Moscow Nights is a 1935 British drama film directed by Anthony Asquith and starring Laurence Olivier, Penelope Dudley-Ward and Harry Baur. The screenplay concerns a wounded officer who falls in love with his nurse.
Happy Ever After is a 1932 British-German musical film directed by Paul Martin and Robert Stevenson, and starring Lilian Harvey, Jack Hulbert, Cicely Courtneidge, Sonnie Hale, and Edward Chapman.
Invitation to the Waltz is a 1935 British historical musical film directed by Paul Merzbach and starring Lilian Harvey, Wendy Toye and Carl Esmond. It was based on a play by Eric Maschwitz.
Hocuspocus is a 1930 German comedy film parallel version directed by Gustav Ucicky, starring Anglo-German Lilian Harvey, Willy Fritsch, and Oskar Homolka. It was the first adaptation of the 1926 play Hokuspokus by Curt Goetz, but used different role names.
The Secret Kingdom is a 1925 British silent fantasy and science fiction film directed by Sinclair Hill and starring Matheson Lang, Stella Arbenina and Eric Bransby Williams. It is an adaptation of the novel The Hidden Fire by Bertram Atkey. The screenplay concerns a wealthy man who acquires a mind-reading machine but is soon horrified to discover what people are really thinking. It was shot at Cricklewood Studios in London.
The Yellow Claw is a 1921 British silent crime film directed by René Plaissetty and starring Sydney Seaward, Arthur M. Cullin and Harvey Braban. The film was shot partly at Cricklewood Studios and ran 68 minutes. It was based on the 1915 novel The Yellow Claw by Sax Rohmer, in which a French detective battles a notorious master criminal named Mr. King.
Let's Live Tonight is a 1935 American musical comedy film directed by Victor Schertzinger and starring Lilian Harvey, Tullio Carminati and Janet Beecher. The film was made as part of an unsuccessful attempt to establish Harvey, who was a top box office draw in Germany, as a major star in Hollywood. Harvey was under contract to Fox Film, but was loaned out to Columbia Pictures for the production. After making it, Harvey returned to Europe, first to Britain to appear in Invitation to the Waltz and then to Germany, where she starred in Black Roses, which relaunched her German career.
Her Dark Secret is a 1929 German silent comedy film directed by Johannes Guter and starring Lilian Harvey, Willy Fritsch, and Harry Halm. The film reunited Harvey and Fritsch, who had previously appeared together in Chaste Susanne (1926), although this time, their characters become a couple at the end of the film. This provided a template for a number of popular films over the following decade, such as The Three from the Filling Station. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Jacek Rotmil.
Waltz of Love is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch and Georg Alexander. It was shot at the Babelsberg Studios in Berlin with sets designed by the art director Erich Kettelhut. It premiered at the Gloria-Palast in Berlin on 7 February 1930. A separate English language version The Love Waltz was also produced.
The Love Waltz is a 1930 German English language musical film directed by Carl Winston and starring Lilian Harvey, Georg Alexander and John Batten. It is the English-language version of Waltz of Love (1930) which also starred Harvey.
My Weakness is a 1933 American pre-Code musical film directed by David Butler and starring Lilian Harvey, Lew Ayres and Charles Butterworth. It was the second of four films made by the British-German actress Harvey in Hollywood, who had emerged as major star during Weimar Germany.
Black Roses is a 1935 German historical drama film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Willy Birgel. A separate English-language version Black Roses was also made with Harvey reprising her role opposite Esmond Knight. She also starred in a French version. The film was Harvey's comeback in German cinema, following her attempt to at Hollywood and then British films. One source suggested that Harvey paid for the English version of the film to be made out of her own money, as she still hoped to break into the English-speaking market.
Fabulous Lola is a 1927 German silent comedy film directed by Richard Eichberg and starring Lilian Harvey, Harry Halm and Hans Junkermann. The film's sets were designed by the art director Jacek Rotmil. It was made at the Johannisthal Studios in Berlin.
No More Love is a 1931 German musical comedy film directed by Anatole Litvak and starring Lilian Harvey, Harry Liedtke and Felix Bressart. It is based on Julius Berstl's novel Dover-Calais. It was shot at the Babelsberg Studios in Berlin and on location along the French Riviera including Nice. The film's art direction was by Werner Schlichting. A separate French-language version Calais-Dover was also released.
Love and Trumpets is a 1925 German silent comedy film directed by Richard Eichberg and starring Lilian Harvey, Harry Liedtke, and Harry Halm. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Kurt Richter.
The Model from Montparnasse or Adieu Mascotte is a 1929 German comedy film directed by Wilhelm Thiele and starring Lilian Harvey, Igo Sym and Marietta Millner. Originally made as a silent film, it later had synchronized sound added. It is set in the Demimonde of Paris with a heroine working as an artist's model.
Vacation from Marriage is a 1927 German silent comedy film directed by Victor Janson and starring Harry Halm, Lilian Harvey and Jutta Jol.
It's Easy to Become a Father is a 1926 German silent comedy film directed by Erich Schönfelder and starring Lilian Harvey, Harry Halm and Albert Paulig.
Once You Give Away Your Heart is a 1929 German comedy film directed by Johannes Guter and starring Lilian Harvey, Igo Sym, and Harry Halm. Made at the time of the conversion to sound film, it was released in both sound and silent versions.
The Only Girl is a 1933 British-German musical film directed by Friedrich Hollaender and starring Lilian Harvey, Charles Boyer, and Mady Christians. It is the English-language version of The Empress and I which also starred Harvey and Christians. It was the last in a series of MLV co-productions between UFA and Gainsborough Pictures. It was released in the United States in 1934 by Fox Film.
