A Man of No Importance | |
---|---|
Music | Stephen Flaherty |
Lyrics | Lynn Ahrens |
Book | Terrence McNally |
Basis | 1994 film A Man of No Importance |
Productions | 2002 Lincoln Center 2008 Toronto 2009 Off-West End 2010 West End 2013 Salisbury 2022 Off-Broadway |
Awards | Outer Critics for Best Off-Broadway Musical |
A Man of No Importance is a musical with music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally, based on the 1994 Albert Finney film, A Man of No Importance . It tells the story of an amateur theatre group in Dublin and their leader, who is determined to stage a version of Salome at his church, despite the objections of church authorities.
The musical ran from September 12, 2002, to December 29, 2002, in the Mitzi E. Newhouse Theater at Lincoln Center in New York City, as part of the Lincoln Center Theater 2002–03 season. The production was directed by Joe Mantello and choreographed by Jonathan Butterell. It won the 2003 Outer Critics Circle Award for Best Off-Broadway Musical. The original cast included Roger Rees as Alfie Byrne, Jarlath Conroy as Father Kenny, Jessica Molaskey as Mrs. Patrick, Sean McCourt as Sully O'Hara, Luther Creek as Peter/Breton Beret, Faith Prince as Lily Byrne, Sally Murphy as Adele, Ronn Carroll as Baldy, Charles Keating as Carney/Oscar Wilde, and Steven Pasquale as Robbie Fay. A cast album was recorded in 2002 and released in April 2003.
The musical was produced by Acting Up Stage Theatre Company at the Berkeley Street Theatre in Toronto, Ontario, Canada and ran from March 7 to 22, 2008. Alfie was played by Douglas E. Hughes, and Lezlie Wade directed the production. [1]
Regan and De Wynter produced the musical at The Union Theatre, Southwark, where it ran from November 11, 2009, to December 5, 2009. It starred Paul Clarkson as Alfie and Paul Monaghan as Carney/Oscar Wilde. The production received unanimously positive reviews. The show transferred to the Arts Theatre in the West End for a limited season, opening on February 10, 2010, following a single preview on February 9, 2010, and running until 27 February 2010. [2]
In April 2013, A production of the show was played at the Salisbury Playhouse for three months, with cast members including Mark Meadows, Fra Fee and Laura Pitt-Pulford.
The Classic Stage Company produced the first New York City revival of the musical in October 2022 - directed by John Doyle in his last show as artistic director of the CSC, and starring Jim Parsons as Alfie Byrne. [3]
In 1964 in Dublin, Ireland, Alfie Byrne is the director of an amateur theatre troupe that has been shut down by the Sodality of the Sacred Heart. The group, The St. Imelda's Players, is based at the church. Alfie, a bus conductor, wants to stage a production of Oscar Wilde's Salome at his church, despite the objections of church authorities.
As he reflects on events, the actors in the troupe become, in effect, a Greek chorus and take him through a typical day of "A Man of No Importance", in the form of a play in which he is not the director but the star. As the "play" unfolds, the people in Alfie's life appear: his sister Lily, a handsome bus driver Robbie Fay, and newcomer Adele Rice. Alfie "performs" by speaking Wilde's words to Adele, impressing the bus passengers (who are members of the acting group). As Alfie prepares dinner for himself and Lily, he tells her that he has met a woman. Lily has delayed marriage with her boyfriend Mr. Carney to take care of Alfie until he marries, and is happy for him ("Burden of Life"). Alfie explains that he is not interested in marriage to Adele – he wants her to act in 'Salome'. Frustrated, Lily castigates Alfie for wasting his time in amateur theatre. The next day, Alfie goes around to Mr. Carney and the other troupe members to offer them parts in "Salome". Everyone is extremely excited about a new show starting, and each member shows their acting resume as they sing about their excitement ("Going Up!"). The next day, Alfie delays the bus from leaving just to allow Adele to catch the bus, which she was late for due to an appointment with the doctor. He attempts to convince her to be Princess Salome, the titular character of "Salome", by reading some verses of the play to her. Adele believes that Alfie is making fun of her like many in her old town and storms out of the bus. Confused, Alfie follows her out of the bus. Despite her fears that she, a regular common girl from Roscommon, would never be able to portray a princess, Adele is touched by his words and agrees to be in the play ("Princess").
After the first reading, Alfie attempts to talk Robbie into being "Salome"'s main romantic lead of John the Baptist. Robbie dismisses Alfie's attempts to get him involved, and conversely invites him to take a step into his own world, convincing Alfie to explore the streets of Dublin and to go to a pub with his pals ("Streets of Dublin"). At the pub, Alfie goes through several traditions for newcomers, including ordering a pint and singing a song in front of Robbie's pals ("Love's Never Lost"). Robbie's pals are not impressed, leading to Alfie to wander off where he is propositioned by Breton Beret. Alfie is flustered by Breton and returns home, troubled about his true identity. Meanwhile, Mr. Carney is with Lily at her and Alfie's home, condemning "Salome" as horrid pornography. Shortly after, Mr. Carney and Lily share some private drinks as they discuss Alfie's 'odd' habit of reading books and cooking foreign dishes; Mr. Carney attempts to woo Lily all the while, but Lily refuses to marry "till [Alfie's] wed" ("Books"). Alfie interrupts them as he returns home, and storms up to his room. As he gazes at himself in the mirror, he sees Oscar Wilde in a dream, and admits that he loves Robbie ("Man in the Mirror"). After a rehearsal of 'Salome', Lily invites Adele for Sunday dinner, saying that Alfie is hesitant to speak for himself ("Burden of Life" – Reprise). As Alfie is walking her home, Adele tells him that in her home town she has a boyfriend, John, and starts crying when she can't explain why he isn't here with her. Understanding about secrets, Alfie advises her that everything's alright ("Love Who You Love").
Alfie bumps into Breton Beret again after he's escorted Adele home, and he propositions Alfie again before going on his way. Alfie is trapped between his own shame and desire, but Oscar Wilde again advises him that the way to eliminate temptation is by giving in.
As Mrs. Patrick sings a hymn ("Our Father"), Alfie is confessing to Father Kenny, as he tells about his minor sins. Alfie hears Robbie in a disembodied voice, but he cannot confess to his feelings ("Confession"). After church, Alfie leaves Lily and Mr. Carney to pay respects at their father's grave; there he meets Baldy, who brings a bouquet of white lilies to lay at his wife Mary's grave, reminiscing about the "Cuddles that Mary Gave" before encouraging Alfie to find a wife of his own. One and a half weeks before the opening night, the troupe is rehearsing and going through some interesting ideas on how to address the problems of props, costumes, lighting, promotion, and choreography ("Art"). Struggling through the lines of the final scene where Princess Salome professes her love to the severed head of John the Baptist, Adele suddenly cries and tells Alfie that she is pregnant, then leaves after Alfie awkwardly confirms that she is unmarried. Alfie is called to an emergency Sodality meeting organized by Mr. Carney, where the play 'Salome' is deemed blasphemous ("A Man of No Importance (Reprise)/Confusing Times"); Monsignor cancels it and orders that the St. Imelda's Players be ended.
Alfie, feeling sad, goes to the bus station where he catches Robbie engaging in extramarital affairs with Mrs. Patrick. Shocked, Alfie questions Robbie's professed love to Mrs. Patrick, as she is married with 3 children. Robbie is furious at Alfie's judgments and berates Alfie for judging him when Alfie has lived a loveless life, before leaving Alfie alone ("Love who you Love (Robbie's Reprise)"). Going home to his room, Alfie is visited by a multitude of visions of the townfolk, Robbie, and Oscar Wilde, who tell him how to dress and how to express his hidden self ("Man in the Mirror"). Convinced that "the only way to get rid of temptation is to yield to it" and newly dressed in clothes that indicate his sexuality, Alfie goes to the pub and propositions Breton Beret. Breton takes Alfie's hand, caresses him, but suddenly punches Alfie in the next moment. Breton calls others over to beat him as well. As they beat him, Alfie cries out in pain for Robbie and Breton reveals that they regularly use this method to hunt for "poofters". He and the others only stop beating him and run away when a policeman comes over to investigate. Lily and Carney find Alfie with the policeman and take Alfie home, but not before the policeman reveals that Alfie won't press charges for assault because it would reveal that Alfie is gay.
The next morning, Lily and Alfie are having breakfast when they erupt into an argument after Lily refuses to eat what may be "tainted" food, with Alfie venomously explaining that he's never had any opportunity to be tainted by homosexual relations. Lily responds with both fury and despair, bemoaning the wasted years looking after her brother and asking why he never told her the truth. He leaves in the middle of her argument, leaving her alone as she ends with "you must have known I'd love you all the same" ("Tell me Why"). The news spreads that Alfie is gay and he finds that many people now treat him with contempt and disgust, including his abusive supervisor and new bus driver who they claim was to take the spot of Robbie who "fled as far as he could when he heard the news". Adele comes to see Alfie one last time before she goes to England to have her baby, showing true empathy for his situation and encouraging him as Alfie once encouraged her ("Love who you Love (Adele's Reprise)"). Finally, Alfie is alone at St. Imelda's hall and thinks back on his life, coming to know that he can no longer hide ("Welcome to the World"). A ray of sunlight enters the dimly lit room as Robbie walks in, and he explains that he's here to play the part of John the Baptist and that he was forcefully placed in another station by the supervisor. He is followed by most of the members of St. Imelda's Players (other than Mr. Carney), who reveal that they don't care about his sexuality as they know that Alfie is a good and kind man. Lily enters as well, bringing refreshments stolen from Mr. Carney. Now a member of the new acting troupe, Robbie reads a passage from Oscar Wilde's "The Ballad of Reading Gaol" ("Poem").
|
|
Character | 2002 Lincoln Center [4] | 2009 Southwark [5] | 2010 West End [5] | 2013 Salisbury Playhouse [6] | 2022 Classic Stage Company |
---|---|---|---|---|---|
Alfie Byrne | Roger Rees | Paul Clarkson | Mark Meadows | Jim Parsons | |
Lily Byrne | Faith Prince | Joanna Nevin | Angela Bain | Mare Winningham | |
Robbie Fay | Steven Pasquale | Patrick Kelliher | Fra Fee | A.J. Shively | |
Adele Rice | Sally Murphy | Róisín Sullivan | Laura Pitt-Pulford | Shereen Ahmed | |
William Carney/Oscar Wilde | Charles Keating | Paul Monaghan | Robert Maskill | Thom Sesma | |
James Michael "Baldy" O'Shea | Ronn Carroll | Anthony Cable | Roy Weskin | William Youmans | |
Peter/Breton Baret | Luther Creek | Dieter Thomas | Niall Sheehy | Alistair David | Da’Von T. Moody |
Mrs. Margaret Grace/Kitty Farrelly | Katherine McGrath | Emily Juler | Mia Soteriou | Mary Beth Peil | |
Mrs. Maureen Curtin | Patti Perkins | Kimberley Ensor | Esther Biddle | Kara Mikula | |
Miss Oona Crowe | Barbara Marineau | Ruth Berkeley | Susannah ven den Berg | Alma Cuervo | |
Ernie Lally | Martin Moran | Jamie Honeybourne | Richard Emerson | Joel Waggoner | |
Mrs. Patrick | Jessica Molaskey | Nicola Redman | Esther Biddle | Jessica Tyler Wright | |
Father Kenny | Jarlath Conroy | AJ O'Neill | Darragh Carter | Nathaniel Stampley | |
Carson/Rasher Flynn | Michael McCormick | Niall Sheehy | Daniel Maguire | Chris Talman |
Year | Award | Category | Nominee | Result | Ref. |
---|---|---|---|---|---|
2003 | Drama Desk Awards | Outstanding Musical | Nominated | [7] | |
Outstanding Featured Actor in a Musical | Charles Keating | Nominated | |||
Steven Pasquale | Nominated | ||||
Outstanding Director of a Musical | Joe Mantello | Nominated | |||
Outstanding Music | Stephen Flaherty | Nominated | |||
Outstanding Lyrics | Lynn Ahrens | Nominated | |||
Outstanding Book of a Musical | Terrence McNally | Nominated | |||
Outer Critics Circle Awards | Outstanding Off-Broadway Musical | Won | [8] | ||
Outstanding Actor in a Musical | Roger Rees | Nominated | |||
Outstanding Featured Actor in a Musical | Steven Pasquale | Nominated |
Year | Award | Category | Nominee | Result |
---|---|---|---|---|
2023 | Lucille Lortel Awards | Outstanding Revival | Nominated | |
Outstanding Lead Performer in a Musical | Jim Parsons | Nominated | ||
Outstanding Featured Performer in a Musical | A.J. Shively | Won | ||
Drama League Awards [9] | Outstanding Revival of a Musical | Nominated | ||
Outer Critics Circle Awards [10] | Outstanding Revival of a Musical (Broadway or Off-Broadway) | Nominated | ||
Outstanding Featured Performer in an Off-Broadway Musical | A.J. Shively | Nominated | ||
Mare Winningham | Nominated | |||
Drama Desk Awards | Outstanding Revival of Musical | Nominated | ||
Outstanding Featured Performer in a Musical | Mare Winningham | Nominated | ||
Outstanding Director of a Musical | John Doyle | Nominated | ||
Outstanding Orchestrations | Bruce Coughlin | Nominated |
Oscar Fingal O'Fflahertie Wills Wilde was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and his criminal conviction for gross indecency for homosexual acts.
The Importance of Being Earnest, a Trivial Comedy for Serious People is a play by Oscar Wilde, the last of his four drawing-room plays, following Lady Windermere's Fan (1892), A Woman of No Importance (1893) and An Ideal Husband (1895). First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy depicting the tangled affairs of two young men about town who lead double lives to evade unwanted social obligations, both assuming the name Ernest while wooing the two young women of their affections.
Lord Alfred Bruce Douglas, also known as Bosie Douglas, was an English poet and journalist, and a lover of Oscar Wilde. At Oxford he edited an undergraduate journal, The Spirit Lamp, that carried a homoerotic subtext, and met Wilde, starting a close but stormy relationship. Douglas's father, the Marquess of Queensberry, abhorred it and set out to humiliate Wilde, publicly accusing him of homosexuality. Wilde sued him for criminal libel, but some intimate notes were found and Wilde was later imprisoned. On his release, he briefly lived with Douglas in Naples, but they had separated by the time Wilde died in 1900. Douglas married a poet, Olive Custance, in 1902 and had a son, Raymond.
Alfie is a 1966 British comedy-drama film directed by Lewis Gilbert and starring Michael Caine. The Paramount Pictures release was adapted from the 1963 play of the same name by Bill Naughton. Following its premiere at the Plaza Theatre in the West End of London on 24 March 1966, the film became a box office success, enjoying critical acclaim, and influencing British cinema.
Robert Baldwin Ross was a British journalist, art critic and art dealer, best known for his relationship with Oscar Wilde, to whom he was a devoted friend and literary executor. A grandson of the Canadian reform leader Robert Baldwin, and son of John Ross and Augusta Elizabeth Baldwin, Ross was a pivotal figure on the London literary and artistic scene from the mid-1890s to his early death, and mentored several literary figures, including Siegfried Sassoon. His open homosexuality, in a period when male homosexual acts were illegal, brought him many hardships.
Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first performed on Saturday, 20 February 1892, at the St James's Theatre in London.
Salome, also known as Salome III, was a Jewish princess, the daughter of Herod II and princess Herodias. She was granddaughter of Herod the Great, and stepdaughter of Herod Antipas. She is known from the New Testament, where she is not named, and from an account by Flavius Josephus. In the New Testament, the stepdaughter of Herod Antipas demands and receives the head of John the Baptist. According to Josephus, she was first married to her uncle Philip the Tetrarch, after whose death she married her cousin Aristobulus of Chalcis, thus becoming queen of Armenia Minor.
Salome, Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play Salomé by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer.
Salome is a one-act tragedy by Oscar Wilde. The original version of the play was first published in French in 1893; an English translation was published a year later. The play depicts the attempted seduction of Jokanaan by Salome, stepdaughter of Herod Antipas; her dance of the seven veils; the execution of Jokanaan at Salome's instigation; and her death on Herod's orders.
A Woman of No Importance by Oscar Wilde is "a new and original play of modern life", in four acts, first given on 19 April 1893 at the Haymarket Theatre, London. Like Wilde's other society plays, it satirises English upper-class society. It has been revived from time to time since his death in 1900, but has been widely regarded as the least successful of his four drawing room plays.
On the Twentieth Century is a musical with book and lyrics by Betty Comden and Adolph Green and music by Cy Coleman. Based partly on the 1932 play Twentieth Century and its 1934 film adaptation, the musical is part operetta, part farce and part screwball comedy. The story involves the behind-the-scenes relationship between Lily, a temperamental actress and Oscar, a bankrupt theatre producer. On a luxury train traveling from Chicago to New York in the early 1930s, Oscar tries to cajole the glamorous Hollywood star into playing the lead in his new, but not-yet-written drama, and perhaps to rekindle their romance.
Wilde is a 1997 British biographical romantic drama film directed by Brian Gilbert. The screenplay, written by Julian Mitchell, is based on Richard Ellmann's 1987 biography of Oscar Wilde. It stars Stephen Fry in the title role, with Jude Law, Vanessa Redgrave, Jennifer Ehle, Gemma Jones, Judy Parfitt, Michael Sheen, Zoë Wanamaker, and Tom Wilkinson in supporting roles.
The Wedding Singer is a musical with music by Matthew Sklar, lyrics by Chad Beguelin, and a book by Beguelin and Tim Herlihy. It is based on the 1998 film of the same name. The musical revolves around Robbie, who sings at weddings, his failed relationship with his former fiancée, and his romance with a new love, Julia.
The Robber Bridegroom is a musical with a book and lyrics by Alfred Uhry and music by Robert Waldman. The story is based on the 1942 novella by Eudora Welty of the same name, with a Robin Hood-like hero; the adaptation placed it in a late 18th-century American setting. The musical ran on Broadway in 1975 and again in 1976.
Ernest in Love is a musical with a book and lyrics by Anne Croswell and music by Lee Pockriss. It is based on The Importance of Being Earnest, Oscar Wilde's classic 1895 comedy of manners.
A Man of No Importance is a 1994 comedy drama film written by Barry Devlin and directed by Suri Krishnamma, starring Albert Finney.
Ah, Wilderness! is a 1935 American comedy-drama film adaptation of the 1933 Eugene O'Neill play of the same name. Directed by Clarence Brown, the film stars Wallace Beery and features Lionel Barrymore, Eric Linden, Cecilia Parker, Spring Byington, and a young Mickey Rooney. Rooney stars as Richard in MGM's musical remake Summer Holiday (1948).
Oscar Wilde's life and death have generated numerous biographies.
La Sainte Courtisane is an unfinished play by Oscar Wilde written in 1894. The original draft was left in a taxi cab by the author, and was never completed. It was first published in 1908 by Wilde's literary executor, Robert Ross. It has never been performed, and has been little studied.
Something Rotten! is a musical comedy with a book by John O'Farrell and Karey Kirkpatrick and music and lyrics by Karey and Wayne Kirkpatrick. Set in 1595, the story follows the Bottom brothers, Nick and Nigel, who struggle to find success in the theatrical world as they compete with the wild popularity of their contemporary William Shakespeare.