Contents
| 1816 in Brazil |
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| Flag |
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| Timeline of Brazilian history |
| United Kingdom of Portugal, Brazil and the Algarves |
Events in the year 1816 in Brazil .
| 1816 in Brazil |
|---|
| Flag |
| |
| Timeline of Brazilian history |
| United Kingdom of Portugal, Brazil and the Algarves |
Events in the year 1816 in Brazil .
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The 1350s was a decade of the Julian Calendar which began on January 1, 1350, and ended on December 31, 1359.
DomJohn VI, nicknamed "the Clement", was King of the United Kingdom of Portugal, Brazil and the Algarves from 1816 to 1825. Although the United Kingdom of Portugal ceased to exist de facto beginning in 1822, he remained its monarch de jure between 1822 and 1825. After the recognition of the independence of Brazil under the Treaty of Rio de Janeiro of 1825, he continued as King of Portugal until his death in 1826. Under the same treaty, he also became titular Emperor of Brazil for life, while his son, Emperor Pedro I, was both de facto and de jure the monarch of the newly independent country.
DonaMaria I was Queen of Portugal from 24 February 1777 until her death in 1816. Known as Maria the Pious in Portugal and Maria the Mad in Brazil, she was the first undisputed queen regnant of Portugal and the first monarch of Brazil.
Jean-Baptiste Debret was a French painter, who produced many valuable lithographs depicting the people of Brazil. Debret won the second prize at the 1798 Salon des Beaux Arts.
Maria Isabel of Braganza was a Portuguese infanta who became Queen of Spain as the second wife of King Ferdinand VII.
The French Artistic Mission in Brazil was a group of French artists and architects that came to Rio de Janeiro, then the capital city of the United Kingdom of Portugal, Brazil and the Algarves, in March 1816, under the auspices of the royal court of Portugal, which had been transferred to Brazil since 1808 due to Portugal's invasion by Napoleon Bonaparte. The Mission, led by Joachim Lebreton, had the mission of establishing the Escola Real de Ciências, Artes e Ofícios, which later became the Escola Nacional de Belas Artes.
Maria Anna of Austria was Queen of Portugal as the wife of King John V of Portugal. She served as the regent of Portugal from 1742 until 1750 during the illness of her husband. She was born an Archduchess of Austria as the daughter of Leopold I, Holy Roman Emperor and Eleonore Magdalene of Neuburg.
The Paço Imperial, or Imperial Palace, previously known as the Royal Palace of Rio de Janeiro and Palace of the Viceroys, is a historic building in the center of the city of Rio de Janeiro, Brazil. The Paço Imperial was built in the 18th century to serve as a residence for the governors of colonial Brazil. From 1808, it was used as a royal residence by King John VI of Portugal as King of Portugal and later also as King of Brazil. In 1822 it became the city palace of the monarchs of the Empire of Brazil, Pedro I and Pedro II, who used it not as a residence, but as a workplace. It was one of the main political centers of Brazil for nearly 150 years, from 1743 to 1889.
The Museu Nacional de Belas Artes is a national art museum located in the city of Rio de Janeiro, Brazil. The museum, officially established in 1937 by the initiative of education minister Gustavo Capanema, was inaugurated in 1938 by President Getúlio Vargas. The museum collection, on the other hand, takes its rise in the transfer of the Portuguese Court to Brazil in the early 19th century, when King John VI brought along with him part of the Portuguese Royal Collection. This art collection stayed in Brazil after the King's return to Europe and became the core collection of the National School of Fine Arts. When the museum was created in 1937, it became the heir not only the National School collection, but also of its headquarters, a 1908 eclectic style building projected by Spanish architect Adolfo Morales de los Ríos.
The National Library of Brazil is the depository of the bibliographic and documentary heritage of Brazil. It is located in Rio de Janeiro, the capital city of Brazil from 1822 to 1960, more specifically at Cinelândia square.
The Portuguese conquest of the Banda Oriental was the armed-conflict that took place between 1816 and 1820 in the Banda Oriental, for control of what today comprises the whole of the Republic of Uruguay, the northern part of the Argentine Mesopotamia and southern Brazil. The four-year armed-conflict resulted in the annexation of the Banda Oriental into the United Kingdom of Portugal, Brazil and the Algarves as the Brazilian province of Cisplatina.
The roots of Brazilian sculpture have been traced back to the late 16th century, emerging soon after the first settlements in the newly discovered land. Through the following century, most of the sculpture in Brazil was brought from Portugal and displayed Baroque features. The Baroque style would flourish within the religious culture of the country and would remain predominant until the first decades of the 19th century. In the 19th century, sculptural activity decreased, but it later revived when both the government and the public took a new interest in the art. Modernism fomented a period of intense research into a new language of sculpture, with great achievements, and the contemporary sculpture of Brazil enjoys worldwide respect.
The Portuguese royal court transferred from Lisbon to the Portuguese colony of Brazil in a strategic retreat of Queen Maria I of Portugal, prince regent John, the Braganza royal family, its court, and senior officials, totaling nearly 10,000 people, on 27 November 1807. The embarkment took place on 27 November, but due to weather conditions, the ships were only able to depart on 29 November. The Braganza royal family departed for Brazil just days before Napoleonic forces invaded Portugal on 1 December 1807. The Portuguese crown remained in Brazil from 1808 until the Liberal Revolution of 1820 led to the return of John VI of Portugal on 26 April 1821.
The Descendants of John VI of Portugal, of the House of Braganza, played a significant role in Portuguese imperial affairs and numerous global royalty affairs as well as became key figures in numerous historic events that followed.
Auguste-Henri-Victor Grandjean de Montigny was a French architect who had considerable influence on the development of architecture in Brazil.
Auguste-Marie Taunay (1768–1824) was a French sculptor.
Zéphyrin Ferrez was a French sculptor and engraver who spent much of his career in Rio de Janeiro, Brazil.
Nicolas-Antoine Taunay was a French painter known best for his landscapes with scenes from ancient and modern history, mythology, and religion.
The Imperial Academy of Fine Arts was an institution of higher learning in the arts in Rio de Janeiro, Brazil, established by King João VI. Despite facing many initial difficulties, the Academy was established and took its place at the forefront of Brazilian arts education in the second half of the nineteenth century. The Academy became the center of the diffusion of new aesthetic trends and the teaching of modern artistic techniques. It eventually became one of the principal arts institutions under the patronage of Emperor Dom Pedro II. With the Proclamation of the Republic, it became known as the National School of Fine Arts. It became extinct as an independent institution in 1931, when it was absorbed by the Federal University of Rio de Janeiro (UFRJ) and became known as the UFRJ School of Fine Arts, which still operates today.
