Author | Daniel Defoe |
---|---|
Language | English |
Genre | Historical novel |
Set in | London, 1665 |
Publisher | E. Nutt J. Roberts A. Dodd J. Graves |
Publication date | 1722 |
Publication place | Great Britain |
Media type | |
Pages | 287 |
823.5 | |
LC Class | PR3404 .J6 |
Text | A Journal of the Plague Year at Wikisource |
A Journal of the Plague Year: Being Observations or Memorials, Of the most Remarkable Occurrences, As well Publick as Private, which happened in London During the last Great Visitation In 1665, commonly called A Journal of the Plague Year, is a book by Daniel Defoe, first published in March 1722. It is an account of one man's experiences of the year 1665, in which the bubonic plague struck the city of London in what became known as the Great Plague of London, the last epidemic of plague in that city. The book is told somewhat chronologically, though without sections or chapter headings, and with frequent digressions and repetitions. [1]
Presented as an eyewitness account of the events at the time, it was written in the years just prior to the book's first publication in March 1722. Defoe was only five years old in 1665 when the Great Plague took place, and the book itself was published under the initials H. F. and is probably based on the journals of Defoe's uncle, Henry Foe, who, like 'H. F.', was a saddler who lived in the Whitechapel district of East London.
In the book, Defoe goes to great pains to achieve an effect of verisimilitude, identifying specific neighbourhoods, streets, and even houses in which events took place. Additionally, it provides tables of casualty figures and discusses the credibility of various accounts and anecdotes received by the narrator.
The book is often compared to the actual, contemporary accounts of the plague in the diary of Samuel Pepys. Defoe's account, which appears to include much research, is far more systematic and detailed than Pepys's first-person account.
How the Journal is to be classified has been disputed. [2] It was initially presented and read as a work of nonfiction, [3] but by the 1780s the work's fictional status was accepted. Debate continued as to whether Defoe could be regarded as the work's author rather than merely its editor. [3] Edward Wedlake Brayley wrote in 1835 that the Journal is "emphatically, not a fiction, not based on fiction ... great injustice is done to [Defoe's] memory so to represent it." Brayley takes pains to compare Defoe's account with known bona fide accounts such as Loimologia by Dr. Nathaniel Hodges (1672), the diary of Samuel Pepys, and Thomas Vincent's God's Terrible Voice in the City by Plague and Fire (1667), as well as primary sources. [4] This view was also held by Watson Nicholson – writing in 1919 – who argued that "there is not one single statement in the Journal, pertinent to the history of the Great Plague in London, that has not been verified during the course of this investigation", and "we are compelled to class the Journal of the Plague Year with authentic histories." It is, according to Nicholson, "a faithful record of historical facts ... [and] was so intended by the author." [5] [6] [3] [4] At least one modern literary critic, Frank Bastian, has agreed that "the invented detail is ... small and inessential" and that the Journal "stands closer to our idea of history than to that of fiction", and that "any doubts that remain whether to label it "fiction" or "history" arise from the ambiguities inherent in those words." [4]
Other literary critics have argued that the work should be regarded as a work of imaginative fiction, and thus can justifiably be described as an "historical novel". [3] This view was held by Everett Zimmerman, who wrote that "It is the intensity of the focus on the narrator that makes A Journal of the Plague Year more like a novel than like ... history." Indeed, Defoe's use of the narrator "H.F.", and his initial presentation of the Journal as being the recollections of an eye-witness to the plague, is the major sticking point for critics who consider it more of a "romance" – "one of the peculiar class of compositions which hovers between romance and history" as it was described by Sir Walter Scott – than a historical account. [4] Walter George Bell, a historian of the plague, noted that Defoe should not be considered to be a historian because he uses his sources uncritically. [4]
Scott's somewhat ambiguous view of the nature of the Journal was shared by Defoe's first major biographer, Walter Wilson, who wrote in Memoir of the Life and Times of Daniel De Foe (1830) about it that "[Defoe] has contrived to mix up so much that is authentic with the fabrications of his own brain, that it is impossible to distinguish one from the other; and he has given the whole such a likeness to the dreadful original, as to confound the sceptic, and encircle him in his enchantments." In Wilson's view the work is an "alliance between history and fiction" in which one continually morphs into the other and back again. This view is shared by John Richetti who calls the Journal a type of "pseudohistory", a "thickly factual, even grossly truthful book" in which "the imagination ... flares up occasionally and dominates those facts." [4]
These alternative conceptualisations of the Journal– as fiction, history, or history-cum-fiction – continue to exist. [4]
A Journal of the Plague Year also served as the initial inspiration for Anthony Clarvoe's play The Living.
A supernatural copy of the work appears in The Magnus Archives , wherein it is able to cause buildings to become infected; one character describes his childhood home being destroyed by the book "in a collapse of diseased brick and septic foundations." [9]
References to the book's title have been made in Michael D. O'Brien's 1999 novel Plague Journal, where the narrator and main character chooses the title to describe the theme of the book (jokingly referring to himself as a modern-day Defoe) and Norman Spinrad's 1995 Journals of the Plague Years, a satirical novel about a sexually transmitted viral disease that cannot be defeated by vaccines, [10] referencing how AIDS was in its earliest days known as "the gay plague".
A comparison of plague-driven behaviour described by Defoe and the COVID-19 crisis of 2020 is discussed in "Persistent Patterns of Behavior: Two Infectious Disease Outbreaks 350 Years Apart", an article in the journal Economic Inquiry , and also in a commentary in The Guardian . [11] [12]
The Plague is a 1947 absurdist novel by Albert Camus. It tells the story from the point of view of a narrator in the midst of a plague sweeping the French Algerian city of Oran. The narrator remains unknown until the beginning of the last chapter. The novel presents a snapshot into life in Oran as seen through the author's distinctive absurdist point of view.
Daniel Defoe was an English novelist, journalist, merchant, pamphleteer and spy. He is most famous for his novel Robinson Crusoe, published in 1719, which is claimed to be second only to the Bible in its number of translations. He has been seen as one of the earliest proponents of the English novel, and helped to popularise the form in Britain with others such as Aphra Behn and Samuel Richardson. Defoe wrote many political tracts, was often in trouble with the authorities, and spent a period in prison. Intellectuals and political leaders paid attention to his fresh ideas and sometimes consulted him.
The Great Plague of London, lasting from 1665 to 1666, was the most recent major epidemic of the bubonic plague to occur in England. It happened within the centuries-long Second Pandemic, a period of intermittent bubonic plague epidemics that originated in Central Asia in 1331, and included related diseases such as pneumonic plague and septicemic plague, which lasted until 1750.
Samuel Pepys was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament, but is most remembered today for the diary he kept for almost a decade. Though he had no maritime experience, Pepys rose to be the Chief Secretary to the Admiralty under both King Charles II and King James II through patronage, diligence, and his talent for administration. His influence and reforms at the Admiralty were important in the early professionalisation of the Royal Navy.
Robinson Crusoe is an English adventure novel by Daniel Defoe, first published on 25 April 1719. Written with a combination of Epistolary, confessional, and didactic forms, the book follows the title character after he is cast away and spends 28 years on a remote tropical desert island near the coasts of Venezuela and Trinidad, encountering cannibals, captives, and mutineers before being rescued. The story has been thought to be based on the life of Alexander Selkirk, a Scottish castaway who lived for four years on a Pacific island called "Más a Tierra" which was renamed Robinson Crusoe Island in 1966. Pedro Serrano is another real-life castaway whose story might have inspired the novel.
Norman Richard Spinrad is an American science fiction author, essayist, and critic. His fiction has won the Prix Apollo and been nominated for numerous awards, including the Hugo Award and multiple Nebula Awards.
This article contains information about the literary events and publications of 1722.
Eyam is an English village and civil parish in the Derbyshire Dales that lies within the Peak District National Park. There is evidence of early occupation by Ancient Britons on the surrounding moors and lead was mined in the area by the Romans. A settlement was founded on the present site by Anglo-Saxons, when mining was continued and other industries later developed. However, Eyam’s main claim to fame is the story of how the village chose to go into isolation so as to prevent infection spreading after bubonic plague was discovered there in 1665.
Moll Flanders is a novel by Daniel Defoe, first published in 1722. It purports to be the true account of the life of the eponymous Moll, detailing her exploits from birth until old age.
Oroonoko: or, the Royal Slave is a work of prose fiction by Aphra Behn (1640–1689), first published in 1688 by William Canning and reprinted later that year in the compilation Three Histories by Mrs. A. Behn. The eponymous hero is an African prince from Coramantien who is tricked into slavery and sold to European colonists in Surinam where he meets the narrator. Behn's text is a first-person account of Oroonoko's life, love, and rebellion.
A spotted fever is a type of tick-borne disease which presents on the skin. They are all caused by bacteria of the genus Rickettsia. Typhus is a group of similar diseases also caused by Rickettsia bacteria, but spotted fevers and typhus are different clinical entities. Transmission process: When the tick latches on, it needs to be removed under 2 hours. If not noticed or unremoved it takes only 10 hours for the tick to transmit the (disease) to the human.
Loimologia, or, an historical Account of the Plague in London in 1665, With precautionary Directions against the like Contagion is a treatise by Dr. Nathaniel Hodges (1629–1688), originally published in London in Latin in 1672; an English translation was later published in London in 1720. The treatise provides a first-hand account of the Great Plague of London; it has been described as the best medical record of the epidemic.
Solomon Eccles (1618–1683), also known as Solomon Eagle, was an English composer. However, he later became an active Quaker and distanced himself from church music.
Bubonic plague is one of three types of plague caused by the bacterium Yersinia pestis. One to seven days after exposure to the bacteria, flu-like symptoms develop. These symptoms include fever, headaches, and vomiting, as well as swollen and painful lymph nodes occurring in the area closest to where the bacteria entered the skin. Acral necrosis, the dark discoloration of skin, is another symptom. Occasionally, swollen lymph nodes, known as "buboes", may break open.
Old St. Paul's, also titled Old Saint Paul's: A Tale of the Plague and the Fire, is a novel by William Harrison Ainsworth serially published in 1841. It is a historical romance that describes the events of the Great Plague of London and the Great Fire of London. It was the basis for the 1914 silent film Old St. Paul's.
The term plague cross can refer to either a mark placed on a building occupied by victims of plague; or a permanent structure erected, to enable plague sufferers to trade while minimising the risk of contagion. A wide variety of plague cross existed in Britain and elsewhere in Europe, until the plague largely disappeared by the eighteenth century. Additionally, the term "plague cross" can specifically refer to the "Plague Cross of Saint Zacharias of Jerusalem", a Western Christian sacramental invoking God's protection against diseases and plagues that often takes the form of a cross necklace or a wall cross.
John Noble was a bookseller and publisher in London in the 18th century. He issued works by Daniel Defoe, George Smith Green, Eliza Haywood, Jane Marshall, John Robinson, and others. As part of his enterprise he ran a circulating library near Leicester Square that stocked some 5,535 titles by the 1760s. By the late 1770s his business had been taken over by B. Desbrow. John's brother Francis Noble (d.1792) also worked in the book trade.
Augusta Triumphans: or, the Way to Make London the Most Flourishing City in the Universe by Daniel Defoe was first published on 16 March 1728. The fictitious speaker of this pamphlet, Andrew Moreton, is a man in his sixties who offers suggestions for the improvement of London. In particular, he fosters the establishment of a university, an academy of music, a hospital for foundlings and licensed institutions for the treatment of mental diseases. Moreover, he encourages the introduction of measures to prevent moral corruption and street robbery.
Diseases, both real and fictional, play a significant role in fiction, with certain diseases like Huntington's disease and tuberculosis appearing in many books and films. Pandemic plagues threatening all human life, such as The Andromeda Strain, are among the many fictional diseases described in literature and film.