| 100 Hearts | |
|---|---|
 | |
| Studio album by | |
| Released | 1984 |
| Recorded | June 1983 |
| Studio | RCA Studio A, New York City |
| Genre | Jazz |
| Label | George Wein Collection |
| Producer | Gabreal Franklin |
100 Hearts is a solo piano album by Michel Petrucciani. It was recorded in 1983 and released by George Wein Collection before being reissued by Blue Note Records.
The solo piano album was recorded in RCA Studio A, New York City, in June 1983. [1] It was produced by Gabreal Franklin. [1] The material consists of compositions by Ornette Coleman, Charlie Haden, Sonny Rollins, two Petrucciani originals, and a medley of "Someday My Prince Will Come", "All the Things You Are", "A Child Is Born", and "Very Early". [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz | [3] |
100 Hearts was released by George Wein Collection. [1] It was reissued by Blue Note Records. [1] The AllMusic reviewer concluded that it was "A very impressive outing." [2] The Penguin Guide to Jazz commented that the album "established Petrucciani as one of the great romantic virtuosos in the jazz of his time". [3]
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Donald Eugene Cherry was an American jazz trumpeter, bandleader, and multi-instrumentalist. Beginning in the late 1950s, he had a long tenure performing in the bands of saxophonist Ornette Coleman, including on the pioneering free jazz albums The Shape of Jazz to Come (1959) and Free Jazz: A Collective Improvisation (1961). Cherry also collaborated separately with musicians including John Coltrane, Charlie Haden, Sun Ra, Ed Blackwell, the New York Contemporary Five, and Albert Ayler.
Michel Petrucciani was a French jazz pianist. From birth he had osteogenesis imperfecta, a genetic disease that causes brittle bones and, in his case, short stature. Despite his health condition and relatively short life, he became one of the most accomplished jazz pianists of his generation.
Charles Edward Haden was an American jazz double bass player, bandleader, composer and educator whose career spanned more than fifty years. Haden helped to revolutionize the harmonic concept of bass playing in jazz, evolving a style that sometimes complemented the soloist, and other times moved independently, liberating bassists from a strictly accompanying role.
The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California. Although Coleman initially wished for the album to be titled Focus on Sanity after the LP's fourth track, Atlantic producer Nesuhi Ertegun suggested the final title, feeling that it would give consumers "an idea about the uniqueness of the LP."
This Is Our Music is the fifth studio album by American jazz saxophonist Ornette Coleman, recorded in July and August of 1960 and released on Atlantic Records in March 1961. It was Coleman's first album with drummer Ed Blackwell, and his only album on Atlantic to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.
Free Jazz: A Collective Improvisation is an album by the jazz saxophonist and composer Ornette Coleman. It was released through Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins and subsequent CD reissues of Free Jazz.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in 1985 by Geffen Records.
Life Between the Exit Signs is the first jazz album by pianist Keith Jarrett as a leader. It was recorded on May 4, 1967 at Atlantic Recording Studios, in New York City and released on April 1, 1968, under the record label Vortex, a subsidiary label of Atlantic Records. It is the first session featuring Jarrett, bassist Charlie Haden and drummer Paul Motian together. In 1999, Collectables Records reissued the album paired with Jarrett's El Juicio , and in 2004 Atlantic Records reissued it along with extensive liner notes by Professor Bill Dobbins.
Expectations is an album recorded by Keith Jarrett in 1972 and released on Columbia Records the same year. In addition to Jarrett, musicians on the recording include his "American quartet": Dewey Redman on tenor saxophone, Charlie Haden on bass, and Paul Motian on drums. Also featured are Sam Brown on electric guitar, Airto on percussion, as well as brass and string sections whose members are not credited in the album information. Expectations was produced by George Avakian, Jarrett's manager since 1966.
Not in Our Name is a jazz album by bassist Charlie Haden, recorded in 2004 and released by Verve Records in 2005.
Live at the Village Vanguard is an album by Michel Petrucciani. The trio recording was made at the New York club in 1984 and released as a double LP.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Soapsuds, Soapsuds is an album of duets by saxophonist/trumpeter Ornette Coleman and bassist Charlie Haden, recorded in 1977 and released on the Artists House label.
Far Cry is the third album by jazz musician Eric Dolphy, released in 1962 on New Jazz Featuring a quintet co-led with trumpeter Booker Little, it is one of the few recordings of their partnership. Pianist Jaki Byard, bassist Ron Carter and drummer Roy Haynes all return from earlier Dolphy albums. This was a busy time for Dolphy- he took part in Ornette Coleman's Free Jazz session and recorded this album on the same day, and had participated in the Jazz Abstractions project the previous day.
Beauty Is a Rare Thing: The Complete Atlantic Recordings is a box set by American jazz saxophonist and composer Ornette Coleman compiling his master recordings made for Atlantic between 1959 and 1961, released on Rhino Records on November 16, 1993.
The Golden Number is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label in 1977. Haden’s duet partners are trumpeter Don Cherry, tenor saxophonist Archie Shepp, pianist Hampton Hawes and alto saxophonist Ornette Coleman. Hawes died shortly before the album’s release, and Haden dedicated the work to him in the liner notes.
As Long as There's Music is an album of duets by bassist Charlie Haden and pianist Hampton Hawes, recorded in 1976 and released on the Artists House label in 1978. The 1993 CD reissue added a bonus track and three alternative takes from the recording sessions.
Silence is an album by the American jazz bassist Charlie Haden recorded in 1987 and released on the Italian Soul Note label two years later. The album features West Coast jazz trumpeter Chet Baker, and was recorded six months before Baker's death. Three of the six songs on the album--"My Funny Valentine", "'Round Midnight", and "Conception"—were regular features in Baker's concerts at the time. A fourth song, "Visa", was a bebop composition written by Charlie Parker, a musician Baker played with early in his career. Joining Haden and Baker on the album are drummer Billy Higgins and pianist Enrico Pieranunzi.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).