10 Cloverfield Lane (Original Motion Picture Soundtrack) | ||||
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Film score by | ||||
Released | March 11, 2016 | |||
Recorded | 2015–2016 | |||
Genre | Film score | |||
Length | 63:32 | |||
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Producer |
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Bear McCreary chronology | ||||
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10 Cloverfield Lane (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film 10 Cloverfield Lane directed by Dan Trachtenberg and produced by J. J. Abrams under his Bad Robot production company. The film's score is composed by Bear McCreary and released under his Sparks & Shadows and Paramount Music label on March 11, 2016.
Bear McCreary was offered to score the film during June 2014. [1] [2] While he was unaware of the project, he received the script from the producers and after reading it, he found it exciting as it was "an absolute page-turner, just a gripping thriller". [3] McCreary met Abrams and Trachtenberg to discuss the musical ideas which went on for six weeks. After their initial discussions, he sketched those ideas and visited on set to get a clarity on the musical landscape and build the sonic foundation for the score. Abrams could not fully participate in the musical discussions as he was directing Star Wars: The Force Awakens (2015) but joined it after completing the film. [3] Trachtenberg found the musical score to evoke Bernard Herrmann's compositions for Alfred Hitchcock's films, but also takes inspiration from Ennio Morricone and Jerry Goldsmith's science fiction and thriller scores during the 1960s–1970s. [4] [5]
Since the film is mostly set in a contained environment, he wanted to develop a tense score which would be tight, close and claustrophobic but also provide an epic feel and develop the score bigger as the film is a part of a broader cinematic universe. [6] Abrams' involvement, who had a keen eye on the film's music, pushed the score in a more cinematic direction and evolved the film's tone as well. The resultant score eventually became a culmination of the aforementioned factors which was a unique mix of sounds. [5] [7] The music in the first act had percussive sounds, for which McCreary used a blaster beam, most famous for its use in Star Trek: The Motion Picture (1979). Most of the film score had an orchestral palette but also blended propulsive percussion sounds with the addition of multiple instruments. It was considered to be the soul of the film. He used a Turkish instrument named the yaylı tambur which was prominently used in the score, and custom percussions made from the sounds of cans, barrels, cinderblocks, broken glass and hit machinery which McCreary recorded in his warehouse. Those sounds combined to provide a mix of orchestral, synth and electro-acoustic score jammed together in one. [3] [5]
The film score was released under McCreary's Sparks & Shadows and published by Paramount Music label on March 11, 2016, alongside the film. [8] A vinyl edition was released through Mondo on March 10, 2017. [9]
Filmtracks.com wrote "10 Cloverfield Lane remains a truly engaging score that performs beyond most expectations." [10] Pete Simons of Synchrotones called it as "an expertly executed thriller score, with a dense and warm orchestral sound, beautiful orchestrations and an attractive main theme". [11] Sean Wilson of MFiles wrote "Although there's no denying that the 10 Cloverfield Lane score is often a challenge to listen to thanks to its near-relentless nature, what it also demonstrates is that McCreary is one of our finest modern-day musical storytellers." [12] Stephanie Zacharek of Time wrote "The movie's finest feature may be Bear McCreary's playfully malicious score, a beehive of worried-sounding strings that channels the spirit of Hitchcock fave Bernard Herrmann." [13] Justin Lowe of The Hollywood Reporter described it as a "brooding orchestral score". [14] Brian Tallerico of RogerEbert.com wrote "Bear McCreary's overheated, Hermann-esque score will make anyone who's seen Psycho think of Marion Crane in the opening act of Hitchcock's classic." [15] Peter Travers of Rolling Stone called it as a "pulsating score". [16]
No. | Title | Length |
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1. | "Michelle" | 6:08 |
2. | "The Concrete Cell" | 8:29 |
3. | "Howard" | 5:00 |
4. | "A Bright Red Flash" | 2:53 |
5. | "At the Door" | 2:59 |
6. | "Two Stories" | 2:46 |
7. | "Message from Megan" | 3:07 |
8. | "Hazmat Suit" | 3:01 |
9. | "A Happy Family" | 3:52 |
10. | "The Burn" | 6:14 |
11. | "Up Above" | 3:03 |
12. | "Valencia" | 6:12 |
13. | "The New Michelle" | 3:25 |
14. | "10 Cloverfield Lane" | 6:23 |
Total length: | 63:32 |
Credits adapted from liner notes [17]
Association | Category | Nominee(s) | Result | Ref. |
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Hollywood Music in Media Awards | Best Original Score – Sci-Fi/Fantasy Film | Bear McCreary | Nominated | [18] [19] |
World Soundtrack Awards | Discovery of the Year | Nominated | [20] [21] |
Jeffrey Jacob Abrams is an American filmmaker and composer. He is best known for his works in the genres of action, drama, and science fiction. Abrams wrote and produced such films as Regarding Henry (1991), Forever Young (1992), Armageddon (1998), Cloverfield (2008), Star Trek (2009), Star Wars: The Force Awakens (2015), and Star Wars: The Rise of Skywalker (2019). Abrams' films have grossed over $4 billion worldwide, making him the eighth-highest-grossing film director of all time.
Michael Giacchino is an American composer of music for film, television, and video games. He has received many accolades for his work, including an Oscar for Up (2009), an Emmy for Lost (2004), and three Grammy Awards.
Bear McCreary is an American composer of film, television, and video game scores. His work includes the scores of the television series Battlestar Galactica (2004), Agents of S.H.I.E.L.D., Black Sails, Outlander, The Walking Dead, The Lord of the Rings: The Rings of Power, The Serpent Queen, Percy Jackson and the Olympians, Halo, the video games Call of Duty: Vanguard, God of War and God of War Ragnarök, and the film Godzilla: King of the Monsters.
The blaster beam is a concept electric musical instrument consisting of a 12 to 18-foot long metal beam strung with numerous tensed wires under which are mounted electric guitar pickups which can be moved to alter the sound produced. The instrument is played by striking or plucking the strings with fingers, sticks, pipes or even large objects such as artillery shell casings. The instrument produces a very distinctive bass tone, the sound of which is often described as 'dark' or 'sinister'.
The music of the 2004 TV series Battlestar Galactica is a body of work largely credited to the composers Bear McCreary and Richard Gibbs. The music of Battlestar Galactica displays a variety of ethnic influences and generally does not conform to the "orchestral" style of many science fiction scores.
Cloverfield is a 2008 American found footage monster film directed by Matt Reeves, produced by J. J. Abrams, and written by Drew Goddard. It stars Lizzy Caplan, Jessica Lucas, T.J. Miller, Michael Stahl-David, Mike Vogel, and Odette Annable. The plot follows six young New York City residents fleeing from a massive monster and various other smaller creatures that attack the city during a farewell party.
Dan Trachtenberg is an American filmmaker and podcast host. He is best known for directing the films 10 Cloverfield Lane (2016) and Prey (2022), the former earning him a Directors Guild of America Award nomination for Outstanding Directing – First-Time Feature Film. For television, he directed the pilot episodes of The Boys (2019) and The Lost Symbol (2021), the latter on which he also served as an executive producer.
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10 Cloverfield Lane is a 2016 American science fiction horror thriller film directed by Dan Trachtenberg in his directorial debut, produced by J. J. Abrams and Lindsey Weber and written by Josh Campbell, Matthew Stuecken, and Damien Chazelle. The second film in the Cloverfield franchise, it stars Mary Elizabeth Winstead, John Goodman, and John Gallagher Jr. The story follows a young woman who, after a car crash, wakes up in an underground bunker with two men who insist that an event has left the surface of Earth uninhabitable.
Stuart Hancock is a British composer of film, TV and concert music. Hancock is known for having composed the original soundtracks to series 2 of the BBC fantasy series Atlantis, the animated TV adaptation of We're Going On A Bear Hunt and the Netflix comedy horror Crazyhead. He won the BASCA British Composer Award in 2015 for his community song-cycle, Snapshot Songs.
The music of the Marvel Cinematic Universe (MCU) covers the soundtracks of the American media franchise and shared universe, which is centered on a series of superhero films produced by Marvel Studios. The films are based on characters that appear in American comic books published by Marvel Comics. The soundtracks include the original scores composed by various composers for the films and television series of the franchise, as well as the songs that are heard in each film.
Portal: No Escape is a short fan film based on the Portal video game series directed by Dan Trachtenberg. The film was released on August 23, 2011. As of July 2022, the video has received over 27 million views.
Godzilla: King of the Monsters is the soundtrack to the 2019 American monster film Godzilla: King of the Monsters. A sequel to Godzilla (2014), it is the 35th film in the Godzilla franchise, the third film in Legendary's MonsterVerse, and the third Godzilla film to be completely produced by a Hollywood studio. Directed and co-written by Michael Dougherty, the film's musical score is composed by Bear McCreary, the third film composer to work on the MonsterVerse franchise. His involvement in the film was confirmed in July 2018, and recording of the musical score began later that year in Hong Kong. Several themes from Akira Ifukube's musical score for Godzilla (1954), were incorporated and sampled in the score. The album and score influenced a mix of electronic, trance and orchestral music with Japanese music for few of the themes. The soundtrack was released by WaterTower Music on May 24, 2019, a week before the film's theatrical release date. A limited edition triple LP soundtrack was released by Waxwork Records on July 5.
Godzilla: Original Motion Picture Soundtrack is the soundtrack to the 2014 American monster film Godzilla, which is a reboot of Toho's Godzilla franchise and also being the 30th film in that franchise. It is also the first film in Legendary's MonsterVerse and the second Godzilla film to be completely produced by a Hollywood studio. The score was composed and conducted by Alexandre Desplat, being the first film composer to work on the MonsterVerse franchise. The film score was released digitally by WaterTower Music on May 13, 2014, and a separate vinyl album was launched on June 17.
The music of the American fantasy television series The Lord of the Rings: The Rings of Power is composed by Bear McCreary, with additional music by Howard Shore and other artists. The Amazon Prime Video series is based on J. R. R. Tolkien's history of Middle-earth, primarily material from the appendices of the novel The Lord of the Rings, and is set thousands of years before the novel in the Second Age of Middle-earth. It covers all the major events of the Second Age from Tolkien's writings.
Pete's Dragon (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film of the same name directed by David Lowery. The album featured three original songs written for the film, as well as four existing tracks, and recorded by Bonnie "Prince" Billy, St. Vincent, Leonard Cohen, Bosque Brown, The Lumineers, Lindsey Stirling, Andrew McMahon in the Wilderness and Okkervil River. It also featured a new rendition of "Candle on the Water", the only song that was used from the 1977 original film, and also consisted 20 tracks from the original score composed by Daniel Hart. The album was released by Walt Disney Records on August 12, 2016.
The Young Messiah (Original Motion Picture Soundtrack) is the soundtrack to the 2016 film of the same name directed by Cyrus Nowrasteh. The film's original score is composed by John Debney and released through Lakeshore Records on March 11, 2016.
Now You See Me (Original Motion Picture Soundtrack) is the soundtrack to the 2013 film Now You See Me directed by Louis Leterrier. The film's original score is composed by Brian Tyler and features songs performed by the Two Door Cinema Club, Phoenix, Zedd and Galactic. The soundtrack was released digitally and physically on May 28, 2013 through Glassnote Records.
The Homesman (Original Motion Picture Soundtrack) is the soundtrack to the 2014 film The Homesman directed by Tommy Lee Jones, who also starred in the lead role with Hilary Swank and Meryl Streep. The film's original score was composed by Marco Beltrami and released through Varèse Sarabande digitally on November 18, 2014 and physically on December 9.
The Cloverfield Paradox (Original Motion Picture Soundtrack) is the film score soundtrack to the 2018 film The Cloverfield Paradox directed by Julius Onah, which is the third film in the Cloverfield franchise, following Cloverfield (2008) and 10 Cloverfield Lane (2016). The film score is composed by Bear McCreary and released on February 4, 2018, under the Sparks & Shadows and Paramount Music label.