Passion, Poison, and Petrifaction is a short play by Bernard Shaw, subtitled The Fatal Gazogene: a Brief Tragedy for Barns and Booths. It is a comic mock-melodrama, written to raise funds for charity. It has been revived occasionally, in tandem with other short works by Shaw or by other playwrights.
Shaw began writing the play in May 1905 and finished it on 4 June. It was published in Harry Furniss's Christmas Annual 1905, and was privately printed for copyright purposes in the US in the same year. It first appeared in book form in Translations and Tomfooleries, 1926. [1]
Shaw wrote of the piece, "This tragedy was written at the request of Mr Cyril Maude, under whose direction it was performed repeatedly, with colossal success, in a booth in Regent's Park, for the benefit of The Actors' Orphanage, on the 14th July 1905". Brandon Thomas and Lionel Brough stationed themselves outside the tent drumming up custom for the show. [2]
Period: "Not for an age but for all time". Scene: A bed sitting-room in a fashionable quarter of London. [3]
Late at night, Phyllis, the maid, is combing the hair of her employer, Lady Magnesia FitzTollemache. Phyllis expresses foreboding and the fear that she will never see her beloved mistress again. Magnesia retires to sleep, serenaded by a heavenly choir singing "Won't You Come Home Bill Bailey". A murderous figure enters, brandishing a dagger. Before he can stab Magnesia she wakes, and recognises her husband. Her admirer, Adolphus, demands admittance so that he can show her his new suit of evening clothes made of bright yellow and black cloth with a silver-spangled waistcoat and red kerchief. [4]
Fitz offers Adolphus a whisky and soda. The gazogene (soda-siphon) contains poison and Adolphus is soon writhing on the floor. Magnesia declares that with Adolphus dead she will have to devote all her energies to doting on her husband. Finding this prospect overwhelming, Fitz reveals that there is an antidote to the poison, namely lime, which they can get from the plaster of the ceiling. They throw boots up to bring pieces of the ceiling down. Adolphus cannot force the plaster down this throat, and instead Magnesia reaches for a plaster bust of herself, which she bids Phyllis dissolve in hot water. Adolphus drinks the mixture, and with the poison neutralised he sinks into a deep sleep. [5]
The FitzTollemaches' landlord appears, complaining at the noise from the room. He believes that the recumbent Adolphus is dead, accuses the others of murdering him, and summons the police. The constable cannot rouse Adolphus, and discovers that the plaster has set inside him, turning him into a living statue. A doctor arrives as a violent storm breaks. Lightning fatally strikes the doctor, the policeman and the landlord. The FitzTollemaches raise the statue upright and kneel before it, as the heavenly choir again sings "Bill Bailey". The statue raises its hands in benediction, the band plays the national anthem and attendants pass through the auditorium ejecting the audience. [6]
The BBC broadcast a radio version of the play in 1926, and the early BBC television service transmitted another in 1939. [7] The play was staged in London in 1945, [8] and again as part of a Shaw Festival at the Arts Theatre in 1951. [9] This was the last production in London during Shaw's lifetime. Later productions included one at the Mermaid Theatre in 1967, of which the reviewer in The Times observed that Shaw's plot and punning anticipated Spike Milligan at his most surrealist. [10] The piece was revived again at the Arts the following year in a triple bill with short comedies by Michel de Ghelderode and Chekhov. [11]
The play was adapted in 1975 for a comic opera, Lady Magnesia , by the Polish-Russian composer Mieczysław Weinberg (his Opus 112). It was also made into operas by Bruce Taub (1976) [12] and Philip Hagemann (1988). [13]
George Bernard Shaw, known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.
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Maude Ewing Adams Kiskadden, known professionally as Maude Adams, was an American actress and stage designer who achieved her greatest success as the character Peter Pan, first playing the role in the 1905 Broadway production of Peter Pan; or, The Boy Who Wouldn't Grow Up. Adams' personality appealed to a large audience and helped her become the most successful and highest-paid performer of her day, with a yearly income of more than one million dollars during her peak.
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Man and Superman is a four-act drama written by George Bernard Shaw in 1903. The series was written in response to a call for Shaw to write a play based on the Don Juan theme. Man and Superman opened at the Royal Court Theatre in London on 21 May 1905 as a four-act play produced by the Stage Society, and then by John Eugene Vedrenne and Harley Granville-Barker on 23 May, without Act III. A part of the third act, Don Juan in Hell, was performed when the drama was staged on 4 June 1907 at the Royal Court. The play was not performed in its entirety until 1915, when the Travelling Repertory Company played it at the Lyceum Theatre, Edinburgh.
Sarah Fairbrother was an English actress and the mistress of Prince George, Duke of Cambridge, a male-line grandson of George III. As the couple married in contravention of the Royal Marriages Act 1772, their marriage was not recognised under the law.
The gasogene is a late Victorian device for producing carbonated water. It consists of two linked glass globes: the lower contained water or other drink to be made sparkling, the upper a mixture of tartaric acid and sodium bicarbonate that reacts to produce carbon dioxide. The produced gas pushes the liquid in the lower container up a tube and out of the device. The globes are surrounded by a wicker or wire protective mesh, as they have a tendency to explode.
Alma Murray (1854–1945) was an English actress.
Aylmer Maude and Louise Maude (1855–1939) were English translators of Leo Tolstoy's works, and Aylmer Maude also wrote his friend Tolstoy's biography, The Life of Tolstoy. After living many years in Russia the Maudes spent the rest of their life in England translating Tolstoy's writing and promoting public interest in his work. Aylmer Maude was also involved in a number of early 20th century progressive and idealistic causes.
The Shaw Festival is a major Canadian theatre festival in Niagara-on-the-Lake, Ontario, the second largest repertory theatre company in North America. Founded in 1962, its original mandate was to stimulate interest in George Bernard Shaw and his period, and to advance the development of theatre arts in Canada.
Encompass New Opera Theatre is a professional opera company located in New York City which specializes in premiering new productions, and reviving 20th century operas by American and international composers. A member of Opera America, Encompass was founded in 1975 by Nancy Rhodes who remains the company's Artistic Director. Since its founding, Encompass has produced over 50 fully mounted operas with orchestra as well as staged readings of more than 150 new works.
The Dark Lady of the Sonnets is a 1910 short comedy by George Bernard Shaw in which William Shakespeare, intending to meet the "Dark Lady", accidentally encounters Queen Elizabeth I and attempts to persuade her to create a national theatre. The play was written as part of a campaign to create a "Shakespeare National Theatre" by 1916.
Frederic Lewis Tuffley, better known by his stage name, Eric Lewis, was an English comedian, actor and singer. In a career spanning five decades, he starred in numerous comedies and in a few musical comedy hits, but he is probably best remembered today as the understudy to George Grossmith in the Gilbert & Sullivan comic operas of the 1880s who left the D'Oyly Carte Opera Company just in time to give Henry Lytton his big break.
Clara Millington Dow was an English operatic soprano and actress of the early twentieth century. After a concert career, she appeared at the Savoy Theatre in the first repertory seasons of Gilbert and Sullivan operas mounted by the D'Oyly Carte Opera Company in 1906–09, under the direction of the author. She is remembered as one of the last principal sopranos personally trained by W. S. Gilbert at the Savoy. In between engagements with D'Oyly Carte, Dow performed in concerts and operetta. After her retirement from the professional stage, she directed amateur productions of the Savoy Operas until she was in her seventies.
The Music Cure, a Piece of Utter Nonsense (1913) is a short comedy sketch by George Bernard Shaw, satirising therapeutic fads of the era and the Marconi scandal of 1912.
The Fascinating Foundling (1909) is a short comic play by George Bernard Shaw. Shaw classified it as one of his "tomfooleries". He was so unimpressed with his own work that the published text was humorously subtitled "a Disgrace to the Author".
The Interlude at the Playhouse (1907) is a short comic sketch written by George Bernard Shaw to be delivered by Cyril Maude and his wife Winifred Emery as a curtain raiser at the opening of The Playhouse, a newly renovated theatre managed by Maude. The sketch was performed on Monday, 28 January 1907.
Lady Magnesia is a 1975 comic opera by Mieczysław Weinberg to his own Russian libretto after the 1905 play Passion, Poison and Petrifaction by George Bernard Shaw.
Philip Hagemann is an American composer and conductor.
Helen Rous was a versatile Irish actor who played many times on the London stage. Her parts included supporting roles in works by Oscar Wilde and George Bernard Shaw.
