1 | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 27 July 1998 | |||
Genre | ||||
Label |
| |||
Producer | Stefan Betke | |||
Pole chronology | ||||
|
1 is the debut studio album by German electronic music producer Pole. It was released by Kiff SM and Matador Records in 1998.
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Entertainment Weekly | B+ [3] |
Muzik | [4] |
Pitchfork | 5.7/10 [5] |
Spin | 8/10 [6] |
Sean Cooper of AllMusic wrote that Pole's "nine variations on damaged dub minimalism recall the best of Basic Channel techno while steering well clear of the monotony factor", praising 1 as "an excellent debut". [1] In 2017, Pitchfork placed 1 at number 34 on its list of "The 50 Best IDM Albums of All Time". [2]
All tracks are written by Stefan Betke.
No. | Title | Length |
---|---|---|
1. | "Modul" | 6:30 |
2. | "Fragen" | 7:23 |
3. | "Kirschenessen" | 5:23 |
4. | "Lachen" | 12:18 |
5. | "Berlin" | 3:57 |
6. | "Tanzen" | 8:27 |
7. | "Fremd" | 5:42 |
8. | "Paula" | 6:19 |
9. | "Fliegen" | 5:21 |
Music Has the Right to Children is the debut studio album by Scottish electronic music duo Boards of Canada. It was released on 20 April 1998 in the UK by Warp and Skam Records and in the US by Matador. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, found sounds and samples, and hip hop-inspired rhythms that had been featured on their first two EPs Twoism (1995) and Hi Scores (1996).
Leila Arab, professionally known as Leila, is an Iranian-born record producer and DJ based in London, England. She has released music on the labels Rephlex, XL and Warp. She has also worked extensively with Icelandic singer Björk.
Hard Normal Daddy is the second studio album by English electronic musician Tom Jenkinson under the alias Squarepusher, released on 28 April 1997. The album was Jenkinson's first studio album as Squarepusher for Warp. A single for the track "Vic Acid" was released in 1997 prior to the album's release.
Lunatic Harness is the fourth studio album by English electronic music producer Mike Paradinas under the stage name µ-Ziq. It was released on 30 June 1997 in the United Kingdom on the Planet Mu label, and on 29 July 1997 in the United States on the Astralwerks label.
Tri Repetae is the third studio album by English electronic music duo Autechre, released on November 6, 1995 by Warp in the United Kingdom. In contrast to the duo's previous albums, Incunabula (1993) and Amber (1994), Tri Repetae features a distinct style that incorporates more minimal, repetitive rhythmic patterns and intricate, spacious melodic arrays. The album was rereleased on March 16, 1996 by Wax Trax! Records and TVT Records in the United States as a two-disc set named Tri Repetae++, which included the Garbage and Anvil Vapre EPs constituting the second CD. In Japan, it was released with the bonus track "Medrey".
LP5 is the untitled fifth studio album by English electronic music duo Autechre, released on 13 July 1998 on Warp. No title was printed anywhere within the artwork, in line with the later EP EP7; it has also been called Autechre, as well as Album, as listed on promotional copies.
Bricolage is a 1997 album by Brazilian electronic music artist Amon Tobin. It was Tobin's second album, the first released under his own name, and his first on the Ninja Tune label. The album was a departure from his first album, Adventures in Foam, incorporating a heavier blend of jazz melodies and intense jungle rhythms. The album was followed by Permutation in 1998.
Two Lone Swordsmen were a British electronic music duo from London. It consisted of Andrew Weatherall and Keith Tenniswood.
Big Loada is an EP by English electronic musician Squarepusher. It was released on 21 July 1997 by Warp in the United Kingdom. It was later released, with an expanded track listing, on 13 October 1998 by Nothing Records in the United States.
Not for Threes is the second studio album by English electronic music duo Plaid. It was released on 27 October 1997 by Warp. The album was released in the United States on 28 April 1998 by Nothing Records.
Pole is the artistic name of Stefan Betke, a German electronic music artist commonly associated with the glitch genre as well as dubtronica.
Barbara Morgenstern is a German electronic music artist, keyboardist and singer.
Glam is the fifth studio album by German electronica duo Mouse on Mars, released in 1998. It was recorded for the purpose of being the score to the 1997 film of the same name. However, the soundtrack was rejected by the film's director Josh Evans.
Like Weather is the debut studio album by English electronic musician Leila. It was released on 30 March 1998 by Rephlex Records.
3 is the third studio album by German electronic music producer Pole. It was released by Kiff SM and Matador Records in 2000.
2 is the second studio album by German electronic music producer Pole. It was released in 1999 by Kiff SM in Europe and Matador Records in the United States.
Tides is the second studio album by German electronic music producer Arovane, released on 1 June 2000 by City Centre Offices.
Dark Energy is the debut album by American electronic music producer Jlin, released in 2015 by Planet Mu. It received acclaim from critics and was named the best album of 2015 by The Quietus and The Wire.
Ian Cassar, better known as Req, is an English DJ, record producer, and graffiti artist.
Present is the third album by German techno duo Sun Electric, released in November 1996 by Belgian label Apollo Records. The duo's first full-length studio album for the label, the album is a return to Sun Electric's more beat-oriented material and incorporates styles of dub, jungle, IDM, breakbeat and downtempo. The album artwork by The Designer's Republic features a manipulated image similar to artworks of Madonna, reflecting the melancholic, fractured sound of the album. Music critics greeted Present favourably, praising its inventive style, and some have since recognised the record as overlooked.