1503 in art

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List of years in art (table)

Events from the year 1503 in art.

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Events

Works

Births

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Fra Bartolomeo 16th-century Italian painter

Fra Bartolomeo or Bartolommeo, also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original name Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Roselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.

Mariotto Albertinelli

Mariotto di Bindo di Biagio Albertinelli was an Italian Renaissance painter active in Florence. He was a close friend and collaborator of Fra Bartolomeo.

Filippino Lippi Italian painter (1457-1504)

Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.

Old Master Any skilled painter who worked in Europe before 1800

In art history, "Old Master" refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print made by an artist in the same period. The term "old master drawing" is used in the same way.

Events from the year 1575 in art.

Events from the year 1504 in art.

Giovanni Santi

Giovanni Santi was an Italian painter, decorator, and the father of Raphael. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenzo. He was court painter to the Duke of Urbino and painted several altarpieces. He died in Urbino.

Events from the year 1516 in art.

Events from the year 1502 in art.

Events from the year 1507 in art.

Events from the year 1508 in art.

Italian Renaissance painting Art movement

Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas.

The decade of the 1490s in art involved some significant events.

The decade of the 1480s in art involved some significant events.

The decade of the 1470s in art involved some significant events.

The decade of the 1450s in art involved many significant events, especially in sculpture.

Themes in Italian Renaissance painting

This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo's Last Judgement of the 1530s.

<i>Adoration of the Magi</i> (Filippino Lippi)

The Adoration of the Magi is a painting by the Italian Renaissance painter Filippino Lippi. It is signed and dated at 1496. It is housed in the Uffizi of Florence.

Events from the year 1512 in art.

Leonardeschi Group of artists who worked under the influence of Leonardo da Vinci

The Leonardeschi were the large group of artists who worked in the studio of, or under the influence of, Leonardo da Vinci. In 1472, Leonardo joined the Guild of St Luke and at the end of 1477 he left the studio of Andrea del Verrocchio as an independent artist. In 1482, Leonardo came to Milan where he stayed with Giovanni Ambrogio de Predis, Evangelista de Predis and their four brothers, all of whom were artists of different kinds. Both Predis brothers are known for having collaborated with Leonardo in the painting of the Virgin of the Rocks for the altarpiece in the chapel of the Confraternity of the Immaculate Conception at the Church of San Francesco Grande, Milan. In 1490, Leonardo earned recognition and a breakthrough at the court of Ludovico Sforza, and because of the scale of works commissioned he was permitted to have assistants and pupils in his own studio.