Author | Dave Eggers |
---|---|
Cover artist | Komar and Melamid |
Language | English |
Genre | Memoir |
Publisher | Simon & Schuster |
Publication date | 2000 |
Publication place | United States |
Media type | Print (paperback) |
Pages | 375 |
ISBN | 0-684-86347-2 |
OCLC | 42667954 |
LC Class | CT275.E37 A3 2000 |
A Heartbreaking Work of Staggering Genius is a memoir by American author Dave Eggers. Published in 2000, the book chronicles Eggers' experiences following the sudden death of both his parents and his subsequent responsibility for raising his younger brother, Christopher "Toph" Eggers. The memoir, noted for its postmodern style and self-referential prose, was a commercial and critical success, becoming a finalist for the Pulitzer Prize for General Non-Fiction and hitting number one on The New York Times bestseller list. [1]
The memoir begins with the deaths of Eggers' parents from cancer within five weeks of each other. This traumatic event leaves Eggers, then in his early twenties, as the primary caregiver for his eight-year-old brother, Toph. The two brothers move from Chicago to the San Francisco Bay Area, where Eggers tries to balance his responsibilities as a young parent with his desire to pursue creative ambitions, including starting the satirical magazine Might . The book explores Eggers' inner turmoil, alternating between humorous, surreal reflections and deep emotional sincerity. [2]
The book is frequently praised for its distinctive narrative style, which includes meta-narrative techniques and frequent breaks of the fourth wall. Eggers often inserts himself into the text to question his motives and to comment on the memoir's construction. Critics have noted that the book embodies a postmodern approach to the memoir genre, blending fiction and non-fiction elements. [3] The work also delves into themes of grief, parental responsibility, and self-doubt, while humor and absurdity offer a counterbalance to the weightier emotional topics. [4]
A Heartbreaking Work of Staggering Genius received widespread critical acclaim. Time and San Francisco Chronicle named it one of the best books of 2000. In addition to its commercial success, the memoir was nominated for several prestigious awards, including the Pulitzer Prize for General Non-Fiction in 2001. [5] Critics praised the book's innovative narrative techniques and Eggers' ability to convey both profound grief and comic absurdity. However, some critics noted that the book’s self-referential style could sometimes be indulgent. [6]
In 2002, New Line Cinema acquired the rights to adapt the memoir into a film, with a screenplay written by novelist Nick Hornby. However, the project stalled, and Eggers later indicated it was unlikely to proceed. [7]
The Church of the SubGenius is a parody religion that satirizes better-known belief systems. It teaches a complex philosophy that focuses on J. R. "Bob" Dobbs, purportedly a salesman from the 1950s, who is revered as a prophet by the Church. SubGenius leaders have developed detailed narratives about Dobbs and his relationship to various gods and conspiracies. Their central deity, Jehovah 1, is accompanied by other gods drawn from ancient myth and popular fiction. SubGenius literature describes a grand conspiracy that seeks to brainwash the world and oppress Dobbs's followers. In its narratives, the Church presents a blend of cultural references in an elaborate remix of the sources.
This article contains information about the literary events and publications of 2000.
Dave Eggers is an American writer, editor, and publisher. He is best known for his 2000 memoir, A Heartbreaking Work of Staggering Genius, which became a bestseller and was a finalist for the Pulitzer Prize for General Non-Fiction. Eggers is also the founder of several notable literary and philanthropic ventures, including the literary journal Timothy McSweeney's Quarterly Concern, the literacy project 826 Valencia, and the human rights nonprofit Voice of Witness. Additionally, he founded ScholarMatch, a program that connects donors with students needing funds for college tuition. His writing has appeared in numerous prestigious publications, including The New Yorker, Esquire, and The New York Times Magazine.
Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.
You Shall Know Our Velocity! is a 2002 novel by Dave Eggers. It was Eggers's debut novel, following the success of his memoir A Heartbreaking Work of Staggering Genius (2000).
Hysterical realism is a term coined in 2000 by English critic James Wood to describe what he sees as a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization, on the one hand, and careful, detailed investigations of real, specific social phenomena on the other. It is also known as recherché postmodernism.
A fictitiouspersons disclaimer in a work of media states that the characters portrayed in it are fictional, and not based on real persons. This is done mostly in realistic films and television programs to reduce the possibility of legal action for libel from any person who believes that they have been defamed by their portrayal in the work, whether portrayed under their real name or a different name. The wording of this disclaimer varies, and differs from jurisdiction to jurisdiction, as does its legal effectiveness.
Geoffrey Kloske is the president and publisher of Riverhead Books, a division of Penguin Group. He served as vice president and executive editor of Simon & Schuster from 1998 to 2006. Previously, he was an editor at Little, Brown and Company from 1992 to 1996. Authors he has edited include David Sedaris, Dave Eggers, Bob Dylan, Sarah Vowell, Jon Ronson, Nick Hornby, James McBride (writer), and Mark Kurlansky.
The New Puritans was a literary movement ascribed to the contributors to a 2000 anthology of short stories entitled All Hail the New Puritans, edited by Nicholas Blincoe and Matt Thorne. The project is said to have been inspired by the Dogme 95 manifesto for cinematic minimalism and authenticity. The young writers in the anthology deliberately eschewed many of the devices favoured by the pre-eminent British literary generation exemplified by Julian Barnes, Martin Amis and Salman Rushdie.
Might was a San Francisco-based magazine that existed between 1994 and 1997.
Post-postmodernism is a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture which are emerging from and reacting to postmodernism.
New sincerity is a trend in music, aesthetics, literary fiction, film criticism, poetry, literary criticism and philosophy that generally describes creative works that expand upon and break away from concepts of postmodernist irony and cynicism.
Writing War: Fiction, Gender, & Memory is a 1991 text on women authors, war stories, and literary criticism by American professor Lynne Hanley.
The Pale King is an unfinished novel by David Foster Wallace, published posthumously on April 15, 2011. It was planned as Wallace's third novel, and the first since Infinite Jest in 1996, but it was not completed at the time of his death. Before his suicide in 2008, Wallace organized the manuscript and associated computer files in a place where they would be found by his widow, Karen Green, and his agent, Bonnie Nadell. That material was compiled by his friend and editor Michael Pietsch into the form that was eventually published. Wallace had been working on the novel for over a decade. Even incomplete, The Pale King is a long work, with 50 chapters of varying length totaling over 500 pages.
Post-irony is a term used to denote a state in which earnest and ironic intents become muddled. It may less commonly refer to its converse: a return from irony to earnestness, similar to New Sincerity.
Metamodernism is the term for a cultural discourse and paradigm that has emerged after postmodernism. It refers to new forms of contemporary art and theory that respond to modernism and postmodernism and integrate aspects of both together. Metamodernism reflects an oscillation between, or synthesis of, different "cultural logics" such as modern idealism and postmodern skepticism, modern sincerity and postmodern irony, and other seemingly opposed concepts.
Heroes of the Frontier (ISBN 9780451493804) is a 2016 novel by American Author Dave Eggers. Alfred A. Knopf published the book on July 26, 2016. Set in the rugged wilderness of Alaska, the story follows Josie, a disillusioned single mother who goes on a road trip with her two children to escape her troubled past and societal expectations. The novel explores themes of parenthood, modern disillusionment, and the possibility of personal redemption.
Lee Konstantinou is an associate professor of English Literature at University of Maryland, College Park.