 | This article may be expanded with text translated from the corresponding article in German. Click [show] for important translation instructions.
|
200 000 Taler is an opera by Boris Blacher after Sholem Aleichem's story "Dos groijse Gewins" (The big win) about tailor Schimele Soroker and his family after he comes to great fortune by winning the lottery. The opera was premiered at the Deutsche Oper Berlin on 25 September 1969. [1]
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house and also home to the Berlin State Ballet.
Boris Blacher was a German composer and librettist.
Gottfried von Einem was an Austrian composer. He is known chiefly for his operas influenced by the music of Stravinsky and Prokofiev, as well as by jazz. He also composed pieces for piano, violin and organ.
Werner Egk, born Werner Joseph Mayer, was a German composer.
König Hirsch is an opera in three acts by Hans Werner Henze to a German libretto by Heinz von Cramer after Il re cervo, a theatrical fable (1762) by Carlo Gozzi. He revised it as Il re cervo, premiered in 1963 at the Staatstheater Kassel.
Die Räuber, Op. 25, is an opera in four acts by Giselher Klebe who also wrote the libretto based on the play by Friedrich Schiller.
The Last Supper is an opera with music by Sir Harrison Birtwistle to an English and Latin libretto by Robin Blaser. Birtwistle composed the music over the period written in 1998-1999. The world premiere was given by the Berlin State Opera on 18 April 2000, with the production directed by Martin Duncan and conducted by Daniel Barenboim. It was subsequently performed by the Glyndebourne Touring Opera in October/November 2000 and the following summer at the 2001 Glyndebourne Festival. Many of the original cast returned for two concert performances at the Piccolo Teatro Studio Expo, Milan and the Teatro Valdocco, Turin on 4–5 September 2008 with the London Sinfonietta, conducted by Elgar Howarth as part of the Settembre Musica festival.
Barry McDaniel was an American operatic baritone who spent his career almost exclusively in Germany, including 37 years at the Deutsche Oper Berlin. He appeared internationally at major opera houses and festivals, and created roles in several new operas, including Henze's Der junge Lord, Nabokov's Love's Labour's Lost, and Reimann's Melusine. He was also a celebrated concert singer and recitalist, focused on German Lied and French mélodie. He was the first singer of Wilhelm Killmayer's song cycle Tre Canti di Leopardi. He recorded both operatic and concert repertory.
Christel Goltz was a German operatic soprano. One of the leading dramatic sopranos of her generation, she possessed a rich voice with a brilliant range and intensity. She was particularly associated with the operas of Richard Strauss, especially Salome and Elektra, and with contemporary operas.
Nicky Spence is a Scottish operatic tenor who performs in opera, oratorio and recital in both the UK and internationally.
The Metropolitan Opera Eric and Dominique Laffont Competition is an annual singing competition sponsored by the Metropolitan Opera. Established in 1954, its purpose is to discover, assist, promote, and develop young opera singers. The competition is held in four stages: Districts, Regional, Semi-Final, and Final competitions. Each stage is judged by a panel of representatives from the Metropolitan Opera. There are a total of 14 regional competitions within the United States, Canada and Puerto Rico, and 42 district competitions within each region. Winners from the district competition compete in Regionals, and then the winners of regionals are awarded a trip to New York City where they compete on the stage of the Metropolitan Opera in the National Semi-Final Competition. Approximately 10 semi-finalists are chosen to compete in the final competition; the five winners are awarded a grand prize of $15,000 each, and the remaining finalists receive $5,000.
Ulisse[uˈlisse] is an opera in a prologue and two acts composed by Luigi Dallapiccola to his own libretto based on the legend of Ulysses. It premiered at the Deutsche Oper Berlin on 29 September 1968 conducted by Lorin Maazel with Erik Saedén in the title role. Ulisse was Dallapiccola's last opera and took eight years to compose. As in his previous operas, Volo di notte and Il prigioniero, his declared theme was "the struggle of man against some force much stronger than he".
Günter Reich, also spelled Günther Reich and Gunther Reich, was an Israeli baritone of German birth. He was a member of the Staatsoper Stuttgart for more than 20 years and is known for interpreting the works of Arnold Schoenberg in collaboration with Michael Gielen and Pierre Boulez.
Notre Dame is a romantic opera by Franz Schmidt, to a libretto by himself and Leopold Wilk (1876–1944), a professional chemist and amateur poet. It is based loosely on the 1831 novel The Hunchback of Notre-Dame by Victor Hugo.
Gerhard Schedl was an Austrian composer.
Frank Michael Beyer was a German composer.
Charles Clement Fussell is an American composer and conductor of contemporary classical music. He has composed six symphonies and three operas. His symphony Wilde for solo baritone and orchestra, based on the life of Oscar Wilde and premiered by the Newton Symphony Orchestra and the baritone Sanford Sylvan in 1990, was a finalist for the 1991 Pulitzer Prize for Music. He received a citation and award from the American Academy of Arts and Letters in 1992.
Der Schuhu und die fliegende Prinzessin is a fairy-tale opera in three acts by Udo Zimmermann with a libretto which he wrote with Eberhard Schmidt based on the eponymous fairy tale by Peter Hacks. It was first performed on 30 December 1976 at the Semperoper, staged by Harry Kupfer.
Dorothea Chryst, also Dorli-Maria Chryst is a German operatic and operetta soprano.
Mathieu Lange was a German musician, conductor and from 1952 to 1973 director of the Sing-Akademie zu Berlin. He hadn't gone by his first name Carl since 1950.
| International | |
|---|---|
| National | |
 | This article about a German language opera is a stub. You can help Wikipedia by expanding it. |
