A Book of Prefaces

Last updated

A Book of Prefaces is H. L. Mencken's 1917 collection of essays criticizing American culture, authors, and movements. Mencken described the work as "[My] most important book in its effects upon my professional career." In fact, the book was considered vitriolic enough that Mencken's close friend Alfred Knopf was concerned about publishing it because of the massive increase in patriotism during World War I in America.

Contents

The book was eighty pages long and divided into four essays. The first three were concerned with specific writers: Theodore Dreiser, Joseph Conrad and James Gibbons Huneker, respectively.

But perhaps the most important, and certainly the most outspoken essay was entitled "Puritanism as a Literary Force," during which he alleged that William Dean Howells, Henry James, and Mark Twain were victims of the Puritan spirit.

"The Puritan's utter lack of aesthetic sense, his distrust of all romantic emotion, his unmatchable intolerance of opposition, his unbreakable belief in his own bleak and narrow views, his savage cruelty of attack, his lust for relentless and barbarous persecution – these things have put an almost unbearable burden up on the exchange of ideas in the United States."

Mencken had criticized Puritanism for many years, famously characterizing it as "the haunting fear that someone, somewhere, may be happy," but through World War I his criticism became increasingly outspoken, in part due to the rising tide of Prohibition.

Mencken's book triggered the imagination of a famous American author. As a teen first entering the world of reading and books in the early 1920s, Richard Wright found literary inspiration in A Book of Prefaces.

Response

Critical response

Response to Mencken's book was generally poor, but certain defenders of American culture were particularly outspoken in their criticism of the book—most notably Stuart Sherman, a professor at the University of Illinois (Sherman was personally attacked in Prefaces). According to Sherman:

"[Mencken] leaps from the saddle with sabre flashing, stables his horse in the church, shoots the priest, hangs three professors, exiles the Academy, burns the library and the university, and amid smoking ashes, erects a new school of criticism on modern German principles."

Other major critics included Paul Elmer More and Irving Babbitt, although neither of these was as vitriolic as Sherman.

Mencken's response

According to Mencken, Sherman's review was "a masterly exposure of what is going on in the Puritan mind, and particularly of its maniacal fear of the German."

"The curse of criticism in America is the infernal babbling of third-rate college professor... [the Book of Prefaces] shook the professors as they had never been shaken before."

Sources

Related Research Articles

<span class="mw-page-title-main">Joanna Russ</span> American writer

Joanna Russ was an American writer, academic and feminist. She is the author of a number of works of science fiction, fantasy and feminist literary criticism such as How to Suppress Women's Writing, as well as a contemporary novel, On Strike Against God, and one children's book, Kittatinny. She is best known for The Female Man, a novel combining utopian fiction and satire, and the story "When It Changed".

<span class="mw-page-title-main">Literary criticism</span> Study, evaluation, and interpretation of literature

Literary criticism is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists.

<span class="mw-page-title-main">H. L. Mencken</span> American journalist and writer (1880–1956)

Henry Louis Mencken was an American journalist, essayist, satirist, cultural critic, and scholar of American English. He commented widely on the social scene, literature, music, prominent politicians, and contemporary movements. His satirical reporting on the Scopes Trial, which he dubbed the "Monkey Trial", also gained him attention.

<span class="mw-page-title-main">Matthew Arnold</span> English poet and cultural critic (1822–1888)

Matthew Arnold was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the celebrated headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator. Matthew Arnold has been characterised as a sage writer, a type of writer who chastises and instructs the reader on contemporary social issues. He was also an inspector of schools for thirty-five years, and supported the concept of state-regulated secondary education.

The Southern Agrarians were twelve American Southerners who wrote an agrarian literary manifesto in 1930. They and their essay collection, I’ll Take My Stand: The South and the Agrarian Tradition, contributed to the Southern Renaissance, the reinvigoration of Southern literature in the 1920s and 1930s. They were based at Vanderbilt University in Nashville. John Crowe Ransom was their unofficial leader, though Robert Penn Warren became their most prominent member. The membership overlaps with The Fugitives.

<span class="mw-page-title-main">Lionel Trilling</span> American literary critic and writer

Lionel Mordecai Trilling was an American literary critic, short story writer, essayist, and teacher. He was one of the leading U.S. critics of the 20th century who analyzed the contemporary cultural, social, and political implications of literature. With his wife Diana Trilling, whom he married in 1929, he was a member of the New York Intellectuals and contributor to the Partisan Review.

<span class="mw-page-title-main">I. A. Richards</span> English literary critic and rhetorician

Ivor Armstrong Richards CH, known as I. A. Richards, was an English educator, literary critic, poet, and rhetorician. His work contributed to the foundations of the New Criticism, a formalist movement in literary theory which emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained and self-referential æsthetic object.

Irving Babbitt was an American academic and literary critic, noted for his founding role in a movement that became known as the New Humanism, a significant influence on literary discussion and conservative thought in the period between 1910 and 1930. He was a cultural critic in the tradition of Matthew Arnold and a consistent opponent of romanticism, as represented by the writings of Jean-Jacques Rousseau. Politically he can, without serious distortion, be called a follower of Aristotle and Edmund Burke. He was an advocate of classical humanism but also offered an ecumenical defense of religion. His humanism implied a broad knowledge of various moral and religious traditions. His book Democracy and Leadership (1924) is regarded as a classic text of political conservatism. Babbitt is regarded as a major influence over American cultural and political conservatism.

<span class="mw-page-title-main">Elaine Showalter</span> American literary critic, feminist and writer

Elaine Showalter is an American literary critic, feminist, and writer on cultural and social issues. She influenced feminist literary criticism in the United States academia, developing the concept and practice of gynocritics, a term describing the study of "women as writers".

A cultural critic is a critic of a given culture, usually as a whole. Cultural criticism has significant overlap with social and cultural theory. While such criticism is simply part of the self-consciousness of the culture, the social positions of the critics and the medium they use vary widely. The conceptual and political grounding of criticism also changes over time.

The Southern Renaissance was the reinvigoration of American Southern literature in the 1920s and 1930s with the appearance of writers such as William Faulkner, Thomas Wolfe, Caroline Gordon, Margaret Mitchell, Katherine Anne Porter, Erskine Caldwell, Allen Tate, Tennessee Williams, Robert Penn Warren, and Zora Neale Hurston, among others.

<i>The Smart Set</i> American literary magazine

The Smart Set was an American literary magazine, founded by Colonel William d'Alton Mann and published from March 1900 to June 1930. Its headquarters was in New York City. During its Jazz Age heyday under the editorship of H. L. Mencken and George Jean Nathan, The Smart Set offered many up-and-coming authors their start and gave them access to a relatively large audience.

<span class="mw-page-title-main">Gilbert Seldes</span> American dramatist

Gilbert Vivian Seldes was an American writer and cultural critic. Seldes served as the editor and drama critic of the seminal modernist magazine The Dial and hosted the NBC television program The Subject is Jazz (1958). He also wrote for other magazines and newspapers like Vanity Fair and the Saturday Evening Post. He was most interested in American popular culture and cultural history. He wrote and adapted for Broadway, including Lysistrata and A Midsummer Night's Dream in the 1930s. Later, he made films, wrote radio scripts and became the first director of television for CBS News and the founding dean of the Annenberg School for Communication at the University of Pennsylvania.

Morton White was an American philosopher and historian of ideas. He was a proponent of a doctrine he called holistic pragmatism and also a noted scholar of American intellectual history. He was a professor in the Department of Philosophy at Harvard from 1953 to 1970. He was Professor Emeritus in the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ, where he served as Professor in the School of Historical Studies from 1970 until he retired in 1987.

Ann Plato was a 19th-century Black educator and author. She was the second woman of color to publish a book in the United States and the first to publish a book of essays and poems. As a young Black girl writing in the 19th century, Plato has been described as an heir to Phillis Wheatley, who wrote her first published poem at the age of 13 in 1766. There is little biographical information on Plato, and most of her life is known from her only published work, Essays; including Biographies and Miscellaneous Pieces, in Prose and Poetry, which included the preface written by Reverend James W. C. Pennington, an abolitionist leader in Hartford, Connecticut, and a pastor.

Stuart Pratt Sherman (1881–1926) was an American literary critic, educator and journalist known for his philosophical "feud" with H. L. Mencken. The two men were very close in age, and their career paths have sometimes been compared, but Mencken outlived Sherman by three decades.

Durant Waite Robertson Jr. was a scholar of medieval English literature and especially Geoffrey Chaucer. He taught at Princeton University from 1946 until his retirement in 1980 as the Murray Professor of English, and was "widely regarded as this [the twentieth] century's most influential Chaucer scholar".

<span class="mw-page-title-main">Sara Haardt</span> American writer

Sara Powell Haardt was an American author and professor of English literature. Though she died at the age of 37 of meningitis, she produced a considerable body of work including newspaper reviews, articles, essays, a novel The Making of a Lady, several screenplays and over 50 short stories. She is central to John Barton Wolgamot's notorious book-length poem, In Sara Mencken, Christ and Beethoven there were men and women (1944), recorded by the composer Robert Ashley.

Charles Angoff was a managing editor of the American Mercury magazine as well as a professor of English of Fairleigh Dickinson University. H. L. Mencken called him "the best managing editor in America." He was also a prolific writer and editor.

<i>Rachel Dyer</i> 1828 Gothic historical novel by John Neal

Rachel Dyer: A North American Story is a Gothic historical novel by American writer John Neal. Published in 1828 in Maine, it is the first bound novel about the Salem witch trials. Though it garnered little critical notice in its day, it influenced works by Nathaniel Hawthorne, Henry Wadsworth Longfellow, John Greenleaf Whittier, and Walt Whitman. It is best remembered for the American literary nationalist essay, "Unpublished Preface", that precedes the body of the novel.