Craft name

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Wiccan priestess, witch and author Cheri Lesh's craft name is Cerridwen Fallingstar. Cerridwen Fallingstar photo by Susanna Frohman.jpg
Wiccan priestess, witch and author Cheri Lesh's craft name is Cerridwen Fallingstar.

A craft name, also referred to as a magical name, is a secondary religious name often adopted by practitioners of Wicca and other forms of Neopagan witchcraft or magic. Craft names may be adopted as a means of protecting one's privacy (especially for those who are "in the broom closet"), as an expression of religious devotion, or as a part of an initiation ritual. It may also be used as a protective method, as it is believed by some that one's "true name" can be used to identify that person for the purpose of magical activities (predominantly curses).

Contents

Pseudonym

The idea of using an alternate name as an attempt to develop a different persona is not restricted to Neopagans: Samuel Clemens' adoption of the name Mark Twain has been described as the adoption of a magical name. [1] Before the emergence of Neopaganism similar pseudonyms appear to have been used by writers of grimoires such as The Book of Abramelin , attributed to the Rabbi Yaakov Moelin. [2]

Uses

In traditional forms of Wicca, such as Gardnerian or Alexandrian, Craft names are typically adopted primarily out of regard for their symbolism. Craft names may be carefully guarded and used only with members of one's own coven. Some Wiccans will use two different Craft names, one with the general public (or the Neopagan community) and one with their covenmates. [3] Wiccans who choose to conceal their religion to avoid religious discrimination may use a craft name when speaking to the press. The use of Craft names as online handles for Neopaganism- or Wicca-related groups and discussions has become increasingly common.

The use (or over-use) of "outer court" Craft names (to be used outside of initiates-only or "inner-court" settings) is the subject of some debate. Some treat the choosing of a name as a solemn and significant event [4] while others regard the practice as an affectation to be ridiculed. [5]

Craft names of well-known individuals

Craft names of some famous Wiccans and other Neopagan witches include:

See also

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Raymond Buckland, whose craft name was Robat, was an English writer on the subject of Wicca and the occult, and a significant figure in the history of Wicca, of which he was a high priest in both the Gardnerian and Seax-Wica traditions.

<span class="mw-page-title-main">Edith Woodford-Grimes</span> English Wiccan (1887–1975)

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<span class="mw-page-title-main">New Forest coven</span> Alleged British group of witches

The New Forest coven were an alleged group of pagan witches who met around the area of the New Forest in southern England during the early 20th century. According to his own claims, in September 1939, a British occultist named Gerald Gardner was initiated into the coven and subsequently used its beliefs and practices as a basis from which he formed the tradition of Gardnerian Wicca. Gardner described some of his experiences with the coven in his published books Witchcraft Today (1954) and The Meaning of Witchcraft (1959) although on the whole revealed little about it, saying he was respecting the privacy of its members. Meanwhile, another occultist, Louis Wilkinson, corroborated Gardner's claims by revealing in an interview with the writer Francis X. King that he too had encountered the coven and expanded on some of the information that Gardner had provided about them. According to Gardner, the faith they followed was the Witch-Cult, a supposed pagan religion that had survived in secret after the Christianization of Europe. This was in keeping with the now-discredited theories of Margaret Murray and her supporters.

Aidan A. Kelly is an American academic, poet and influential figure in the Neopagan religion of Wicca. Having developed his own branch of the faith, the New Reformed Orthodox Order of the Golden Dawn, during the 1960s, he was also initiated into other traditions, including Gardnerianism and Feri, in subsequent decades. Alongside this, he was also an important figure in the creation of the Covenant of the Goddess, an organisation designed to protect the civil rights of members of the Wiccan community in the United States. He has also published academic work studying the early development of Gardnerian Wiccan liturgy, primarily through his controversial 1991 book Crafting the Art of Magic.

<span class="mw-page-title-main">Philip Heselton</span> British author

Philip Heselton is a retired British conservation officer, a Wiccan initiate, and a writer on the subjects of Wicca, Paganism, and Earth mysteries. He is best known for two books, Wiccan Roots: Gerald Gardner and the Modern Witchcraft Revival and Gerald Gardner and the Cauldron of Inspiration, which gather historical evidence surrounding the New Forest coven and the origins of Gardnerian Wicca.

Eleanor "Ray" Bone who also went under the craft name Artemis, was an influential figure in the neopagan religion of Wicca. She claimed to have been initiated in 1941 by a couple of hereditary witches in Cumbria. She later met and became friends with Gerald Gardner, and was initiated into Wicca, becoming the High Priestess in one of his covens. She was a friend of several important figures in Wicca during the modern Witchcraft revival, including "Dafo", Jack Bracelin, Patricia Crowther, Doreen Valiente and Idries Shah. Bone was a close confidant of Gardner's initiator Dafo, and she reported that the New Forest coven was a hereditary coven that followed the old ways of the Hampshire region, and that they traced their origins to the time of the death of King William Rufus in the Norman era.

Frederic Lamond was a prominent English Wiccan. He was an early member of the Gardnerian tradition having been initiated into the Bricket Wood coven in 1957. He became involved in a number of Pagan organisations, including the Fellowship of Isis, and participated in the interfaith movement. He wrote a number of books on the subject of Wiccan theology and history.

The history of Wicca documents the rise of the Neopagan religion of Wicca and related witchcraft-based Neopagan religions. Wicca originated in the early 20th century, when it developed amongst secretive covens in England who were basing their religious beliefs and practices upon what they read of the historical witch-cult in the works of such writers as Margaret Murray. It also is based on the beliefs from the magic that Gerald Gardner saw when he was in India. It was subsequently founded in the 1950s by Gardner, who claimed to have been initiated into the Craft – as Wicca is often known – by the New Forest coven in 1939. Gardner's form of Wicca, the Gardnerian tradition, was spread by both him and his followers like the High Priestesses Doreen Valiente, Patricia Crowther and Eleanor Bone into other parts of the British Isles, and also into other, predominantly English-speaking, countries across the world. In the 1960s, new figures arose in Britain who popularized their own forms of the religion, including Robert Cochrane, Sybil Leek and Alex Sanders, and organizations began to be formed to propagate it, such as the Witchcraft Research Association. It was during this decade that the faith was transported to the United States, where it was further adapted into new traditions such as Feri, 1734 and Dianic Wicca in the ensuing decades, and where organizations such as the Covenant of the Goddess were formed.

<span class="mw-page-title-main">Wiccan views of divinity</span>

Wiccan views of divinity are generally theistic, and revolve around a Goddess and a Horned God, thereby being generally dualistic. In traditional Wicca, as expressed in the writings of Gerald Gardner and Doreen Valiente, the emphasis is on the theme of divine gender polarity, and the God and Goddess are regarded as equal and opposite divine cosmic forces. In some newer forms of Wicca, such as feminist or Dianic Wicca, the Goddess is given primacy or even exclusivity. In some forms of traditional witchcraft that share a similar duotheistic theology, the Horned God is given precedence over the Goddess.

<span class="mw-page-title-main">Magical tools in Wicca</span> Tools used in the practice of magic in the religion of Wicca

In the neopagan religion of Wicca a range of magical tools are used in ritual practice. Each of these tools has different uses and associations and are commonly used at an altar, inside a magic circle.

<span class="mw-page-title-main">Neopagan witchcraft</span> Group of neopagan traditions

Neopagan witchcraft, sometimes referred to as The Craft, is an umbrella term for some neo-pagan traditions that include the practice of magic. These traditions began in the mid-20th century, and many were influenced by the witch-cult hypothesis; a now-rejected theory that persecuted witches in Europe had actually been followers of a surviving pagan religion. The largest and most influential of these movements was Wicca. Some other groups and movements describe themselves as "Traditional Witchcraft" to distinguish themselves from Wicca.

<span class="mw-page-title-main">Bricket Wood coven</span> Historical witches coven

The Bricket Wood coven, or Hertfordshire coven is a coven of Gardnerian witches founded in the 1940s by Gerald Gardner. It is notable for being the first coven in the Gardnerian line, though having its supposed origins in the pre-Gardnerian New Forest coven. The coven formed after Gardner bought a plot at the Fiveacres Country Club, a naturist club in the village of Bricket Wood, Hertfordshire, southern England, and met within the club's grounds. It played a significant part in the history of the neopagan religion of Wicca.

<span class="mw-page-title-main">Raymond Howard (Wiccan)</span> English Wiccan fl.1960s

Raymond Howard was an English practitioner of the modern Pagan new religious movement of Wicca. He promoted his tradition, known as the Coven of Atho, through a correspondence course established in the early part of the 1960s.

In Modern English, the term Wicca refers to Wicca, the religion of contemporary Pagan witchcraft. It is used within the Pagan community under competing definitions. One refers to the entirety of the Pagan Witchcraft movement, while the other refers explicitly to traditions included in what is now called British Traditional Wicca.

References

  1. Cardwell, Guy A. Samuel Clemens' Magical Pseudonym. The New England Quarterly, Vol. 48, No. 2 (Jun., 1975), pp. 175-193
  2. Georg Dehn (ed.) Book of Abramelin: A New Translation by Abraham von Worms, (2006), Nicholas Hays. ISBN   0-89254-127-X
  3. "Lady Shyla, Craft tools, Tryskelion website. Accessed 18 May 2007". Archived from the original on 5 May 2007. Retrieved 18 May 2007.
  4. "Hazel Dunlin, Your Craft Name, Earth Dance website. Accessed 18 May 2007". Archived from the original on 19 February 2007. Retrieved 18 May 2007.
  5. "Pete Bevin, Pete's Craft Name Generator. Accessed 18 May 2007". Archived from the original on 18 August 2006. Retrieved 18 May 2007.
  6. Heselton, Philip, Gerald Gardner and the Cauldron of Inspiration: An Investigation into the Sources of Gardnerian Witchcraft (2003). Capall Bann Publishing. ISBN   1-86163-164-2
  7. Gardner, Gerald. Witchcraft Today (1954) London: Rider
  8. 1 2 3 4 5 6 7 "Elders of The Wica". The Wica.
  9. Robert Muller, The Private Life of A Witch, in The Daily Mail, Monday November 3rd 1958. Available here Archived 2010-09-05 at the Wayback Machine
  10. Philip Heselton, Barbara Vickers – Gardner's First Initiate? Originally published in The Cauldron May 2006, available here. Accessed 25 July 2008.
  11. Melissa Seims, A Wica (sic) Family Tree, available here Archived 2013-07-22 at the Wayback Machine
  12. "The [American] Gardnerians, 1973-75". 13 November 2012.

Further reading