Language | English |
---|---|
Subject | George Bernard Shaw |
Genre | Literary criticism |
Publisher | John W. Luce & Co |
Publication date | 1905 |
Publication place | United States |
Media type | |
Pages | 130 |
George Bernard Shaw: His Plays (1905) is H. L. Mencken's summary and interpretation of George Bernard Shaw's plays. Mencken had been introduced to the works of Shaw by a friend and began work on the book by 1904. The book was published the following year. Some of the reviews of the book were critical of Shaw, who at the time was a controversial figure in the United States.[ citation needed ]
Mencken's work is the first book to be written about Bernard Shaw's plays in the United States and has been credited as helping to popularize Shaw with American audiences.
Mencken's book contains a preface, an introduction, sections about Shaw's plays and novels, a biographical and statistical section, and a section covering Shaw's thoughts on William Shakespeare plays. The plays, novels, and other works covered in the book include:
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Mencken was first introduced to the works of George Bernard Shaw by his friend Will Page, and by 1904, he had begun work on George Bernard Shaw: His Plays. He had initially intended to publish the book through Brentano, which had published Shaw's work in the United States, but chose to go through John W. Luce after Brentano declined. [1]
George Bernard Shaw: His Plays was first published in the United States in 1905 through John W. Luce & Co. [2] This was Mencken's first book; he would follow it three years later with The Philosophy of Friedrich Nietzsche . [3]
Upon the release of George Bernard Shaw: His Plays, according to Marion Elizabeth Rodgers, many of the reviews were critical and denounced Shaw. Fred Hobson stated that the reviews were generally favorable towards Mencken and that the New York Post "claimed that Mencken was too easily taken in by Shaw". [4] [1] At the time of its initial publication Shaw was seen as a controversial figure in the United States.[ citation needed ]George Bernard Shaw: His Plays marked the first time a book was written about Shaw in the United States and has been credited as helping to popularize Shaw with American audiences. [5] [6] [7] Mencken stated that the book was responsible for his choice to move from fiction to non-fiction writing. [4] Mencken initially thought that Shaw disapproved of the book; Shaw did enjoy the book, but Mencken only discovered this after his interest in Shaw had waned. [1] In an editor's note for a 1987 printing of George Bernard Shaw: His Plays, William H. Nolte commented that Mencken's lessening interest in Shaw made sense, as "the years disclosed Shaw's extreme didacticism." [8]
Twentieth-Century Literary Criticism negatively reviewed the book, criticizing it as being little more than a summary of the plays with little outside analysis. [9] The Courier-Journal praised its style of writing, saying it was comparable to Shaw's own. [10] The San Francisco Call and Post criticized the introduction, saying the way it was written "does not give you much assurance that he has a seriously good judgment". [11]
Among other contemporary critics, Terry Teachout criticized the book, stating that it was "wholly well-meaning and hopelessly dull". [6] Hobson stated that while writing the book Mencken showed evidence that his reading of Shaw was heavily influenced by Charles Darwin, Thomas Huxley, and Herbert Spencer Mencken's work contained some errors, such as claiming that Shaw was a Darwinist. [1] Vincent Fitzpatrick compared George Bernard Shaw: His Plays to modern day study guides and wrote that it "generally succeeds in its limited purpose", while criticizing Mencken's writing style. [12]
George Bernard Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
Henry Louis Mencken was an American journalist, essayist, satirist, cultural critic, and scholar of American English. He commented widely on the social scene, literature, music, prominent politicians, and contemporary movements. His satirical reporting on the Scopes Trial, which he dubbed the "Monkey Trial", also gained him attention. The term Menckenian has entered multiple dictionaries to describe anything of or pertaining to Mencken, including his combative rhetorical and prose style.
Charles Edward Montague was an English journalist, known also as a writer of novels and essays.
A Book of Prefaces is H. L. Mencken's 1917 collection of essays criticizing American culture, authors, and movements. Mencken described the work as "[My] most important book in its effects upon my professional career." In fact, the book was considered vitriolic enough that Mencken's close friend Alfred Knopf was concerned about publishing it because of the massive increase in patriotism during World War I in America.
Marion L. Bloom was an American writer and nurse, and briefly a literary agent, known for her nearly decade-long relationship with H. L. Mencken.
John Derbyshire is a British-born American computer programmer, journalist, and political commentator. He was noted for being one of the last paleoconservatives at the National Review, until he was fired in 2012 for writing an article for Taki's Magazine that was widely viewed as racist. Since 2012 he has written for white nationalist website VDARE.
The American Mercury was an American magazine published from 1924 to 1981. It was founded as the brainchild of H. L. Mencken and drama critic George Jean Nathan. The magazine featured writing by some of the most important writers in the United States through the 1920s and 1930s.
Terrance Alan Teachout was an American author, critic, biographer, playwright, stage director, and librettist.
George Samuel Schuyler was an American writer, journalist, and social commentator known for his outspoken political conservatism after repudiating his earlier advocacy of socialism.
Zoe Byrd Akins was an American playwright, poet, and author. She won the 1935 Pulitzer Prize for drama for The Old Maid.
The Smart Set was an American monthly literary magazine, founded by Colonel William d'Alton Mann and published from March 1900 to June 1930. Its headquarters was in New York City. During its Jazz Age heyday under the editorship of H. L. Mencken and George Jean Nathan, The Smart Set offered many up-and-coming authors their start and gave them access to a relatively large audience.
Joseph Percival Pollard was an American literary critic, novelist and short story writer.
Jonathan Yardley is an American author and former book critic at The Washington Post from 1981 to December 2014, and held the same post from 1978 to 1981 at the Washington Star. In 1981, he received the Pulitzer Prize for Criticism.
William W. Woollcott was an ink-and-paste manufacturer who lived in Baltimore, Maryland. Known as "Willie" he was the brother of Alexander Woollcott, and was married to Marie Bloede—daughter of Victor G. Bloede—a good friend of H. L. Mencken and a non-performing member of the Saturday Night Club. He was known for being a "wit and a bon vivant in his own right" but is best remembered for writing the anthem of the Saturday Night Club whose opening line Mencken included in his New Dictionary of Quotations: "I am a one hundred percent American! I am, God damn, I am!" The song took on a brief life of its own gaining "wide popularity among the unregenerate" during the 1920s.
Richard Quincy Yardley was an editorial cartoonist for The Baltimore Sun, Maryland, United States. He joined the Sun in 1923, later replacing Edmund Duffy who left to take a cartoonist position at The Saturday Evening Post. Yardley became known for his distinctive blend of unusual cartooning styles, with Duffy later describing Yardley's work as "truly original."
Sara Powell Haardt was an American author and professor of English literature. Though she died at the age of 37 of meningitis, she produced a considerable body of work including newspaper reviews, articles, essays, a novel The Making of a Lady, several screenplays and over 50 short stories. She is central to John Barton Wolgamot's notorious book-length poem, In Sara Mencken, Christ and Beethoven there were men and women (1944), recorded by the composer Robert Ashley.
Comrades: A Story of Social Adventure in California is a 1909 novel by Thomas Dixon, Jr. It deals with the establishment of a socialist commune on a Californian island and its subsequent unraveling. Widely reviewed, it was later adapted as a play and as a film.
Notes on Democracy is a 1926 book by American journalist, satirist and leading cultural critic H. L. Mencken.
A History of Medicine is a book by Scottish surgeon Douglas Guthrie that was published in 1945 by Thomas Nelson and Sons. It came to wide attention after it was reviewed by the playwright George Bernard Shaw and marked the beginning for Guthrie of a new career in teaching the history of medicine.
Marion Elizabeth Rodgers is a scholar, author, and editor recognized for her biographical work on H. L. Mencken.