Porn Again is a collaborative studio album by American rappers Mr. Eon and Cage and record producer DJ Mighty Mi, recording as a supergroup Smut Peddlers. It was released on February 13, 2001, via Rawkus/Priority Records. Recording sessions took place at The Muthafuckin' Spot On Lexington. Production was handled by member DJ Mighty Mi, who also served as executive producer together with his The High & Mighty partner Mr. Eon. It features guest appearances from Copywrite, Kool G Rap, Kool Keith, R.A. the Rugged Man, Apani B. Fly, Lord Sear and Beetlejuice. The album peaked at number 184 on the Billboard 200, number 43 on the Top R&B/Hip-Hop Albums and number 10 in the Heatseekers Albums in the United States. It was re-released as Porn Again Revisited on March 7, 2006, via Eastern Conference Records, with four bonus tracks that were formerly only available on vinyl.
Gemini: Good vs. Evil is the third solo studio album by American rapper and record producer Krayzie Bone. It was released on February 8, 2005 via Ball'r Records. Production was handled by 5150, L.T. Hutton, Lil' Jon, Dillio, Femi Ojetunde, Fredwreck, Rush, The Platinum Brothers, The Wunda Twinz, and Krayzie Bone himself. It features guest appearances from all of his fellow Bone Thugs-n-Harmony groupmates, except Flesh-n-Bone.
Dillinger & Young Gotti is the second studio album by American hip hop group Tha Dogg Pound. It was released independently on May 1, 2001, through D.P.G. Recordz. Production was handled by member Daz Dillinger, who also served as executive producer, Mike Dean and Blaqthoven. It features guest appearances from Beanie Sigel, RBX, Roscoe, Slip Capone and Xzibit.
Beat'n Down Yo Block! is the debut studio album by Atlanta-based American rapper Unk. It was released on October 3, 2006 through Koch Records. Production was handled by DJ Montay, MC Assault, Freddie B, Big Korey and Joe Durty. It features guest appearances from DJ Montay, Dru, Baby D, Backbone, Big Korey, D.G. Yola, DJ Jelly, Jazze Pha, Jizzleman, Loko and Parlae. The album peaked at number 109 on the Billboard 200, number 21 on the Top R&B/Hip-Hop Albums, number 8 on the Top Rap Albums, and topped the Heatseekers Albums charts in the United States.
Straight Up Sewaside is the second studio album by American hip hop duo Das EFX. It was released on November 16, 1993 via East West Records. Recording sessions took place at Northshore Soundworks in Commack, New York. Production was handled by Solid Scheme and Charlie Marotta, with PMD serving as executive producer. The album debuted at number 20 on the Billboard 200 and number 6 on the Top R&B/Hip-Hop Albums in the United States. It was supported with two singles, "Freakit" and "Baknaffek". Its lead single, "Freakit", was released on October 21, 1993 and made it to number 43 on the Billboard Hot 100.
The Future Is Now is the only studio album by the American hip hop group Non Phixion. It was released on March 26, 2002, via Uncle Howie/Landspeed Records. Recording sessions took place at Fast Forward Studios, D&D Studios, No Mystery Studios, Battery Studios, Area 51, Chung King House Of Metal in New York, and at the Music Grinder in Los Angeles. Production was handled by Necro, Large Professor, Dave 1, DJ Premier, JuJu, Pete Rock and T-Ray. It features guest appearances from Christian Olde Wolbers, MF Doom, Necro, Marley Metal, Moonshine, Raymond Herrera, Stephen Carpenter and The Beatnuts. The album's cover art was created by Mear One, and the logo is a tribute to Canadian metal band Voivod.
Stackin Chips is the debut studio album by American rap group 3X Krazy. It was released on April 8, 1997 through Noo Trybe Records. Production was handled by Tone Capone, One Drop Scott, Ali Malek, Ant Banks, Bosko, Lev Berlak, Mike Dean, N.O. Joe, and Spenc. It features guest appearances from Luniz, Harm, Mr. Spence, Christión, Cydal, E-40, Dru Down, Mike Marshall, Pleasure and Seagram. The album made it to No. 136 on the Billboard 200, No. 28 on the Top R&B/Hip-Hop Albums and No. 6 on the Top Heatseekers. One single, "Keep It on the Real," peaked at No. 19 on the Hot Rap Tracks, which was based on the 52nd Steet's 1985 song, "Tell Me How It Feels."
No Pain No Gain is the third studio album by American hip hop duo Ghetto Twiinz. It was released on September 22, 1998, through Rap-A-Lot Records. Recording sessions took place at Hippie House Studios in Houston, Texas. Production was handled by Mike Dean, Mr. Lee, and Leroy "Precise" Edwards, who is also served as executive producer together with J. Prince. It features guest appearances from 007, 2-4, DMG, D. Shype, G Mone', Gotti, Lo-Life, Mia X, Scarface, Tela, Willie D and Yukmouth. The album debuted at No. 191 on the Billboard 200, No. 35 on the Top R&B/Hip-Hop Albums and No. 15 on the Heatseekers Albums charts in the United States.
Ruthless by Law is the second studio album by American hip hop group RBL Posse. It was released on November 15, 1994 via In-A-Minute Records. Recording sessions took place at Bayview Productions in Richmond, California. Production was handled by Cellski, The Enhancer, and RBL Posse, with Tony Jackson serving as executive producer. It features guest appearances from Cellski and Herm. The album peaked at number 197 on the Billboard 200, number 23 on the Top R&B/Hip-Hop Albums and number three on the Heatseekers Albums chart in the United States.
My Turn to Eat is the debut solo studio album by American rapper Big Kuntry King. It was released on September 30, 2008 through Grand Hustle/Atlantic Records. Recording sessions took place at Echo Studios in Atlanta. Production was handled by Shawty Redd, Keith Mack, Marvelous J, Nard & B, J.U.S.T.I.C.E. League, Kane Beatz and Tony Galvin, with Jason Geter and T.I. serving as executive producers. It features guest appearances from Lil Duval, Lloyd, Ricco Barrino, Trey Songz, Young Dro, Yung L.A., and his P$C groupmates T.I. and Mac Boney. The album debuted at number 98 on the Billboard 200 and number 13 on the Top R&B/Hip-Hop Albums charts with 6,000 copies sold in the United States in the first week of its release.
Skin Deep is the debut studio album by American rapper Solé. It was released on September 28, 1999, through DreamWorks Records. Production was handled by Focus..., Big Trev, Chuckey Charles, Colin Wolfe, Kevin Davis, Rashad Smith, and Christopher "Tricky" Stewart, who also served as executive producer together with Timmy Regisford. It features guest appearances from JT Money, Big Gipp, Bobbi Bosselina, J-Weav, Kandi Burruss, L.O., Ms. Toi, Mr. Raja, Tamar Braxton and Tech N9NE.
Oz: The Soundtrack is the soundtrack album to the HBO television series Oz. It was released on January 9, 2001, through Nettwerk/Avatar Records and composed of hip hop music.
Enemy of the State is the sixth solo studio album by American rapper C-Bo. It was released July 25, 2000 through West Coast Mafia/Warlock Records, making it his first album for his own indie label, West Coast Mafia Records, after leaving AWOL Records, which he did after the release of Til My Casket Drops. Recording sessions took place at Studio Prime in Seattle, Cosmic Slop Shop in Sacramento, Def Low Studio and GLP Studios in San Francisco, Nod Factor Studios in Missouri, and Hard Tyme Records. Production was handled by Mike Dean, Mike Mosley, DJ Squeeky, Rick Rock, Wino, Beezie, JT the Bigga Figga, Meko, Mr. Lee and One Drop Scott, with C-Bo serving as executive producer. It features guest appearances from Killa Tay, Mob Figaz, Yukmouth, CJ Mac, Daz Dillinger, Dotty, JT the Bigga Figga, Lil' Keke, Too Short and WC.
Skull Gang is the self-titled debut studio album by American hip hop group Skull Gang. It was released on May 5, 2009, through Skull Gang/E1 Entertainment. Recording sessions took place at Santana's World. Executively produced by Juelz Santana, it features guest appearances from Lil Wayne and Jim Jones.
Paper Chasin' is the second solo studio album by American rapper Suga-T. It was released on February 27, 1996 through Sick Wid' It/Jive Records. Production was handled by Elijah Baker, Sean T, Studio Ton, Tone Capone, DJ Xtra Large, Kevin Gardner, Levitti, Redwine and T-Mor, with Suga-T serving as executive producer. It features guest appearances from B-Legit, Mac Shawn, E-40, G-Note, T-Pup, Boo, Mike Marshall and The Conscious Daughters.
The discography of American R&B and soul singer and songwriter Syleena Johnson consists of eight studio albums, two collaborative albums, one greatest hits album, 29 singles, and eight music videos.
Cuts for Luck and Scars for Freedom is the debut studio album by American Oakland-based rapper and singer Mystic. It was released on June 19, 2001 through GoodVibe Recordings. Production was handled by Dotrix 4000, The Angel, CD, Chops, Relative, Spontaneous, Adam, AmpLive, A-Plus, Manifest, Shock G and Walter Taylor.
Disturbed is the second album by American rapper Coo Coo Cal. It was released on September 18, 2001, through Tommy Boy Records. Production was mostly handled by Bigg Hank, though Rated X, Bink!, DJ Cipha Sounds, Double 8 and KayGee also contributed production to the album. It features guest appearances from Midwikid, Mr. Do It To Death, Gage, Koffee Brown, Lil' Niq, Mocha, Nothing Typical, Twista, Indo G, Kurupt and Trick Daddy.
"The Actual" is a hip hop song written and performed by American rap duo All City. It was released on June 9, 1998 via MCA Records as the lead single from the group's only studio album Metropolis Gold. Production was handled by DJ Premier, who also shared co-writing credits.
Mark Saint Juste also known as Mark St. Juste is an entrepreneur, television, film and record producer, author and former school teacher. Over the course of his entertainment career he has written, produced and distributed music that has reached the Billboard charts under his independent record label and production company, Street Street Communications. He also wrote, produced and directed Peep Diss Videos, a prime time syndicated Hip-Hop TV show on broadcast television and three documentary films, Shake City 101, Black Beach and Black Beach Weekend. Saint Juste has worked with some of hip-hops most notable artists to successfully explore the realities of hip-hop and leverage its positive messages for the advancement of communities.
