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| 1570s .1580s in architecture. 1590s |
| other events: 1580s. Architecture timeline |
| | This article needs additional citations for verification .(March 2015) |
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|---|---|---|---|
Contents |
| 1570s .1580s in architecture. 1590s |
| other events: 1580s. Architecture timeline |
Vincenzo Scamozzi was an Italian architect and a writer on architecture, active mainly in Vicenza and Republic of Venice area in the second half of the 16th century. He was perhaps the most important figure there between Andrea Palladio, whose unfinished projects he inherited at Palladio's death in 1580, and Baldassarre Longhena, Scamozzi's only pupil.
Andrea Palladio was an Italian Renaissance architect active in the Venetian Republic. Palladio, influenced by Roman and Greek architecture, primarily Vitruvius, is widely considered to be one of the most influential individuals in the history of architecture. While he designed churches and palaces, he was best known for country houses and villas. His teachings, summarized in the architectural treatise, The Four Books of Architecture, gained him wide recognition.
The Teatro Olimpico is a theatre in Vicenza, northern Italy, constructed in 1580–1585. The theatre was the final design by the Italian Renaissance architect Andrea Palladio and was not completed until after his death. The trompe-l'œil onstage scenery, designed by Vincenzo Scamozzi, to give the appearance of long streets receding to a distant horizon, was installed in 1585 for the first performance held in the theatre, and is the oldest surviving stage set still in existence. The full Roman-style scaenae frons back screen across the stage is made from wood and stucco imitating marble. It was the home of the Accademia Olimpica, which was founded there in 1555.
GiacomoBarozzida Vignola, often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era.
Baldassare Longhena was an Italian architect, who worked mainly in Venice, where he was one of the greatest exponents of Baroque architecture of the period.
Juan de Herrera was a Spanish architect, mathematician and geometrician.
Giacomo della Porta (1532–1602) was an Italian architect and sculptor, who worked on many important buildings in Rome, including St. Peter's Basilica. He was born at Porlezza, Lombardy and died in Rome.
Ignazio Danti, O.P., born Pellegrino Rainaldi Danti, was an Italian Roman Catholic prelate, mathematician, astronomer, and cosmographer, who served as Bishop of Alatri (1583–1586).
Alessandro Maganza (1556–1630) was an Italian painter of the Mannerist style, born and active in Vicenza, as well as in Venice.
Palazzo Thiene Bonin Longare is a patrician palace in Vicenza, northern Italy, designed by Italian Renaissance architect Andrea Palladio, probably in 1572, and built after Palladio's death by Vincenzo Scamozzi. It is one of the city palazzi of the Thiene family that Palladio worked upon, the other being Palazzo Thiene in the near contrà Porti.
This is a chronological list of classical music composers from Italy, whose notability is established by reliable sources in other Wikipedia articles.
Giulio Antonio Santorio was an Italian Cardinal of the Roman Catholic Church.
The October to December 1590 papal conclave was the second conclave of 1590, and the one during which Gregory XIV was elected as the successor of Urban VII. This conclave was marked by unprecedented royal interference from Philip II of Spain.
The Rottweil Witch Trials were a series of witch trials in the town of Rottweil in Swabia, a town in what is now Germany, between 1546 and 1661. 234 women and 53 men were accused of witchcraft. Out of 287 accused, only 21 were found innocent, while the other 266 were killed. The majority of the victims were burned to death, although some were beheaded. 400 years later, the town pardoned the accused posthumously. A commemorative plaque was placed on the tower in the city, which was formerly a prison, to serve as a memorial for the victims of the trials.