In the colonial societies of the Americas and Australia, a quadroon or quarteron was a person with one-quarter African/Aboriginal and three-quarters European ancestry. Similar classifications were octoroon for one-eighth black (Latin root octo-, means "eight") and quintroon for one-sixteenth black.
Governments of the time sometimes incorporated the terms in law, defining rights and restrictions. The use of such terminology is a characteristic of hypodescent, which is the practice within a society of assigning children of mixed unions to the ethnic group which the dominant group perceives as being subordinate. [1] The racial designations refer specifically to the number of full-blooded African ancestors or equivalent, emphasizing the quantitative least, with quadroon signifying that a person has one-quarter black ancestry.
The word quadroon was borrowed from the French quarteron and the Spanish cuarterón, both of which have their root in the Latin quartus, meaning "a quarter".
Similarly, the Spanish cognate cuarterón is used to describe cuarterón de mulato or morisco (someone whose racial origin is three-quarters white and one-quarter black) and cuarterón de mestizo or castizo , (someone whose racial origin is three-quarters white and one-quarter Amerindian), especially in Caribbean South America. [2]
Quadroon was used to designate a person of one-quarter African/Aboriginal ancestry, that is equivalent to one biracial parent (African/Aboriginal and Caucasian) and one white or European parent; in other words, the equivalent of one African/Aboriginal grandparent and three White or European grandparents. [3] In some countries in Latin America, which had a variety of terms for racial groups, some terms for quadroons were morisco or chino, see casta . Terceroon was a term synonymous with quadroon, derived from being three generations of descent from an African ancestor, counting the ancestor as the first generation.
The term mulatto was used to designate a person who was biracial, with one fully black parent and one fully white parent, or a person whose parents are both mulatto. [3] In some cases, it was used as a general term, for instance on U.S. census classifications, to refer to all persons of mixed race, without regard for proportion of ancestries.
The term octoroon referred to a person with one-eighth African/Aboriginal ancestry; [4] that is, someone with family heritage equivalent to one biracial grandparent; in other words, one African great-grandparent and seven European great-grandparents. An example was Russian poet Alexander Pushkin. Octoroon was applied to a limited extent in Australia for those of one-eighth Aboriginal ancestry, as the government implemented assimilation policies on the Stolen Generations. The term mustee was also used to refer to a person with one-eighth African ancestry. [5]
The term sacatra was used to refer to one who was seven-eighths black or African and one-eighth white or European (i.e. an individual with one black and one griffe parent, or one white great-grandparent). [6]
The term mustefino refers to a person with one-sixteenth African ancestry. [3] The terms quintroon or hexadecaroon were also used.
In the French Antilles, the following terms were used [7] [8] [9] during the 18th century:
| Black ancestry | Saint-Domingue | Guadeloupe/Martinique |
| 7/8 | Sacatra | - |
| 3/4 | Griffe | Capre |
| 5/8 | Marabou | - |
| 1/2 | Mulâtre | Mulâtre |
| 1/4 | Quarteron | Métis |
| 1/8 | Métis | Quarteron |
| 1/16 | Mamelouk | Mamelouk |
| 1/32 | Quarteronné | - |
| 1/64 | Sang-mêlé | - |
In some countries in Latin America, the terms griffe or sambo were sometimes used for an individual of three-quarters black parentage, i.e. the child of a mulatto parent and a fully black parent. [3]
In the pre-war period, mixed-race slaves with predominantly white features were depicted in photos and other media to show whites that some slaves were visually indistinguishable from themselves, thus preventing them from seeing slaves as an ethnic "other" in order to further the abolition movement.
Black is a racialized classification of people, usually a political and skin color-based category for specific populations with a mid- to dark brown complexion. Not all people considered "black" have dark skin; in certain countries, often in socially based systems of racial classification in the Western world, the term "black" is used to describe persons who are perceived as dark-skinned compared to other populations. It is most commonly used for people of sub-Saharan African ancestry, Indigenous Australians and Melanesians, though it has been applied in many contexts to other groups, and is no indicator of any close ancestral relationship whatsoever. Indigenous African societies do not use the term black as a racial identity outside of influences brought by Western cultures.
Mulatto is a racial classification to refer to people of mixed African and European ancestry. Its use is considered outdated and offensive in several languages, including English and Dutch. But it does not have the same associations in languages such as Italian, Spanish and Portuguese. Among Latin Americans in the US, for instance, the term can be a source of pride. A mulatta is a female mulatto.
The terms multiracial people or mixed-race people refer to people who are of more than one race and the terms multi-ethnic people or ethnically mixed people refer to people who are of more than one ethnicity. A variety of terms have been used both historically and presently for mixed-race people in a variety of contexts, including multiethnic, polyethnic, occasionally bi-ethnic, Métis, Muwallad, Coloured, Dougla, half-caste, ʻafakasi, mestizo, mutt, Melungeon, quadroon, octoroon, sambo/zambo, Eurasian, hapa, hāfu, Garifuna, pardo, and Gurans. A number of these terms are now considered offensive, in addition to those that were initially coined for pejorative use. "Melezi" are called the offspring of Muslim Romani men and woman of host populations.
In the United States census, the U.S. Census Bureau and the Office of Management and Budget define a set of self-identified categories of race and ethnicity chosen by residents, with which they most closely identify. Residents can indicate their origins alongside their race, and are asked specifically whether they are of Hispanic or Latino origin in a separate question.
Half-caste is a term used for individuals of multiracial descent. It is derived from the term caste, which comes from the Latin castus, meaning pure, and the derivative Portuguese and Spanish word casta, meaning race. Terms such as half-caste, caste, quarter-caste and mix-breed were used by colonial officials in the British Empire during their classification of indigenous populations, and in Australia used during the Australian government's pursuit of a policy of assimilation. In Latin America, the equivalent term for half-castes was Cholo and Zambo. Some people now consider the term offensive.
The one-drop rule was a legal principle of racial classification that was prominent in the 20th-century United States. It asserted that any person with even one ancestor of black ancestry is considered black. It is an example of hypodescent, the automatic assignment of children of a mixed union between different socioeconomic or ethnic groups to the group with the lower status, regardless of proportion of ancestry in different groups.
Afro-Trinidadians and Tobagonians are people from Trinidad and Tobago who are of Sub-Saharan African descent, mostly from West Africa. Social interpretations of race in Trinidad and Tobago are often used to dictate who is of West African descent. Mulatto-Creole, Dougla, Blasian, Zambo, Maroon, Pardo, Quadroon, Octoroon or Hexadecaroon (Quintroon) were all racial terms used to measure the amount of West African ancestry someone possessed in Trinidad and Tobago and throughout North American, Latin American and Caribbean history.
Castizo is a racial category used in 18th-century Colonial Mexico to refer to people who were three-quarters Spanish by descent and one-quarter Amerindian. The feminine form of the word is castiza. In the early 21st century, the term castizo has also come to mean mixed-race people with light skin, in comparison to mulattos, pardos, and coyotes, who would be mixed-race people with darker skin.
Hyperdescent is the practice of classifying a child of mixed race ancestry in the more socially dominant of the parents' races.
In societies that regard some races or ethnic groups of people as dominant or superior and others as subordinate or inferior, hypodescent refers to the automatic assignment of children of a mixed union to the subordinate group. The opposite practice is hyperdescent, in which children are assigned to the race that is considered dominant or superior.
The tragic mulatto is a stereotypical fictional character that appeared in American literature during the 19th and 20th centuries, starting in 1837. The "tragic mulatto" is a stereotypical mixed-race person, who is assumed to be depressed, or even suicidal, because they fail to completely fit into the "white world" or the "black world". As such, the "tragic mulatto" is depicted as the victim of the society that is divided by race, where there is no place for one who is neither completely "black" nor "white".
Partus sequitur ventrem was a legal doctrine passed in colonial Virginia in 1662 and other English crown colonies in the Americas which defined the legal status of children born there; the doctrine mandated that children of slave mothers would inherit the legal status of their mothers. As such, children of enslaved women would be born into slavery. The legal doctrine of partus sequitur ventrem was derived from Roman civil law, specifically the portions concerning slavery and personal property (chattels), as well as the common law of personal property; analogous legislation existed in other civilizations including Medieval Egypt in Africa and Korea in Asia.
The Octoroon is a play by Dion Boucicault that opened in 1859 at The Winter Garden Theatre, New York City. Extremely popular, the play was kept running continuously for years by seven road companies. Among antebellum melodramas, it was considered second in popularity only to Uncle Tom's Cabin (1852). Both were anti-slavery works.
The Dominickers are a small biracial or triracial ethnic group that was once centered in the Florida Panhandle county of Holmes, in a corner of the southern part of the county west of the Choctawhatchee River, near the town of Ponce de Leon. The group was classified in 1950 as one of the "reputed Indian-White-Negro racial isolates of the Eastern United States" by the United States Census Bureau.
Marabou is a term of Haitian origin denoting multiracial admixture. The term, which comes originally from the African Marabouts, describes the offspring of a Haitian person of mixed race: European, African, Taíno and South Asian.
Multiracial Americans or mixed-race Americans are Americans who have mixed ancestry of two or more races. The term may also include Americans of mixed-race ancestry who self-identify with just one group culturally and socially. In the 2020 United States census, 33.8 million individuals or 10.2% of the population, self-identified as multiracial. There is evidence that an accounting by genetic ancestry would produce a higher number.
Washing the EthiopianWhite is one of Aesop's Fables and is numbered 393 in the Perry Index. The fable is only found in Greek sources and, applied to the impossibility of changing character, became proverbial at an early date. It was given greater currency in Europe during the Renaissance by being included in emblem books and then entered popular culture. There it was often used to reinforce outright racist attitudes.
In the former Portuguese and Spanish colonies in the Americas, pardos are triracial descendants of Southern Europeans, Indigenous Americans and West Africans.
Sacatra was a term used in the French Colony of Saint-Domingue to describe the descendant of one black and one griffe parent, a person whose ancestry is 7⁄8ths black and 1⁄8th white. It was one of the many terms used in the colony's racial caste system to measure one's black blood.
José Joaquín Magón was a late eighteenth-century Mexican painter from Puebla de los Angeles.
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