The Dark Lady of the Sonnets

Last updated

The Dark Lady of the Sonnets
MaryFitton.jpg
In his preface Shaw identifies the Dark Lady as Mary Fitton
Written by George Bernard Shaw
Date premiered24 November 1910
Place premieredHaymarket theatre, London
Original languageEnglish
SubjectShakespeare tries to persuade the queen to create a national theatre
Genre Period piece; comedy
SettingSixteenth century: Whitehall Palace, London, England

The Dark Lady of the Sonnets is a 1910 short comedy by George Bernard Shaw in which William Shakespeare, intending to meet the "Dark Lady", accidentally encounters Queen Elizabeth I and attempts to persuade her to create a national theatre. The play was written as part of a campaign to create a "Shakespeare National Theatre" by 1916.

Contents

Characters

Plot

The play is set at "Fin de siècle 15-1600. Midsummer night on the terrace of the Palace at Whitehall, overlooking the Thames. The Palace clock chimes four quarters and strikes eleven."

The Man arrives at Whitehall where he meets a Beefeater guard. He persuades the Beefeater to allow him to stay to meet his girlfriend, a lady of the court, who will be arriving soon for a secret tryst. The Man notes down various interesting phrases used by the Beefeater (all quotations from Shakespeare plays). The Lady arrives, cloaked, but it is not the woman he is expecting. The Man immediately falls for her. While also noting down her own interesting expressions in his notebook, he tells her how beautiful and desirable she is. The Dark Lady arrives, and is shocked to see her lover attempting to seduce another woman. She tells The Lady not to trust The Man, as he is a mere actor. She then recognises that The Lady is Queen Elizabeth. The Man reveals that he is William Shakespeare. The Queen demands that he should apologise to her, but Shakespeare insists that his family is more respectable than hers, and that she only has her job by accident of birth. The Dark Lady is shocked by Shakespeare's frankness, but the queen forgives him. Shakespeare complains that his worst plays, As You Like It and Much Ado About Nothing, are the most popular, but is most proud of the ones with intelligent female characters, such All's Well that End's Well. If the queen would establish a National Theatre, he could create more of the kind of plays he wants to, rather than those that please the public. The queen says she'll look into it, but does not think the idea will please her Treasurer. She thinks it will probably be another 300 years before the idea will gain widespread support. She upbraids the Beefeater for allowing Shakespeare into the palace grounds, and tells him to make sure that Shakespeare leaves.

Background

In 1902, a London Shakespeare League was founded to develop a Shakespeare National Theatre, aspiring to achieve this by the impending tricentenary in 1916 of Shakespeare's death. Shaw's play was written for the campaign. [1] Two years later in 1913 it purchased land for a theatre in Bloomsbury. The plan for a theatre by 1916 eventually failed because of the outbreak of World War I. [2]

The play refers to the "dark lady", who is the addressee of Shakespeare's sonnets 127 to 152, so-called because her hair and her eyes are said to be of a dark colour. In the sonnets, the poet is apparently involved in a sexual relationship with the Lady, but it is implied that she is unfaithful to him, perhaps with the "Fair Youth", the young man who is the addressee of most of the other sonnets. Many attempts have been made to identify the "Dark Lady" and "Fair Youth" with historical personalities. At the time Shaw's play was written, a favoured candidate for the Lady was Mary Fitton (this identification had been made by Shaw's friend Thomas Tyler but later dropped) [3] and for the Youth was William Herbert, 3rd Earl of Pembroke, who is known to have had an affair with Fitton. [4] [5] In the play the Lady is referred to by name as "Mary", and there is a reference to Pembroke having met the Lady the previous night ("Last night he stood here on your errand, and in your shoes").

Preface

In the programme for the 1910 Haymarket production, Shaw wrote a satirical preface under the title "A Dressing Room Secret", in the form of a story set in a dressing room, in which a group of party-goers are dressing as Shakespeare characters for a "Shakespeare Ball". A bust of Shakespeare in the room talks to the characters he has created, telling them that he thinks Iago and Lady Macbeth are unconvincing characters, and that many of his creations came about by accident. [1]

Opera

The play was made into an opera by Philip Hagemann (2008). [6]

Related Research Articles

<span class="mw-page-title-main">Shakespeare's sonnets</span>

William Shakespeare (1564–1616) wrote sonnets on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost. There is also a partial sonnet found in the play Edward III.

<span class="mw-page-title-main">Edith Evans</span> English actress (1888–1976)

Dame Edith Mary Evans, was an English actress. She was best known for her work on the West End stage, but also appeared in films at the beginning and towards the end of her career. Between 1964 and 1968, she was nominated for three Academy Awards.

<i>Twelfth Night</i> Play by William Shakespeare

Twelfth Night, or What You Will is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night entertainment for the close of the Christmas season. The play centres on the twins Viola and Sebastian, who are separated in a shipwreck. Viola falls in love with the Duke Orsino, who in turn is in love with Countess Olivia. Upon meeting Viola, Countess Olivia falls in love with her, thinking she is a man.

<span class="mw-page-title-main">Mary Sidney</span> English poet, playwright and patron (1561–1621)

Mary Herbert, Countess of Pembroke was among the first Englishwomen to gain notice for her poetry and her literary patronage. By the age of 39, she was listed with her brother Philip Sidney and with Edmund Spenser and William Shakespeare among the notable authors of the day in John Bodenham's verse miscellany Belvidere. Her play Antonius is widely seen as reviving interest in soliloquy based on classical models and as a likely source of Samuel Daniel's closet drama Cleopatra (1594) and of Shakespeare's Antony and Cleopatra (1607). She was also known for translating Petrarch's "Triumph of Death", for the poetry anthology Triumphs, and above all for a lyrical, metrical translation of the Psalms.

<span class="mw-page-title-main">Emilia Lanier</span> English poet, 1569–1645

Emilia Lanier was the first woman in England to assert herself as a professional poet, through her volume Salve Deus Rex Judaeorum. Attempts have been made to equate her with Shakespeare's "Dark Lady".

<i>Gloriana</i> 1953 opera by Benjamin Britten

Gloriana, Op. 53, is an opera in three acts by Benjamin Britten to an English libretto by William Plomer, based on Lytton Strachey's 1928 Elizabeth and Essex: A Tragic History. The first performance was presented at the Royal Opera House, London, in 1953 during the celebrations of the coronation of Queen Elizabeth II. Gloriana was the name given by the 16th-century poet Edmund Spenser to his character representing Queen Elizabeth I in his poem The Faerie Queene. It became the popular name given to Elizabeth I.

<span class="mw-page-title-main">Mary Fitton</span> 16th/17th-century English gentlewoman and maid of honour to Elizabeth I of England

Mary Fitton was an Elizabethan gentlewoman who became a maid of honour to Queen Elizabeth. She is noted for her scandalous affairs with William Herbert, 3rd Earl of Pembroke, Vice-Admiral Sir Richard Leveson, and others. She is considered by some to be the "Dark Lady" of Shakespeare's sonnets.

<span class="mw-page-title-main">William Herbert, 3rd Earl of Pembroke</span> English politician and courtier (1580–1630)

William Herbert, 3rd Earl of Pembroke, of Wilton House in Wiltshire, was an English nobleman, politician and courtier. He served as Chancellor of the University of Oxford and together with King James I founded Pembroke College, Oxford. In 1608 he was appointed Warden of the Forest of Dean, Constable of St Briavels Castle, Gloucestershire, and in 1609 Governor of Portsmouth, all of which offices he retained until his death. He served as Lord Chamberlain from 1615 to 1625. In 1623 the First Folio of Shakespeare's plays was dedicated to him and his brother and successor Philip Herbert, 1st Earl of Montgomery.

<span class="mw-page-title-main">Sexuality of William Shakespeare</span>

William Shakespeare's sexuality has been the subject of frequent debates. It is known from public records that he married Anne Hathaway and had three children with her; scholars have examined their relationship through documents, and particularly through the bequests to her in his will. Some historians have speculated Shakespeare had affairs with other women, based on contemporaries' written anecdotes of such affairs and sometimes on the "Dark Lady" figure in his sonnets. Some scholars have argued he was bisexual, based on analysis of the sonnets; many, including Sonnet 18, are love poems addressed to a man, and contain puns relating to homosexuality. Whereas, other scholars criticized this view stating that these passages are referring to intense platonic friendship, rather than sexual love. Another explanation is that the poems are not autobiographical but fiction, another of Shakespeare's "dramatic characterization[s]", so that the narrator of the sonnets should not be presumed to be Shakespeare himself.

<span class="mw-page-title-main">Willie Hughes</span>

William Hughes is one potential candidate for the person on whom the "Fair Youth" of Shakespeare's Sonnets is based. The "Fair Youth" is a handsome, effeminate young man to whom the poet addresses many passionate sonnets. Some sonnets can be interpreted as puns on the name "William Hughes". However, no real life person of that name can easily be identified with the character.

<span class="mw-page-title-main">Sonnet 145</span> Poem by William Shakespeare

Sonnet 145 is one of Shakespeare's sonnets. It forms part of the Dark Lady sequence of sonnets and is the only one written not in iambic pentameter, but instead tetrameter. It is also the Shakespeare sonnet which uses the fewest letters. It is written as a description of the feelings of a man who is so in love with a woman that hearing her say that "she hates" something immediately creates a fear that she is referring to him. But then when she notices how much pain she has caused her lover by saying that she may potentially hate him, she changes the way that she says it to assure him that she hates but does not hate him.

<span class="mw-page-title-main">Sonnet 138</span> Poem by William Shakespeare

Sonnet 138 is one of the most famous of William Shakespeare's sonnets. Making use of frequent puns, it shows an understanding of the nature of truth and flattery in romantic relationships. The poem has also been argued to be biographical: many scholars have suggested Shakespeare used the poem to discuss his frustrating relationship with the Dark Lady, a frequent subject of many of the sonnets. The poem emphasizes the effects of age and the associated deterioration of beauty, and its effect on a sexual or romantic relationship.

<span class="mw-page-title-main">Sonnet 57</span> Poem by William Shakespeare

Sonnet 57 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Sonnet 57 is connected with Sonnet 58 which pursues the theme of the poet as a slave of the beloved.

<span class="mw-page-title-main">Cockpit-in-Court</span> London theatre

The Cockpit-in-Court was an early theatre in London, located at the Palace of Whitehall, next to St. James's Park, now the site of 70 Whitehall, in Westminster.

<span class="mw-page-title-main">Sonnet 144</span> Poem by William Shakespeare

Sonnet 144 was published in the Passionate Pilgrim (1599). Shortly before this, Francis Meres referred to Shakespeare's Sonnets in his handbook of Elizabethan poetry, Palladis Tamia, or Wit's Treasurie, published in 1598, which was frequently talked about in the literary centers of London taverns. Shakespeare's sonnets are mostly addressed to a young man, but the chief subject of Sonnet 127 through Sonnet 152 is the "dark lady". Several sonnets portray a conflicted relationship between the speaker, the "dark lady" and the young man. Sonnet 144 is one of the most prominent sonnets to address this conflict.

<span class="mw-page-title-main">Margaret Rawlings</span> English actress

Margaret Rawlings, Lady Barlow was an English stage actress, born in Osaka, Japan, daughter of the Rev. George William Rawlings and his wife Lilian Rawlings.

<i>A Waste of Shame</i> 2005 television film

A Waste of Shame is a 90-minute television drama on the circumstances surrounding William Shakespeare's composition of his sonnets. It takes its title from the first line of Sonnet 129. It was first broadcast on BBC Four on 22 November 2005 as part of the supporting programming for the BBC's ShakespeaRe-Told season, but was only loosely connected to the rest of the series.

<i>Shakes versus Shav</i> Puppet play by George Bernard Shaw

Shakes versus Shav (1949) is a puppet play written by George Bernard Shaw. It was Shaw's last completed dramatic work. The play runs for 10 minutes in performance and comprises a comic argument between Shaw and Shakespeare, with the two playwrights bickering about who is the better writer as a form of intellectual equivalent of Punch and Judy.

<span class="mw-page-title-main">Derbyite theory of Shakespeare authorship</span>

The Derbyite theory of Shakespeare authorship is the view that William Stanley, 6th Earl of Derby (1561–1642), was the true author of the works of William Shakespeare. Derby is one of several individuals who have been claimed by advocates of the Shakespeare authorship question to be the true author of Shakespeare's works.

The Dark Lady is a woman described in Shakespeare's sonnets, and so called because the poems make it clear that she has black wiry hair, and dark, "dun"-coloured skin. The description of the Dark Lady distinguishes itself from the Fair Youth sequence by being overtly sexual. Among these, Sonnet 151 has been characterised as "bawdy" and is used to illustrate the difference between the spiritual love for the Fair Youth and the sexual love for the Dark Lady. The distinction is commonly made in the introduction to modern editions of the sonnets. As with the Fair Youth sequence, there have been many attempts to identify her with a real historical individual. A widely held scholarly opinion, however, is that the "dark lady" is nothing more than a construct of Shakespeare's imagination and art, and any attempt to identify her with a real person is "pointless".

References

  1. 1 2 O Sullivan, Maurice J., Shakespeare's Other Lives, Mcfarland, 2005, p.92.
  2. Woodfield, James (1984). English Theatre in Transition: 1881–1914. Rowman & Littlefield. pp.  95–107. ISBN   0-389-20483-8.
  3. Tyson, Brian (1991). Bernard Shaw's book reviews. Vol. 1. Pennsylvania State University Press. p. 83. ISBN   978-0271007212.
  4. Sunil Kumar Sarker, Shakespeare's sonnets, Atlantic, 2006, p.101-2.
  5. Paul Edmondson, Stanley Wells, Shakespeare's Sonnets, Oxford University Press, Oxford, 2004, p.25.
  6. Stanford University Libraries (2019). "Opening Night! Opera & Oratorio Premieres - Philip Hagemann", accessed 14 April 2019.