Chicago 18 is the fifteenth studio album by the American soft rock band Chicago, released on September 29, 1986. This album is the first without cofounding member Peter Cetera, and the first to feature Jason Scheff on bass guitar and vocals.
GTR were a British supergroup rock band founded in 1985 by former Yes and Asia guitarist Steve Howe and former Genesis guitarist Steve Hackett. Though the band's leaders were known as progressive rock musicians, GTR appealed to album-oriented rock radio stations. The band lasted for two years and one album. Hackett subsequently criticized the project, though not necessarily the other musicians involved in it.
The Comsat Angels were an English post-punk band from Sheffield, England, initially active from 1978 to 1995. Their music has been described as "abstract pop songs with sparse instrumentation, many of which were bleak and filled with some form of heartache". They have been credited as being an influence on later post-punk revival bands such as Blacklist, Bell Hollow, Editors and Interpol.
Terminal Jive is the ninth album by the American rock band Sparks and the second recorded with Giorgio Moroder. The album has a disco-vibe like its predecessor but featured fewer synthesizers, opting instead for more electric rock guitar, resulting in a new wave sound. The album was produced by Moroder and Harold Faltermeyer, the latter of whom is claimed to have produced the majority of the album.
Change No Change is the first and only solo album released by Elliot Easton of The Cars. It was originally released in 1985 by Elektra Records, re-released in 1996 by Elektra Traditions/Rhino Records, and again released by Wounded Bird in 2006.
Waiting for a Miracle is the debut album by the Comsat Angels, released on 5 September 1980 on Polydor Records.
Sleep No More is the Comsat Angels' second album, released 21 August 1981 on Polydor Records. It is widely regarded as a masterpiece that had a major influence on bands such as U2 and later groups such as Editors and Interpol. The album has been reissued on CD three times, in 1995 by RPM Records, in 2006 by Renascent and in 2015 by Edsel Records, with different track listings. Sleep No More produced no singles, but it had the highest UK chart ranking for any Comsats album, peaking at No. 51.
Fiction is the Comsat Angels' third album, released in August 1982 on Polydor Records. The album has been reissued on CD three times: in 1995 by RPM Records, in 2006 by Renascent and in 2015 by Edsel Records, with different track listings. The album peaked at No. 94 in the UK charts in September 1982.
Land is the Comsat Angels' fourth album, released in September 1983 on Jive Records. The album was reissued on CD in 2001 with five B-sides as bonus tracks for Jive's "Connoisseur Collection".
Chasing Shadows is the Comsat Angels' sixth album, released in 1986 on Island Records.
Fire on the Moon is the Comsat Angels' seventh album, released in 1990 on Island Records. It was issued under the alias Dream Command, and in limited quantities in the United States and the Netherlands only. A promo-only single of "Celestine" was released in similarly small quantities.
Anthology is a compilation album by the progressive rock band the Moody Blues. It was released in the US on 20 October 1998. It was not released in the UK until 2001 under the title The Collection with different artwork but with the same tracks as the US release.
Stephen Fellows is an English singer, songwriter and musician. From 1978 to 1995, he was frontman for the band The Comsat Angels. He also managed the band Gomez and helped guide the band the Little Glitches.
My Mind’s Eye is the eighth album by the Comsat Angels, released in 1992 on RPM Records, and in 1993 on Caroline Records in the US. It was rereleased by Thunderbird Records in 2001, and remastered with additional tracks by Renascent in February 2007.
The Glamour is the ninth and final album by the Comsat Angels, released in 1995 on RPM Records and on Caroline Records in the US. In 2007, Renascent reissued the album as a double CD with seven additional tracks.
Time Considered as a Helix of Semi-Precious Stones – The BBC Sessions 1979-1984, a compilation album by the Comsat Angels, was released in 1992 by BBC Music and reissued by Renascent in 2006. The name of the album was taken from the award-winning science fiction short story of the same name by Samuel R. Delany.
To Before is a double album of Comsat Angels demos and outtakes, released on CD by Renascent in 2007. The selected tracks covered the years 1978 to 1993 and were salvaged from old cassette tapes, DATs and bootlegs. The first disc documented some of the earliest years of the band and included the entire "Red Planet" three-track single, the Comsat Angels' first record. The second disc contains demo versions of songs from later albums, plus three finished tracks from the album Fire on the Moon.
Smoke & Mirrors is the fifth studio album by American alternative rock band Lifehouse. It was released on March 2, 2010, by Geffen Records. Lifehouse began to work on the album with record producer Jude Cole in the fall of 2008 at Cole's Ironworks Studio. The band collaborated with American singer-songwriter Kevin Rudolf and Chris Daughtry of the band Daughtry while working on the album.
Allstar Weekend was an American pop rock band based in Poway, California. The band gained its popularity from the Disney Channel television network. The band consisted of lead singer Zachary "Zach" Porter, bassist Cameron Quiseng, drummer Michael Martinez, and lead guitarist Nathan Darmody. In September 2011, Darmody left the band and later pursued his solo career. They were best known for the singles "Dance Forever", "Come Down with Love", and "A Different Side of Me". They disbanded on August 4, 2013.
Forever Alien is the third studio album by British space rock band Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP Songs for Owsley (1996) moved them away from guitar-oriented music and towards electronic music, Forever Alien furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars.
