Plot
The film follows 24 hours in the lives of three teenage boys—Leche (Alejandro), Javi, and Seba—in Montevideo. As they drift through a typical Saturday, they face the struggles of youth: school pressures, romantic confusion, and the aimlessness of early adulthood. [3] The film also comes across several unique characters, including a mentally ill delivery boy, a drug addict, and a philosophical counter clerk at a video rental store.
In the film’s opening sequence, Leche, whose parents have left for the weekend and is stuck with his ill grandmother, accidentally steps in dog waste and becomes convinced that he's cursed with bad luck. As he tries to prepare for an upcoming Italian exam, he struggles to stay focused—repeating the same phrases aimlessly, getting distracted by music, and even developing sexual fantasies with his tutor, Beatriz. In addition, Leche also tries to help Gerardito, a mentally challenged friend, to find his missing dog, Ulises.
Javi has landed a job driving a sound truck that blasts the same pasta commercial on repeat all day. Though he finished secondary school, he never pursued college, and now faces constant pressure from his boss, Don Héctor, to get his act together and aim higher in life. As he finishes his shift later in the day, he meets up with his girlfriend, in which they fight over Javi feeding his pet hamster dog food and over her cassette tape.
Seba is waylaid by a handful of small-time dope dealers after recognizing he is the younger brother of their friend, Marmota, when all he wants to do is go home and watch the porno movie he rented.
Exhibition
The film first previewed at the Rotterdam International Film Festival in the Netherlands on January 28, 2001 but was not released fully in Uruguay until June 1. The picture was screened at various film festivals, including: the Karlovy Vary Film Festiva, Czech Republic; the Helsinki International Film Festival, Finland; the Warsaw Film Festival, Poland; the Medellín de Película, Colombia; the Latin America Film Festival, Poland; and others.
Critical reception
The film was met with mixed reviews. Mark Peranson, a writer for IndieWire, praised Rebella and Stoll for their emotionally honest filmmaking that avoids ironic detachment and offering a more "realistic" perspective of the Montevideo youth. Jonathan Rosenbaum from the Chicago Reader called it "very charming and funny derivation." [4] Deborah Young, a film critic for Variety magazine and reporting from the Rotterdam Film Festival, gave the film a mixed review and wrote, "A rare offering from Uruguay, 25 Watts dully portrays the dim lives of three teenage boys in a sleepy Montevideo neighborhood. With no story to tell, tyro co-directors Juan Pablo Rebella and Pablo Stoll place far too much faith in hang-dog, Jim Jarmusch-style humor, emphasized by repetitious dialog, flat B&W lensing, and limited sets. Pic—which won one of the three Tiger Awards and the Youth Jury Prize at Rotterdam—lacks the spark of inspiration that would make this formula work, and most viewers are likely to run for cover well before the end." [5]
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