explosion spill out of the panel and into the website background. Similar techniques are used throughout the comic.

The webcomic makes frequent use of infinite canvas techniques in its pages, such as art that expands past the borders of the page, animation, audio, and integrating the background art and site buttons into the story. Many pages also feature art that "bleeds" across panels and word balloons, giving the art a sense of depth. Characters sometimes break the fourth wall through the use of these infinite canvas techniques, such as stealing objects depicted in the website's header to use in the comic. Notable examples include the background of the website appearing to burn during pages depicting a great fire, and the alt text of site buttons being replaced with in-universe propaganda during the depiction of Roger's Etalarche curse. Additionally, some pages alter the website title to convey additional information. Border-breaking art is accomplished by dividing the webpage into multiple sections for the header, footer, and border columns in HTML, allowing the default images for those sections to be replaced with special art. Animation and audio are integrated through embedded JavaScript.

Sette imagines a nonexistent boogeyman stalking her through a dark corridor, giving readers insight into her emotional state without the use of thought bubbles. Unsounded Metaphor Example.jpg
Sette imagines a nonexistent boogeyman stalking her through a dark corridor, giving readers insight into her emotional state without the use of thought bubbles.

Thought bubbles are rarely shown in the comic, and only include simple images, never text. Cope instead chooses to convey character thoughts through metaphors and symbolism in the page art, encouraging readers to come up with their own interpretations of the characters' motivations and mental states. Cope considers this approach "a lot more fun" than explicit thought bubbles. [5]

Cope draws page art together with speech balloons rather than placing speech balloons over existing art to "[Save her] from wasting time drawing stuff that's just gonna get covered by a balloon." [2] Text is rendered using the Anime Ace 2 font.

Publication

The comic was collected in a print volume independently published by Cope in November 2012, after a Kickstarter campaign intended to raise $9,000 raised over $40,000 instead, with further Kickstarter campaigns was made for a second and third volume respectively in 2014 and 2017 each raising over $70,000 against goals of $25,000 and $50,000.[ citation needed ]

The print volumes are slightly edited to adapt the infinite canvas techniques used in the webcomic.

In addition to content originally published on the website, the print volumes contain exclusive short stories and concept art. The volumes also include small one-panel illustrations at the beginning of each chapter that are not present in the webcomic version.

VolumeTitlePagesISBNContents
Vol. 1The Zombie and the Brat184

Paperback: ISBN   978-0-615-72895-7

Webcomic chapters 1-3

"The Priestess" (short story)

Vol. 2The Perils of Civilisation226

Paperback: ISBN   978-0-692-27504-7

Webcomic chapters 4-6

"A Brief Introduction to the Tainish Language"

Unnamed short story

Vol. 3Thicker Than Water314

Paperback: ISBN   978-0-692-93408-1

Webcomic chapters 7-9

"The Short Career of Kissfist Baxter" (short story)

Other media

Short stories

After the first Kickstarter campaign, Cope began writing prose stories set in the same universe as the comic. They are hosted on the same website as the comic. There are currently three stories, all of which are prequels to the comic: "Interior Emanations", a story about a teenage Duane's expulsion from seminary; "Orphans", a story about Quigley's encounter with the Black Tongues; and "Vienne of Seferpine", a story about Quigley's wife Vienne before her death. [6]

Ask Duane & Sette

Between November 2011 and January 2012 and again between July and September 2013, Cope would answer questions in-character as Duane or Sette on the website Formspring. [7] After moving the webcomic to Tumblr, she again answered questions in-character on the Tumblr blog "Ask Duane & Sette" from September 2014 to February 2016. [8] These answers are often comedic in nature, but sometimes contain additional information about the characters' backstory that can be considered "accurate" if not wholly canon. [9]

Influences

In a 2011 interview with Sam Sykes, Cope lists numerous artists as inspiration for her work, praising the works of Alan Moore, Sophie Campbell, and Jeff Smith and listing Hayao Miyazaki, Range Murata, and Mahiro Maeda as "some of [her] favorite artists ever". In particular, she says the novels of Herman Melville "have always driven [her]." [10] The title of the comic is a reference to a line from Moby-Dick: "By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike. And all the time, lo! that smiling sky, and this unsounded sea!" [11] The full quote is explicitly referenced in the subtitles of Unsounded's final two chapters.

In addition to her literary influences, Cope also draws inspiration from her personal life. She has stated on her personal blog that the Frummagem, Winalils, and Adelier families are based on some of her own family members. [12] However, she also believes it is important to understand one's limitations and research topics one has not personally experienced when the story calls for it. She lists the Nuremberg trials, the historical battles of World War I, and the lives of child soldiers in the Khmer Rouge as areas of research she explored in order to help her write about similar topics in the story, saying as one example, "How would I know what that was like for [child soldiers like] Lemuel otherwise, right?" [13]

Reception

The Star-Ledger , which selected Unsounded as one of the best new and most-dynamic webcomics of 2013, [14] approved of the comic as having "grown to be the richest comic on the Internet, and, when Cope feels like demonstrating her chops, the most artfully drawn, too", which "[w]ith its bright colors, spell effects, action sequences, and descents into dreamscapes and dens of thieves, Unsounded often feels like a Fritz Lieber story illustrated by Herge." [14] The Daily Dot complimented how "Cope takes particular advantage of the web medium through her use of animation during impactful scenes", [15] with E.K. Weaver noting to The Austin Chronicle its "incredibl[e] intrica[cy]" and The Beat complimenting how Cope "uses the comic’s digital nature to great advantage. Dramatic moments will sometimes pop out of the borders, magical forces will infiltrate the website design, or a joke will be animated for full effect. These tricks are used sparingly but to great effect. In many ways, this speaks to Unsounded as a whole. It can feel conventional, until it suddenly doesn’t," before concluding that "Unsounded isn’t a fantasy story about good and evil, but about different people with different goals. It has a huge supporting cast, and watching characters with competing world views bounce off each other is incredibly rewarding, especially as the plot thickens and the story increases in scale. All of these elements come together to make the comic a meaty meal that I recommend for people who really want to delve into their reading." [16] [17] ComicsAlliance likewise concluding "Cope [to be] fantastic at drawing action scenes, making them easier to follow visually than some superhero comics." [18]

Some readers find Cope's heavy use of visual metaphor to be confusing, as it is not always clear which images are literal and which are not. A notable example was the scene of Vienne Quigley's death, where her torturers are metaphorically depicted as inhuman monsters. Due to the number of readers who believed the torturers' appearance to be literal, Cope chose to clarify the issue through a blog post. [19]

Related Research Articles

<i>User Friendly</i> Webcomic by J. D. Frazer

User Friendly was a webcomic written by J. D. Frazer, also known by his pen name Illiad. Starting in 1997, the strip was one of the earliest webcomics to make its creator a living. The comic is set in a fictional internet service provider and draws humor from dealing with clueless users and geeky subjects. The comic ran seven days a week until 2009, when updates became sporadic, and since 2010 it has been in re-runs only. The webcomic was shut down in late February 2022, after an announcement from Frazer.

8-Bit Theater is a sprite comic created by Brian Clevinger that ran from 2001 to 2010 and consisting of 1,225 pages. It is a sprite comic, meaning the art is mainly taken from pre-existing video game assets. The webcomic was at times one of the most popular webcomics, and the most popular sprite comic.

<i>Questionable Content</i> Webcomic by Jeph Jacques

Questionable Content is a slice-of-life webcomic written and illustrated by Jeph Jacques. It was launched in August 2003 and reached its 5,000th comic in March 2023. The plot originally centered on Marten Reed, an indie rock fan; his anthropomorphized personal computer Pintsize; and his roommate, Faye Whitaker. However, over time Jacques has added a supporting cast of characters that includes employees of the local coffee shop, neighbors, and androids. QC's storytelling style combines romantic melodrama, situational comedy, and sexual humor, while considering questions of relationships, sexuality, dealing with emotional trauma, and artificial intelligence and futurism.

<span class="mw-page-title-main">Jeph Jacques</span> Comic author and illustrator

Jeffrey Paul "Jeph" Jacques is an American cartoonist who writes and draws the webcomic Questionable Content. Jacques has formerly created the webcomics indietits,Derelict Orbital Reflector Devices and Alice Grove.

<i>Erma</i> (webtoon) Webcomic by Brandon J. Santiago

Erma is a fantasy-dark comedy slice of life webtoon created by Mexican artist Brandon J. Santiago. It follows the adventures and misadventures of the titular eight-year-old Erma Williams' experiences as a half-human, half-yōkai/half-ghost, tending to use her haunting abilities for everyday antics, whether for better or for worse, focusing on themes such as friendship and acceptance. Santiago initially published the webcomic on DeviantArt and Tumblr in May 2014, but has since released it on various services from January 2016, such as Tapas and WEBTOON. It is available in two languages, English and Spanish. In January 2020, Comics Beat reported that with 64.5 million views and 74.9 thousand subscribers, Erma was the most-viewed webcomic on the Tapas syndicate in 2019.

<span class="mw-page-title-main">David Willis (cartoonist)</span> American web cartoonist (born 1979)

David M Willis is an American web cartoonist currently living in Columbus, Ohio. He is best known for his interconnected series of webcomics Roomies!, It's Walky!, Shortpacked!, and Dumbing of Age. Willis is also known online for his chatrooms and forums including "ItsWalky". KUTV in Salt Lake City calls him a satirist who is "a little bit edgy."

Sluggy Freelance is a long-running webcomic written and drawn by Pete Abrams. Starting in 1997, it is one of the oldest successful webcomics, and as of 2012 had hundreds of thousands of readers. Abrams was one of the first comic artists successful enough to make a living from a webcomic.

<i>Okashina Okashi – Strange Candy</i> Webcomic

Okashina Okashi – Strange Candy is a webcomic hosted on Comic Genesis, a free hosting provider for webcomics. It is drawn by Emily Snodgrass (Emi-chan) and written by Allison Brownlow (Tanzy), Karen Olympia (Kourin), and J. Baird (Xuanwu). It was started in 2001, with Brownlow as its first writer and Olympia added to the team in October 2001. Baird became the primary author in 2004. The comic celebrated its 1000th strip on April 11, 2013. The comic concluded on July 26, 2018, with a final pin-up on August 2.

<i>Nimona</i> Fantasy webcomic by ND Stevenson

Nimona is a science fantasy graphic novel by American cartoonist ND Stevenson. The story follows the title character, a shapeshifter who joins the disgraced knight Ballister Blackheart in his plans to destroy the over-controlling Institute. Blackheart's intent to operate under his code of ethics contrasts him with the impulsive Nimona.

<span class="mw-page-title-main">ND Stevenson</span> American cartoonist and producer (b. 1991)

Nate Diana "Indy" Stevenson, known professionally as ND Stevenson, is an American cartoonist and animation producer. He is the creator, showrunner, and executive producer of the animated television series She-Ra and the Princesses of Power, which ran from 2018 to 2020. He is also known for the science fantasy graphic novel Nimona, as co-writer of the comic series Lumberjanes, and The Fire Never Goes Out, his autobiographical collection.

<i>Harvey Beaks</i> American animated TV series (2015-17)

Harvey Beaks is an American animated television series created by C. H. Greenblatt for Nickelodeon. The series aired from March 28, 2015, until December 9, 2016, when it was moved to Nicktoons on March 1, 2017, which followed the series finale on December 29, 2017.

<i>Check, Please!</i> (webcomic) 2013 webcomic by Ngozi Ukazu

Check, Please! is a 2013 webcomic written and illustrated by Ngozi Ukazu. It follows vlogger and figure skater-turned-ice hockey player Eric "Bitty" Bittle as he deals with hockey culture in college, as well as his identity as a gay man. Ukazu provides fans of Check, Please! a variety of extra content through her Tumblr and a dedicated Twitter account, establishing a piece of transmedia storytelling to expand on worldbuilding. A large fan base has accumulated around Check, Please!, and when Ukazu set up a Kickstarter campaign to fund the physical release of a first volume of the webcomic, she reached her goal with ease. In November 2019, Ukazu started up a Kickstarter to fund a Check Please! "chirpbook" containing Bitty's best tweets. The Kickstarter surpassed her goal within a single day. In 2021, Ukazu started a Kickstarter to fund a Year Four release with one of the rewards including a new comic entitled "Madison" taking place between Years Two and Three. On the final day of the campaign, the Check Please! Year Four Kickstarter became the most funded webcomics Kickstarter ever.

<i>Sarahs Scribbles</i> Webcomic

Sarah's Scribbles is a webcomic by Sarah Andersen started in 2011. Andersen initially published the webcomic on Tumblr, but has since released it on various services, such as Facebook, Instagram, Tapas and her own website. Sarah's Scribbles follows Andersen's experiences as a millennial and focuses on themes such as adulthood and maturity. The comic receives millions of views on the Tapas platform and has won multiple Goodreads Choice Awards and a Ringo Award. Andersen has published four print collections of the webcomic: Adulthood is a Myth; Big Mushy Happy Lump; Herding Cats; and Oddball.

<i>Dumbing of Age</i> Dramatic webcomic by David Willis

Dumbing of Age is a webcomic about college life at Indiana University by cartoonist David Willis with themes involving drama or comedy, occasionally with a mixture of both. The series itself is a reboot reusing characters from Willis' previous comics. While Willis' previous webcomics shared a science-fiction universe, Dumbing of Age is independent of these, reflecting more slice-of-life than the previous works. The comic is generally set in the present day, yet not set in any particular year due to the glacial pacing, current technologies are depicted in-comic anachronistically so the comic is not a period piece. Willis has reported Dumbing of Age to be his most popular webcomic, with a readership that around three times that of Shortpacked!.

<i>Trans Girl Next Door</i>

Trans Girl Next Door is an autobiographical webcomic by Kylie Summer Wu, documenting her transition as a transgender woman. Wu started her webcomic shortly after starting her transition in 2013 in order to express and process her feelings. Trans Girl Next Door covers Wu's transition, her love life, and the more mundane parts of her life. Wu was listed in the Trans 100 in 2015 for her webcomic.

<span class="mw-page-title-main">Loss (comic)</span> 2008 webcomic

"Loss", sometimes referred to as "Loss.jpg", is a strip published on June 2, 2008, by Tim Buckley for his gaming-related webcomic Ctrl+Alt+Del. Set during a storyline in which the main character Ethan and his fiancée Lilah are expecting their first child, the strip—presented as a four-panel comic with no dialogue—shows Ethan entering a hospital, where he sees Lilah weeping in a hospital bed after suffering a miscarriage. Buckley cited events in his life as inspiration for the comic.

<i>Lore Olympus</i> Romance webcomic by Rachel Smythe

Lore Olympus is a romance webcomic created by New Zealand artist Rachel Smythe. The comic is a modern retelling of the relationship between the Greek goddess and god Persephone and Hades. It began publishing weekly on the platform Webtoon in March 2018. Lore Olympus is currently the most popular comic on Webtoon; as of August 2023, it has 1.3 billion views and 6.4 million subscribers. The comic has won a Harvey Award, two Eisner Awards, and received nominations for Ringo Awards. It was announced in 2019 that a television adaptation was under development.

<i>ZooPhobia</i> (webcomic) Webcomic

ZooPhobia is an American webcomic originally published in 2012 by Vivienne Medrano, from which she later loosely adapted characters and plotlines for her animated web and television series Hazbin Hotel and Helluva Boss. It follows a young woman named Cameron who travels to an interspecies sanctuary named Safe Haven.

<i>Lets Play</i> (comic) Romance comic

Let's Play is a romantic comedy comic series by Leeanne M. Krecic, also known as Mongie, which is published by Rocketship Entertainment. Let's Play was published digitally on Webtoon from 2016 to 2022. It follows the romantic and professional life of Sam Young, who is discovering romance as she works on her video game development career.

Heartstopper is an ongoing LGBTQ+ young adult graphic novel and webcomic series written and illustrated by British author Alice Oseman. It follows the lives of Nick Nelson and Charlie Spring as they meet and fall in love. The series is an expanded adaptation of Oseman's 2015 novella, Nick and Charlie, although the characters originally appeared in her 2014 novel, Solitaire.

References

  1. "About Unsounded: A Graphic Novel by Ashley Cope", Casual Villain, archived from the original on 31 March 2022, retrieved 25 October 2022
  2. 1 2 3 Unsounded Formspring Answers 2, archived from the original on 28 February 2015, retrieved 24 October 2022
  3. "Unsounded Q&A", Tumblr, September 2020, archived from the original on 25 October 2022, retrieved 25 October 2022
  4. "UNSOUNDED :: Only A Cause :: 47". www.casualvillain.com. Retrieved 2023-12-13.
  5. "Unsounded Q&A", Tumblr, October 2022, archived from the original on 31 October 2022, retrieved 31 October 2022
  6. Casual Villain, archived from the original on 5 July 2022, retrieved 24 October 2022
  7. Unsounded Formspring Answers - Duane and Sette Answers, archived from the original on 31 March 2015, retrieved 24 October 2022
  8. "Ask Duane & Sette", Tumblr, archived from the original on 14 April 2019, retrieved 25 October 2022
  9. "Unsounded Q&A", Tumblr, October 2022, archived from the original on 26 October 2022, retrieved 25 October 2022
  10. Sykes, Sam (13 February 2011). "Unsounded: Characters, Pacing and Building with Ashley Cope". Sam Sykes. Archived from the original on 25 October 2022. Retrieved 25 October 2022.
  11. "Unsounded Q&A", Tumblr, January 2016, archived from the original on 25 October 2022, retrieved 25 October 2022
  12. "Unsounded Q&A", Tumblr, January 2019, archived from the original on 25 October 2022, retrieved 25 October 2022
  13. "Unsounded Q&A", Tumblr, February 2022, archived from the original on 25 October 2022, retrieved 25 October 2022
  14. 1 2 McCall, Triss (15 December 2013). "The best webcomics of 2013". The Star-Ledger . Archived from the original on 31 March 2022. Retrieved 15 December 2013.
  15. Bonfiglio, Nahila (1 August 2019). "The best webcomics you should be reading". The Daily Dot . Archived from the original on 20 July 2022. Retrieved 1 August 2019.
  16. Cape, Jessi (6 March 2016). "Graphic Diversity: This year's Staple! spotlights women in comics, and local creator E.K. Weaver explains why". The Austin Chronicle . Archived from the original on 29 September 2021. Retrieved 6 March 2016.
  17. "Webcomic Review: Unsounded, an immersive fantasy epic where the heroes aren't always right". Comics Beat . 22 August 2016. Archived from the original on 20 October 2021. Retrieved 22 August 2016.
  18. Lawson, Emma (28 October 2016). "Go Quest: Should you be reading 'Unsounded'? [Fantasy Week]". ComicsAlliance . Archived from the original on 20 February 2019. Retrieved 28 October 2016.
  19. Cope, Ashley (5 January 2022). "Unsounded Q&A". Tumblr. Archived from the original on 1 November 2022. Retrieved 1 November 2022.