Moscow Nights is a 1935 British drama film directed by Anthony Asquith and starring Laurence Olivier, Penelope Dudley-Ward and Harry Baur. The screenplay concerns a wounded officer who falls in love with his nurse.
Happy Ever After is a 1932 British-German musical film directed by Paul Martin and Robert Stevenson, and starring Lilian Harvey, Jack Hulbert, Cicely Courtneidge, Sonnie Hale, and Edward Chapman.
Invitation to the Waltz is a 1935 British historical musical film directed by Paul Merzbach and starring Lilian Harvey, Wendy Toye and Carl Esmond. It was based on a play by Eric Maschwitz.
Confetti is a 1927 British silent drama film directed by Graham Cutts and starring Jack Buchanan, Annette Benson and Sydney Fairbrother. A sound version was released in 1928. While the sound version had no audible dialog, it featured a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The silent version had its trade show exhibition in December 1927 which the sound version had its premiere in October of 1928. The film was shot at Gainsborough Pictures' Islington studios.
Hocuspocus is a 1930 German comedy film parallel version directed by Gustav Ucicky, starring Anglo-German Lilian Harvey, Willy Fritsch, and Oskar Homolka. It was the first adaptation of the 1926 play Hokuspokus by Curt Goetz, but used different role names.
Congress Dances is a 1932 German comedy film directed by Erik Charell and starring Lilian Harvey, Conrad Veidt and Henri Garat. It was an English-language version of the German film Der Kongreß tanzt. A separate French-language version Le congrès s'amuse was also made. It is centered on the Congress of Vienna, where an Austrian commoner is mistaken for the Tsar of Russia.
The Secret Kingdom is a 1925 British silent fantasy, and science fiction film. It was directed by Sinclair Hill, and starred Matheson Lang, Stella Arbenina and Eric Bransby Williams. It is an adaptation of the novel The Hidden Fire by Bertram Atkey. The screenplay concerns a wealthy man who acquires a mind-reading machine, but is soon horrified to discover what people are really thinking. It was shot at Cricklewood Studios in London, it was re-issued in 1929 under the alternative title of Beyond the Veil.
Let's Live Tonight is a 1935 American musical comedy film directed by Victor Schertzinger and starring Lilian Harvey, Tullio Carminati and Janet Beecher. The film was made as part of an unsuccessful attempt to establish Harvey, who was a top box office draw in Germany, as a major star in Hollywood. Harvey was under contract to Fox Film, but was loaned out to Columbia Pictures for the production. After making it, Harvey returned to Europe, first to Britain to appear in Invitation to the Waltz and then to Germany, where she starred in Black Roses, which relaunched her German career.
Her Dark Secret is a 1929 German silent comedy film directed by Johannes Guter and starring Lilian Harvey, Willy Fritsch, and Harry Halm. The film reunited Harvey and Fritsch, who had previously appeared together in Chaste Susanne (1926), although this time, their characters become a couple at the end of the film. This provided a template for a number of popular films over the following decade, such as The Three from the Filling Station. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Jacek Rotmil.
Waltz of Love is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch and Georg Alexander. It was shot at the Babelsberg Studios in Berlin with sets designed by the art director Erich Kettelhut. It premiered at the Gloria-Palast in Berlin on 7 February 1930. A separate English language version The Love Waltz was also produced.
The Love Waltz is a 1930 German English language musical film directed by Carl Winston and starring Lilian Harvey, Georg Alexander and John Batten. It is the English-language version of Waltz of Love (1930) which also starred Harvey.
My Weakness is a 1933 American pre-Code musical film directed by David Butler and starring Lilian Harvey, Lew Ayres and Charles Butterworth. It was the second of four films made by the British-German actress Harvey in Hollywood, who had emerged as major star during Weimar Germany.
Black Roses is a 1935 German historical drama film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Willy Birgel. A separate English-language version Black Roses was also made with Harvey reprising her role opposite Esmond Knight. She also starred in a French version. The film was Harvey's comeback in German cinema, following her attempts to find enduring success in Hollywood and then in British films. One source suggested that Harvey paid for the English version of the film to be made out of her own money, as she still hoped to break into the English-speaking market.
No More Love is a 1931 German musical comedy film directed by Anatole Litvak and starring Lilian Harvey, Harry Liedtke and Felix Bressart. It is based on Julius Berstl's novel Dover-Calais. It was shot at the Babelsberg Studios in Berlin and on location along the French Riviera including Nice. The film's art direction was by Werner Schlichting. A separate French-language version Calais-Dover was also released.
The Road to Paradise is a 1930 German musical comedy film directed by Wilhelm Thiele and Max de Vaucorbeil and starring Lilian Harvey, Henri Garat and René Lefèvre. It was made by the German studio UFA as the French-language version of the hit film The Three from the Filling Station.
The Girl and the Boy is a 1931 comedy film directed by Roger Le Bon and Wilhelm Thiele and starring Lilian Harvey, Henri Garat, and Lucien Baroux. It was made by the major studio UFA as the French-language version of Two Hearts Beat as One, which also starred Harvey. Such multiple-language versions were common in the early years of sound before dubbing became more widespread.
The Model from Montparnasse or Adieu Mascotte is a 1929 German comedy film directed by Wilhelm Thiele and starring Lilian Harvey, Igo Sym and Marietta Millner. Originally made as a silent film, it later had synchronized sound added. It is set in the Demimonde of Paris with a heroine working as an artist's model.
The Blue Mouse is a 1928 German silent comedy film directed by Johannes Guter and starring Jenny Jugo, Harry Halm, and Brita Appelgren. The film was distributed in England by Gaumont in a sound version. While the sound version had no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Once You Give Away Your Heart is a 1929 German comedy film directed by Johannes Guter and starring Lilian Harvey, Igo Sym, and Harry Halm. Made at the time of the conversion to sound film, it was released in both sound and silent versions.
The Only Girl is a 1933 British-German musical film directed by Friedrich Hollaender and starring Lilian Harvey, Charles Boyer, and Mady Christians. It is the English-language version of The Empress and I which also starred Harvey and Christians. It was the last in a series of MLV co-productions between UFA and Gainsborough Pictures. It was released in the United States in 1934 by Fox Film.
