A Political Cartoon | |
---|---|
Directed by | James K. Morrow Joe Adamson |
Written by | James K. Morrow Joe Adamson |
Produced by | James K. Morrow Joe Adamson David E. Stone |
Starring | Alex Krakower Liam Smith Marshall Anker Allen Lieb George Stapleford Bob Kingsley Mel Blanc |
Music by | Harry Buch |
Production company | Odradek Productions |
Distributed by | The Creative Film Society |
Release date |
|
Running time | 22 minutes |
Country | United States |
Language | English |
A Political Cartoon is a 1974 American satiric independent short film produced by James K. Morrow, Joe Adamson and David E. Stone. Combining live-action and animation, the short follows a political campaign manager and a cartoonist who decide to run an animated character for President of the United States. [1] It was distributed by The Creative Film Society. [2]
The short won awards and prizes at many film festivals; it was exhibited at the Orson Welles Cinema, [1] was nominated for a Gold Hugo for Best Short Film at the Chicago International Film Festival, [3] and won the Francis Scott Key Award at the Baltimore Film Festival, [4] the Judge's Prize at the Santa Barbara Film Festival, the Jury's Prize at the Columbus Film Festival, [5] and the Audience Prize at the Midwest Film Festival. [6] [7] [5] The Los Angeles Free Pass rated the short "film poetry of the highest order". [2] In 1996, the short was released on VHS by Kino Video as a part of Cartoongate!, a compilation of politics-themed animated shorts. [8] [1]
An unemployed cartoonist, Bernie Wibble, and a political activist, Lance Mungo, devise a scheme to embrace the absurdity of modern elections. Lance enlists Bernie's aid in creating a cartoon character named Peter President and running him for President of the United States. After Peter's election, people begin to have negative reactions to cartoons because of him. During a meeting with the Consolidated Commerce Conglomeration, Peter unexpectedly takes a firm stand against them, refusing their offer to use his likeness on their products. The conglomerate responds by sending all the India Ink back to India, rendering him catatonic. Lance and Bernie attempt to revive Peter by transporting ink through a tube, only for the result to turn out unsuccessful. They decide to reuse Bernie's animation of Peter for his next press conference. Later, the CCC hires two 1930s gangsters to kill Bernie. Bernie runs into a printing factory in order to escape them, but ends up getting turned into a comic book, so Lance replaces him with a puppet master.
James K. Morrow, Joe Adamson, and David E. Stone were young filmmakers who collaborated on each other's films (some of which won awards) at Abington High School in Philadelphia, such as It's an Out of its Mind World and The Man Who Owned America. [9] [10] [11] [12] [1] In 1972-1973, the three reunited to create A Political Cartoon under the name "Odradek Productions", which Morrow referred to as "another satiric sally against the American republic". [11] [13] [14] [15] [16] The short was made in the Boston suburbs during Richard Nixon's second inauguration, and stars Alex Krakower, Liam Smith, Marshall Anker, Allen Lieb, George Stapleford, and Bob Kingsley, [1] with Adamson, Morrow and Lindsay Doran portraying additional uncredited roles. Morrow, Adamson and Stone shot principal photography (all the Lance and Bernie scenes and the CCC) and the Panacea commercial at Drew University and in Madison, New Jersey. The living marionette at the end and the press conference were the only scenes shot in Boston environments. [1] The marionette was played by a young girl, with the effect where it manipulates its own strings achieved with the use of a giant pinewood chair. [17] [7] Other pickups such as aerial image animation were done in New York City and in State College, Pennsylvania. [1] The scenes with the 1930s gangsters were achieved using a black-and-white reversal original, a scratched dupe negative, a positive copy with dust on the A-and-B rolls, a filtered voice track (with Adamson dubbing the second gangster's voice), and a hissing crackle supplied by an old 78 record. [18] [7]
Peter President and the other cartoon characters were designed and animated by Stone. [16] The astronauts were stop motion models filmed against a blue screen in a video transmission. [18] [7] The short features two cameo appearances from Bugs Bunny; one at the beginning where he campaigns on behalf of equal rights for cartoon characters everywhere, and another in which he is interviewed at a pet store, where he is on sale as an "Easter Rabbit". The scenes were animated by Mark Kausler, with the cels inked by Manon Washburn. He was only paid around $400.00 for the work. Kausler received criticism on his animation of Bugs from Looney Tunes directors Chuck Jones and Robert McKimson, even though he used an old McKimson model sheet. The original version of the script had Bugs as an old rabbit at a retirement home for cartoon characters, similar to Jebediah Leland in Citizen Kane . At one point Bugs would ask for a couple of carrots and for them to be wrapped up to look like cigars. However, Warner Bros. did not want Bugs to be shown as old, so a new scene was written where Bugs was painting Easter eggs in the Bugs Bunny Easter Egg Factory. Warner Bros. was finally agreeable to this scene, but Kausler objected and refused to animate it. The scenes in which Bugs campaigns on behalf of equal rights for cartoon characters and is interviewed at the pet store were written and submitted to Warner Bros., and were included in the final version of the film. Mel Blanc recorded the voice while in hospital with a broken leg. [17] [6] [7] [16] [19] [1] [20]
At one point during production, Stone and Adamson were in the editing room when the time came to cut the sound effects track for the scene where Lance and Bernie improvise an ink transfusion for Peter. Stone came up with the idea to use existing sound from outtakes, adding that to the sync production sound. [21]
Bugs Bunny is a cartoon character created in the late 1930s at Warner Bros. Cartoons and voiced originally by Mel Blanc. Bugs is best known for his featured roles in the Looney Tunes and Merrie Melodies series of animated short films, produced by Warner Bros. Earlier iterations of the character first appeared in Ben Hardaway's Porky's Hare Hunt (1938) and subsequent shorts before Bugs's definitive characterization debuted in Tex Avery's A Wild Hare (1940). Bob Givens, Chuck Jones, and Robert McKimson are credited for defining Bugs's design.
Looney Tunes is an American media franchise produced and distributed by Warner Bros. The franchise began as a series of animated short films that originally ran from 1930 to 1969, alongside the related series Merrie Melodies, during the golden age of American animation. Following a revival in the late 1970s, new shorts were released as recently as 2014. The two series introduced a large cast of characters, including Bugs Bunny, Daffy Duck, and Porky Pig. The term Looney Tunes has since been expanded to also refer to the characters themselves.
Daffy Duck is a cartoon character created by animators Tex Avery and Bob Clampett for Leon Schlesinger Productions. Styled as an anthropomorphic black duck, he has appeared in cartoon series such as Looney Tunes and Merrie Melodies, in which he is usually depicted as a foil for either Bugs Bunny, Porky Pig or Speedy Gonzales. He was one of the first of the new "screwball" characters that emerged in the late 1930s to replace traditional everyman characters who were more popular earlier in the decade, such as Mickey Mouse, Porky Pig, and Popeye.
Porky Pig is a cartoon character in the Warner Bros. Looney Tunes and Merrie Melodies series of cartoons. He was the first character created by the studio to draw audiences based on his star power, and the animators created many critically acclaimed shorts featuring the character. Even after he was supplanted by later characters, Porky continued to be popular with moviegoers and, more importantly, the Warners directors, who recast him in numerous everyman and sidekick roles.
Frederick Bean "Tex" Avery was an American animator, cartoonist, director, and voice actor. He was known for directing and producing animated cartoons during the golden age of American animation. His most significant work was for the Warner Bros. and Metro-Goldwyn-Mayer studios, where he was crucial in the creation and evolution of famous animated characters such as Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Droopy, Screwy Squirrel, The Wolf, Red Hot Riding Hood, and George and Junior.
Duck Amuck is an American animated surreal comedy short film directed by Chuck Jones and written by Michael Maltese. The short was released on January 17, 1953, as part of the Merrie Melodies series, and stars Daffy Duck.
Wile E. Coyote and the Road Runner are a duo of cartoon characters from the Looney Tunes and Merrie Melodies series of animated cartoons, first appearing in 1949 in the theatrical short Fast and Furry-ous. In each film, the cunning, devious and constantly hungry coyote repeatedly attempts to catch and eat the roadrunner, but is humorously unsuccessful. Instead of using animal instinct, the coyote deploys absurdly complex contraptions to try to catch his prey. They comically backfire, with the coyote often getting injured in slapstick fashion. Many of the items for these contrivances are mail-ordered from a variety of companies implied to be part of the Acme Corporation. TV Guide included Wile E. Coyote in its 2013 list of "The 60 Nastiest Villains of All Time".
Looney Tunes: Back in Action is a 2003 American live-action/animated comedy film produced and distributed by Warner Bros. Pictures. It is the second fully original theatrical feature film in the Looney Tunes franchise, and was directed by Joe Dante from a screenplay by Larry Doyle. Brendan Fraser, Jenna Elfman, and Steve Martin star in the film; Timothy Dalton, Heather Locklear, and Bill Goldberg appear in supporting roles, while Joe Alaskey leads the voice cast. Its plot, which parodies action and spy film conventions, follows Bugs Bunny and Daffy Duck (Alaskey) as they become intertwined in a plot by the ACME Chairman (Martin) to transform the world's population into subservient monkeys using the Blue Monkey diamond. They accompany aspiring stuntman DJ Drake (Fraser) and Warner Bros. executive Kate Houghton (Elfman) on their journey to thwart the Chairman's plot, which doubles as a mission to rescue the former's abducted father, Damian (Dalton).
Warner Bros. Animation Inc. is an American animation studio which is part of the Warner Bros. Television Group, a division of Warner Bros. Entertainment, which is a subsidiary of Warner Bros. Discovery and serves as the animation division and label of Warner Bros.
A Wild Hare is a 1940 American animated comedy short film directed by Tex Avery, produced by Leon Schlesinger, and distributed by Warner Bros. as part of the Merrie Melodies series. The film was released on July 27, 1940, and features Elmer Fudd and Bugs Bunny, the latter making what is considered his first official appearance.
Hare Trigger is a 1945 Merrie Melodies cartoon directed by Friz Freleng. The cartoon was released on May 5, 1945, and features Bugs Bunny. The short featured the first appearance of Yosemite Sam, as well as the first short to credit (almost) the whole animation staff who worked on the short.
The Bugs Bunny/Road Runner Movie is a 1979 American animated comedy package film directed by Chuck Jones, consisting of a compilation of classic Looney Tunes/Merrie Melodies shorts and newly animated bridging sequences hosted by Bugs Bunny. The bridging sequences, which had been produced in 1978, show Bugs at his home, which is cantilevered over a carrot-juice waterfall. The film was released to celebrate the 40th anniversary of Bugs Bunny.
(Blooper) Bunny is a Merrie Melodies animated short film directed by Greg Ford and Terry Lennon, with music by George Daugherty, produced in 1991 by Warner Bros. Animation. Featuring the voice talents of Jeff Bergman, Gordon Hunt, and Russell Calabrese, the short is a parody of some of the specials produced for Bugs Bunny's 50th anniversary the previous year. The short never received its intended theatrical release and was shelved for six years. It was finally given a television premiere on June 13, 1997, after Cartoon Network discovered the film sitting unseen in the vaults. It is featured on the Looney Tunes Golden Collection: Volume 1 as of 2003.
Invasion of the Bunny Snatchers is a Bugs Bunny cartoon written and directed by Greg Ford and Terry Lennon and produced by Ford, released in 1992. The cartoon was intended for theatrical release, but eventually aired as part of the television special Bugs Bunny's Creature Features on CBS. Its premise is modeled after the 1956 film Invasion of the Body Snatchers, and it is considered subversive and a lampoon of cheaply drawn animation.
Virgil Walter Ross was an American artist, cartoonist, and animator best known for his work on the Warner Bros. animated shorts including the shorts of legendary animator Friz Freleng.
Daffy Duck and Porky Pig Meet the Groovie Goolies is a 1972 American animated one-hour television movie that was broadcast on ABC on December 16, as an episode of the anthology series The ABC Saturday Superstar Movie. In this Filmation-produced movie, Daffy Duck, Porky Pig, and other Looney Tunes characters interact with the characters from the Filmation series Groovie Goolies.
Looney Tunes Cartoons is an American animated television series developed by Pete Browngardt and produced by Warner Bros. Animation, based on the characters from Looney Tunes and Merrie Melodies. The series made its worldwide debut at the Annecy International Animation Film Festival on June 10, 2019, and premiered on HBO Max on May 27, 2020.
Bugs Bunny in King Arthur's Court is a 1978 animated television special directed by Chuck Jones. The special is based on Mark Twain's novel A Connecticut Yankee in King Arthur's Court, and features the Looney Tunes characters Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd and Yosemite Sam. It marks the first use of Sam in a Jones-directed short or special, before From Hare to Eternity 19 years later in 1997.
The Kodak Teen-age Movie Award Winners... Where Are They Now?: When Joe Adamson won a second prize in the 1964 Kodak Teenage Movie Awards, he remembers that he had just "given up" film making at the tender age of 18. Ten years later, he has studied, taught and written about film professionally. And together with two fellow teen movie graduates—Jim Morrow and Dave Stone—who worked with him on his '64 winner, he recently completed the combination animation-live action film, A Political Cartoon, being distributed by The Creative Film Society. Adamson, who says his teen award "sort of convinced me I could do things," came out of his early retirement from film to attend UCLA where In the Mist of Life, one of the "slew" of films he made as a student, was rated "film poetry of the highest order" by the Los Angeles Free Press.
A POLITICAL CARTOON 22 min., color, apply sale, $ 20.00 rental, Prod. 1973, Rel. 1974. Director: James Morrow and Joe Adamson. Distributor: Creative Film Society. Producer: Morrow & Adamson. Writer: Morrow & Adamson. Camera: John O'Connor. Music: Harry Buch.
Seven years later, Joe, Dave, and I collaborated on another satiric sally against the American republic, A Political Cartoon, a 16mm short presently available on home video (Kino on Video), and in retrospect I see it as a ritualized attempt to rekindle our old Man Who Owned America collaboration and maybe get it right this time.
Joe Adamson is the author of a current book on the Marx Brothers (Groucho, Harpo, Chico and Sometimes Zeppo) and a forthcoming book on Tex Avery, as well as being a prize-winning filmmaker (A Political Cartoon).
In 1972, three able young filmmakers went about creating a short film about what would happen if the American public elected a cartoon character for president. This idea was concocted during a tumultuous time in our history, and these young lads were inventive and playful. The result was A Political Cartoon, written and directed by Joseph Adamson and Jim Morrow. David Stone was an aspiring animator who was responsible for designing the character Peter President, as well as other sundry cartoon characters. The filmmakers got permission for Bugs Bunny to appear in the film, and Mel Blanc graciously added his voice. The film was self-produced and minimally financed, and there was a sparse amount of sound effects added. Certainly, there was no Foley. The young men had probably not ever heard the term Foley at that point. The sound effects added were basic and supported the humor of the piece.
The notion of a decrepit-looking Bugs persisting into the year 2000 would likely have been amusing to the artists who produced The Old Grey Hare, a film that was made in the 1940s when the rabbit was (in cinematic terms) just a few years old and by no means assured of such a legacy. Over time, however, Warner Bros. has become increasingly cautious about such humor. For instance, the co-directors of the independent film A Political Cartoon (1974) note that, even in the 1970s, there were already concerns about addressing the potential repercussions of Bugs's longevity: "One of our favorite gags was the idea of a well-known cartoon character behind the scenes... [gazing] skyward with wrinkled eyes and [reminiscing] about the old days... Our first script had... a withered and weathered Bugs, wheezing in an old chair [like Joseph Cotten as Jedediah Leland in Citizen Kane (1941)], peering over his dark glasses and prodding his febrile memory for recollections of tranquility: "Sometimes I see our old films on the TV.... I like to see us, so young and everything.... It's hard to remember back that far." Although Bugs does appear briefly in the finished version—a rare example of a post-studio-era production that managed to get the star on a loan-out—the directors note that their plans for the above scene were politely, but firmly, denied. The New York Warner Bros. office "sent us a very nice letter informing us that they could not allow 'an ageless Bugs Bunny aged' in a movie that children might see".
After college, we collaborated again on A Political Cartoon (1974), a short film shot in 16mm, which I co-directed with Jim Morrow. Dave and I were in the editing room when the time came to cut the sound effects track for a crucial scene: An animated cartoon character had been deprived of his vital India Ink. He was catatonic, and as close to death as a cartoon character could be, so his desperate creators had to improvise an ink transfusion. It was Dave's idea to begin the process simply, by dropping in existing sound from outtakes, adding that to the sync production sound, which never would have occurred to me. While working as an inbetweener at a Hollywood animation studio, Hanna-Barbera, Dave got involved professionally with sound editing and became a different kind of artist, creating funny combinations of sounds.